By Wolfgang Joop out to New York and Everywhere
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Bergt 1 Siena Sofia Bergt Professor Insdorf Analysis of Film Language 26 February 2018 Colored Perspectives: Shading World War II Onscreen Films that deal with World War II—whether their narratives are concerned primarily with the war itself, the aura from which it emerged, or the ethos of its aftermath—have a particularly charged relationship to the presence or abjuration of color. As representations of a period that produced its own black-and-white archival footage, these worKs recKon with color not simply as an aesthetic choice, but also as a tool through which to define their own relationship to perspectival subjectivity and claims of historical authenticity. By examining the role of color in three vastly different World War II films— Andrzej Wajda’s black-and-white 1958 rendition of the war’s last 24 hours in “Ashes and Diamonds,” the Harlequin prewar chaos of Bob Fosse’s 1972 “Cabaret,” and the delicate balance of color and blacK-and-white characterizing the postwar divided Germany of Wim Wenders’ 1987 “Wings of Desire”—we may access a richer understanding, not simply of the films’ stylistic approaches, but also (and perhaps more significantly) of their relationship to both their origins and audience. Color, that is, acts in these three films as a chromatic guide by which to untangle each respective text’s taKe on both subjectivity and objectivity. Bergt 2 The best “entry point” into these stylistically and temporally distinct films’ chromatic motifs is through three strikingly analogous crowd scenes—each of which uses communal participation in a diegetically well-known song to highlight a moment of dramatic urgency or volatility. -
P.O.V. a Danish Journal of Film Studies
Institut for Informations og Medievidenskab Aarhus Universitet p.o.v. A Danish Journal of Film Studies Editor: Richard Raskin Number 8 December 1999 Department of Information and Media Studies University of Aarhus 2 p.o.v. number 8 December 1999 Udgiver: Institut for Informations- og Medievidenskab, Aarhus Universitet Niels Juelsgade 84 DK-8200 Aarhus N Oplag: 750 eksemplarer Trykkested: Trykkeriet i Hovedbygningen (Annette Hoffbeck) Aarhus Universitet ISSN-nr.: 1396-1160 Omslag & lay-out Richard Raskin Articles and interviews © the authors. Frame-grabs from Wings of Desire were made with the kind permission of Wim Wenders. The publication of p.o.v. is made possible by a grant from the Aarhus University Research Foundation. All correspondence should be addressed to: Richard Raskin Institut for Informations- og Medievidenskab Niels Juelsgade 84 8200 Aarhus N e-mail: [email protected] fax: (45) 89 42 1952 telefon: (45) 89 42 1973 This, as well as all previous issues of p.o.v. can be found on the Internet at: http://www.imv.aau.dk/publikationer/pov/POV.html This journal is included in the Film Literature Index. STATEMENT OF PURPOSE The principal purpose of p.o.v. is to provide a framework for collaborative publication for those of us who study and teach film at the Department of Information and Media Science at Aarhus University. We will also invite contributions from colleagues at other departments and at other universities. Our emphasis is on collaborative projects, enabling us to combine our efforts, each bringing his or her own point of view to bear on a given film or genre or theoretical problem. -
Met Classics: Berlin
Met Classics: Berlin Dear Traveler, Please join Museum Travel Alliance from May 24-30, 2021 on Met Classics: Berlin. Enjoy behind-the-scenes explorations of Berlin's most fascinating museums and art spaces, including Sammlung Boros, a dazzling private collection of contemporary art housed in an above-ground World War II-era bunker. Delight in a curator-led exclusive tour of the Jewish Museum Berlin, Europe's largest museum devoted to Judaism, housed within a zinc-paneled architectural masterpiece designed by Daniel Libeskind to reflect the tensions of German- Jewish identities. We are delighted that this trip will be accompanied by Chris Noey as our lecturer from The Metropolitan Museum of Art. This trip is sponsored by The Metropolitan Museum of Art. We expect this program to fill quickly. Please call the Museum Travel Alliance at (855) 533-0033 or (212) 302-3251 or email [email protected] to reserve a place on this trip. We hope you will join us. Sincerely, Jim Friedlander President MUSEUM TRAVEL ALLIANCE 1040 Avenue of the Americas, 23rd Floor, New York, NY 10018 | 212-302-3251 or 855-533-0033 | Fax 212-344-7493 [email protected] | www.museumtravelalliance.com BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Travel with Met Classics The Met BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB -
