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An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
Free Views Tiktok
Free Views Tiktok Free Views Tiktok CLICK HERE TO ACCESS TIKTOK GENERATOR tiktok auto liker hack In July 2021, "The Wall Street Journal" reported the company's annual revenue to be approximately $800 million with a loss of $70 million. By May 2021, it was reported that the video-sharing app generated $5.2 billion in revenue with more than 500 million users worldwide.", free vending machine code tiktok free pro tiktok likes and followers free tiktok fans without downloading any apps The primary difference between Tencent’s WeChat and ByteDance’s Toutiao is that the former has yet to capitalize on the addictive nature of short-form videos, whereas the latter has. TikTok — the latter’s new acquisition — is a comparatively more simple app than its parent company, but it does fit in well with Tencent’s previous acquisition of Meitu, which is perhaps better known for its beauty apps.", In an article published by The New York Times, it was claimed that "An app with more than 500 million users can’t seem to catch a break. From pornography to privacy concerns, there have been quite few controversies surrounding TikTok." It continued by saying that "A recent class-action lawsuit alleged that the app poses health and privacy risks to users because of its allegedly discriminatory algorithm, which restricts some content and promotes other content." This article was published on The New York Times.", The app has received criticism from users for not creating revenue and posting ads on videos which some see as annoying. The app has also been criticized for allowing children younger than age 13 to create videos. -
Blu-Raydefinition.Com » X — the Unheard Music: Silver Edition Blu-Ray
Blu-rayDefinition.com » X — The Unheard Music: Silver Edition Blu-ray... http://www.blu-raydefinition.com/reviews/x-the-unheard-music-silver-edi... User Name Remember Me? Password Register Blu-rayDefinition.com Home News Reviews Hardware Contact Forum Community Movie Genre 20th Century Fox (91) 2L (5) A&E (15) ABC Family (1) ABC Studios (1) Accentus (7) Action (283) Adult Swim (2) Adventure (62) AIX (2) Anchor Bay Entertainment (39) Animation (157) Anime (82) Art House (44) Arthaus Musik (12) Artificial Eye (8) Asian Cinema (55) Astronomy (4) Australian (1) Automotive (4) Avant-garde (8) Ballet (15) BBC (41) Bel Air Classiques (1) BFI (31) Biopic (33) Blu-ray 3D (20) Blu-ray Audio (18) Blues (1) Bounty Films (2) British (52) 1 of 22 1/4/2012 2:20 PM Blu-rayDefinition.com » X — The Unheard Music: Silver Edition Blu-ray... http://www.blu-raydefinition.com/reviews/x-the-unheard-music-silver-edi... C Major (16) Capitol Records (2) Cartoon Network (4) Chamber Music (1) Chelsea Cinema (1) Choral/Oratorio (1) Classic Rock (3) Classical Music (85) Columbia Pictures (2) Columbia Records (1) Comedy (208) Comedy Central (2) Comic Books/Graphic Novels (19) Concert/Music (75) Crime (109) Criterion (50) Czech Language (1) Dacapo (1) Dance (16) Dark Comedy (20) Dark Sky Films (1) Demoscene (1) Dimension Films (2) Direct-to-Video (8) Discovery Channel (1) DisneyNature (3) Docudrama (31) Documentary (84) Drama (416) DreamWorks (6) Eagle Rock (32) Educational (19) Entertainment One (3) Environmental (1) Erotic (16) Eureka Entertainment (18) EuroArts (8) Exploitation (8) Fairy Tales (3) Family (34) Fan Service (2) Fantasy (96) Foreign (117) Fox Searchlight (9) French Language (22) French New Wave (8) Funimation (65) Fusecon (1) FX (1) German Language (1) Gospel/Christian Contemporary (1) 2 of 22 1/4/2012 2:20 PM Blu-rayDefinition.com » X — The Unheard Music: Silver Edition Blu-ray.. -
Exhibit O-137-DP
Contents 03 Chairman’s statement 06 Operating and Financial Review 32 Social responsibility 36 Board of Directors 38 Directors’ report 40 Corporate governance 44 Remuneration report Group financial statements 57 Group auditor’s report 58 Group consolidated income statement 60 Group consolidated balance sheet 61 Group consolidated statement of recognised income and expense 62 Group consolidated cash flow statement and note 63 Group accounting policies 66 Notes to the Group financial statements Company financial statements 91 Company auditor’s report 92 Company accounting policies 93 Company balance sheet and Notes to the Company financial statements Additional information 99 Group five year summary 100 Investor information The cover of this report features some of the year’s most successful artists and songwriters from EMI Music and EMI Music Publishing. EMI Music EMI Music is the recorded music division of EMI, and has a diverse roster of artists from across the world as well as an outstanding catalogue of recordings covering all music genres. Below are EMI Music’s top-selling artists and albums of the year.