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An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
The Cord Weekly
THE CORD WEEKLY Volume 29, Number 25 Thursday Mar. 23,1989 Wilfrid Laurier University Abandon all hope ye who enter here Cord Photo: Liza Sardi The Cord Weekly 2 Thursday, March 23,1989 THE CORD WEEKLY |1 keliv/f!rent-a-car ; SAVE $5.00 ! March 23,1989 Volume 29, Number 25 ■ ON ANY CAR RENTAL ■ I Editor-in-Chief Cori Ferguson ■ NEWS Editor Bryan C. Leblanc Associate Jonathan Stover Contributors Tim Sullivan Frances McAneney COMMENT ■ ■ Contributors 205 WEBER ST. N. Steve Giustizia l 886-9190 l FEATURES Free Customer Pick-up Delivery ■ Editor vacant and Contributors Elizabeth Chen ENTERTAINMENT Editor Neville J. Blair Contributors Dave Lackie Cori Cusak Jonathan Stover Kathy O'Grady Brad Driver Todd Bird SPORTS Editor Brad Lyon Contributors Brian Owen Sam Syfie Serge Grenier Lucien Boivin Raoul Treadway Wayne Riley Oscar Madison Fidel Treadway Kenneth J. Whytock Janet Smith DESIGN AND ASSEMBLY Production Manager Kat Rios Assistants Sandy Buchanan Sarah Welstead Bill Casey Systems Technician Paul Dawson Copy Editors Shannon Mcllwain Keri Downs Contributors \ Jana Watson Tony Burke CAREERS Andre Widmer 112 PHOTOGRAPHY Manager Vicki Williams Technician Jon Rohr gfCHALLENGE Graphic Arts Paul Tallon Contributors Liza Sardi Brian Craig gfSECURITY Chris Starkey Tony Burke J. Jonah Jameson Marc Leblanc — ADVERTISING INFLEXIBILITY Manager Bill Rockwood Classifieds Mark Hand gfPRESTIGE Production Manager Scott Vandenberg National Advertising Campus Plus gf (416)481-7283 SATISFACTION CIRCULATION AND FILING Manager John Doherty Ifyou want theserewards Eight month, 24-issue CORD subscription rates are: $20.00 for addresses within Canada inacareer... and $25.00 outside the country. Co-op students may subscribe at the rate of $9.00 per four month work term. -
Island Records and Notting Hill Implement Music Gateway's New
Island Records and Notting Hill implement Music Gateway’s new Private Network Software Music Gateway has developed a new project management solution - with Island Records Dance and Notting Hill Publishing among its founding clients as well as working closely with labels such as Sire Records, a subsidiary of Warner Music Group. The Private Network offers a highly functional and secure project management system to be used in-house at music companies and beyond. "The collaborative nature of dance music means that I always have a number of records and projects in development with artists not just in the UK but around the world,” said founding client and A&R Consultant at Island Records, Dave Lambert. “Tracking the progress of these projects and the individual processes are essential, and managing my network as a whole is top priority. With Music Gateway I have my own closed network that I control, so I can make this happen in a much more effective way, saving myself heaps of time.” Each Private Network is modular and flexible, with features including: unlimited usage and network growth; unlimited file sizes, back up and storage; branded private networks and project management systems; mobile optimisation; worldwide access; collaboration and remote working tools. A number of new features have also been added to the whole Music Gateway platform including, video timeline feedback function, ability to upload and manage any file type within the workspace, and assign meta-data to all files. “The concept for the Private Network was triggered after Music Gateway was approached by a notable publishing company who were looking for a secure and functional, private project management tool,” said Music Gateway CEO Jon Skinner. -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
The Winonan - 2000S
Winona State University OpenRiver The inonW an - 2000s The inonW an – Student Newspaper 11-16-2005 The inonW an Winona State University Follow this and additional works at: https://openriver.winona.edu/thewinonan2000s Recommended Citation Winona State University, "The inonW an" (2005). The Winonan - 2000s. 141. https://openriver.winona.edu/thewinonan2000s/141 This Newspaper is brought to you for free and open access by the The inonW an – Student Newspaper at OpenRiver. It has been accepted for inclusion in The inonW an - 2000s by an authorized administrator of OpenRiver. For more information, please contact [email protected]. Volume 84 Issue 11 Inside Kickin" the Habit News ■ Student death touches commu- nity, family