Mossyrock's Stations of the Cross Attracts the Faithful
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2014 Topps UFC Knockout Checklist
CHECKLIST BASE CARDS FIGHTER CARDS 1 Anderson Silva 2 Abel Trujillo 3 Hector Lombard 4 Chael Sonnen 5 Rashad Evans 6 Frankie Edgar 7 Conor McGregor 8 TJ Grant 9 Cain Velasquez 10 Raquel Pennington 11 Jared Rosholt 12 Benson Henderson 13 Jose Aldo 14 Chris Holdsworth 15 Jimi Manuwa 16 Matt Brown 17 Stephen Thompson 18 Renan Barao 19 Josh Barnett 20 Johny Hendricks 21 Tyron Woodley 22 Brad Tavares 23 Cat Zingano 24 Rafael dos Anjos 25 Bigfoot Silva 26 Cub Swanson 27 Darren Elkins 28 Michael McDonald 29 Nate Diaz 30 Stipe Miocic 31 Ronda Rousey 32 Tim Kennedy 33 Soa Palelei 34 Ali Bagautinov 35 Alexander Gustafsson 36 Junior Dos Santos 37 Gian Villante 38 Fabricio Werdum 39 Carlos Condit CHECKLIST 40 Brandon Thatch 41 Eddie Wineland 42 Pat Healy 43 Roy Nelson 44 Myles Jury 45 Chad Mendes 46 Nik Lentz 47 Dustin Poirier 48 Travis Browne 49 Glover Teixeira 50 James Te Huna 51 Jon Jones 52 Scott Jorgensen 53 Santiago Ponzinibbio 54 Ian McCall 55 George Roop 56 Ricardo Lamas 57 Josh Thomson 58 Rory MacDonald 59 Edson Barboza 60 Matt Mitrione 61 Ronaldo Souza 62 Yoel Romero 63 Alexis Davis 64 Demetrious Johnson 65 Vitor Belfort 66 Liz Carmouche 67 Julianna Pena 68 Phil Davis 69 TJ Dillashaw 70 Sarah Kaufman 71 Mark Munoz 72 Miesha Tate 73 Jessica Eye 74 Steven Siler 75 Ovince Saint Preux 76 Jake Shields 77 Chris Weidman 78 Robbie Lawler 79 Khabib Nurmagomedov 80 Frank Mir 81 Jake Ellenberger CHECKLIST 82 Anthony Pettis 83 Erik Perez 84 Dan Henderson 85 Shogun Rua 86 John Makdessi 87 Sergio Pettis 88 Urijah Faber 89 Lyoto Machida 90 Demian Maia -
2015 Topps UFC Chronicles Checklist
BASE FIGHTER CARDS 1 Royce Gracie 2 Gracie vs Jimmerson 3 Dan Severn 4 Royce Gracie 5 Don Frye 6 Vitor Belfort 7 Dan Henderson 8 Matt Hughes 9 Andrei Arlovski 10 Jens Pulver 11 BJ Penn 12 Robbie Lawler 13 Rich Franklin 14 Nick Diaz 15 Georges St-Pierre 16 Patrick Côté 17 The Ultimate Fighter 1 18 Forrest Griffin 19 Forrest Griffin 20 Stephan Bonnar 21 Rich Franklin 22 Diego Sanchez 23 Hughes vs Trigg II 24 Nate Marquardt 25 Thiago Alves 26 Chael Sonnen 27 Keith Jardine 28 Rashad Evans 29 Rashad Evans 30 Joe Stevenson 31 Ludwig vs Goulet 32 Michael Bisping 33 Michael Bisping 34 Arianny Celeste 35 Anderson Silva 36 Martin Kampmann 37 Joe Lauzon 38 Clay Guida 39 Thales Leites 40 Mirko Cro Cop 41 Rampage Jackson 42 Frankie Edgar 43 Lyoto Machida 44 Roan Carneiro 45 St-Pierre vs Serra 46 Fabricio Werdum 47 Dennis Siver 48 Anthony Johnson 49 Cole Miller 50 Nate Diaz 51 Gray Maynard 52 Nate Diaz 53 Gray Maynard 54 Minotauro Nogueira 55 Rampage vs Henderson 56 Maurício Shogun Rua 57 Demian Maia 58 Bisping vs Evans 59 Ben Saunders 60 Soa Palelei 61 Tim Boetsch 62 Silva vs Henderson 63 Cain Velasquez 64 Shane Carwin 65 Matt Brown 66 CB Dollaway 67 Amir Sadollah 68 CB Dollaway 69 Dan Miller 70 Fitch vs Larson 71 Jim Miller 72 Baron vs Miller 73 Junior Dos Santos 74 Rafael dos Anjos 75 Ryan Bader 76 Tom Lawlor 77 Efrain Escudero 78 Ryan Bader 79 Mark Muñoz 80 Carlos Condit 81 Brian Stann 82 TJ Grant 83 Ross Pearson 84 Ross Pearson 85 Johny Hendricks 86 Todd Duffee 87 Jake Ellenberger 88 John Howard 89 Nik Lentz 90 Ben Rothwell 91 Alexander Gustafsson -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
+ Enkelte Udblik
Jakob Schweppenhäuser også ved deres indlysende (bl.a.) lit- terære kvaliteter, der netop gør dem til dette: glimrende. For at finde belæg for denne på- stand er det nødvendigt at gå helt tæt på deres tekster, men inden da er nogle indledende manøvrer uom- BÆLTESTEDET gængelige. Først skal vi for overblik- kets skyld forsøge kort at indplacere Om uhørt ordspilsludomani og tenderen mod nul-værdi nutidens danske rap i en lidt større historisk kontekst. De fleste kan efter- i den sprogligt eksperimenterende danske rapoesi hånden fortælle historien om, hvor- dan hiphopkulturen spirede frem (+ enkelte udblik) mellem Bronx’ grå