* Coldplay Robbie Williams Gorillaz KT Tunstall Keith Urban X&Y Intensive Care Demon Days Eye To The Telescope Be Here 9.9m 6.2m 5.9m 2.6m 2.5m The Rolling Korn Depeche Mode Trace Adkins RBD Stones SeeYou On The Playing The Angel Songs About Me Rebelde A Bigger Bang Other Side 1.6m 1.5m 1.5m 2.4m 1.8m Paul McCartney Dierks Bentley Radja Raphael Kate Bush Chaos And Creation Modern Day Drifter Langkah Baru Caravane Aerial In The Backyard 1.3m 1.2m 1.1m 1.1m 1.3m * All sales figures shown are for the 12 months ended 31 March 2006. -
Aaron Harrison
Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Library of Congress Washington, D.C. ) In re ) ) DETERMINATION OF ROYALTY ) DOCKET NO. 14-CRB-0001-WR RATES AND TERMS FOR ) (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF SOUND ) RECORDINGS (WEB IV) ) ) TESTIMONY OF AARON HARRISON Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. PUBLIC VERSION Witness for SoundExchange, Inc. PUBLIC VERSION BACKGROUND 1. I am Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. (“UMG Recordings”), a position I have held since 2013. UMG Recordings, Inc. is the primary recorded music company in the United States for the Universal Music Group. Universal Music Group (hereafter, “Universal”) is the colloquial name for the group of music related companies owned by Vivendi S.A. Together, these companies comprise the world’s largest recorded music company. Along with other members of the Business & Legal Affairs team in the Global Digital Business department, I negotiate deals with various digital music services that use Universal’s repertoire of sound recordings. Such services include on-demand and customized streaming services, download and ringtone stores, locker services, and various types of subscription services. I have negotiated deals on Universal’s behalf for the past nine years. During that time, I have negotiated more than 100 agreements with digital music services. 2. Prior to assuming my current position, I was Vice President, Business & Legal Affairs, eLabs, UMG Recordings. I began my employment with UMG Recordings in 2005 as Director, Business & Legal Affairs, eLabs. Prior to joining UMG Recordings, I was an attorney with the law firm Manatt, Phelps & Phillips, LLP, where my practice focused primarily on talent representation and advising companies in the acquisition of intellectual property and branded entertainment rights. -
Capitol Records Copyright
ALERT DECEMBER 2018 Music to Copyright Owners' Ears: Second Circuit Affirms Capitol Records, LLC v. ReDigi Inc. A federal appeals court finds that online music service ReDigi infringed Capitol Records' copyrights by allowing users to resell legally purchased iTunes files. Digital music files may not be lawfully resold, according to a recent holding by the U.S. Court of Appeals for the Second Circuit in Capitol Records, LLC v. ReDigi Inc., Case No. 162321. On December 12, 2018, the Second Circuit affirmed the district court's ruling that the defendants' Internet platform, which enables users to resell digital files lawfully purchased from iTunes, infringed the plaintiffs' exclusive rights to reproduce their works. Critical to the Second Circuit's decision was the fact that, despite deleting previous copies throughout the course of transferring the digital music files, each transfer fixed the file in a new material object. Thus, each transfer to ReDigi's server and each new download to their device creates "new phonorecords." Relying on the district court's analysis, the Second Circuit buttressed its finding of infringement with support from the U.S. Copyright Office's 2001 conclusion that the resale of digital files is infringing. Finding the unlawful reproduction alone a sufficient basis to affirm, the court made no ruling on whether the distribution of digital files also constituted infringement. Turning to the defenses, the Second Circuit held that the first sale doctrine does not apply to reproduction rights. The court also held that ReDigi's system is not protected by the fair use doctrine because the defendants were commercially motivated, made no changes to the copyrighted works, used the entire works, and resold the digital music files in the same market as the copyright owners. -