and friends ■Web site allows students to rate their landlords ■Jaydee offers classes on the Mississippi - 7 j ■ Students take advantage of on- line payments ■Will reviews Marc Broussard Doug Sundin/WINONAN ■McClanahan National Smoke Out Day will kick off November 17th and WSU is taking part in the event by hosting a free disappointed in smoking cessation program. Nicotine gum and patches will be available for students who participate in the pro- gram. Winonan Page Designer Laura Gossman plans to quit, cold-turkey, after four years of habitual cigarette Aniston's newest smoking. Check out www.winona.edu/winonan for daily updates on Laura's progress and obstacles she will flick 'Derailed' face along the way. Students are encouraged to leave feedback and comments for Gossman during the experi- ence. Phone: (507) 457-5119 http://www.winona.edu/winonan WSU graduate killed in car accident Friends share memories of a man who wanted to 'build bridges' and fend off stereotypes Amber Dulek which is a month-long fast in jwani said. -
Media Influence Matrix Romania
N O V E M B E R 2 0 1 9 MEDIA INFLUENCE MATRIX: ROMANIA Author: Dumitrita Holdis Editor: Marius Dragomir Published by CEU Center for Media, Data and Society (CMDS), Budapest, 2019 About CMDS About the authors The Center for Media, Data and Society Dumitrita Holdis works as a researcher for the (CMDS) is a research center for the study of Center for Media, Data and Society at CEU. media, communication, and information Previously she has been co-managing the “Sound policy and its impact on society and Relations” project, while teaching courses and practice. Founded in 2004 as the Center for conducting research on academic podcasting. Media and Communication Studies, CMDS She has done research also on media is part of Central European University’s representation, migration, and labour School of Public Policy and serves as a focal integration. She holds a BA in Sociology from point for an international network of the Babes-Bolyai University, Cluj-Napoca and a acclaimed scholars, research institutions and activists. MA degree in Sociology and Social Anthropology from the Central European University. She also has professional background in project management and administration. She CMDS ADVISORY BOARD has worked and lived in Romania, Hungary, France and Turkey. Clara-Luz Álvarez Floriana Fossato Ellen Hume Monroe Price Marius Dragomir is the Director of the Center Anya Schiffrin for Media, Data and Society. He previously Stefaan G. Verhulst worked for the Open Society Foundations (OSF) for over a decade. Since 2007, he has managed the research and policy portfolio of the Program on Independent Journalism (PIJ), formerly the Network Media Program (NMP), in London. -
An Untucked, Unbuttoned, Almost True Story
THE LONG ROAD HOME: AN UNTUCKED, UNBUTTONED, ALMOST TRUE STORY A written creative work submitted to the faculty of San Francisco State University In partial fulfillment of the requirements for the Degree 3(r E N (a £[<] Master of Arts ’ In English: Creative Writing by Riley Harkins Rant San Francisco, California May 2015 Copyright by Riley Harkins Rant 2015 CERTIFICATION OF APPROVAL I certify that I have read The Long Road Home by Riley Harkins Rant, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in English: Creative Writing at San Francisco State University. Nona^aspers Professor of Creative Writing THE LONG ROAD HOME: AN UNTUCKED, UNBUTTONED, ALMOST TRUE STORY Riley Harkins Rant San Francisco, California 2015 This novella explores the experience of loneliness across three different characters, the dysfunction of addiction in families, and whether or not anyone actually knows what happiness looks or feels like—for themselves or for others. The main narrator and protagonist, Riley, recognizes her father Jon’s flaws, but wants to understand him in order to help him find love again after a painful divorce. After years of judgment and rejection, Jon only wants to be accepted for who he is. Maria, an abused addict who survived years on the streets, wants nothing more than to have a home. Each of these characters gets what they want in relation to one another, but does anyone win in the end? What and who are we willing to sacrifice to get what we want? I certify that the abstract is a correct representation of the content of this written creative Date PREFACE AND/OR ACKNOWLEDGEMENTS For my old man. -
Historical Dictionary of Russian and Soviet Intelligence
