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Saving Miss Mary the Story of a Cook, Her Colleagues and a College Community
Alumni FALL 2017 Connection Saving Miss Mary The story of a cook, her colleagues and a college community. PLUS Dear HCC: Reflections from a former phonathon caller Why I Give: Legacy gift mark of grateful graduate DEAR READERS early every day I hear something that makes me proud of Holyoke Community College. Whether speaking Nwith a student who found her path and passion with the support of a faculty mentor, or meeting with our Open Alumni Educational Resources team, a group of faculty and staff working to drastically cut the cost of books and educational materials for our students, the sense of community and the transformative Connection power of our mission are unmistakable. In the year ahead, HCC will embark on a strategic planning The Alumni Connection is published two times process that will bring students, faculty, staff, alumni and per year by the Holyoke Community College community stakeholders together to envision and plan the future Alumni Office, Holyoke, Massachusetts, and of HCC. What are the most pressing needs of our students and is distributed without charge to alumni and our community? What are our unique strengths and how do we friends of HCC. Third-class postage is paid at Christina Royal, Ph.D., want to build upon them? How can we invest our resources in Springfield, Massachusetts. HCC President order to have the greatest impact? This is a pivotal moment for HCC, and I hope you will join us in this undertaking. To learn more Editors: about the planning process and how you can participate, please JoAnne L. Rome and Chris Yurko visit hcc.edu/forward. -
Anna Karpinski CV 2
A N N A K A R P I N S K I Make-up Artist Booking Agent: Freelancers Promotions. p. +61 3 9682 2772 e. [email protected] w. www.freelancers.com.au Since studying at 3 Arts make-up college in 1984, I have worked continuously in the film industry. My career encompasses feature films, television, documentaries, television commercials, corporates, special effects and stills. Below is an edited version of my work history……… FILM & TV SERIES 2014-15 Miss Fisher’s Murder Mysteries Every Cloud Productions Make-up Designer Series 3 Cast: Essie Davis;Miriam ABC TV Series Margolyes; Nathan Page;Ashleigh Cummings;Hugo Johnston-bert 2014 Nowhere Boys Matchbox Pictures Make-up Designer Series 2 cast:Michala ABC 3 TV Series Banas;Victoria Thaine; Dougie Baldwin; 2014 Upper Middle Bogan Gristmill Make-up Designer Series 2 cast:Robyn Nevin;Annie ABC TV Series Maynard;Robyn Malcombe;Patrick Brammall;Michala Banas;Glen Robbins 2014 The Time Of Our Lives JAHM Pictures Make-up Designer Series 2 cast:Claudia Karvan; ABC TV Series William McIness; Justine Clarke;Shane Jacobson;Stephen Curry 2013 Miss Fisher’s Murder Mysteries Every Cloud Productions Make-up Designer Series 2 cast:Essie Davis ABC TV Series Ashleigh Cummings 2013 Mr & Mrs Murder Fremantle Media Make-up Designer TV Series cast Shaun Micallef Kat Stewart;Lucy Honingman 2012 HOWZAT! Southern Star Make-up Designer Chn 9 Mini Series cast Lachie Hulme;Abe Forsythe;Damon Gameau 2011 Miss Fisher’s Murder Mysteries Every Cloud Productions Make-up Designer Series 1 cast;Essie Davis TV Series 2011 Woodley ABC Make-up Designer Comedy TV Series cast;Frank Woodley Justine Clarke 2010 City Homicide Series 4 7 Network Make-up Supervisor chn7 TV Series cast:Nadine Garner;Aaron Pederson;Noni Hazelhurst;David Field 2009 Dead Gorgeous Burberry / BBC Make-up Designer TV Series 2009 Satisfaction Lonehand / Showtime Make-up Designer Series 3 cast:Dianna Glenn TV Series Madeline West;Alison Whyte; FILM & TV SERIES Cont…. -
NT Drama Prospectus AUS-NZ 2020 V2 130819