USA News: ART Created at 2016-09-29 12:19
Announcement USA news: ART 88 articles, created at 2016-09-29 12:19 1 Libertarian candidate Gary Johnson can’t name foreign leader he admires — RT America Libertarian presidential candidate Gary Johnson could not name a foreign leader he (4.36/5) admires, w hen asked during a televised tow n hall meeting. 2016-09-29 02:36 1KB www.rt.com 2 15 rescued from landslide caused by Typhoon Megi, but others missings Rescuers have pulled 15 people alive from a landslide that slammed into a village in China's eastern Zhejiang province after a typhoon but 32 people are still missing there (3.63/5) and in another nearby village, state media said on Thursday. ... 2016-09-29 03:31 840Bytes article.wn.com 3 Philadelphia man fatally shot by police after stabbing 8- year-old son, wounding four others (2.16/5) A motive for the grisly stabbings w as not immediately know n. 2016-09-29 01:05 2KB feeds.nydailynews.com 4 Samsung in talks with US regulator on washing machine safety issues (2.16/5) Samsung said it w as w orking w ith a U. S. consumer product safety regulator to address safety issues related to some of its w ashing machines. 2016-09-28 23:21 1KB www.cnbc.com 5 World briefs: OPEC agrees to cut oil production for first time in 8 years OPEC agreed Wednesday to cut production for the first time in eight years, according (2.09/5) to a delegate briefed on the matter, sending oil prices more than 6 percent higher as Saudi Arabia and Iran w rong-footed traders w ho expected a continuation of the pump- at-w ill policy the.. -
Strategic Management Can New Players Still Compete with the Giants?
Master Thesis Business Administration – Strategic Management Can new players still compete with the giants? Analyzing the creation of new platforms and how their strategies change overtime in the music platform industry Author: Maikel Coeleman Student number: S4357736 Supervisor: Dr. S. Khanagha Second examiner: Dr. G.W. Ziggers Date: 25-8-2018 1 Table of contents 1. Introduction ......................................................................................................................................... 4 1.1 Problem Statement ....................................................................................................................... 5 1.2 Relevance ...................................................................................................................................... 8 1.3 Outline Thesis ................................................................................................................................ 9 2. Theoretical background ..................................................................................................................... 10 2.1 How to deal with the dilemmas of platform creation ................................................................. 10 2.2 Roger’s diffusion of innovations .................................................................................................. 10 2.3 First-, second- & late-movers ...................................................................................................... 17 3. Methodology .................................................................................................................................... -
Media, Entertainment and Technology Group - 2017 Year-End Update
January 19, 2018 MEDIA, ENTERTAINMENT AND TECHNOLOGY GROUP - 2017 YEAR-END UPDATE To Our Clients and Friends: 2017 was a banner year in the media, entertainment, and technology industries, chock full of deals, regulatory changes, and important copyright, trademark, and First Amendment rulings. From Disney to DMCA; television royalties to mechanical royalties; fair use to the FCC; pink slime to piracy; and monkey selfies to Dr. Seuss. It was also the year of the Weinstein scandal, and the ensuing #MeToo and Time's Up movements, which have already upended the Hollywood order. In our Media, Entertainment & Technology practice group's 2017 Year-End Update, we have identified those deals, trends, and rulings that are likely to shape an equally active 2018. And building off our prior semi-annual updates, we continue to follow the arc of developments in the global streaming video industry, the pace of Chinese