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Travels of a Country Woman
Travels of a Country Woman By Lera Knox Travels of a Country Woman Travels of a Country Woman By Lera Knox Edited by Margaret Knox Morgan and Carol Knox Ball Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE iii Travels of a Country Woman © 2007 by Newfound Press, University of Tennessee Libraries All rights reserved. Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc/3.0/us/>. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-1-8 ISBN-10: 0-9797292-1-1 Library of Congress Control Number: 2007934867 Knox, Lera, 1896- Travels of a country woman / by Lera Knox ; edited by Margaret Knox Morgan and Carol Knox Ball. xiv, 558 p. : ill ; 23 cm. 1. Knox, Lera, 1896- —Travel—Anecdotes. 2. Women journalists— Tennessee, Middle—Travel—Anecdotes. 3. Farmers’ spouses—Tennessee, Middle—Travel—Anecdotes. I. Morgan, Margaret Knox. II. Ball, Carol Knox. III. Title. PN4874 .K624 A25 2007 Book design by Martha Rudolph iv Dedicated to the Grandchildren Carol, Nancy, Susy, John Jr. v vi Contents Preface . ix A Note from the Newfound Press . xiii part I: The Chicago World’s Fair. 1 part II: Westward, Ho! . 89 part III: Country Woman Goes to Europe . -
Westminster Abbey ASERVICE to CELEBRATE the 60TH ANNIVERSARY of the CORONATION of HER MAJESTY QUEEN ELIZABETH II
Westminster Abbey ASERVICE TO CELEBRATE THE 60TH ANNIVERSARY OF THE CORONATION OF HER MAJESTY QUEEN ELIZABETH II Tuesday 4th June 2013 at 11.00 am FOREWORD On 2nd June 1953, the Coronation of Her Majesty Queen Elizabeth II followed a pattern established over the centuries since William the Conqueror was crowned in Westminster Abbey on Christmas Day 1066. Our intention in this Service of Thanksgiving is to evoke and reflect the shape of the Coronation service itself. The Queen’s entrance was marked by the Choirs’ singing Psalm 122—I was glad—set to music for the Coronation of EdwardVII by Sir Hubert Parry. The Queen’s Scholars of Westminster School exercised their historic right to exclaim Vivat Regina Elizabetha! (‘Long live Queen Elizabeth!’); so it will be today. The coronation service begins with the Recognition. The content of this part of the service is, of course, not today what it was in 1953, but the intention is similar: to recognise with thanksgiving the dutiful service offered over the past sixty years by our gracious and noble Queen, and to continue to pray God saveThe Queen. The Anointing is an act of consecration, a setting apart for royal and priestly service, through the gift of the Holy Spirit. The Ampulla from which the oil was poured rests today on the HighAltar as a reminder of that central act. St Edward’s Crown also rests today on the High Altar as a powerful symbol of the moment of Coronation. In today’s Service, a flask of Oil is carried by representatives of the people of the United Kingdom to the Sacrarium, received by theArchbishop and placed by the Dean on the High Altar. -
Westminster World Heritage Site Management Plan Steering Group
WESTMINSTER WORLD HERITAGE SITE MANAGEMENT PLAN Illustration credits and copyright references for photographs, maps and other illustrations are under negotiation with the following organisations: Dean and Chapter of Westminster Westminster School Parliamentary Estates Directorate Westminster City Council English Heritage Greater London Authority Simmons Aerofilms / Atkins Atkins / PLB / Barry Stow 2 WESTMINSTER WORLD HERITAGE SITE MANAGEMENT PLAN The Palace of Westminster and Westminster Abbey including St. Margaret’s Church World Heritage Site Management Plan Prepared on behalf of the Westminster World Heritage Site Management Plan Steering Group, by a consortium led by Atkins, with Barry Stow, conservation architect, and tourism specialists PLB Consulting Ltd. The full steering group chaired by English Heritage comprises representatives of: ICOMOS UK DCMS The Government Office for London The Dean and Chapter of Westminster The Parliamentary Estates Directorate Transport for London The Greater London Authority Westminster School Westminster City Council The London Borough of Lambeth The Royal Parks Agency The Church Commissioners Visit London 3 4 WESTMINSTER WORLD HERITAGE S I T E M ANAGEMENT PLAN FOREWORD by David Lammy MP, Minister for Culture I am delighted to present this Management Plan for the Palace of Westminster, Westminster Abbey and St Margaret’s Church World Heritage Site. For over a thousand years, Westminster has held a unique architectural, historic and symbolic significance where the history of church, monarchy, state and law are inexorably intertwined. As a group, the iconic buildings that form part of the World Heritage Site represent masterpieces of monumental architecture from medieval times on and which draw on the best of historic construction techniques and traditional craftsmanship. -