2020 Drama Aust/NZ Students COURSE PROSPECTUS TABLE OF CONTENTS Section One - Introduction and General Information .................................................................. 3 Section Two - Schools and Course Information .............................................................................. 5 Part 1 - National Theatre Ballet School ............................. Error! Bookmark not defined. Part 3- National Theatre Student Policies ..................................................................................... 12 Section Four - Application Process ................................................................................................... 21 Section Five - RTO information .......................................................................................................... 23 The National Theatre Melbourne RTO: 3600 Page 2 of 23 Cricos 01551E Section One – Welcome to the National Theatre Hello and a very warm welcome to the National Theatre Drama School. Creativity is a natural human expression. It’s a necessity for human evolution. At the National we seek to nurture and encourage this creativity. Einstein said, “It’s not that I’m so smart, it’s just that I stay with the problems longer.” We commit to you and your training over a three year period. Because creative artists need time. Time to grow, develop and mature. You need to invest the time to discover the artist you want to be. Our creative staff have been producing and nurturing artists since 1936, making us Australia’s original actor training academy. We employ working actors, directors and teachers who train our students with knowledge of the real world and all its demands. The caring and supportive nature of our staff is second to none. The training at the National is up-to-date, comprehensive and fresh. You will draw upon the teachings of Stanislavski, Mike Alfreds and Michael Chekhov. Classes include Shakespearean text, Suzuki, American text, Theatre creation, Film, TV and new media training, Yoga, Clown and voice and body work. -
HEISENBERG by SIMON STEPHENS Welcome
HEISENBERG BY SIMON STEPHENS Welcome Any chance to see the work of renowned artists in an intimate setting like the Fairfax Studio is a special one indeed. This Australian premiere of Heisenberg delivers that opportunity, featuring the inimitable actors Kat Stewart and Peter Kowitz, with a leading creative team under the direction of Tom Healey. This play also marks our third presentation of a Simon Stephens play since we introduced MTC audiences to his work in 2015 with his revealing exploration of fame, celebrity and stardom in Birdland, and hosted him at MTC as part of the University of Melbourne’s Macgeorge fellowship. Last year his wonderful adaptation of The Curious Incident of the Dog in the Night-Time made its long awaited Australian debut in an MTC co-presentation with Arts Centre Melbourne, charming and astonishing audiences who came in droves to see the international blockbuster. And now, we present a Simon Stephens work of an entirely different scale – and one that proves his versatility and command of writing for the stage. Fostering relationships with international writers is central to bringing Melbourne the best work from overseas, and, closer to home, investing in local writers is core to MTC’s mission to enhance the Australian theatre landscape with exciting, new works from the country’s best writers. Our NEXT STAGE Writers’ Program is allowing us to do just that, and later this year you’ll see the first play to come out of this initiative – Golden Shield by the astounding young writer Anchuli Felicia King. We can’t wait to share it with you. -
Top Names of Australian Film and Television Announced to Present at Star-Studded AACTA Awards