betonblokke i de sene halvfjerdsere, som reaktion på og alternativ til de bandekrige og rø- verier, de sortes kummerlige forhold i ghettoerne havde fremavlet. Hermed Frem for at gå i sociologisk have, som danske, næsten ikkeeksisterende, Lars Bukdahl har udført i forsøget på fortalt atter en gang. Mange kender man så ofte har gjort det, når skriften litterære rapkritik; muligvis ‘næsten at integrere dansk rap i det litterære også fortællingen om, hvordan det er faldet på rap, skal vi i det følgende ikkeeksisterende’ fordi litteraterne landskab – en respektindgydende og for Nikolaj/DJ Peyk med MC Einar i stedet gå til værks: vi skal betragte tilsyneladende kun har et kendskab heltemodig indsats. På sidstnævn- lykkedes at skabe hiphopmusik efter det enkelte værk, den enkelte pas- til ganske få spændende ting – disse te bogs bagside lyder påstanden, amerikansk forbillede men med et sage, det enkelte ord; rapuS fx. Flug- har så til gengæld fået en anstændig at “[a]lle væsentlige stemmer i den tydeligt anstrøg af dansk, specifikt: tende med denne bevægelse – fra behandling hos bl.a. -
Underdog Music | Norient.Com 4 Oct 2021 08:39:56
Underdog Music | norient.com 4 Oct 2021 08:39:56 Underdog Music by Emilie Friedlander Other Music was a seminal NYC record store for 20 years. Emilie Friedlander, a frequent shopper there, reflects on the film of the same name and a legacy lost to the algorithm. → Check all articles of this special → Download PDF with introduction and table of contents In the early 2000s, walking into an independent record store in New York City was frightening – especially if you were young and the kind of person whose sense of self was bound up in music. Years before the internet made rarefied musical expertise something one could access at the click of a button, knowing about outsider psych and tropicalia records that nobody else did was the ultimate currency of cool – and walking up to the counter with your selection felt less like a commercial transaction than a test. Clerks at East Village institution Kim’s Video, a dry cleaning shop turned film and music emporium, were so prickly with customers they deemed to have sub- par taste that one former patron compared his love for the place to an «S & M» relationship. (I worked there for a few summers in high school, and he wasn’t off the mark.) The first time I wandered into Other Music, a cramped hole-in-the-wall on West Fourth Street founded in 1995 by three former Kim’s employees, I felt like I had walked into the most intimidating record store of all. In what felt like a punk move at the time, owners Josh Madell and Chris Vanderloo had set up https://norient.com/index.php/emilie-friedlander/underdog-music Page 1 of 4 Underdog Music | norient.com 4 Oct 2021 08:39:56 shop catty-corner to a giant Tower Records; like a David to that corporate retail Goliath, the shop seemed perfectly situated to attract foot traffic from lost customers who hadn’t been able to find something they wanted to hear across the street. -
Underdog Music | Norient.Com 24 Sep 2021 10:47:38
Underdog Music | norient.com 24 Sep 2021 10:47:38 Underdog Music by Emilie Friedlander Other Music was a seminal NYC record store for 20 years. Emilie Friedlander, a frequent shopper there, reflects on the film of the same name and a legacy lost to the algorithm. → Check all articles of this special → Download PDF with introduction and table of contents In the early 2000s, walking into an independent record store in New York City was frightening – especially if you were young and the kind of person whose sense of self was bound up in music. Years before the internet made rarefied musical expertise something one could access at the click of a button, knowing about outsider psych and tropicalia records that nobody else did was the ultimate currency of cool – and walking up to the counter with your selection felt less like a commercial transaction than a test. Clerks at East Village institution Kim’s Video, a dry cleaning shop