3 June 2016 Page 1 of 11

Total Page:16

File Type:pdf, Size:1020Kb

3 June 2016 Page 1 of 11 Radio 3 Listings for 28 May – 3 June 2016 Page 1 of 11 SATURDAY 28 MAY 2016 Shostakovich, Dmitri (1906-1975) Esa-Pekka Salonen Festive Overture (Op.96) SAT 01:00 Through the Night (b07c46cj) Edmonton Symphony Orchestra, Uri Mayer (Conductor) Tom Service talks to the composer and conductor Esa-Pekka Brahms, Hindemith and Eisler from the Orchestra della Salonen, Principal Conductor of the Philharmonia Orchestra Svizzera Italiana 5:07 AM and Conductor Laureate for the Los Angeles Philharmonic. Vitols, Jazeps (1863-1948) The Orchestra della Svizzera Italiana and violist Danilo Rossi, Romance for violin and piano conducted by Antonello Manacorda, perform music by Brahms, Valdis Zarins (Violin), Ieva Zarina (Piano) SAT 13:00 Saturday Classics (b07cy566) Hindemith and Eisler. Introduced by Catriona Young. Sue MacGregor: Introductions 5:14 AM 1:01 AM Cozzolani, Suor Chiara Margarita (1602-c.1677) In the first of two programmes, broadcaster Sue MacGregor Eisler, Hans (1898-1962) Laudate pueri - psalm for 8 voices describes her introduction to classical music growing up in Kleine Sinfonie Op.29 Cappella Artemisia (choir); Maria Christina Cleary (harp); South Africa and during her early career in London. The Orchestra della Svizzera Italiana, Antonello Manacorda Francesca Torelli (theorbo); Bettini Hoffmann (gamba); programme includes her early encounters with the music of (Conductor) Miranda Aureli (organ); Candace Smith (director) Wagner, Bach, Shostakovich and Mozart. 1:14 AM 5:23 AM Hindemith, Paul (1895-1963) Hummel, Johann Nepomuk (1778-1837) SAT 15:00 Sound of Cinema (b07cy568) Der Schwanendreher - concerto for viola and small orchestra Concerto for Trumpet and Orchestra in E major (original Alice Danilo Rossi (Viola), Orchestra della Svizzera Italiana, version of E flat major) Antonello Manacorda (Conductor) Geoffrey Payne (Trumpet), Melbourne Symphony Orchestra, Matthew Sweet looks at film music inspired by Lewis Carroll's Michael Halasz (Conductor) Alice, in the week of the release of the new Disney film, "Alice 1:44 AM Through The Looking Glass". Matthew looks at music for some Hindemith, Paul (1895-1963) 5:40 AM of the many films based on the Alice books and also films that Sonata Op.25'1 for viola solo - IV. Rasendes Zeitmass. Wild. Strauss, Richard (1864-1949) are more indirectly inspired by them, including Dmitri Tonschönheit ist Nebensache (encore) No.1 Waldseligkeit from 8 Lieder (Op.49) Tiomkin's music for the 1933 "Alice in Wonderland"; John Danilo Rossi (Viola) Christianne Stotijn (Soprano), Joseph Breinl (Piano) Barry's 1974 version; Richard Hartley's score for the 1999 TV version; and music by Danny Elfman for Tim Burton. The 1:47 AM 5:43 AM programme also features music by Howard Shore for "The Last Brahms, Johannes (1833-1897) Strauss, Richard (1864-1949) Mimzy"; Christian and Joe Henson for "Malice in Serenade no. 1 in D major Op.11 No.2 Ich schwebe from 5 Lieder (Op.48) Wonderland"; Christophe Beck for "Phoebe in Wonderland" Orchestra della Svizzera Italiana, Antonello Manacorda Christianne Stotijn (Soprano), Joseph Breinl (Piano) and Don Davis's music for "The Matrix". (Conductor) 5:45 AM The Classic Score of the Week is Sammy Fain's and Oliver 2:30 AM Pejacevic, Dora (1885-1923) Wallace's music for Walt Disney's 1951 animated "Alice in Bloch, Ernest (1880-1959) Nocturne for orchestra