The Basics of Color
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American Abstract Expressionism
American Abstract Expressionism Cross-Curricular – Art and Social Studies Grades 7–12 Lesson plan and artwork by Edwin Leary, Art Consultant, Florida Description Directions This project deals with the infusion between Art History Teacher preparation: and Art Making through American Abstract Expressionism. Gather examples of artists that dominated this movement, American Abstract Expressionism is truly a U.S. movement that display them in the Art Room with questions of: Who uses emphasizes the act of painting, inherent in the color, texture, organic forms? Dripped and splashed work? Why the highly action, style and the interaction of the artist. It may have been colored work of Kandinsky? Why the figurative aspects of inspired by Hans Hofmann, Arshile Gorky and further developed DeKooning? by the convergence of such artists as Jackson Pollack, William With the students: DeKooning, Franz Kline, Mark Rothko and Wassily Kandinsky. 1 Discuss the emotions, color and structure of the displayed Objectives artists’ work. Discuss why American Abstract Expressionism is less about • Students can interactively apply an art movement to an art 2 process-painting. style than attitude. • This art-infused activity strengthens their observation and 3 Discuss why these artists have such an attachment of self awareness of a specific artist’s expression. expression as found in their paintings yet not necessarily found in more academic work? Lesson Plan Extensions 4 Gather the materials and explain why the vivid colors of Apply this same concept of investigation, application and art Fluorescent Acrylics were used, and what they do within a making to other movements or schools of art. -
Cohills Earth Tonechemical Stains
TECHNICAL BULLETIN CPSET1013 COHILLS® EARTH TONE CHEMICAL STAINS Cohills® Earth Tone Chemical Stains create a unique look giving concrete visual character which cannot be achieved by using a conventional polymer or pigment type stain. When placed on a cementitious surface, the single component coloring solution of acidic metallic ion particles (acid stain), chemically react with the particles in the cement (free alkali) to form oxides. Typical paint or coating stains cover up the concrete, while chemical stains infuse the color into the surface to become a permanent part of the substrate which will not crack, chip, fade or peel. The resulting effect creates a translucent, varie- gated effect, showcasing the character of the substrate. Depending upon the cement content, age, po- rosity and manner in which hydration took place, the chemical stain will react differently every time. These variables cause broad drifts in color and mottled surface effects which are not considered defects, they are the reason for it’s inherent beauty. Walkways, driveways, patios, pool decks and more, can benefit by the use of Cohills® Earth Tone Chemical Stains whether it is a new or existing substrate. Product Availability & Coverage Typical Uses continued ● Cohills® Earth Tone Chemical Stains is avail- ● Artistic and graphic effects are limitless with Co- able in 1 gallon containers hills® Earth Tone Chemical Stains and de- pending on your application technique, multiple ● Available in 10 colors: colors can be used for more interesting effects. Application of the stain in a more intense or sub- Ebony Sage dued color offers new areas of profit and value. -
Zoning Ordinance: Chapter 23. US Hwy 36 Overlay Zoning District
