Tribute Volume 4, Issue 3 September 2005
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Title: Never Forget: Ground Zero, Park51, and Constitutive Rhetorics
Title: Never Forget: Ground Zero, Park51, and Constitutive Rhetorics Author: Tamara Issak Issue: 3 Publication Date: November 2020 Stable URL: http://constell8cr.com/issue-3/never-forget-ground-zero-park51-and-constitutive-rh etorics/ constellations a cultural rhetorics publishing space Never Forget: Ground Zero, Park51, and Constitutive Rhetorics Tamara Issak, St. John’s University Introduction It was the summer of 2010 when the story of Park51 exploded in the news. Day after day, media coverage focused on the proposal to create a center for Muslim and interfaith worship and recreational activities in Lower Manhattan. The space envisioned for Park51 was a vacant department store which was damaged on September 11, 2001. Eventually, it was sold to Sharif El-Gamal, a Manhattan realtor and developer, in July of 2009. El-Gamal intended to use this space to build a community center open to the general public, which would feature a performing arts center, swimming pool, fitness center, basketball court, an auditorium, a childcare center, and many other amenities along with a Muslim prayer space/mosque. Despite the approval for construction by a Manhattan community board, the site became a battleground and the project was hotly debated. It has been over ten years since the uproar over Park51, and it is important to revisit the event as it has continued significance and impact today. The main argument against the construction of the community center and mosque was its proximity to Ground Zero. Opponents to Park51 argued that the construction of a mosque so close to Ground Zero was offensive and insensitive because the 9/11 attackers were associated with Islam (see fig. -
Fear and Loathing in America After 9/11: Terrorism, Racism, and the Need for New Beginnings
ઞखഀ Fear and Loathing in America after 9/ 11: Terrorism, Racism, and the Need for New Beginnings Moustafa Bayoumi )Cspplmzo!Dpmmfhf!DVOZ* Every year after the terrorist attacks of 2001, New York City has commemorated its grievous losses from that terrible day with a kind of quiet dignity. Since September 2003, the city has lit the “Tribute in Light,” two powerful spotlight beams that soar into the night air where the World Trade Center once was1) (the “Tribute in Light” was first launched on March 11, 2002, for an initial period of one month).2) On the actual anniversary, New York has hosted a prayer service and public reading of the names of the dead. The simplicity of these gestures has endowed the day with feelings of mourning and loss, and these have been the dominant emotions in New York on 1) David W. Dunlap, “‘Tribute in Light’ Will Keep Shining, This Year and The Next,” Cityroom, The New York Times, September 10, 2001, http://cityroom.blogs. nytimes.com/2010/09/10/tribute-in-light-will-keep-shining-this-year-and-the-next/. 2) Terence Smith, “Tribute in Light,” Online News Hour, PBS.org, March 11, 2002, http://www.pbs.org/newshour/bb/terrorism/jan-june02/light_3-11.html. .PVTUBGB#BZPVNJ the anniversaries of the September 11 attacks, at least until 2010. On September 11, 2010, rage took to the streets in ways that stunned many observers. The New York Times described “heated demonstrations” that illustrated “political and religious tensions and an unmistakable sense that a once-unifying day was now replete with division,” further -
Rooted in Rhetoric Volume 5
Table of Contents Foreword 4 Introduction 6 Reading Response Georgia DeFehr (Counter)Archiving Atrocity Through Comics Journalism: A Response to Hillary L. Chute’s “History and the Visible in Joe Sacco” 7 Textual Analysis Autumn Sfatcos Shadowed Truth: An Ideological Analysis of the White Saviour Complex in The Help 13 Elaine Ries The Environment, the Economy, and the Consequences of the Alberta Tar Sands 25 Giordana Curatolo Critiquing Representations of Postpartum Depression in the Media: A Case Study 33 Sharee Hochman Sandy Hook Promise OrganiZation’s Back to School Advertisement: How the American Identity Limits Moral Indignation 