Wonderland". Suite for cello solo no.1 The Croatian Radio & Television Symphony Orchestra, Pavle Esther Nyffenegger (Cello) Despalj (Conductor) SAT 16:00 Jazz Record Requests (b07cy56b) 2:41 AM 5:50 AM Alyn Shipton presents listeners' requests in all styles of jazz, Hess, Willy (1906-1997) Schumann, Robert (1810-1856) including music by pianist Tigran Hamasyan. Suite in B flat major for piano solo (Op.45) Toccata for piano (Op.7) in C major Desmond Wright (Piano) Francesco Piemontesi (Piano) SAT 17:00 Jazz Line-Up (b07cy56d) 2:51 AM 5:56 AM UMO Jazz Orchestra and Gregory Porter Martin, Frank (1890-1974) Monteverdi, Claudio (1567-1643) Ballade for flute and piano Magnificat for 6 voices from Vespro della Beata Vergine Claire Martin presents American vocal sensation Gregory Aniela Frey (Flute), Francois, Killian (Piano) (Venice, 1610) Porter performing as guest soloist with one of Finland's Studio de Musique Ancienne de Montreal, Christopher Jackson premiere big bands, the UMO Jazz Orchestra, recorded at the 3:01 AM (Conductor) Finnish Broadcasting Company's legendary studio M1. The Grieg, Edvard (1843-1907) UMO Jazz Orchestra (Uuden Musiikin Orkesteri) was founded Symphony in C minor EG 119 6:13 AM in 1975 and has previously worked with some of the biggest Polish Radio Symphony Orchestra, Marcin Nalecz- Weber, Carl Maria von (1786-1826) names in jazz including saxophonist Dexter Gordon, trumpeter Niesiolowski (Conductor) Grand Duo Concertant for clarinet & piano (Op.48) Dizzy Gillespie and pianist McCoy Tyner. Also on the show, a Charys Green (Clarinet), Huw Watkins (Piano) preview of this year's Montreux Jazz Festival which celebrates 3:35 AM its 50th edition this year, plus Jon Newey reflects on some of Schumann, Robert (1810-1856) 6:30 AM the winners of the 2016 Parliamentary Jazz Awards. Liederkreis (Op.24) Mendelssohn, Felix (1809-1847) Allan Clayton (Tenor), Roger Vignoles (Piano) Symphony no.4 in A major (Op.90), "Italian". SAT 18:30 Opera on 3 (b07cy56g) 3:56 AM Britten's Peter Grimes Telemann, Georg Philipp (1681-1767) SAT 07:00 Breakfast (b07cy560) Overture (Suite) in D major 'Darmstadt' (TWV.55:D15) Saturday - Elizabeth Alker Jonathan Swain presents a production of Britten's Peter Grimes, Bergen Philharmonic Orchestra, Roy Goodman (Conductor) recorded at the Theater an der Wien. In one of the most Elizabeth Alker presents Radio 3's classical breakfast show, important operas of the 20th Century, Britten turns the sadistic 4:17 AM featuring listener requests. fisherman from the original Crabbe poem into a more Tournier, Marcel (1879-1951) ambiguous, tortured individual, despised by the local Images for harp and string quartet (Op.35) Email [email protected]. community after the suspicious death of his apprentice and with Erica Goodman (Harp), Amadeus Ensemble only Ellen Orford, the school mistress, as his supporter. Joseph Kaiser and Agneta Eichenholz lead the cast in a musical picture 4:28 AM SAT 09:00 Record Review (b07cy562) of the intrigue and prejudices within a small English fishing Desprez, Josquin (1440-1521) Building a Library: Schumann: Fantasie town, dominated by the ever-present sea. O admirabile commercium for a cappella choir Zefiro Torna with Andrew McGregor Benjamin Britten: Peter Grimes 4:32 AM 0930 Peter Grimes ..... Joseph Kaiser (tenor) Glinka, Mikhail Ivanovich (1804-1857) Building a Library: Kenneth Hamilton recommends a recording Ellen Orford ..... Agneta Eichenholz (soprano) Overture