AVON ZONING ORDINANCE CHAPTER 23. REVISION HISTORY CHAPTER 23. US 36 OVERLAY ZONING DISTRICT Plan Commission Town Council Ordinance # Description Approval Date Adoption Date Chapter 23: Adoption of Chapter 23 US 36 Overlay 2008-01 12-17-07 02-14-08 Zoning District Prohibited Uses and Special Exceptions consolidated into 2010-20 09-27-10 10-14-10 Chapter 27: Permitted Use Table. 2011-10 05-23-11 06-09-11 Section 18(4)(A): Waiver Process & Standards 2013-24 11-18-13 12-05-13 Section 23-3: Applicability to Existing Development Town of Avon, Indiana 1. Town Ordinance 2002-14 AVON ZONING ORDINANCE CHAPTER 23. US HWY 36 OVERLAY ZONING DISTRICT Section 23-1. Purpose Section 23-2. Boundaries Section 23-3. Applicability to Existing Development Section 23-4. Green Design Section 23-5. Uses SEE Chapter 27: Permitted Use Table Section 23-6. Accessory Buildings and Uses Section 23-7. Properties with Agricultural Zoning Section 23-8. Minimum Lot Size Section 23-9. Setbacks Section 23-10. Building Height Section 23-11. Utility Lines Section 23-12. Parking and Loading Section 23-13. Drive-Throughs Section 23-14. Access to Individual Tracts Section 23-15. Landscaping Section 23-16. Signs Section 23-17. Exterior Lighting Section 23-18. Architectural Design Requirements Section 23-19. Trash and Recycling Section 23-1. Purpose The purpose of the US Highway 36 Overlay Zoning District is to promote and protect the public health, safety, comfort, convenience, morals and general welfare by providing consistent and coordinated standards for properties adjacent to or near the US Highway 36 Corridor in Avon, Indiana. -
Color Basics Using a Color Wheel
Color Basics When mixing your own colors, it’s important to have a basic knowledge of color relationships. The primary colors (red, yellow, and blue) are the three basic colors that all other colors derive from, and they can’t be created by mixing any other colors. Each combination of two primary colors results in a secondary color (purple, green, and orange), and a combination of a primary and a secondary color results in a tertiary color (such as red-orange or yellow-green). Another term you’ll want to become familiar with is hue, which refers to the color group or family (such as red) rather than the specific color (such as alizarin crimson and cadmium red light, which are both of a red hue). Using a Color Wheel The color wheel demonstrates color relationships and will help you choose, mix, and use colors effectively. Any two colors directly across from each other on the color wheel—like yellow and purple or orange and blue— are complementary colors, and any groups of colors that are adjacent on the wheel—such as red, red- orange, and orange—are analogous colors. UNDERSTANDING THE COLOR WHEEL A color wheel is a convenient visual aid that helps you immediately identify primary, secondary, and tertiary colors, as well as complementary and analogous colors. www.walterfoster.com Permission to reproduce and distribute this page has been granted by the copyright holder, Walter Foster Publishing. All rights reserved. Color Psychology Colors are also often identified in terms of “temperature”—that is, colors can be classified as being either “warm” or “cool,” and each temperature can express moods as well as seasons. -
Color Chart.Pdf
® Finishing Products Division of RPM Wood Finishes Group Inc. Color Chart The Original Touch Up Company™ Made in the USA Color Chart ® Finishing Products Division of RPM Wood Finishes Group, Inc. Index Aerosols 1-5 Ultra® Classic Toner & Tone Finish Toner 1-3 Colored Lacquer Enamel 3-5 Shadow Toner 5 Touch-Up Markers/Pencils 5-15 Ultra® Mark Markers 5-9 3 in 1 Repair Stick 9 Pro-Mark® Markers 9-10 Quik-Tip™ Markers 10-11 Background Marker Touch-Up & Background Marker Glaze Hang-Up 11-13 Artisan Glaze Markers 13 Vinyl Marker Glaze Hang-Up 14 Brush Tip Graining Markers 14 Accent Pencils 15 Blend-Its 15 Fillers 15-29 Quick Fill® Burn-In Sticks 15-16 Edging/Low Heat Sticks 16 E-Z Flow™ Burn-In Sticks 16-17 PlaneStick® Burn-In Sticks 17-18 Fil-Stik® Putty Sticks 18-25 Hard Fill & Hard Fill Plus 25-27 PermaFill™ 27 Epoxy Putty Sticks 27-28 Patchal® Puttys 28-29 Knot Filler 29 Fil-O-Wood™ Wood Putty Tubes 29 Color Replacement 30-31 Blendal® Sticks 30 Sand Thru Sticks 30-31 Blendal® Powder Stains 31 Bronzing Powders 31 Dye Stains 32 Ultra® Penetrating & Architectural Ultra® Penetrating Stain 32 Dye Concentrate 32 Pigmented Stains 32-34 Wiping Wood™, Architectural Wiping Stain & Wiping Wood™ Stain Aerosols 32-33 Designer Series Stain, Designer Series Radiant Stain 33-34 Glazes 34 Finisher’s Glaze™ Glazing Stain & Aerosols 34 Break-A-Way™ Glaze & Aerosols 34 Leather Repair 35-37 E-Z Flow™ Leather Markers 35 Leather/Vinyl Markers 35 Leather/Vinyl Fil Sticks 35-36 Leather Repair Basecoat Aerosols 36 Leather Repair Toner Aerosols 36 Leather Repair Color Adjuster Aerosols 37 Touch Up Pigment 37 Leather Refinishing 37 Base Coat 37 NOTE: COLORS ARE APPROXIMATE REPRESENTATIONS OF ACTUAL COLORS USING MODERN PROCESS TECHNIQUES. -