Berlin - Wikipedia
Berlin - Wikipedia https://en.wikipedia.org/wiki/Berlin Coordinates: 52°30′26″N 13°8′45″E Berlin From Wikipedia, the free encyclopedia Berlin (/bɜːrˈlɪn, ˌbɜːr-/, German: [bɛɐ̯ˈliːn]) is the capital and the largest city of Germany as well as one of its 16 Berlin constituent states, Berlin-Brandenburg. With a State of Germany population of approximately 3.7 million,[4] Berlin is the most populous city proper in the European Union and the sixth most populous urban area in the European Union.[5] Located in northeastern Germany on the banks of the rivers Spree and Havel, it is the centre of the Berlin- Brandenburg Metropolitan Region, which has roughly 6 million residents from more than 180 nations[6][7][8][9], making it the sixth most populous urban area in the European Union.[5] Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. Around one- third of the city's area is composed of forests, parks, gardens, rivers, canals and lakes.[10] First documented in the 13th century and situated at the crossing of two important historic trade routes,[11] Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933) and the Third Reich (1933–1945).[12] Berlin in the 1920s was the third largest municipality in the world.[13] After World War II and its subsequent occupation by the victorious countries, the city was divided; East Berlin was declared capital of East Germany, while West Berlin became a de facto West German exclave, surrounded by the Berlin Wall [14] (1961–1989) and East German territory. -
June 2019 the Edelweiss Am Rio Grande Nachrichten
Edelweiss am Rio Grande German American Club Newsletter-June 2019 1 The Edelweiss am Rio Grande Nachrichten The newsletter of the Edelweiss am Rio Grande German American Club 4821 Menaul Blvd., NE Albuquerque, NM 87110-3037 (505) 888-4833 Website: edelweissgac.org/ Email: [email protected] Facebook: Edelweiss German-American Club June 2019 Sun Mon Tue Wed Thu Fri Sat 1 2 3 4 5 6 7 8 Kaffeeklatsch Irish Dance 7pm Karaoke 3:00 pm 5-7 See page 2 9 10 11 12 13 14 15 DCC Mtng & Irish Dance 7pm Strawberry Fest Dance 2-6 pm Essen und Dance See Pg 4 Sprechen pg 3 16 17 18 19 20 21 22 Jazz Sunday GAC Board Irish Dance 7pm Karaoke Private Party 2:00-5:30 pm of Directors 5-7 6-12 6:30 pm 23 24 25 26 27 28 29 Irish Dance 7pm Sock Hop Dance See Pg 4 30 2pm-German- Language Movie- see pg 3 Edelweiss am Rio Grande German American Club Newsletter-June 2019 2 PRESIDENT’S LETTER Summer is finally here and I’m looking forward to our Anniversary Ball, Luau, Blues Night and just rolling out those lazy, hazy, crazy days of Summer. On a more serious note there have been some misunderstandings between the GAC and one of our oldest and most highly valued associate clubs the Irish-American Society (IAS). Their President, Ellen Dowling, has requested, and I have extended an invitation to her, her Board of Directors, and IAS members at large to address the GAC at our next Board meeting. -
Make & Measure in Analytical Sciences 2018
MAKE & MEASURE IN ANALYTICAL SCIENCES 2018 BOOK OF INFORMATION October 8th–12th, 2018 School of Analytical Sciences Adlershof www.salsa.hu-berlin.de WELCOME Dear participants of the SALSA Make and Measure, It is our great pleasure to welcome all of you to our Make and Measure 2018 here at SALSA, the Graduate School of Analytical Sciences Adlershof! We hope that all of you are now looking forward to four days filled with new insights into analytical sciences, inspiring discussions, and enjoyable social events. The theme Make and Measure is a major guiding topic in the area of Analytical Sciences and in SALSA as well. Specifically, it is a prerequisite for understanding the function and dynamics of complex systems in chemistry, biology and materials sciences on the atomic and molecular scale. A synergistic and interdisciplinary integration of making new selective and sensitive chemical structures and designing new instruments and principles to measure will