in D major of Schumann's Fantasie, Op17 Auntie ..... Hanna Schwarz (contralto) Bratislava Slovak Radio Symphony Orchestra, Ondrej Lenard Balstrode ..... Andrew Foster-Williams (baritone) (Conductor) The Fantasie in C major was composed by Robert Schumann in Mrs Sedley ..... Rosalind Plowright (mezzo-soprano) 1836. It is popularly thought of as one of Schumann's greatest Swallow ..... Stefan Cerny (bass) 4:39 AM works for solo piano. It had its origins in a piece Schumann Bob Boles ..... Andreas Conrad (tenor) Mozart, Wolfgang Amadeus (1756-1791) composed to express his unhappiness at being parted from his Ned Keene ..... Tobias Greenhaigh (baritone) Piano Sonata in C major (K.545) beloved Clara Wieck, whom he later married. This later became Rev Horace Adams ..... Erik Arman (tenor) Vanda Albota (Piano) part of a work meant as a contribution to the appeal for funds to Hobson ..... Lukas Jakobski (bass) erect a monument to Beethoven in his birthplace, Bonn. It was John ..... Gieorgij Puchalski (silent role) 4:50 AM eventually published in 1839 with a dedication to Franz Liszt. Niece 1 ..... Kiandra Howarth (soprano) Handel, George Frideric (1685-1789) Niece 2 ..... Frederikke Kampmann (soprano) Aria "Già che morir non posso" - from 'Radamisto' 1045 Delphine Galou (Contralto), Les Ambassadeurs, Alexis Andrew talks to organist Wayne Marshall about reissues of the The Arnold Schoenberg Chorus Kossenko (Director) great French organist,composer and pedagogue Marcel Dupré. ORF Radio Symphony Orchestra And recordings of organ music by Charles-Marie Widor. Cornelius Meister (conductor). 4:55 AM Kuula, Toivo (1883-1918) 1145 Chanson sans paroles for cello and orchestra (Op.22 No.1) Disc of the Week: Andrew makes a personal choice from SAT 21:30 Between the Ears (b05xj1r5) Arto Noras (Cello), Finnish Radio Symphony Orchestra, Jorma among the latest outstanding releases. Wake Up Baby Panula (Conductor) A baby sleeps. 5:01 AM SAT 12:15 Music Matters (b07cy564) A man in another room watches her on a screen. Supported by bbc.co.uk/programmes/ Radio 3 Listings for 28 May – 3 June 2016 Page 2 of 11 Her loving father? Symphony no. 3 in E flat major Op.97 (Rhenish) Telemann, Georg Philipp (1681-1767) No. RTÉ National Symphony Orchestra, Ryan Wigglesworth Sonata for oboe & basso continuo in B flat major - from This man does not know this baby. He's in another country, (conductor) Essercizii Musici thousands of miles away. And, each night, he watches a Camerata Köln - Hans-Peter Westermann (oboe), Rainer different baby. 2:40 AM Zipperling (cello); Sabine Bauer (harpsichord) Weber, Carl Maria von (1786-1826) Wake Up, Baby! is an atmospheric journey into the sometimes Grand duo concertant for clarinet and piano (Op.48) 6:03 AM unsettling world of "reassuring" technology. Joaquín Valdepeñas (clarinet), Patricia Parr (piano) Schubert, Franz (1797-1828) 6 Moments musicaux for piano (D.780) The media storm that surrounded the 1932 'baby Lindbergh 3:01 AM Martin Helmchen (piano) kidnap', and the subsequent trial, planted the fear of child Beethoven, Ludwig van [1770 -1827] abduction into the public imagination. In 1937, Zenith produced Piano Trio in B flat (Op.97) "Archduke" 6:32 AM the Radio Nurse, the world's first baby monitor, designed to fit Beaux Arts Trio Mendelssohn, Felix (1809-1847) well into an elegant sitting room, with a transmitting unit in Concerto for violin and orchestra (Op.64) in E minor baby's nursery.