Russia • Military / Security Historical Dictionaries of Intelligence and Counterintelligence, No. 5 PRINGLE At its peak, the KGB (Komitet Gosudarstvennoy Bezopasnosti) was the largest HISTORICAL secret police and espionage organization in the world. It became so influential DICTIONARY OF in Soviet politics that several of its directors moved on to become premiers of the Soviet Union. In fact, Russian president Vladimir V. Putin is a former head of the KGB. The GRU (Glavnoe Razvedvitelnoe Upravleniye) is the principal intelligence unit of the Russian armed forces, having been established in 1920 by Leon Trotsky during the Russian civil war. It was the first subordinate to the KGB, and although the KGB broke up with the dissolution of the Soviet Union in 1991, the GRU remains intact, cohesive, highly efficient, and with far greater resources than its civilian counterparts. & The KGB and GRU are just two of the many Russian and Soviet intelli- gence agencies covered in Historical Dictionary of Russian and Soviet Intelligence. Through a list of acronyms and abbreviations, a chronology, an introductory HISTORICAL DICTIONARY OF essay, a bibliography, and hundreds of cross-referenced dictionary entries, a clear picture of this subject is presented. Entries also cover Russian and Soviet leaders, leading intelligence and security officers, the Lenin and Stalin purges, the gulag, and noted espionage cases. INTELLIGENCE Robert W. Pringle is a former foreign service officer and intelligence analyst RUSSIAN with a lifelong interest in Russian security. He has served as a diplomat and intelligence professional in Africa, the former Soviet Union, and Eastern Europe. For orders and information please contact the publisher && SOVIET Scarecrow Press, Inc. -
Feature Guitar Songbook Series
feature guitar songbook series 1465 Alfred Easy Guitar Play-Along 1484 Beginning Solo Guitar 1504 The Book Series 1480 Boss E-Band Guitar Play-Along 1494 The Decade Series 1464 Easy Guitar Play-Along® Series 1483 Easy Rhythm Guitar Series 1480 Fender G-Dec 3 Play-Along 1497 Giant Guitar Tab Collections 1510 Gig Guides 1495 Guitar Bible Series 1493 Guitar Cheat Sheets 1485 Guitar Chord Songbooks 1494 Guitar Decade Series 1478 Guitar Play-Along DVDs 1511 Guitar Songbooks By Notation 1498 Guitar Tab White Pages 1499 Legendary Guitar Series 1501 Little Black Books 1466 Hal Leonard Guitar Play-Along® 1502 Multiformat Collection 1481 Play Guitar with… 1484 Popular Guitar Hits 1497 Sheet Music 1503 Solo Guitar Library 1500 Tab+: Tab. Tone. Technique 1506 Transcribed Scores 1482 Ultimate Guitar Play-Along Please see the Mixed Folios section of this catalog for more2015 guitar collections. 1464 EASY GUITAR PLAY-ALONG® SERIES The Easy Guitar Play-Along® Series features 9. ROCK streamlined transcriptions of your favorite SONGS FOR songs. Just follow the tab, listen to the CD or BEGINNERS Beautiful Day • Buddy Holly online audio to hear how the guitar should • Everybody Hurts • In sound, and then play along using the back- Bloom • Otherside • The ing tracks. The CD is playable on any CD Rock Show • Use Somebody. player, and is also enhanced to include the Amazing Slowdowner technology so MAC and PC users can adjust the recording to ______00103255 Book/CD Pack .................$14.99 any tempo without changing the pitch! 10. GREEN DAY Basket Case • Boulevard of Broken Dreams • Good 1. -
Aaron Harrison
Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Library of Congress Washington, D.C. ) In re ) ) DETERMINATION OF ROYALTY ) DOCKET NO. 14-CRB-0001-WR RATES AND TERMS FOR ) (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF SOUND ) RECORDINGS (WEB IV) ) ) TESTIMONY OF AARON HARRISON Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. PUBLIC VERSION Witness for SoundExchange, Inc. PUBLIC VERSION BACKGROUND 1. I am Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. (“UMG Recordings”), a position I have held since 2013. UMG Recordings, Inc. is the primary recorded music company in the United States for the Universal Music Group. Universal Music Group (hereafter, “Universal”) is the colloquial name for the group of music related companies owned by Vivendi S.A. Together, these companies comprise the world’s largest recorded music company. Along with other members of the Business & Legal Affairs team in the Global Digital Business department, I negotiate deals with various digital music services that use Universal’s repertoire of sound recordings. Such services include on-demand and customized streaming services, download and ringtone stores, locker services, and various types of subscription services. I have negotiated deals on Universal’s behalf for the past nine years. During that time, I have negotiated more than 100 agreements with digital music services. 