39 Critique Maddalena Nowosad Disrupting Hegemony: Carnivalesque and Feminist Practices at The Edge Skatepark 48 1 Rachel Ferstl A Metaphoric Critique on Michael Arad and Peter Walker’s 9/11 Memorial: Reflecting Absence 65 Manifesto Valerie Nyamori The Red Wave Manifesto Proposal 77 Research Essay Cassidy Rempel #Clean, Healthy, Perfect: The Image-Text Relationship of Orthorexia-Triggering Content on Instagram 80 Jocelyn Shymko The Powerful Presence of Plants- FertiliZing the Mind with Mental Enhancement 92 Jocelyn Shymko Politics on Thin Ice 99 Leia Patterson The IdealiZation of Virtue: A Generic Description of Canadian War Memorials 107 Lily O’Donnel Bedroom Pop: How Algorithms Created a Genre 116 Thomas Dickson Wendy and Lucy: Between Neorealism and Slow Cinema 120 2 Personal Narrative Rebecca Michaella Daylo A Story of Relocating to Another Country 134 Ziyin Wang Crossing Racial and Cultural Lines with Sincerity 138 Princess Tecson Mandap The Flower that Bloomed in my House 141 3 Foreword It is 2020. Many of us have found ourselves in a moment of complete pause. -
Partial Action Plan No. 8 for the World Trade Center Memorial And
APPROVED BY HUD (as of 11/23/04) LOWER MANHATTAN DEVELOPMENT CORPORATION Partial Action Plan No. 8 for The World Trade Center Memorial and Cultural Program, Related Initiatives, and Lower Manhattan Tourism Overview The Lower Manhattan Development Corporation (LMDC) has prepared the following Partial Action Plan with regard to the $2 billion federal grant for the World Trade Center disaster recovery and rebuilding efforts administered by the United States Department of Housing and Urban Development (HUD). LMDC has received additional funding through a $783 million grant from HUD for damaged properties and businesses (including the restoration of utility infrastructure) as well as economic revitalization related to the terrorist attacks at the World Trade Center. This plan details the proposed expenditure of up to $65,259,894.74 to fund the items listed below. Of this proposed funding, $64,259,894.74 will be taken from the remaining amounts from the $2.78 billion allocation. An additional $1,000,000.00 in program income is proposed in this Partial Action Plan to be allocated to the World Trade Center Memorial Foundation. This funding will not be taken from the remaining Community Development Block Grant funding. An overview of the proposed funding is as follows: 1. World Trade Center Memorial and Cultural Program: 1A. World Trade Center Memorial and Memorial Center; 1B. World Trade Center Memorial Foundation; 1C. World Trade Center Performing Arts Center; 1D. World Trade Center Museum Complex 2. Tribute in Light 3. Story Corps WTC Story Booth Project 4. Living Memorial Project 5. Lower Manhattan Tourism - River to River Festival 2004 6. -
Download Survey Written Responses
Family Members What place or memorial have you seen that you like? What did you like about it? 9/11 memorial It was inclusive, and very calming. 9/11 Memorial It was beautiful. Park with a wall with names on it. Angels status. Water fountain. Water fountain area and location. Touchscreen info individual memorials Oklahoma City Memorial memorabilia collections 9-11 memorial Place to reflect and remember; reminder of the lessons we should Several Washington DC memorials learn from hateful acts Love that all the names were 911 New York City Place on a water fall Before the 911 Memorial was erected; I visited the site a month after the event. I liked its raw state; film posters adverts still hanging up from films premiered months prior. The brutal reality of the site in baring its bones. The paper cranes left by the schoolchildren. The Holocaust Museum along with the Anne Frank Haus spoke to me; the stories behind the lives of these beautiful people subjected to nothing but hate for who they loved and who they were. The educational component to the Holocaust Museum in D.C. spoke volumes to me. To follow the journey of a Holocaust victim... For Pulse, I see a blend of all of this. To learn the stories of why so many sought refuge and enjoyment there. Why did so many leave their "families"? Because they could not be who they were. I find it is important that we teach this lesson-it's okay to be who you are-we have your back-we love you-we will dance with you-in any form of structure. -