Recommended publications
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • Winterspell Playlist 1. Sweet Dreams
    Winterspell Playlist 1. Sweet Dreams (Are Made of This) – Sucker Punch – performed by Emily Browning 2. Towers of the Void – Red Riding Hood – Brian Reitzell 3. Is It Poison, Nanny – Sherlock Holmes – Hans Zimmer 4. Dyslexia – Percy Jackson & the Olympians – Christophe Beck 5. Maria Redowa – Little Women – Thomas Newman 6. La Fayette’s Welcome – Little Women – Thomas Newman 7. Port Royal Gallop – Little Women – Thomas Newman 8. Dead Sister – Red Riding Hood – Brian Reitzell & Alex Heffes 9. The Dance – Emma – Rachel Portman 10. Tavern Stalker – Red Riding Hood – Brian Reitzell & Alex Heffes 11. Wolf Attack Suite – Red Riding Hood – Brian Reitzell & Alex Heffes 12. Then Came the Purge – Underworld: Awakening – Paul Haslinger 13. The Wolve’s Den – Underworld: Rise of the Lycans – Paul Haslinger 14. The Lycan Van Escape – Underworld: Awakening – Paul Haslinger 15. Wtf – Green Zone – John Powell 16. Mike to Tavern – Underworld: Evolution – Marco Beltrami 17. Darkness Deep Within – Underworld – Paul Haslinger 18. Teahouse – The Matrix Reloaded – Juno Reactor and Gocoo 19. To Jerusalem – Kingdom of Heaven – Harry Gregson-Williams 20. Jean and Logan – X-Men: The Last Stand – John Powell 21. Dissolve – The Book of Eli – Atticus Ross 22. Pier 17 – The Adjustment Bureau – Thomas Newman 23. Blind Faith – The Book of Eli – Atticus Ross 24. Richardson – The Adjustment Bureau – Thomas Newman 25. The Journey – The Book of Eli – Atticus Ross 26. Mt. Grimoor – Red Riding Hood – Brian Reitzell & Alex Heffes 27. The Arrow Attack – Underworld: Rise of the Lycans – Paul Haslinger 28. Corvinus – Underworld – Paul Haslinger 29. Subterrania – Underworld – Paul Haslinger 30. A Thorough Education – Jane Eyre – Dario Marianelli 31.
    [Show full text]
  • An Examination of Jerry Goldsmith's
    THE FORBIDDEN ZONE, ESCAPING EARTH AND TONALITY: AN EXAMINATION OF JERRY GOLDSMITH’S TWELVE-TONE SCORE FOR PLANET OF THE APES VINCENT GASSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2019 © VINCENT GASSI, 2019 ii ABSTRACT Jerry GoldsMith’s twelve-tone score for Planet of the Apes (1968) stands apart in Hollywood’s long history of tonal scores. His extensive use of tone rows and permutations throughout the entire score helped to create the diegetic world so integral to the success of the filM. GoldsMith’s formative years prior to 1967–his training and day to day experience of writing Music for draMatic situations—were critical factors in preparing hiM to meet this challenge. A review of the research on music and eMotion, together with an analysis of GoldsMith’s methods, shows how, in 1967, he was able to create an expressive twelve-tone score which supported the narrative of the filM. The score for Planet of the Apes Marks a pivotal moment in an industry with a long-standing bias toward modernist music. iii For Mary and Bruno Gassi. The gift of music you passed on was a game-changer. iv ACKNOWLEDGEMENTS Heartfelt thanks and much love go to my aMazing wife Alison and our awesome children, Daniela, Vince Jr., and Shira, without whose unending patience and encourageMent I could do nothing. I aM ever grateful to my brother Carmen Gassi, not only for introducing me to the music of Jerry GoldsMith, but also for our ongoing conversations over the years about filM music, composers, and composition in general; I’ve learned so much.