Media Release – Strictly embargoed until Sunday 4 January 2015 Top Names of Australian Film and Television Announced to Present at Star-studded AACTA Awards The countdown to the Australian Academy of Cinema and Television Arts (AACTA) Awards is on, with top names of Australian film and television today announced to present at the star-studded Ceremony, held in Sydney and broadcast on Network Ten. Australia’s biggest celebration of screen, the 4th AACTA Awards will see AACTA President Geoffrey Rush present along with AACTA Award winners Lachy Hulme and Adam Zwar. A number of leading women of Australian television are also confirmed to present, including Kat Stewart, Marta Dusseldorp and Danielle Cormack, with all three nominated for Best Lead Actress in a Television Drama, adding anticipation to who will win on the night. Australian film and television favourite, and AFI Award winner, Stephen Curry will participate in the show, along with Dan Wyllie, who is nominated for Best Guest or Supporting Actor in a Television Drama for RAKE SERIES 3. Turkish actor/writer/director, Yilmaz Erdogan, will make his debut as a presenter and nominee at the 4th AACTA Awards. Erdogan is nominated for Best Supporting Actor for his performance in THE WATER DIVINER, competing alongside Patrick Brammall (THE LITTLE DEATH), Robert Pattinson (THE ROVER) and TJ Power (THE LITTLE DEATH). AACTA will announce the host of the 4th AACTA Awards next week, with the Ceremony broadcast nationally on Network Ten at 8:30pm Thursday 29 January, and encored on FOXTEL’s ARENA channel on Saturday 31 January. Further presenter and entertainment announcements will be made in the lead up to the 4th AACTA Awards, and tickets are on sale now for the public and industry: www.aacta.org The AACTA Awards are proudly supported by the NSW Government through its tourism and major events agency, Destination NSW. -
Fat Tony__Co Final D
A SCREENTIME production for the NINE NETWORK Production Notes Des Monaghan, Greg Haddrick Jo Rooney & Andy Ryan EXECUTIVE PRODUCERS Peter Gawler & Elisa Argenzio PRODUCERS Peter Gawler, Adam Todd, Jeff Truman & Michaeley O’Brien SERIES WRITERS Peter Andrikidis, Andrew Prowse & Karl Zwicky SERIES DIRECTORS MEDIA ENQUIRIES Michelle Stamper: NINE NETWORK T: 61 3 9420 3455 M: 61 (0)413 117 711 E: [email protected] IMPORTANT LEGAL NOTIFICATION TO MEDIA Screentime would like to remind anyone reporting on/reviewing the mini-series entitled FAT TONY & CO. that, given its subject matter, the series is complicated from a legal perspective. Potential legal issues include defamation, contempt of court and witness protection/name suppression. Accordingly there are some matters/questions that you may raise which we shall not be in a position to answer. In any event, please note that it is your responsibility to take into consideration all such legal issues in determining what is appropriate for you/the company who employs you (the “Company”) to publish or broadcast. Table of Contents Synopsis…………………………………………..………..……………………....Page 3 Key Players………….…………..…………………….…….…..……….....Pages 4 to 6 Production Facts…………………..…………………..………................Pages 7 to 8 About Screentime……………..…………………..…….………………………Page 9 Select Production & Cast Interviews……………………….…….…Pages 10 to 42 Key Crew Biographies……………………………………………...….Pages 43 to 51 Principal & Select Supporting Cast List..………………………………...….Page 52 Select Cast Biographies…………………………………………….....Pages 53 to 69 Episode Synopses………………………….………………….………..Pages 70 to 72 © 2013 Screentime Pty Ltd and Nine Films & Television Pty Ltd 2 SYNOPSIS FAT TONY & CO., the brand-new production from Screentime, tells the story of Australia’s most successful drug baron, from the day he quit cooking pizza in favour of cooking drugs, to the heyday of his $140 million dollar drug empire, all the way through to his arrest in an Athens café and his whopping 22-year sentence in Victoria’s maximum security prison. -
Publicity Campaigns & Print Advertising