My Art Adventure Rv 2
Understanding The Color Wheel What is a color wheel? A color wheel is a painting tool artists use to help understand the relationships between individual colors and how to best use them. By name, each color is as follows: red, red-purple, purple, blue-purple, blue, blue-green, green, yellow-green, yellow, yellow-orange, orange, and orange red. Sometimes, colors have more common names like “turquoise” for blue-green, and “magenta” for red-purple. Primary Colors Primary colors are the building blocks that make all the other colors on the wheel. Here on our color diagram we can see the 3 primary colors. We know them as red, yellow, and blue. Fun fact:Did you know that you can create ANY color you need from mixing red, yellow, or blue paint? The primary colors on the color wheel are the most powerful colors. Yellow is the brightest color on the wheel while red and blue have been known as “power colors”. That’s why fast-food restaurants like McDonald’s use red and yellow in its logo - so you can see it from far away! Secondary Colors A secondary color is a combination of 2 primary colors. There are 3 secondary colors on our wheel - green, orange and purple. Here is a summary of how to create the secondary colors: Tertiary Colors Tertiary colors are the last addition to our wheel. Tertiary colors are a mixture of a primary color and a secondary color. Each tertiary color is named from a combination of the primary and secondary colors, like yellow- green. -
The Beginnings of a Beginner's Guide to Color Theory by Laura Bracken ([email protected])
The Beginnings of a Beginner's Guide to Color Theory By Laura Bracken ([email protected]) We're only going to scratch the surface today. Color in design is an intimidating (for me) and possibly overwhelming subject. There's SOOO much ground to cover and so many ideas, all with tangents and paths and differing opinions. So let's begin… Remember in school, the "Primary Colors"? Red, Blue, and Yellow. The theory was, with these colors you can make ANY color. ☺ How exciting! My first introduction to the "alternate" Primary Colors came about the first time I went to change the ink cartridge on my color printer. Egads! It's Magenta, Cyan, and Yellow!!! How can my printer make ALL the colors if it's not even using the primary colors as a base?!?!? And so I learned about "four color ink printing" (black is the 4th). These new colors actually produce more variety and more intense colors. Go figure. Now we'll discuss basic mixing. I'll use typical color theory terminology when applicable so you will know these words when you see them again, used in other things. So a "Primary Color" is one either: red, blue, yellow or magenta, cyan, yellow. A "Secondary Color" then, is when equal amounts of two primary colors are mixed together: Sorry, some of my desired colors weren't available in the software in which I made these pie-charts, so I had to draw the colors in later. Hmph! A "shade" is when you darken any given color, and a "tint" is when you lighten one. -
Unicolour 600 2K Solid Tinters