    [Show full text]
  • Vicki Hiatt Music Supervisor / Editor
    VICKI HIATT MUSIC SUPERVISOR / EDITOR AWARDS & NOMINATIONS GOLDEN REEL AWARD ALI NOMINATION (2001) Best Sound Editing -Music, Feature Film, Domestic and Foreign GOLDEN REEL AWARD THE ROAD TO EL DORADO NOMINATION (2000) Best Sound Editing-Music, Animation FEATURE FILM TOP GUN: MAVERICK Jerry Bruckheimer, Tom Cruise, David Ellison, Paramount Pictures prods. Music Editor Joseph Kosinski, dir. THE BAD GUYS Aaron Blabey, Patrick Hughes, Damon Ross, Dreamworks Animation exec prods. Music Editor GO KARTS Sonia Borella, Jamie Hilton, prods. Netflix Owen Trevor, dir. Music Editor MONSTER ON THE HILL Brad Booker, Sandra Rabbins, prods. Paramount Pictures Animation Bradley Raymond, dirs. Music Editor SUPER PETS Patty Hicks, prod. Warner Bros. Pictures Samm Levine, Jared Stern, dirs. Music Editor THE EXTINCTS David Lipman, Michael Siegel, prods. Starling Entertainment William Joyce, dir. Music Editor ABOMINABLE Jane Hartwell, Lisa Stewart, prods. Dreamworks Animation Jill Culton, dir. Music Editor SPACE MONKEY PRINCE Debbie Vercilino, Chuck Williams, prods. Music Editor John Davis, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 VICKI HIATT MUSIC SUPERVISOR / EDITOR PLAYMOBIL: THE MISSING PIECE Moritz Borman, Dimitri Rassam, Aton ON Animation Studios / Wild Bunch Soumache, Alexis Vonarb, prods. Music Editor Lino DiSalvo, dir. THE ARK & THE AARDVARK Keith Kjarvak, Kurt Rauer, prod. Unified Pictures John Stevenson, dir. Music Editor HOTEL TRANSYLVANIA 3 Michelle Murdocca, prod. Sony Pictures Animation Gendy Tartakovsy, dir. Music Editor SURF’S UP 2: WAVEMANIA Toby Chu, Composer Sony Pictures Animation Michelle Wong, prod. Music Editor Henry Wu, dir. HALF MAGIC Alex Wurman, Composer Magic Bubble Productions Bill Sheinberg, prod. Music Consultant Heather Graham, dir. HOW TO TRAIN YOUR DRAGON 3 John Powell, Composer DreamWorks Animation Bonnie Arnold, prod.
    [Show full text]
  • Emmy Nominations
    2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Century Fox Television / Bento Box Animation Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim • Cartoon Network Studios The Simpsons • The Dad-Feelings Limited • FOX • A Gracie Films Production in association with 20th Television Animation South Park: The Pandemic Special • Comedy Central • Central Productions, LLC Outstanding Short Form Animated Program Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Maggie Simpson In: The Force Awakens From Its Nap • Disney+ • A Gracie Films Production in association with 20th Television Animation Once Upon A Snowman • Disney+ • Walt Disney Animation Studios Robot Chicken • Endgame • Adult Swim • A Stoopid Buddy Stoodios production with Williams Street and Sony Pictures Television Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) The Flight Attendant • After Dark • HBO Max • HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television Sara K. White, Production Designer Christine Foley, Art Director Jessica Petruccelli, Set Decorator The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Elisabeth Williams, Production Designer Martha Sparrow, Art Director Larry Spittle, Art Director Rob Hepburn, Set Decorator Mare Of Easttown • HBO • HBO in association with wiip Studios, TPhaeg eL o1w Dweller Productions, Juggle Productions, Mayhem Mare Of Easttown • HBO • HBO in association with wiip Studios, The Low Dweller Productions, Juggle Productions, Mayhem and Zobot Projects Keith P. Cunningham, Production Designer James F. Truesdale, Art Director Edward McLoughlin, Set Decorator The Undoing • HBO • HBO in association with Made Up Stories, Blossom Films, David E.