turned film and music emporium, were so prickly with customers they deemed to have sub- par taste that one former patron compared his love for the place to an «S & M» relationship. (I worked there for a few summers in high school, and he wasn’t off the mark.) The first time I wandered into Other Music, a cramped hole-in-the-wall on West Fourth Street founded in 1995 by three former Kim’s employees, I felt like I had walked into the most intimidating record store of all. In what felt like a punk move at the time, owners Josh Madell and Chris Vanderloo had set up https://norient.com/emilie-friedlander/underdog-music Page 1 of 4 Underdog Music | norient.com 24 Sep 2021 10:47:38 shop catty-corner to a giant Tower Records; like a David to that corporate retail Goliath, the shop seemed perfectly situated to attract foot traffic from lost customers who hadn’t been able to find something they wanted to hear across the street. -
L4.1.2 Colloque International Improvisation Et Nouvelles Technologies
Projet DYCI2, WP4 Intégration, expérimentation, validation et retour d’usage SP4.1 Expérimentation, évaluation, dissémination Rapport de livrable : L4.1.2 Colloque International Improvisation et nouvelles tecHnologies. Livrable Date Contributeurs Rédacteurs Contenu L4.1.2 Juillet 2018 G. Assayag (Ircam-STMS) J. Nika Colloque et festival Version 01 international. Rapport. Résumé Ce document présente la le workshop – festival international ImproTech Paris-Philly 2017 organisé les 11-13 décembre 2017 par les partenaires de DYCI2 avec un ensemble de grandes institutions française et nord-américaines et consacré à la recherche scientifique et artistique en improvisation computationnelle. Répertoire de développement logiciel collaboratif n/a Adresse du livrable logiciel n/a Présentation ImproTech Paris-Philly http://ikparisphilly.ircam.fr/ La série des ImproTech obéit à la logique de l’équipe Représentations Musicales : continuité L4.1.2 Colloque International Improvisation et nouvelles technologies 1 de la recherche scientifique et de la recherche musicale en action et en interaction permanentes, ouverture esthétique, échanges internationaux, découverte des avant-gardes et des jeunes scènes articulant recherche et art en cohérence avec la reconnaissance des icônes ayant marqué plusieurs générations. Et une arythmie correspondant à notre appréciation conjoncturelle du meilleur moment, des meilleurs chercheurs, des meilleurs musiciens : manière de dire que nous organisons ImproTech quand et où cela nous chante. De cette série liée aux musiques improvisées, la première édition (pas encore nommée) voir le jour en 2004 comme marathon jamais-vu de midi à minuit à l’Espace de projection, atelier- concert liée aux journées « Science and Music Computing » organisés pour la première fois à l’Ircam et devenu depuis une des grandes conférences internationales du domaine. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of -
Music Guide 13 the Beat 180 Master Class by ELDAR DJANGIROV 194 Blindfold Test Where to Study Jazz 2017 24 Players 182 Pro Session Dr
October 2016 VOLUME 83 / NUMBER 10 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Keyfinder V2 Dataset © Ibrahim Sha'ath 2014
KeyFinder v2 dataset © Ibrahim Sha'ath 2014 ARTIST TITLE KEY 10CC Dreadlock Holiday Gm 187 Lockdown Gunman (Natural Born Chillers Remix) Ebm 4hero Star Chasers (Masters At Work Main Mix) Am 50 Cent In Da Club C#m 808 State Pacifc State Ebm A Guy Called Gerald Voodoo Ray A A Tribe Called Quest Can I Kick It? (Boilerhouse Mix) Em A Tribe Called Quest Find A Way Ebm A Tribe Called Quest Vivrant Thing (feat Violator) Bbm A-Skillz Drop The Funk Em Aaliyah Are You That Somebody? Dm AC-DC Back In Black Em AC-DC You Shook Me All Night Long G Acid District Keep On Searching G#m Adam F Aromatherapy (Edit) Am Adam F Circles (Album Edit) Dm Adam F Dirty Harry's Revenge (feat Beenie Man and Siamese) G#m Adam F Metropolis Fm Adam F Smash Sumthin (feat Redman) Cm Adam F Stand Clear (feat M.O.P.) (Origin