Fashion Stylist & Costume Buyer 0411 343 353 Agent: Freelancers 03 9682 2722 www.anitafitzgerald.com [email protected] Publicity Campaigns & Print Advertising Chrissie Swan & Anh Do Long Lost Family Stylist Publicity stills campaign 2016 Photography: Ben King Jo Stanley & Lehmo Gold FM/ARN Stylist Publicity stills campaign 2016 Photography: Elizabeth Allnutt SIDS & Kids Australia Photographer: Norman Krueger Stylist Safe Sleeping brochure 2016 Nadine Garner, Dr Blake Photography: Narelle Sheean Stylist Publicity stills campaign 2015 Kat Stewart, Mr and Mrs Murder Network Ten Stylist Publicity stills campaign 2013 Photography: Ben King Anthony La Paglia, Underground Network Ten Stylist Publicity stills campaign 2012 Photography: John Tsiavis Asher Keddie, Offspring Network Ten Stylist Publicity stills campaign 2012 Photography: John Tsiavis Carrie Bickmore Sunday Life Magazine Stylist Cover story 2012 Photography: Sam Ruttyn Clare Bowditch The Sunday Age, M Magazine Stylist Cover story 2012 Photography: Simon Schlutter Asher Keddie, Carrie Bickmore, TV Week Magazine Stylist Hamish Blake and TV Week Gold Logie Nominees Adam Hills Photography: Tina Smigielski Cover story 2012 Shaun Micallef, Amanda Keller OK Magazine Stylist Charlie Pickering, Josh Thomas Photography: Tina Smigielski Talking Bout Your Generation Stills 2012 Asher Keddie TV Week Stylist Cover story 2012 Photography: Tina Smigielski Lisa McCune, Matt Day Network Ten, Reef Doctors Stylist Publicity stills campaign 2012 Photography: Ellis Parrinder Kate Langbroek, Dave -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
HEATHER ROSS.CV.2017,Pdf
HEATHER ROSS MAKEUP ARTIST . HAIRDRESSER . SPFX . WIGS . HAIRPIECES m. 0412 544 015 . e. [email protected] a. freelancers . p. 613 9682 2722 DRAMA 2016 BRUCE WEBSERIES MAKEUP/HAIR DESIGNER 2015 MOONMAN PILOT – ABC MAKEUP/HAIR DESIGNER 2014 SUCKER FEATURE FILM MAKEUP/HAIR DESIGNER HOW TO TALK AUSTRALIAN WEB SERIES MAKEUP/HAIR DESIGNER THE MOON & THE SUN FEATURE FILM (VFX TEST UNIT) MAKEUP/HAIR DESIGNER 2013 JACK IRISH ‘DEAD POINT’ TELEMOVIE - ABC MAKEUP/HAIR DESIGNER 2012 UNDERGROUND - ASSANGE TELEMOVIE/NETWORK 10 MAKEUP/HAIR DESIGNER DEAD EUROPE FEATURE FILM MAKEUP/HAIR – KEY I-FRANKENSTEIN FEATURE FILM MAKEUP/HAIR DAILIES 2010 SMALL TIME GANGSTER TV SERIES – MOVIE NETWORK MAKEUP/HAIR DESIGNER THE EYE OF THE STORM FEATURE FILM MAKEUP/HAIR - KEY 2009 THE WEDDING PARTY FEATURE FILM MAKEUP/HAIR DESIGNER WILFRED II TV SERIES - SBS MAKEUP/HAIR DESIGNER LOWDOWN TV SERIES - ABC MAKEUP/HAIR DESIGNER 2008 BALIBO FEATURE FILM MAKEUP/HAIR DAILIES THE KNOWING FEATURE FILM (US) MAKEUP/HAIR DAILIES 2007 NOT QUITE HOLLYWOOD DOCUMENTARY MAKEUP/HAIR DESIGNER LONG WEEKEND FEATURE FILM MAKEUP/HAIR DESIGNER THE BANK JOB FEATURE FILM (AUST. UNIT) MAKEUP/HAIR DESIGNER THE PACIFIC MINI SERIES (US) MAKEUP/HAIR DAILIES 2006 STORM WARNING FEATURE FILM MAKEUP/HAIR DESIGNER 2002 THE WANNABES FEATURE FILM MAKEUP/HAIR DESIGNER CRASHBURN TV SERIES - PILOT MAKEUP/HAIR DESIGNER NED KELLY FEATURE FILM MAKEUP/HAIR DAILIES 1998 NOAH'S ARK MINI SERIES (US) MAKEUP/HAIR - KEY 1997 MOBY DICK MINI SERIES (US) MAKEUP/HAIR – KEY 1996 LOVE SERENADE FEATURE FILM MAKEUP/HAIR -
4Th Aacta Awards Nominees – by Production
4TH AACTA AWARDS NOMINEES – BY PRODUCTION TELEVISION THE CODE – 10 nominations • AACTA Award for Best Television Drama Series • AACTA Award for Best Direction in a Television Drama or Comedy – Episode 1 • AACTA Award for Best Screenplay in Television – Episode 1 • AACTA Award for Best Editing in Television – Episode 1 • AACTA Award for Best Sound in Television – Episode 1 • AACTA Award for Best Original Music Score in Television Presented by APRA AMCOS – Episode 1 • AACTA Award for Best Production Design in Television – Episode 1 • AACTA Award for Best Lead Actor in a Television Drama – Dan Spielman • AACTA Award for Best Lead Actor in a Television Drama – Ashley Zukerman • AACTA Award for Best Guest or Supporting Actress in a Television Drama – Chelsie Preston Crayford – Episode 1 PLEASE LIKE ME – 6 nominations • AACTA Award for Best Television Comedy Series • AACTA Award for Best Direction in a Television Drama or Comedy – Episode 2/07: Scroggin • AACTA Award for Best Screenplay in Television – Episode 2/07: Scroggin • AACTA Award for Best Sound in Television – Episode 2/07: Scroggin • AACTA Award for Best Performance in a Television Comedy – Debra Lawrance • AACTA Award for Best Performance in a Television Comedy – Josh Thomas THE BROKEN SHORE – 5 nominations • AACTA Award for Best Cinematography in Television • AACTA Award for Best Editing in Television • AACTA Award for Best Sound in Television • AACTA Award for Best Original Music Score in Television Presented by APRA AMCOS • AACTA Award for Best Costume Design in Television 4th -