    [Show full text]
  • Theorizing Television Music As Serial Art: Buffy the Vampire Slayer and the Narratology of Thematic Score
    City Research Online City, University of London Institutional Repository Citation: Wiley, C. (2011). Theorizing Television Music as Serial Art: Buffy the Vampire Slayer and the Narratology of Thematic Score. In: Leonard, KP (Ed.), Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. (pp. 23-67). Scarecrow Press. ISBN 0810869454 This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/2431/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Theorizing Television Music as Serial Art: Buffy the Vampire Slayer and the Narratology of Thematic Score Christopher Wiley City University London The rich and burgeoning literature on film music, which has for some years enjoyed substantial critical exploration, contrasts strikingly with the current under-theorization of its televisual counterpart. While a small number of fascinating analyses of aspects of music for television have recently appeared, those by Julie Brown, Robynn Stilwell, and K.
    [Show full text]
  • Announcing REEL CHANGE: the Fund for Diversity in Film Scoring
    FOR IMMEDIATE RELEASE Press Contact: Brigid Pierce, New Music USA [email protected] More Information: newmusicusa.org Announcing REEL CHANGE: The Fund for Diversity in Film Scoring powered by SESAC and Christophe Beck and managed by New Music USA New York, NY (October 27, 2020) – New Music USA announces the launch of Reel Change: The Fund for Diversity in Film Scoring, powered by SESAC and composer Christophe Beck, and administered by New Music USA. Responding to the fact that the vast majority of films are scored by white men, Reel Change is a five-year grants and mentorship program for composers of diverse backgrounds who have been marginalized in film composition. This fund – which is now accepting applications from US-based composers – supports film projects currently in production, where additional funding and mentoring would help composers at a pivotal moment in their careers. Four to six grants averaging $20,000 will be allocated each year of the program. Supportable expenses include composer compensation, musician fees, recording and sound mastering fees, studio expenses, orchestration, production equipment, and more. Applications will be reviewed on a rolling timeline by an advisory board made up of leading composers of film music, including Christophe Beck, Jongnic “JB” Bontemps, Kris Bowers, Miriam Cutler, Chanda Dancy, Tony Morales, and Pinar Toprak. Members of this advisory board will offer additional support and mentorship for interested applicants. Information and applications are available here. _____________________________________________________________________________________ Composer Christophe Beck says: “For too long, the community of composers who create scores for Hollywood films has been dominated by white men. Throughout my career, I’d been aware of this and told myself that someday, I’d like do something about it.
    [Show full text]
  • Goldsmith 1929-2004
    Volume 9, Number 7 Original Music Soundtracks for Movies and Television Goodbye, David pg. 4 JERRY GOLDSMITH 1929-2004 07> 7225274 93704 $4.95 U.S. • $5.95 Canada v9n07COV.id 1 9/7/04, 3:36:04 PM v9n07COV.id 2 9/7/04, 3:36:07 PM contents AUGUST 2004 DEPARTMENTS COVER STORY 2 Editorial Jerry Goldsmith 1929-2004 Let the Healing Begin. It would be difficult to reflect on both Jerry Goldsmith’s film music legacy and his recent passing without devoting an entire 4 News issue of FSM to him; so that’s what we’ve done. From fan Goodbye, David. letters and remembrances to an in-depth look at his life and 5 Record Label musical legacy, we’ve covered a lot of ground. Just as impor- Round-up tant, we hope you, Jerry’s fans, find it a fitting tribute to a man What’s on the way. whose monumental work meant so much to so many. 5 Now Playing Movies and CDs in The Artist, release. 12 The Gold Standard 6 Concerts Quantifying Jerry Goldsmith’s contribution to film scoring Film music performed isn’t easy...but we’ll try anyway. around the globe. By Jeff Bond 7 Upcoming Film Assignments 19 Goldsmith Without Tears Who’s writing what The imagined, decades-long conversation with Goldsmith for whom. may be over, but his music lives on. By John S. Walsh 9 Mail Bag Lonely Are the Brave. 24 Islands in the Stream 10 Pukas Jerry’s industry contemporaries chime in on If Only It Were True.