Amazing-Facts-About-The-Queen.Pdf
Thank You So Much and Welcome Thank you so much choosing this lovely book about the Queen. Part of the proceeds will go towards helping people in Africa and other 3rd world countries with pressing health issues. I have been a Nurse for 50 years and have always been very grateful for excellent health and our very good health services. Others are not so lucky! I sincerely hope that you enjoy reading some amazing and unusual facts about the Queen 1 Table of Contents Early Years……………………..……………...……………………………… Page 7 The Queens First Home ………..………………….……………………………... Page 9 Never went to school ….................................................................................. Page 11 A Royal romance............................................................................................ Page 15 Married in Westminster Abbey..................................................................... Page 19 Engagement ring.......................................................................................... Page 18 The wedding …................................................................................................ Page 19 Eight bridesmaids.......................................................................................... Page 20 The Queen's wedding dress …......................................................................... Page 22 Wedding gifts........................................................................................................ Page 22 Honeymoon.......................................................................................................... -
The Coronation Stone Was Read by the Author, As Senior Vice-President of the Society of Anti- Quaries of Scotland, at a Meeting of the Society Held on the 8Th Of
I ^ II t llll' 'X THE COEONATION STONE Privted by R. Clark, EDMONSTON S: DOUGLAS, EDINRURGH. LONDON HAMILTON, AnA^L';, AMD CO. Clje Coronation g>tone WILLIAM F. SKENE ':<©^=-f#?2l^ EDINBURGH : EDMONSTON & DOUGLAS MDCCCLXIX. — . PREFATORY NOTE. This analysis of the legends connected with the Coronation Stone was read by the author, as Senior Vice-President of the Society of Anti- quaries of Scotland, at a Meeting of the Society held on the 8th of March last. A limited impression is now published with Notes and Illus- trations. The latter consist of I. The Coronation Chair, with the stone under the seat, as it is at present seen in Westminster Abbey, im the rover. II. The reverse of the Seal of the Abbey of Scone, showing the Scottish King seated in the Eoyal Chair, on the title-page. III. Ancient Scone, as i-epresented in the year 1693 in Slezer's Theatntm Scofim, to precede page 1 a. Chantorgait. h. Friar's Den. c. Site of Abbey. d. Palace. e. Moot Hill, with the Church built in 1624 upon it. /'. The river Tay. IV. The Coronation Chair as shewn by HoUinshed in 1577, ptoge 12. V. Coronation of Alexander III., from the MS. of Fordun, con- tained in the library of Corpus Christi College, Cambridge. This is a MS. of the Scoticronicon, as altered, interpolated, and continued by Bower, ojyposite Latin description in the Appendix, page 47. 20 Inverleith Kow, Edinbukgh, 7/// Jan,' 1869. The Prospect of the Horn a. Chantorcjait. i. SlTK OF AliKEV. /'. Fkiak's Dkn. ./. Pai.ack. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 46106 75-3201
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Royal Gold: Reflections of Power