Aacta Award Winners Announced at Star-Studded Ceremony in Sydney
Media Release – Strictly Embargoed until 8pm Thursday 29 January 2015 AACTA AWARD WINNERS ANNOUNCED AT STAR-STUDDED CEREMONY IN SYDNEY Watch the show hosted by Cate Blanchett & Deborah Mailman 8:30pm on Network Ten Hosts Cate Blanchett and Deborah Mailman were today joined on stage by a star-studded line up of presenters including Geoffrey Rush (AACTA president), Lachy Hulme, Stephen Curry and cricketer Brett Lee to honour Australia’s best achievements in Australian film and television at the 4th AACTA Awards Ceremony, held at The Star Event Centre in Sydney. FILM & DOCUMENATRY AWARDS In an unusual though not unprecedented twist, two feature films were awarded the AACTA Award for Best Film; THE BABADOOK (by first-time feature film director, Jennifer Kent) and THE WATER DIVINER (also marking a directorial debut for Russell Crowe). THE BABADOOK also took home the AACTA Award for Best Direction presented by Hyundai Genesis, and Best Original Screenplay. Despite a duel for Best Film, Feature Film acting awards were evenly distributed. David Gulpilil’s performance in CHARLIE’S COUNTRY saw him awarded Best Lead Actor, PREDESTINATION star Sarah Snook was awarded Best Lead Actress, Susan Prior’s performance in THE ROVER earned her Best Supporting Actress and Yilmaz Erdogan was awarded Best Supporting Actor for his role in THE WATER DIVINER. THE RAILWAY MAN was awarded for Best Adapted Screenplay, whilst THE LEGO MOVIE took home the AACTA Award for Best Visual Effects or Animation. The AACTA Award for Best Feature Length Documentary went to UKRAINE IS NOT A BROTHEL. OUTSTANDING INDIVIDUAL AWARDS Highlight presentations during the show were for three outstanding individual awards. -
Sbs Submission to the Department of Infrastructure, Transport
SBS SUBMISSION TO THE DEPARTMENT OF INFRASTRUCTURE, TRANSPORT, REGIONAL DEVELOPMENT AND COMMUNICATIONS SUPPORTING AUSTRALIAN STORIES ON OUR SCREENS – OPTIONS PAPER JULY 2020 The Special Broadcasting Service Corporation (SBS) appreciates the opportunity to submit to Screen Australia and the Australian Communications and Media Authority (the ACMA), regarding the Supporting Australian Stories on Our Screens—Options Paper (the Options Paper), as part of the Government’s consultation on options to support Australian stories on our screens in a modern, multi-platform environment (the Consultation). For over 40 years, SBS has developed compelling and thought-provoking content that tells the stories of a truly diverse Australia. SBS content is delivered free across broadcast and online platforms to all Australians in multiple languages. As part of SBS, National Indigenous Television (NITV) continues to deliver cultural benefits to audiences through its distinctive content and landmark events. NITV creates inspiring storytelling for all Australians, sharing trusted children’s content, news and current affairs, sport and entertainment programming through an Indigenous lens. There is a pressing need to review the current regulatory framework governing the production and communication of Australian stories and SBS is uniquely placed to play an even greater role in supporting the production of high-quality Australian content, if additional funding is made available to SBS to commission additional Australian stories untold by other media. The Options Paper sets out a broad spectrum of potential reforms. SBS does not endorse any of the proposed models as written in the Options Paper, but Option 3 with a number of variations, as outlined in this submission, is preferred.