    [Show full text]
  • Sundance Institute and Skywalker Sound Announce Film Composers and Independent Filmmakers for July Music and Sound Design Labs
    FOR IMMEDIATE RELEASE Media Contact: June 29, 2016 Jenny Jediny 310.360.1981 [email protected] Stephen Kenneally Industrial Light & Magic / Skywalker Sound 415.746.2306 [email protected] Sundance Institute and Skywalker Sound Announce Film Composers and Independent Filmmakers for July Music and Sound Design Labs Orchestra to Perform Original Scores to Scenes from This Year’s Sundance Institute Feature and Documentary Lab Projects Fellows Include Jacques Brautbar, Alexis Grapsas, Morgan Kibby, Amritha Vaz; ​ Creative Advisors Include Christophe Beck, Harry Gregson­Williams, Osvaldo Golijov ​ ​ ​ ​ (L­R) Music and Sound Design Lab 2015, Credit: Lauren Janney; Music and Sound Design Lab 2014, Credit:Brandon Joseph Baker; ​ ​ ​ Music and Sound Design Lab 2015, Credit: Rob Williamson ​ ​ Los Angeles, CA — Sundance Institute and Skywalker Sound today announced the composers and directors ​ selected for the Sundance Institute Music and Sound Design Labs at Skywalker Sound . This will be the fourth year the Music and Sound Design Labs take place at the Skywalker Ranch in northern California. Half of this year’s composing Fellows are women, extending the Institute’s commitment to female artists to a creative branch of filmmaking with an especially low percentage of women represented. The Music and Sound Design Labs provide a space for composers, directors and sound designers to collaborate on the process of providing music and sound for film. Fellows participate in workshops and creative exercises under the guidance of leading film composers and film music professionals acting as Creative Advisors. Each composer/director team will have their original scores for new independent film scenes performed live by a chamber orchestra.
    [Show full text]
  • John Barry Aaron Copland Mark Snow, John Ottman & Harry Gregson
    Volume 10, Number 3 Original Music Soundtracks for Movies and Television HOLY CATS! pg. 24 The Circle Is Complete John Williams wraps up the saga that started it all John Barry Psyched out in the 1970s Aaron Copland Betrayed by Hollywood? Mark Snow, John Ottman & Harry Gregson-Williams Discuss their latest projects Are80% You1.5 BWR P Da Nerd? Take FSM’s fi rst soundtrack quiz! �� � ����� ����� � $7.95 U.S. • $8.95 Canada ������������������������������������������� May/June 2005 ����������������������������������������� contents �������������� �������� ������� ��������� ������������� ����������� ������� �������������� ��������������� ���������� ���������� �������� ��������� ����������������� ��������� ����������������� ���������������������� ������������������������������ �������������������������������������������������������������������������������������������������� ���������� ��������������������������������������������������������������������������������������������������������������� ������������������������������������������������������������������������������������� ��������������������������� �������������������������� ��������������������������������������������������������������������������������������������������������� ���������������� ������������������������������������������������������ ����������������������������������������������������������������������� FILM SCORE MAGAZINE 3 MAY/JUNE 2005 contents May/June 2005 DEPARTMENTS COVER STORY 4 Editorial 31 The Circle Is Complete Much Ado About Summer. Nearly 30 years after
    [Show full text]
  • Sunday November 10, 2019 Beverly Wilshire Beverly Hills