A DIVISION OF CHILMIX PTY LIMITED A.B.N 28 069 967 362 Lot 40. Charles Street, St Marys NSW 2760 P.O Box 994, St Marys, NSW 1790 Sydney, Australia Phone: +61 2 9673 2555 Fax: + 61 2 9623 1918 UNICOLOUR 600 2K SOLID TINTERS TINTER MASSTONE CHARACTERISTICS 601 • Red undertone. • Bluish tone in whites. BLACK • Redder and milkier then 610. • Suitable for making whites and pastels greyer. • Not recommended for use in bright colours containing no white. 602 • Green undertone. • In whites it is greener then 603. BLUE • Greener then 603. • Recommended for light blue to medium blue colours. • Mix with 601 to make dark blue colours. 603 • Slightly red undertone. • In whites it is redder then 602. BRIGHT BLUE • Redder and cleaner then 602. • Recommended for medium to bright clean blue colours. • Mix with 601 to make dark blue colours. 604 • Red tone yellow. • Red yellow in whites, slightly dirtier then 651. BRIGHT GOLD • Transparent. • Not recommended for straight yellow colours. • Redder then 651. • Reddest undertone of all yellows. 605 • Bright red with orange tone. • Ideal for the formulation of bright red colours. BRIGHT RED • Redder then 653. • Mix with 653 to make yellower, and 625 or 622 to make bluer. 610 • Blue tone black. • Yellowish tone in whites. DEEP BLACK • Bluer then 601. • Produces a jet black finish. 613 • Brownish maroon. • Dirty blue tone red in white, bluer then 620. DEEP MAROON • Suited to the formulation of maroon and brown colours. 615 • Blue undertone. • Suited to making both light and dark shades of GREEN • Bluer then 621. -
Color Theory for Photographers As Photographers, We Have a Lot of Tools Available to Us: Compositional Rules, Lighting Knowledge, and So On
Color Theory for Photographers As photographers, we have a lot of tools available to us: compositional rules, lighting knowledge, and so on. Color is just another one of those tools. Knowing and understanding color theory — the way painters, designers, and artists of all trades do — a photographer can utilize color to their benefit. Order of colors This may cause some flashbacks to elementary school art class, but let’s start at the beginning: The orders of colors. There are three orders: Primary, Secondary, and Tertiary colors. The primary colors are red, yellow, and blue. That is to say, they are the three pure colors from which all other colors are derived. If we take two primary colors and add combine them equally, we get a secondary color. Finally, a tertiary color is one which is a combination of a primary and secondary color. Primary Colors: Red, yellow, and blue are what we call “pure colors.” They are not created by the combining of other colors. Secondary Colors: A 50/50 combination of any two primary colors. Example: Red + Yellow = Orange. Tertiary Colors: A 25/75 or 75/25 combination of a primary color and secondary color. Example: Blue + Green = Turquoise. Now, how do the orders of colors help a photographer? Well, by knowing the three orders, we can make decisions about which colors we want to show in frame. The Three Variables of Color Now that we’ve been introduced to the orders of the colors, let’s look at their variables. Let’s start with hue. Hue Hue simply is the shade or name of the color. -
Cedar Draw Estates Supplement 11-24-2003
SUPPLEMENTAL DECLARATION OF PROTECTIVE COVENANTS AND RESTRICTIONS FOR CEDAR DRAW ESTATES. RECITALS INTRODUCTION. This Supplemental Declaration is made as of the date of its execution by Summit Ranch J.V., a California General partnership (“Declarant”). A. PURPOSE OF COVENANTS It is the intention of Summit Ranch, J.V. expressed by its execution of this instrument, that the property within Cedar Draw Estates consisting of 36 residential Lots and more specifically described in Exhibit A attached hereto and referred to herein as “Cedar Draw Estates,” shall be developed and maintained as a highly desirable residential area. To that end, Cedar Draw Estates is subject to all of the terms and conditions of that certain Master Declaration of Conditions and Restrictions for Sun Peak, Summit County, Utah executed by Declarant the 17th day of June 1992 and recorded as Instrument No. 360955 in Book 668 beginning at page 485 of the Official Records of Summit County, State of Utah (“Master Declaration”) and shall be additionally subject to the terms and conditions of this Supplemental Declaration. Provisions of this Supplemental Declaration are in addition to, not in substitution of, the terms of the Master Declaration including, but not limited to the Design Guidelines attached thereto. 