investment in Hollywood, and eSports, all of which continue to merit a close watch. __________________________ TABLE OF CONTENTS I. Transaction & Regulatory Overview A. M&A Watch 1. Disney Announces Purchase of 21st Century Fox 2. Discovery Purchasing Scripps 3. DOJ Tries to Block AT&T-Time Warner Merger 4. Meredith to Buy Time 5. Penske Media Takes Majority Stake in Rolling Stone Mag B. Streaming Industry Pursues a Global Presence with Original and Local Content 1. Netflix's Continued Growth 2. Amazon Expands Presence and Partnerships 3. Hulu's Breakthrough & Foray into Foreign Language Content 4. Disney Ends Netflix Deal & Announces Forthcoming Streaming Service 5. iflix's Continuing Emergence C. The China Outlook 1. -
Samuelson Clinic Files Amicus Brief in Sony V. Cox
USCA4 Appeal: 21-1168 Doc: 29-1 Filed: 06/01/2021 Pg: 1 of 43 Case No. 21-01168 _____________________________________________________________ IN THE UNITED STATES COURT OF APPEALS FOR THE FOURTH CIRCUIT ____________________________________________________ SONY MUSIC ENTERTAINMENT, ET AL., Plaintiffs-Appellees, v. COX COMMUNICATION, INC. and COXCOM, LLC, Defendants-Appellants. (see full caption on inside cover) _____________________________________________________________ BRIEF OF AMICI CURIAE ELECTRONIC FRONTIER FOUNDATION, CENTER FOR DEMOCRACY AND TECHNOLOGY, AMERICAN LIBRARY ASSOCIATION, ASSOCIATION OF COLLEGE AND RESEARCH LIBRARIES, ASSOCIATION OF RESEARCH LIBRARIES, AND PUBLIC KNOWLEDGE IN SUPPORT OF DEFENDANTS- APPELLANTS AND REVERSAL ____________________________________________________ On Appeal from the U.S. District Court for the Eastern District of Virginia Case No. 1:18-cv-950-LO-JFA Hon. Liam O’Grady _____________________________________________________________ Mitchell L. Stoltz Corynne McSherry ELECTRONIC FRONTIER FOUNDATION 815 Eddy Street San Francisco, California 94109 (415) 436-9333 [email protected] Counsel for Amici Curiae (Additional counsel listed on signature page) USCA4 Appeal: 21-1168 Doc: 29-1 Filed: 06/01/2021 Pg: 2 of 43 SONY MUSIC ENTERTAINMENT; ARISTA MUSIC; ARISTA RECORDS, LLC; LAFACE RECORDS LLC; PROVIDENT LABEL GROUP, LLC; SONY MUSIC ENTERTAINMENT US LATIN LLC; VOLCANO ENTERTAINMENT III, LLC; ZOMBA RECORDINGS LLC; SONY/ATV MUSIC PUBLISHING LLC; EMI AL GALLICO MUSIC CORP.; EMI ALGEE MUSIC CORP.; EMI APRIL MUSIC INC.; EMI BLACKWOOD MUSIC INC.; COLGEMS-EMI MUSIC INC.; EMI CONSORTIUM MUSIC PUBLISHING INC., d/b/a EMI Full Keel Music; EMI,CONSORTIUM SONGS, INC., d/b/a EMI Longitude Music; EMI FEIST CATALOG INC.; EMI MILLER CATALOG INC.; EMI MILLS MUSIC, INC.; EMI UNART CATALOG INC.; EMI U CATALOG INC.; JOBETE MUSIC CO. -
An Analysis of Capitol Records, LLC V. Redigi Inc. and a Proposal for Legislative Reform in Copyright Enabling a Secondary Market for Digital Music Nicholas Costanza
Hastings Communications and Entertainment Law Journal Volume 37 | Number 1 Article 5 1-1-2015 Digital Music Garage Sale: An Analysis of Capitol Records, LLC v. ReDigi Inc. and a Proposal for Legislative Reform in Copyright Enabling a Secondary Market for Digital Music Nicholas Costanza Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Nicholas Costanza, Digital Music Garage Sale: An Analysis of Capitol Records, LLC v. ReDigi Inc. and a Proposal for Legislative Reform in Copyright Enabling a Secondary Market for Digital Music, 37 Hastings Comm. & Ent. L.J. 135 (2015). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol37/iss1/5 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Digital Music Garage Sale: An Analysis of Capitol Records, LLC v. ReDigi Inc. and a Proposal for Legislative Reform in Copyright Enabling a Secondary Market for Digital Music by NICHOLAS COSTANZA* I. Introduction .............................................. 135 II. B ackground ......................................................................................... 138 A . ReDigi: How Does It W ork?................................ .. ............ .. .. 138 1. O verall C oncept......................................................................138 2. Applying the Text of 17 U.S.C. § 106 to ReDigi ................... 140 B. Moving Forward with ReDigi Technology and Copyright Law ... 142 III. A n aly sis...............................................................................................14 3 A. The Call for the Next Great Copyright Act...................................143 B. -
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