Unknown Remix) F#m Adam F Where's My (feat Lil' Mo) Fm Adam K & Soha Question Gm Adamski Killer (feat Seal) Bbm Adana Twins Anymore (Manik Remix) Ebm Afrika Bambaataa Mind Control (The Danmass Instrumental) Ebm Agent Sumo Mayhem Fm Air Sexy Boy Dm Aktarv8r Afterwrath Am Aktarv8r Shinkirou A Alexis Raphael Kitchens & Bedrooms Fm Algol Callisto's Warm Oceans Am Alison Limerick Where Love Lives (Original 7" Radio Edit) Em Alix Perez Forsaken (feat Peven Everett and Spectrasoul) Cm Alphabet Pony Atoms Em Alphabet Pony Clones Am Alter Ego Rocker Am Althea & Donna Uptown Top Ranking (2001 digital remaster) Am Alton Ellis Black Man's Pride F Aluna George Your Drums, Your Love (Duke Dumont Remix) G# Amerie 1 Thing Ebm Amira My Desire (Dreem Teem Remix) Fm Amirali -
2017: Fight Card and Results: Events 386 to 424
2017: Fight Card and Results: Events 386 to 424 Event 424 UFC 219: Cyborg vs. Holm December 30, 2017 Las Vegas, Nevada Weight Winner Loser Method Round Time Women's Featherweight Championship Women's Feather Cris Cyborg © Holly Holm Decision (unanimous) (49‐46, 48‐47, 48‐47) 5 5:00 Lightweight Khabib Nurmagomedov Edson Barboza Decision (unanimous) (30‐25, 30‐25, 30‐24) 3 5:00 Lightweight Dan Hooker Marc Diakiese Submission (guillotine choke) 3 0:42 Women's Straw Carla Esparza Cynthia Calvillo Decision (unanimous) (29‐28, 29‐28, 29‐28) 3 5:00 Welterweight Neil Magny Carlos Condit Decision (unanimous) (30‐27, 30‐27, 29‐28) 3 5:00 Light Heavyweight Michał Oleksiejczuk Khalil Rountree Jr. Decision (unanimous) (30‐27, 30‐27, 30‐27) 3 5:00 Featherweight Myles Jury Rick Glenn Decision (unanimous) (30‐27, 30‐27, 30‐27) 3 5:00 Middleweight Marvin Vettori Omari Akhmedov Draw (majority) (28‐28, 29‐28, 28‐28) 3 5:00 Flyweight Matheus Nicolau Louis Smolka Decision (unanimous) (30‐26, 30‐26, 30‐25) 3 5:00 Bantamweight Tim Elliott Mark De La Rosa Submission (anaconda choke) 2 1:41 For the UFC Women's Featherweight Championship. Event 423 UFC on Fox 26: Lawler vs. dos Anjos December 16, 2017 Winnipeg, Manitoba, Canada Weight Winner Loser Method Round Time Welterweight title eliminator Welterweight Rafael dos Anjos Robbie Lawler Decision (unanimous) (50‐45, 50‐45, 50‐45) 5 5:00 Catchweight 148.5 lb Josh Emmett Ricardo Lamas KO (punch) 1 4:33 Welterweight Santiago Ponzinibbio Mike Perry Decision (unanimous) (29‐28, 29‐28, 29‐28) 3 5:00 Light Heavyweight -
Youngblood Brass Band Bringer Brandfarlig Riot-Brass Til VEGA
2015-06-19 10:00 CEST Youngblood Brass Band bringer brandfarlig riot-brass til VEGA VEGA præsenterer YOUNGBLOOD BRASS BAND BRINGER BRANDFARLIG RIOT-BRASS TIL VEGA Riot brass-ikonerne i Youngblood Brass Band fyrer op for deres fusion af riot, hiphop og jazz, når de giver koncert i Lille VEGA 4. august. Det ti mand høje New Orleans-baserede hiphop-hornorkester Youngblood Brass Band er kendte som grundlæggerne af genren riot brass, og har brudt grænser for, hvordan man fortolker genrer som riot, hiphop og jazz i mere end de femten år, medlemmerne har været sammen, og nu har de et nyt album i støbeskeen. Brandfarlig live-energi På ensemblets seneste udgivelse Pax Volumi (2013), der var den første i mere end fem år, formår bandet at indkapsle den medrivende lyd og live-energi, som de er verdenskendte for. Gaffa anmeldte riot-brass ikonernes koncert på Loppen i København, hvor de kvitterede med fem ud af seks stjerner og ordene: ”De har drive. De har groove. Og deres musik er af den smittefarlige slags. Der er ingen tvivl om, at man vil nynne og danse til deres numre for sig selv i ugerne efter mødet med verdens førende hiphop-hornorkester.” Se video på YouTube her Hyppige gæster i Danmark Youngblood Brass Band har skabt sig en solid fanbase i hele verden, og i særdeleshed også i Danmark. Amerikanerne har spillet adskillige koncerter i landet, både på spillesteder som Loppen og Pumpehuset, til Distortion og på Roskilde Festival, hvor de leverede en efterhånden legendarisk koncert, hvor de sammen med publikum dannede en lang slange gennem festivalpladsen.