Podcast transcript Royal Gold: Reflections of Power The Queen's Gallery, Buckingham Palace Wednesday, 17 December 2014 Kathryn Jones, Senior Curator of Decorative Art, Royal Collection Trust Hello, and welcome to a podcast from Royal Collection Trust where we’ll be looking at how gold has for centuries been associated with royalty. Traditionally it has been used to create the regalia and other trappings associated with coronations, yet surprisingly few items in the Royal Collection are made from solid gold. Coming up, Kathryn Jones, Curator of Decorative Arts at Royal Collection Trust, gives a lecture entitled, ‘Royal Gold: Reflections of Power’ at the Queen’s Gallery, Buckingham Palace. She will examine a few of these works of art in detail and explore how gold has been used to denote the highest degree of status and authority. This is an enhanced podcast so you’ll be able to see the images being spoken about on the screen of your device. [00:48] Kathryn Jones: Good afternoon everyone. A German visiting Windsor Castle in 1598 recorded that ‘The walls of the Palace shine with gold and silver’ and noted a cabinet where ‘Besides everything glitters so with silver, gold and jewels as to dazzle one’s eyes’. In 1517 Henry VIII held a great banquet at Whitehall for the Ambassadors of France and the Venetian Republic where a great buffet was placed beside the dining table. The display included silver and gold vases worth vast treasure and larger vases of silver gilt. After the banquet the plate was deliberately left on show so that the public could come and view it. -
The Stone of Scone
Фадеева Е.Г. The Stone of Scone At first sight, it is difficult to understand why this plain and rather unremarkable block of sandstone has fired the passion that it has over the past 700 years. Yet the power and importance of the Stone (also known as the Stone of Scone) far outstrips its physical appearance. It is arguably the greatest symbol and touchstone of Scottish nationhood and as such, has been a very potent icon for more than a thousand years. Scone is a name with a great deal of resonance in Scottish history. It was an important Pictish centre for centuries. The Stone of Scone, also known as the Stone of Destiny, is seen as of huge significance to Scotland's nationhood. It was the seat on which generations of Kings of Scotland, and Kings of Dalriada before them, were crowned. The stone, weighing 336 pounds (152 kg), is a rectangular block of pale yellow sandstone (almost certainly of Scottish origin) measuring 26 inches (66 cm) by 16 inches (41 cm) by 11 inches (28 cm). A Latin cross is its only decoration. Attached to the stone in ancient times was allegedly a piece of metal with a prophecy that Sir Walter Scott translated as Unless the fates be faulty grown And prophet’s voice be vain Where’er is found this sacred stone The Scottish race shall reign. Legends Every story has a beginning. But this story may have several. And it may have several endings. The “Stone of Destiny”, the stone placed inside the coronation chair upon which British monarchs are crowned, could be as recent as five decades old, seven centuries, or three if not more millennia. -
Creative Writing in Queen Victoria's Buckingham Palace
1 BUCKINGHAM PALACE CREATIVE WRITING WORKSHOPS: TEACHER NOTES THE STATE ROOMS, BUCKINGHAM PALACE Creative Writing in Queen Victoria’s Buckingham Palace A very stately palace before him, the name of which was Beautiful John Bunyan A visit to Buckingham Palace makes an exciting and intriguing source for creative writing. Descriptions can be made of its fabulous rooms and the treasures they hold, and stories and dialogues written about the people who live there. This year’s creative writing sessions for schools will explore its making and its history, especially the changes and innovations made by Queen Victoria and Prince Albert and others working with them. Buckingham Palace isn’t just a tourist attraction. It’s the imposing and historic setting for state occasions, banquets and investitures, the magical setting for receptions, garden-parties and occasional musical events. It’s the well-ordered setting for the business of government - and during the summer opening, it’s the vibrant and welcoming setting for thousands of visitors from all over the world. Victoria and Albert played a vital part in its creation in its present form, and also made it into a family home. 2 A Brief History of Buckingham Palace George IV once lived just down the road at Carlton House, but on becoming King, he decided that he needed something much larger, much grander – a proper Palace to impress the public and big enough for entertaining on a stupendous scale. He acquired Buckingham House, then just a large mansion, and with his architect John Nash, set about adding a suite of State Rooms and decorating them in a fashion he deemed fit for a king. -
The Coronation Stone. by William F. Skenb, Esq., Ll.D