advance our comprehension of chemical systems, and their changes. In their work, analytical scientists, amongst them many of SALSA’s fellows, have been working on making measurable what has not been before e.g., by designing new sensing structures and probes. Being able to combine different synthesis and detection approaches and to comprehend the underlying physico-chemical principles will help to solve future problems in many areas, such as biodiagnostics, proteomics, and chemical imaging. Following the idea of our multidisciplinary graduate school, the Make and Measure brings together young researchers from different backgrounds to generate a creative and interactive learning environment. In the tutorials, you will discuss with renowned international guests about their research. -
Final Thesis
Laura Cavanagh’s Integrative Project Thesis As is often the case with travel, people look back on their trips through rose-colored glasses, focusing on the positive experiences and forgetting the negative ones. While I too am guilty of coloring my memories of a place and falsely placing every moment in a favorable light, for my integrative project I forced myself to remember both the good and bad times I had in Berlin, Germany. These experiences—sharing a traditional German meal of eggs in a mustard sauce (complete with cheap Prosecco) with my roommate; going to a Columbian restaurant to watch a German Fußball, or soccer, game during the World Cup; visiting world-renowned museums on Thursday nights; being sniffed by a homeless man; getting lost on a return walk home from work; running home from a movie in the park through buckets of freezing rain— coalesce to form my own Berlin. These visual and sensory experiences conjure up a place in my mind that is somewhat of a hybrid of my physical orientation and my mental state of being there. So much of being in Berlin was about orienting myself within the city and navigating where I was going and how I would get there. This in itself brought about varying degrees of disbelief, awe, anxiety and stupor. Using a map as my project format serves as a helpful tool for me to organize this space I have built in my memory. In my map I attempt to reincarnate this memory into elaborate paper forms that occupy a real space. -
Fashion Germany
FASHION GERMANY MARTINA RINK FASHION GERMANY PRESTEL/ MUNICH . LONDON . NEW YORK Introduction · Martina Rink 8 Tomas Maier 12 Marko Matysik 14 Yasmin Heinz 18 Felix Lammers 20 Torsten Neeland 22 Angelica Blechschmidt 24 Susanne Tide-Frater 26 Jasmin Khezri 28 Josef Voelk and Emmanuel de Bayser 30 Olaf Hajek 32 Dirk Schönberger 34 Vanessa von Bismarck 35 Julia von Boehm 36 Kai Margrander 40 Jina Khayyer 42 Mumi Haiati 43 Kristian Schuller 44 Donald Schneider 48 Deycke Heidorn 52 Anna Bauer 54 Alex Wiederin 56 Silke Werzinger 60 Leyla Piedayesh 62 Jen Gilpin 64 Magomed Dovjenko 68 Julia Freitag 69 Schohaja 70 Rike Döpp 74 Thomas BenTz AND Oliver Lühr 75 Christoph Amend 76 Mirko Borsche 78 Boris Bidjan Saberi 82 Damir Doma 82 CONTENTS Michael Sontag 83 Vladimir Karaleev 83 Raoul Keil 84 Saskia Diez 86 René Storck 87 Armin Morbach 88 Toni Garrn 92 Heidi Klum/Thomas Hayo 93 Annette and Daniela Felder 94 Alexandra von Rehlingen and Andrea Schoeller 96 Stefan Eckert 97 Susanne Oberbeck 98 Constantin Bjerke 100 Sascha Breuer 102 Philipp Plein 104 Andreas Ortner 106 Bettina Harst 108 Wolfgang Joop 110 Kera Till 112 Papis Loveday 113 Claudia Skoda 114 Alexandra Fischer-Roehler and Johanna Kühl 116 Esma Annemon Dil 118 Didi Ilse 119 Sandra Bauknecht 120 Alexx and Anton 122 Marcus Kurz 126 Burak Uyan 128 Corinna Springer 130 Kai Kühne 131 Marie Schuller 132 Vincent Peters 134 Andrea Karg 136 Louisa von Minckwitz 138 André Borchers 139 Petra van Bremen 140 Johnny Talbot and Adrian Runhof 142 Marco Stein 143 Johannes Huebl 144 Annelie Augustin and Odély Teboul 146 Petra Bohne 148 Nini Gollong 149 Tatjana Patitz 150 Natalie Acatrini 151 Gladys Perint Palmer 152 Klaus Stockhausen 153 Dawid Tomaszewski 154 Dorothee Schumacher 156 Feride Uslu 158 Bernhard Willhelm 160 Tillmann Lauterbach 162 Karl Anton Koenigs 164 Diane Kruger 166 Sascha Lilic 167 Esther Haase 168 Veruschka 169 F. -
Travel with the Metropolitan Museum of Art
BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Travel with Met Classics The Met BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB May 9–15, 2022 Berlin with Christopher Noey Lecturer BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Berlin Dear Members and Friends of The Metropolitan Museum of Art, Berlin pulses with creativity and imagination, standing at the forefront of Europe’s art world. Since the fall of the Wall, the German capital’s evolution has been remarkable. Industrial spaces now host an abundance of striking private art galleries, and the city’s landscapes have been redefined by cutting-edge architecture and thought-provoking monuments. I invite you to join me in May 2022 for a five-day, behind-the-scenes immersion into the best Berlin has to offer, from its historic museum collections and lavish Prussian palaces to its elegant opera houses and electrifying contemporary art scene. We will begin with an exploration of the city’s Cold War past, and lunch atop the famous Reichstag. On Museum Island, we -
Berlin 2019: the Once and Future Metropolis
BERLIN 2019: THE ONCE AND FUTURE METROPOLIS URBANIZATION, CONFLICT & COMMUNITY What makes a city? Who decides how a city grows and changes, and what criteria do they use – should it be beautiful, efficient, sustainable, open, just? How do economic systems and political ideologies shape urban development? What is the “right to the city,” and what does it mean for city-dwellers to exercise it? These are just some of the questions we will seek to answer in this summer program in Berlin. Political graffiti in Kreuzberg, 2018. HISTORY, CHANGE & AGENCY QUICK FACTS This program will expose students to the dynamics of LOCATION: Berlin, Germany urban change in one of the most historically freighted and ACADEMIC TERM: Summer A Term 2019 contested cities in the world. They will come to understand ESTIMATED PROGRAM FEE: $4,500 the complex histories behind Berlin’s urban spaces, and the strategies adopted by local actors to deal with those CREDITS: 10 UW credits histories while finding agency to shape them for the future. PREREQUISITES: At least one of the following: CEP 200; URBDP 200 Students will experience first-hand how spaces have been or 300; BE 200; GEOG 276, 277, 301, 303 or 478; SOC 215 or 365; or defined by drivers like economic exigency, political ideology, permission of the instructor. violence, environmental conditions, and technological PROGRAM DIRECTOR: Evan H. Carver ([email protected]) development, and they will learn how contemporary challenges, including climate change, gentrification, and PROGRAM MANAGER: Megan Herzog ([email protected]) immigration butt up against competing ambitions for Berlin PRIORITY APPLICATION DEADLINE: January 31, 2019 to become a “global city” and for it to maintain its distinct INFORMATION SESSIONS: TBD. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
Volksbühne Am Rosa-Luxemburg-Platz 1992-2017
Volksbühne am Rosa-Luxemburg-Platz 1992-2017 Ein Film von Andreas Deinert, Moritz Denis, Matthias Ehlert, Wolfgang Gaube, Rosa Grünberg, Eike Hosenfeld, Michael Kaczmarek, Thomas Kleinwächter, Lutz Pehnert Caroline Peters, Susann Schimk, Johannes Schneeweiß, Jens Stubenrauch, Christoph Sturm, Jörg Theil, Mieke Ulfig, Adama Ulrich Mit Kathrin Angerer, Henry Hübchen, Susanne Düllmann, Karin Ugowski, Katrin Knappe, Alexander Scheer, Martin Wuttke, Frank Castorf, Herbert Fritsch, Sophie Rois, Marc Hosemann Lilith Stangenberg, Wolfram Koch, Elisabeth Zumpe, Ingo Günther, Herbert Sand, Wilfried Ortmann, Walfriede Schmitt, Heide Kipp, Annett Kruschke, Ulrich Voß, Harald Warmbrunn Winfried Wagner, Magne Hovard Brekke, Jon-Kaare Koppe, Peter-René Lüdicke, Bruno Cathomas, Kurt Naumann, Gerd Preusche, Torsten Ranft, Joachim Tomaschewsky, Jürgen Rothert Klaus Mertens, Bodo Krämer, Sabine Svoboda, Harry Merkel, Christiane Schober, Claudia Michelsen, Meral Yüzgülec, Astrid Meyerfeldt, Annekathrin Bürger, Dietmar Huhn, Hans-Uwe Bauer Andreas Speichert, Frank Meißner, Susanne Strätz, Robert Hunger-Bühler, Lajos Talamonti, Steve Binetti, Christoph Schlingensief, Wilfried Rott, Adriana Almeida, Walter Bickmann Christian Camus, Jean Chaize, Amy Coleman, Christina Comtesse, Beatrice Cordua, Ana Veronica Coutinho, Brigitte Cuvelier, Gernot Frischling, Andrea Hovenbitzer, Susana Ibañez Martin Kasper, Kristine Keil, Monica Kodato, Martin Lämmerhirt, Ireneu Marcovecchio, Mauricio Oliveira, Mauricio Ribeiro, Liliana Saldaña, Aliksey Schoettle, Christian Schwaan