    Sunday November 10, 2019 Beverly Wilshire Beverly Hills OUR MISSION Education Through Music-Los Angeles partners with low-income area schools to provide music as a core suBject for all children, and utilizes music education as a catalyst to improve academic achievement, motivation for school, and self-confidence. ABOUT EDUCATION THROUGH MUSIC-LA • Founded in 2006 with two (2) partner schools and 800 children. • Currently serving 36 schools and over 15,000 students. • Executive Director, Victoria Lanier, is a Juilliard-trained violinist who created ETM- LA based on the proven ETM model that has transformed schools in New York City Music Disciplines Taught Include: since 1991. • General Music • Songwriting • ETM-LA has become highly sought after • Music Technology • Recorder for music education expertise, professional • Strings • Band • Guitar development services, and curriculum. • Ukulele • Choir • Composition HONORARY CHAIR COMMITTEE Rickey Minor Emmy® Award-Winning Christophe Beck Music Director, Composer, Producer Keith L. Black, MD Andra Day John Debney Suzanne de Passe Michael Giacchino Jennifer Hudson Quincy Jones Dave Koz Diana Ross Randy Spendlove Angela Woo Music Educator EDUCATION THROUGH MUSIC–LOS ANGELES CELEBRITY CHAMPIONS CORPORATE PARTNERS PRESS Christina Applegate Steve Jablonsky Disney Patti Austin Phil Johnston Paramount Shoshana Bean Ellie Kemper Amazon Studios Christophe Beck Angela Kinsey Universal Music Publishing Joshua Bell Sebastian Krys PepsiCo Chris Botti Christopher Lennertz Warner Bros. Martin Chalifour Lisa Loeb Sony Pictures Billy Childs Jane Lynch Frito Lay Jon M. Chu Eric McCormack Nextdoor Neighbor Common Chris Meledandri ASCAP Miranda Cosgrove Rickey Minor BMI John Debney Moby Target Toby Emmerich Steve Perry Rhodes School of Music En Vogue Busy Phillips Mattel Will Ferrell Craig Robinson Kraft-Engel Management Jenna Fischer Arturo Sandoval Shake Shack Kate Flannery Richard M.
    [Show full text]
  • Sundance Institute and Skywalker Sound Announce Film Composers and Independent Filmmakers for July Music and Sound Design Labs
    FOR IMMEDIATE RELEASE Media Contact: June 29, 2016 Jenny Jediny 310.360.1981 [email protected] Stephen Kenneally Industrial Light & Magic / Skywalker Sound 415.746.2306 [email protected] Sundance Institute and Skywalker Sound Announce Film Composers and Independent Filmmakers for July Music and Sound Design Labs Orchestra to Perform Original Scores to Scenes from This Year’s Sundance Institute Feature and Documentary Lab Projects Fellows Include Jacques Brautbar, Alexis Grapsas, Morgan Kibby, Amritha Vaz; ​ Creative Advisors Include Christophe Beck, Harry Gregson­Williams, Osvaldo Golijov ​ ​ ​ ​ (L­R) Music and Sound Design Lab 2015, Credit: Lauren Janney; Music and Sound Design Lab 2014, Credit:Brandon Joseph Baker; ​ ​ ​ Music and Sound Design Lab 2015, Credit: Rob Williamson ​ ​ Los Angeles, CA — Sundance Institute and Skywalker Sound today announced the composers and directors ​ selected for the Sundance Institute Music and Sound Design Labs at Skywalker Sound . This will be the fourth year the Music and Sound Design Labs take place at the Skywalker Ranch in northern California. Half of this year’s composing Fellows are women, extending the Institute’s commitment to female artists to a creative branch of filmmaking with an especially low percentage of women represented. The Music and Sound Design Labs provide a space for composers, directors and sound designers to collaborate on the process of providing music and sound for film. Fellows participate in workshops and creative exercises under the guidance of leading film composers and film music professionals acting as Creative Advisors. Each composer/director team will have their original scores for new independent film scenes performed live by a chamber orchestra.
    [Show full text]