1 BOOK 762 PAGE 397 B. DECLARATION BINDING. Declarant, as owner of all of Cedar Draw Estates, hereby declares that the property described in Exhibit A hereto and every part thereof is held and shall be held, conveyed, devised, leased, rented, encumbered, used, occupied, improved and otherwise affected in any manner subject to the provisions of this Supplemental Declaration in addition to the provisions of the Master Declaration, each and all of which provisions are hereby declared to be in furtherance of the general plan and scheme of ownership referred to herein and are further declared to be for the benefit of Cedar Draw Estates and every part thereof and for the benefit of each Owner thereof. -
Cerakote Color Chart
ELITE SERIES RESTORE. PROTECT. CUSTOMIZE. ® We’ve Taken H-Series To The Next Level. ////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// WHY CHOOSE ∙ Increased Abrasion, Corrosion and Chemical Resistance ® ∙ Very Low Coefficient of Friction, Rivaling Teflon ELITE? ∙ Engineered For A Distinctive High-End Look and Feel E-100 BLACKOUT E-110 MIDNIGHT E-120 SMOKE E-160 CONCRETE E-140 JUNGLE E-130 EARTH E-150 SAND E-170 COYOTE M17 TAN FINISH STRONG E-190 “20150” E-200 FDE Cerakote Elite Series is available in 10 modern, earth-tone colors that can be mixed or patterned to create custom, high-performance finishes. Available exclusively at Cerakote.com. ////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Cerakote Elite Features World-Class Performance: • Easy application, single coat, and oven cured. COLOR CHART • Compatible with more substrates than any other competitive finish. • Distinctive high-end look and feel that you have to experience to believe. • Most durable, thin-film coating in the world. Visit Cerakote.com to: ELITE ∙ H-SERIES • Find a local Factory Trained Certified Applicator • Get inspired by browsing thousands of projects in our extensive online gallery • View ASTM test results and other videos • Download Application Guides, Tech Data Sheets *PLEASE NOTE: Every effort has been made to accurately represent the colors shown in this THE UNRIVALED LEADER IN THIN-FILM brochure. Colors may vary upon lighting conditions. Due to limitations of the printing process, and SDS Documents printed color samples may not be 100% accurate in representing the true coating color. This product is subject to the limited warranty granted by NIC Industries, Inc. and other terms and conditions in effect at the time of purchase. -
Color Theory
Let’s take a look at the Color Wheel Color Schemes and Color Values • Learning to mix colors is important. • Knowing the placement of colors on the color wheel will help you mix colors and help you decide which colors to add to your painting or drawing! • Your choice of color schemes can make a big difference in the success of your project. • The primary colors are red, yellow, and blue. • These colors can be combined to create secondary colors…green, violet, and orange. • Red plus blue will make violet. • Yellow plus blue will make green. • Red plus yellow will make orange. • mixed with will make . • mixed with will make . • mixed with will make . PRIMARY COLORS CANNOT BE MADE FROM OTHER COLORS Secondary colors can be created from primary colors. POINTILLISM George Seurat ( December 2,1859 – March 29,1891) developed a painting technique called pointillism, where dots of pure color are positioned next to each other on a canvas. From a distance, the colors appear to mix and create new colors. Tertiary Colors A tertiary color is a color made by mixing one primary color with one secondary color. Warm colors seem to move toward the viewer in a painting Warm colors are red, pink, orange and yellow. This family of colors is called warm because they remind you of warm things like the sun or fire. Cool colors seem to recede, or move away in a painting Cool colors remind us of cool things like the ocean or winter sky. They include blue, violet and green. Georgia O'Keeffe (November 15, 1887 – March 6, 1986) Warm Color Scheme Cool Color Scheme consist of different values (tints and shades) of one single color.