I I. E CORONATIOTH N STONE WILLIAY B . M. SKENBF , ESQ., LL.D., VlCE-PKKSIDEN . SCOTA . TS . The Legene Coronatioth f o d n Ston f Scotlandeo , formerl t Sconeya , Westminsten i anw dno r Abhey intimatels i , y connected wit fabuloue hth s histor Scotlandf y o wandering s it tale f eo Th . s from Egyp Sconeo t d an , of its various resting-places by the way, is, in fact, closely interwoven with that spurious history which, first emerging in the controversy with England regarding the independence of Scotland, was wrought into a consistent narrative by Fordun, and finally elaborated by Hector Boece into that formidable lisf mythio t c monarchs swayeo wh ,e sceptrdth e over the Scottish race from " the Marble Chair" in Dunstaffnage. The mists cast aroun e trudth e histor f Scotlanyo thiy b ds fictitious narrative havbeen greaw a en no i , t measure, dispelled. Modern criticism s demolisheha e fortth d y kings whose portraits adore e wallth nth f o s gallery in Holyrood, and whose speeches are given at such wearisome lengte page e legenStonth e th th f Boecen h i s f o Destinyt f eo do Bu . , or Fatal Chair, has taken such hold of the Scottish mind, that it is less easily dislodged from its place in the received history of the country; and there it still stands, in all its naked improbability, a solitary waif from f myt o d fable a an h se , e witth h which modern criticis s hardlmha y venture o meddlet d d whican , h modern scepticis t caveno o ds t mha question s stili t lI believe. -
The Stone of Destiny at the United Nations
The Scotland-UN Committee The Stone of Destiny at the United Nations During the spring of 1981 it was brought to the Scotland-UN Committee's attention that the United Nations Educational Social and Cultural Organisation (UNESCO) had set up a special committee to promote the return of objects of national cultural interest to their home countries. The moving spirit behind it was President Mobutu of Zaire, who in October 1973 had held an impassioned speech before the UN General Assembly in New York demanding the return of the works of art and objects of national importance that had been looted from Africa and other parts of the world during the colonial period. The committee consisted of 20 members, nominated by their governments. Its chairman at the time was Salah Stétié, a cultured Lebanese diplomat and writer. The object of the committee was to overcome the legal and chauvinist hurdles that prevent the return of objects such as the famous Mask of Benim to their native lands, the condition being that they must be objects of fundamental cultural significance, and have been removed in the course of colonial or other foreign occupation, or as a result of illegal export. The opportunity was too good to miss, and the Stone of Destiny was the obvious subject. The snag was that the committee was there to negotiate between governments, and not between governments and representatives of nations within composite states. It was perfectly clear from the start, therefore, that the chances of having the Westminster stone returned by this method were precisely nil, in a legal sense. -
Queen Elizabeth
The British monarchy on screen oving images of the British monarchy, in fact and fiction, are almost as M old as the moving image itself, dating back to an 1895 dramatic vignette, The Execution of Mary Queen of Scots. Led by Queen Victoria, British monarchs themselves appeared in the new ‘animated photography’ from 1896. Half a The British century later, the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century’s end, Princess Diana’s funeral was viewed by 2.5 billion worldwide. monarchy Historians have argued that the power of the image has bolstered the British monarchy as its political power has waned, but media scholars have been slow to examine how that power has been secured by royal self-promotion, entrepreneurial on screen deference, narrative sympathy, reportorial discretion and spectacular exhibition. In the first book-length examination of film and television representations of this enduring institution, distinguished scholars of media and political history analyse the screen representations of royalty from Henry VIII to ‘William and Kate’. Among their concerns are the commercial value of royal representations, the convergence of the monarch and the movie star, and the historical use of the moving image to maintain the Crown’s legitimacy. Seventeen essays by international commentators examine the portrayal of royalty in the ‘actuality’ picture, the early extended feature, amateur cinema, Edited by Mandy Merck the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set.