Bird-Friendly Building Guide
Bird-Friendly Building Design Vassar’s Bridge for Laboratory Sciences, shown here under construction in October 2015. The building is scheduled to open in January 2016. Cover rendering and photos courtesy of Ennead Architects Cover rendering and photo this page: The new Bridge for Laboratory Sciences building at Vassar College, designed by Richard Olcott/Ennead Architects, redefines the identity of the sciences on the College’s historic campus and provides technologically advanced facilities for students, faculty, and researchers. Fundamental to the building’s design is its seamless integration with the natural landscape, scale, and campus aesthetic of the College. In this natural wooded setting, the need for strategies to reduce bird collisions with the building was apparent. In response, the building was designed to comply with LEED Pilot Credit 55: Bird Collision Deterrence. Ennead managing partner Guy Maxwell is a nationally recognized champion of bird-friendly design and has led Ennead’s innovative approach to make the building’s glazing safer for birds, employing patterned glass, screens and sunshades, and Ornilux glass, a specialty glass product that uses a UV coating visible to birds but not humans. By framing and showcasing views of the landscape, the building celebrates and connects students with the surrounding environment, while the overall development of the precinct repurposes an Exterior glass detail Glass detail, showing frit pattern underutilized sector of campus. Table of Contents Executive Summary ...........................................................4 -
Newsletter September 2008:Spring 2007 Newsletter.Qxd
September 11th Families' Association TributeWE REMEMBER Volume 7, Issue 3 September 2008 Pentagon Memorial Opens on Anniversary The Pentagon Memorial will be dedicated this September 11th. The design features 184 stainless steel benches, with a name of each of the victims. The benches are oriented outward or inward to the Pentagon, depending on whether the victim was on the plane or inside the building. Each bench will feature a lighted pool beneath it, and a grove of trees will cover the site -- permitting contemplation at any of the benches. The dedication plaque reads: We claim this ground in remembrance of September 11, 2001. To honor the 184 people whose lives were lost, their families, and all who sacrifice that we may live in freedom. We will never forget. September 11, 2008 Anniversary Commemorations Washington D.C. The Shanksville, PA On September Tribute Center On September 11th, the Pentagon and Flight 77 10th, the Somerset Alliance Church Tribute Center will be open for family members Memorial dedication for will hold a service to honor the from 9am - 6pm. Liberty Street will be in the family members and victims of Flight 93. On the restricted zone between Zuccotti Park and the injured survivors will be morning of September 11th the entrance to the WTC site. held on September 11th at ceremony will be held at the If your family member is 9:30 am (please arrive at temporary memorial site to not yet remembered in 6:00 am). The Washington commemorate the anniversary. the Tribute Gallery, and National Cathedral will The theme of this year’s you would like to submit a remember victims and anniversary is “Their courage, our photo (up to 8”x10”), their families during the commitment”. -
Recollections & Reflections of 9/11/01