2. Prior to assuming my current position, I was Vice President, Business & Legal Affairs, eLabs, UMG Recordings. I began my employment with UMG Recordings in 2005 as Director, Business & Legal Affairs, eLabs. Prior to joining UMG Recordings, I was an attorney with the law firm Manatt, Phelps & Phillips, LLP, where my practice focused primarily on talent representation and advising companies in the acquisition of intellectual property and branded entertainment rights. -
Traveling Habits Are Changing in Ocean City Lindsey Rennie Taurant Has Been up Every Away from Several Millions of Potential Visitors, Young D.C
In this issue Marc Broussard’s latest News 1–4 album – review and Lifestyle 5–7 YDC reads the fourth Entertainment 8–10 interview with the artist Sports 12 in the Twilight series himself Humor 13 by Stephanie Meyer page 8 Viewpoints 14–15 page 10 Volume 18 • Number 1 • September 2008 • Please display through October 6 Traveling habits are changing in Ocean City Lindsey Rennie taurant has been up every away from several millions of potential visitors, Young D.C. day since the Fourth of our numbers have remained stable,” said How- The number of travel- July. “Businesses that of- ard. She said that many people like to go to ers to Ocean City, Md. fer a good product, good Ocean City because it’s not too far from home, didn’t decline this summer, service and added value but that travelers are tending to make their reser- but the U.S. Department of where possible will do vations later and later. “There was a time when Transportation confirmed well,” she said. most of the reservations were made during the what Ocean City anticipat- As for vacationers, it first two months of the year,” with families stay- ed. People changed their is now common to travel ing for two to three weeks, but now many just driving and spending hab- for shorter periods of time, stay for long weekends, said Howard. its while on vacation. not go far distances, or not Both Howard and Donna Abbot, the Pub- “There are many travel at all. In Ocean City, more opportunities for lic Relations Director for the Ocean City Bu- many tourists are finding reau of Tourism, know that lifestyles are chang- travelers and the travelers ways to still go on vaca- Photo courtesy of Lindsey Rennie ing and people are trying to save more money have become far more so- tion, but save money at the Visitors still vacation in Ocean City, Md. -
Martha Sturdy and Walter Murch Receive Eci Honorary Doctor of Letters
/ / p u b l i s h e d Fall 06 Visions> // published by emily carr institute foundation + development office // President’s New CIRO Message appointed 02 02 New Director ECI at for IDS SIGGRaPH 03 03 Delectable Emily award martha sturdy Designs Winner and walter murch 06 07 receive eci honorary doctor of letters lEfT To RIGHT: ECI BoaRD CHaIR, DR. GEoRGE pEDERSEN, walTER MURCH, Governor General, and is a member of the Royal > Animation Grad wins MaRTHa STURDy aND ECI pRESIDENT DR. RoN BURNETT. Canadian academy of arts. Her work has been $20,000 award published in international magazines such as ECI Gets matching Grant at the Institute’s 77th convocation on May 6th, Architectural Digest, Metropolitan Home, and Vogue. 2006, Martha Sturdy and walter Murch were each Every graduating student hopes their grad conferred an Honorary Doctor of letters degree. walter Murch is an award-winning film editor and project will launch their careers. For Joel sound mixer, based in California. He received an Furtado, his big break came in the form of an ECI alumna, Martha Sturdy is an internationally- academy award for best sound for Apocalypse Now, Electronic Arts’ Reveal 06: Canadian 3D renowned leading designer of furniture, home two British academy awards in 1975 for film editing Animation Showdown. accessories, jewelry and wall sculptures. Based in and sound mixing for The Conversation, as well as Congratulations to Joel, B.C., she is known for creating distinctive artwork numerous nominations from both academies. walter whose animated short using casting resin, brass and steel that is that is directed and co-wrote the film return to oz in 1985, film Tree for Two bold, clean and simple.