PERSPECTIVE Recollections & Reflections of 9/11/01 Shown above: 2020 Tribute. [NATIONAL SEPTEMBER 11 MEMORIAL & MUSEUM; WWW.911MEMORIAL.ORG] Cover photo: Tribute in Light is a commemorative public art installation first presented six months after 9/11 and then every year thereafter, from dusk to dawn, on the night of September 11. [CREATIVE COMMONS, WIKIMEDIA] The Community Plaza in front of the National September 11 Memorial & Museum (more frequently known simply, as the 9/11 Memorial) at Ground Zero. [NATIONAL SEPTEMBER 11 MEMORIAL & MUSEUM; WWW.911MEMORIAL.ORG] Memorial photograph wall of people killed on display at the World Trade Center Memorial and Museum in New York City, built on the site of the terrorist attack that brought down the World Trade Center’s Twin Towers on 9/11/2001. [LIBRARY OF CONGRESS, HIGHSMITH, CAROL M., PHOTOGRAPHER] RIMJ ARCHIVES | SEPTEMBER ISSUE WEBPAGE | RIMS SEPTEMBER 2021 RHODE ISLAND MEDICAL JOURNAL 73 PERSPECTIVE September 11, 2001 – A Recollection of a Tragic Day in my Hometown KENNETH S. KORR, MD, FACC New York City fire fighters amid debris at the World Trade Center. [LIBRARY OF CONGRESS] Two men assisting and walking with an injured woman down a street littered with paper and ashes, follow- ing the attack. [LIBRARY OF CONGRESS, PHOTOGRAPHER DON HALASY] New York City fire fighter and another man covering his eyes on street in front of burning buildings following the Sept. 11th ter- rorist attack on the World Trade Center. [LIBRARY OF CONGRESS] IT WAS A TYPICAL HECTIC MONDAY IN THE hit. Something was going on in a field in NYC had to be evacuated. -
Entertainment, Arts and Sports Law Journal a Publication of the Entertainment, Arts and Sports Law Section of the New York State Bar Association
NYSBA SUMMER 2010 | VOL. 21 | NO. 2 Entertainment, Arts and Sports Law Journal A publication of the Entertainment, Arts and Sports Law Section of the New York State Bar Association Inside • Meaning for the National September 11 Memorial & Museum • Tiffany v. eBay • American Needle, Inc. v. National Football League • Sex, Violence and Video Games • Caveat Venditor • “First Sale Doctrine” • Unpaid Internships and the Entertainment Industry • Is Plastination Copyrightable? • Shared Story Credit • Public Funding and Stadium Costs • Exploiting Previously Licensed Content • Enhancement Deals • Confl icting Ethics • The Performance Rights Act • Protecting Digital Works • Victory for Visual Arts • Vietnam Veterans Memorial WWW.NYSBA.ORG/EASL NEW YORK STATE BAR ASSOCIATION From the NYSBA Book Store > NEW! Counseling Content Providers in the Digital Age A Handbook for Lawyers For as long as there have been printing presses, there have been accusations of libel, invasion of privacy, intellectual property infringements and a variety of other torts. Now that much of the content reaching the public is distributed over the Internet, television (including cable and satellite), radio and fi lm as well as in print, the fi eld of pre-publication review has become more complicated and more important. Counseling Content Providers in the Digital Age provides an overview of the issues content reviewers face repeatedly. EDITORS Kathleen Conkey, Esq. Counseling Content Providers in the Digital Age was written Elissa D. Hecker, Esq. and edited by experienced media law attorneys from California Pamela C. Jones, Esq. and New York. This book is invaluable to anyone entering the fi eld of pre-publication review as well as anyone responsible for vetting PRODUCT INFO AND PRICES the content of their client’s or their fi rm’s Web site. -
EVERY MEMORIAL TELLS a STORY Christina Werner and Veronika Rudorfer in Conversation About »Reflecting Pools« (2017)
EVERY MEMORIAL TELLS A STORY Christina Werner and Veronika Rudorfer in conversation about »Reflecting Pools« (2017) Christina Werner und Veronika Rudorfer im Gespräch über »Reflecting Pools« (2017) Fig. 1 Fig. 2 EVERY MEMORIAL TELLS A STORY title of the book refers to a monument that was built there in the 1990s following a smaller terror attack on the grounds of the World Starting from Christina Werner’s multimedia work »Reflecting Trade Center. In 1993 six people lost their lives in the bombing. A Pools« (2017), Werner and Veronika Rudorfer embark on a con- water fountain, a so-called »reflecting pool«, commemorates the versation about the potentials and limitations of contemporary dead. This fountain was also destroyed during the attacks on Sep- memory culture, in which they analyze the mechanisms of the tember 11, 2001. The 9/11 memorial, the »Reflecting Pools«, refers market, forms of (national) identity formation, and aporetic to this former monument not only in its name. aesthetics at sites of remembrance. These recurring themes in In turn, Ground Zero does not indicate a specific demarcated area, Werner’s artistic practice manifested in the photo and video and not just the former location of the Twin Towers, but rather a installation (Fig. 1, Fig. 2) and artist book »Reflecting Pools«. larger terrain that includes a number of other buildings. I explored Conceived as a photographic tour around the premises of the 9/11 this area with a camera as part of my artistic work. Memorial and Museum in New York, »Reflecting Pools« reveals Rudorfer: As mentioned, an installation also bears the title the brittle normality of the place, which has been inscribed in »Reflecting Pools«. -
The Tangible and Intangible Afterlife of Architectural Heritage Destroyed by Acts of War
REBUILDING TO REMEMBER, REBUILDING TO FORGET: THE TANGIBLE AND INTANGIBLE AFTERLIFE OF ARCHITECTURAL HERITAGE DESTROYED BY ACTS OF WAR by LAUREN J. KANE A thesis submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Art History, Cultural Heritage and Preservation Studies written under the direction of Dr. Tod Marder and approved by ________________________ ________________________ ________________________ New Brunswick, New Jersey May, 2011 ABSTRACT OF THE THESIS Rebuilding to Remember, Rebuilding to Forget: The Tangible and Intangible Afterlife of Architectural Heritage Destroyed by Acts of War by LAUREN J. KANE Thesis Director: Dr. Tod Marder Aggressors have often attacked sites of valued architectural heritage, believing such destruction will demoralize the targeted nation’s people and irreversibly shake the foundations of the marginalized culture. Of architectural structures that have been specifically targeted and fell victim to enemy attacks over the past decades however, many have been rebuilt in some capacity. This study considers the cases of Old Town Warsaw, the Stari Most in Mostar, and the former World Trade Center site in New York City to understand the ways in which local citizens engaged with the monuments tangible presence and intangible spirit prior to acts of aggression, during the monuments’ physical destruction, and throughout the process of rebuilding. From this analysis, it is concluded that while the rebuilding of valued sites of architectural heritage often reaffirms a culture’s resilience, there is no universal way to deal with the aftermath of the destruction of built heritage. -
The Park 51/Ground Zero Controversy and Sacred Sites As Contested Space
Religions 2011, 2, 297-311; doi:10.3390/rel2030297 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article The Park 51/Ground Zero Controversy and Sacred Sites as Contested Space Jeanne Halgren Kilde University of Minnesota, 245 Nicholson Hall, 216 Pillsbury Dr. SE., Minneapolis, MN 55455, USA; E-Mail: [email protected]; Tel.: 612-625-6393 Received: 9 June 2011; in revised form: 14 July 2011 / Accepted: 19 July 2011 / Published: 25 July 2011 Abstract: The Park 51 controversy swept like wildfire through the media in late August of 2010, fueled by Islamophobes who oppose all advance of Islam in America. Yet the controversy also resonated with many who were clearly not caught up in the fear of Islam. This article attempts to understand the broader concern that the Park 51 project would somehow violate the Ground Zero site, and, thus, as a sign of "respect" should be moved to a different location, an argument that was invariably articulated in “spatial language” as groups debated the physical and spatial presence of the buildings in question, their relative proximity, and even the shadows they cast. This article focuses on three sets of spatial meanings that undergirded these arguments: the site as sacred ground created through trauma, rebuilding as retaliation for the attack, and the assertion of American civil religion. The article locates these meanings within a broader civic discussion of liberty and concludes that the spatialization of the controversy opened up discursive space for repressive, anti-democratic views to sway even those who believe in religious liberty, thus evidencing a deep ambivalence regarding the legitimate civic membership of Muslim Americans.