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Volume-05 ISSN: 2455-3085 (Online) Issue-04 RESEARCH REVIEW International Journal of Multidisciplinary April -2020 www.rrjournals.com[Peer Reviewed Journal] Analysis of reflection of the Marxist Cultural Movement (1940s) of India in Contemporary Periodicals Dr. Sreyasi Ghosh Assistant Professor and HOD of History Dept., Hiralal Mazumdar Memorial College for Women, Dakshineshwar, Kolkata- 700035 (India) ARTICLE DETAILS ABSTRACT Article History In this study I have tried my level best to show how the Marxist Cultural Movement ( Published Online: 16 Apr 2020 1940s) of Bengal/ India left its all-round imprint on contemporary periodicals such as Parichay, Agrani, Arani, Janayuddha, Natun Sahitya, Kranti, Sahityapatra etc. That Keywords movement was generated in the stormy backdrop of the devastating Second World Anti- Fascist, Communist Party, Marxism, War, famine, communal riots with bloodbath, and Partition of india. Undoubtedly the Progressive Literature, Social realism. Communist Party of India gave leadership in this cultural renaissance established on social realism but renowned personalities not under the umbrella of the Marxist *Corresponding Author Email: sreyasighosh[at]yahoo.com ideology also participated and contributed a lot in it which influenced contemporary literature, songs, painting, sculpture, dance movements and world of movie- making. Organisations like the All-India Progressive Writers” Association( 1936), Youth Cultural Institute ( 1940), Association of Friends of the Soviet Union (1941), Anti- Fascist Writers and Artists” Association ( 1942) and the All- India People”s Theatre Association (1943) etc emerged as pillars of that movement. I.P.T.A was nothing but a very effective arm of the Pragati Lekhak Sangha, which was created mainly for flourishing talent of artists engaged with singing and drama performances. -
Game, Set, Watched: Governance, Social Control and Surveillance in Professional Tennis
GAME, SET, WATCHED: GOVERNANCE, SOCIAL CONTROL AND SURVEILLANCE IN PROFESSIONAL TENNIS By Marie-Pier Guay A thesis submitted to the Department of Sociology in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada November, 2013 Copyright © Marie-Pier Guay, 2013 Abstract Contrary to many major sporting leagues such as the NHL, NFL, NBA, and MLB, or the Olympic Games as a whole, the professional tennis industry has not been individually scrutinized in terms of governance, social control, and surveillance practices. This thesis presents an in-depth account of the major governing bodies of the professional tennis circuit with the aim of examining how they govern, control, constrain, and practice surveillance on tennis athletes and their bodies. Foucault’s major theoretical concepts of disciplinary power, governmentality, and bio-power are found relevant today and can be enhanced by Rose’s ethico-politics model and Haggerty and Ericson’s surveillant assemblage. However, it is also shown how Foucault, Rose, and Haggerty and Ericson’s different accounts of “modes of governing” perpetuate sociological predicaments of professional tennis players within late capitalism. These modes of surveillance are founded on a meritocracy based on the ATP and WTA rankings systems. A player’s ranking affects how he or she is governed, surveilled, controlled, and even punished. Despite ostensibly promoting tennis athletes’ health protection and wellbeing, the systems of surveillance, governance, and control rely on a biased and capitalistically-driven meritocracy that actually jeopardizes athletes’ health and contributes to social class divisions, socio- economic inequalities, gender discrimination, and media pressure. -
AEGON Championships ORDER of PLAY Thursday, 14 June 2012
AEGON Championships ORDER OF PLAY Thursday, 14 June 2012 CENTRE COURT 1 COURT 2 COURT 9 Matches Start At: 12:30 pm Matches Start At: 12:30 pm Matches Start At: 12:30 pm Matches Start At: 12:30 pm Colin FLEMING (GBR) Robert LINDSTEDT (SWE) Nicolas MAHUT (FRA) Kevin ANDERSON (RSA) [9] Ross HUTCHINS (GBR) [6] Horia TECAU (ROU) [4] 1 vs vs vs vs Grigor DIMITROV (BUL) Feliciano LOPEZ (ESP) [5] [Alt] Steve DARCIS (BEL) Jonathan ERLICH (ISR) Olivier ROCHUS (BEL) Andy RAM (ISR) followed by followed by followed by followed by Marcos BAGHDATIS (CYP) Ivan DODIG (CRO) Julien BENNETEAU (FRA) [8] Jamie MURRAY (GBR) Simone BOLELLI (ITA) 2 vs vs vs vs Jo-Wilfried TSONGA (FRA) [2] Sam QUERREY (USA) Mahesh BHUPATHI (IND) Xavier MALISSE (BEL) Rohan BOPANNA (IND) [5] followed by followed by followed by followed by After suitable rest Kevin ANDERSON (RSA) Ivo KARLOVIC (CRO) Yen-Hsun LU (TPE) Marin CILIC (CRO) [6] Leander PAES (IND) Frank MOSER (GER) 3 vs vs vs vs Janko TIPSAREVIC (SRB) [3] Lukas ROSOL (CZE) Julien BENNETEAU (FRA) Eric BUTORAC (USA) Nicolas MAHUT (FRA) Paul HANLEY (AUS) [8] followed by followed by followed by Alex BOGOMOLOV JR. (RUS) Xavier MALISSE (BEL) David NALBANDIAN (ARG) [10] James CERRETANI (USA) Dick NORMAN (BEL) 4 vs vs vs Edouard ROGER-VASSELIN (FRA) Bob BRYAN (USA) Mariusz FYRSTENBERG (POL) Mike BRYAN (USA) [2] Marcin MATKOWSKI (POL) [3] followed by followed by TBA Max MIRNYI (BLR) Janko TIPSAREVIC (SRB) Daniel NESTOR (CAN) [1] Nenad ZIMONJIC (SRB) [7] 5 vs vs [WC] Lleyton HEWITT (AUS) Kevin ANDERSON (RSA)/Leander PAES (IND) or Andy RODDICK (USA) Julien BENNETEAU (FRA)/Nicolas MAHUT (FRA) Chris Kermode Konstantin Haerle/Miro Bratoev Jimmy Moore Mark Darby/Tom Barnes Tournament Director Tour Manager Referee ATP Supervisor Order of Play released : 13 June 2012 at 21:14 MATCHES WILL BE CALLED ANY MATCH ON ANY COURT Doubles Alternate Sign-in Deadline : 12:00 noon FROM THE PLAYERS' LOUNGE & MAY BE MOVED LOCKER-ROOM. -
12 NI 6340 MASHKOOR ALI KHAN, Vocals ANINDO CHATTERJEE, Tabla KEDAR NAPHADE, Harmonium MICHAEL HARRISON & SHAMPA BHATTACHARYA, Tanpuras
From left to right: Pandit Anindo Chatterjee, Shampa Bhattacharya, Ustad Mashkoor Ali Khan, Michael Harrison, Kedar Naphade Photo credit: Ira Meistrich, edited by Tina Psoinos 12 NI 6340 MASHKOOR ALI KHAN, vocals ANINDO CHATTERJEE, tabla KEDAR NAPHADE, harmonium MICHAEL HARRISON & SHAMPA BHATTACHARYA, tanpuras TRANSCENDENCE Raga Desh: Man Rang Dani, drut bandish in Jhaptal – 9:45 Raga Shahana: Janeman Janeman, madhyalaya bandish in Teental – 14:17 Raga Jhinjhoti: Daata Tumhi Ho, madhyalaya bandish in Rupak tal, Aaj Man Basa Gayee, drut bandish in Teental – 25:01 Raga Bhupali: Deem Dara Dir Dir, tarana in Teental – 4:57 Raga Basant: Geli Geli Andi Andi Dole, drut bandish in Ektal – 9:05 Recorded on 29-30 May, 2015 at Academy of Arts and Letters, New York, NY Produced and Engineered by Adam Abeshouse Edited, Mixed and Mastered by Adam Abeshouse Co-produced by Shampa Bhattacharya, Michael Harrison and Peter Robles Sponsored by the American Academy of Indian Classical Music (AAICM) Photography, Cover Art and Design by Tina Psoinos 2 NI 6340 NI 6340 11 at Carnegie Hall, the Rubin Museum of Art and Raga Music Circle in New York, MITHAS in Boston, A True Master of Khayal; Recollections of a Disciple Raga Samay Festival in Philadelphia and many other venues. His awards are many, but include the Sangeet Natak Akademi Puraskar by the Sangeet Natak Aka- In 1999 I was invited to meet Ustad Mashkoor Ali Khan, or Khan Sahib as we respectfully call him, and to demi, New Delhi, 2015 and the Gandharva Award by the Hindusthan Art & Music Society, Kolkata, accompany him on tanpura at an Indian music festival in New Jersey. -
Study Notes for Syndicate Bank - 2018
STUDY NOTES FOR SYNDICATE BANK - 2018 TOP NEWS HEADLINES 1. Finance minister Arun Jaietly presented the budget for the year 2018-19 in the parliament. 2. India has slipped 10 places to reach the 42nd place on the Economist Intelligence Unit's (EIU) annual global democracy index 2017. 3. Power and new and renewable energy minister, R K Singh has inaugurated the 7th India energy congress 2018 in New Delhi. 4. Anu kumar has won the first gold medal of the 14. Former governor of Chhattisgarh and Tripura, khelo India school games in 1500 meters. Dinesh Nandan sahay died. He was 82. 5. Magahi writer shesh Anand Madhukar has been 15. Lt. Gen anil chauhan took charge as the new honored with the Sahitya Akademi bhasha samman director general of military operations (DGMO) of award 2018. the Indian army. 6. Senior bureaucrat Neelam Kapoor has been 16. Sharath Kamal has won the national men's singles appointed as the director general (DG) of the sports title for the eighth time at the 11even sports senior authority of India (SAI). table tennis nationals in Ranchi. 7. The government of India has constituted a high- 17. Prime Minister Narendra Modi has launched the level committee to look into procedures for sharing first khelo India school games at Indira Gandhi of infrastructure for utilities like water pipes and indoor stadium in New Delhi. telecom cables. It will be headed by union minister Nitin Gadkari. 18. Malayalam actor mohanlal and athlete p. T. Usha were awarded with the honorary doctorate of 8. World’s oldest man Francisco Nunez olivera passes literature (D.Litt) by Kerala governor and Calicut away. -
Western Influences on the Three Bengali Poets of the 30S Sultana Jahan
International Journal of English Literature and Social Sciences (IJELS) Vol-3, Issue-2, Mar - Apr, 2018 https://dx.doi.org/10.22161/ijels.3.2.6 ISSN: 2456-7620 Western Influences on the three Bengali Poets of the 30s Sultana Jahan Assistant Professor, Department of English Language and Literature, International Islamic University Chittagong, Bangladesh Abstract— Modernism came to exercise an influence in Bangladesh's poets in the way it once did with Baudelaire and Eliot. For these western poets, the romantic notion was replaced with desperation and despondency and loneliness of modern minds. JibanadaDas, Budda Dev Bose, shudindranath Dutt, Amiochacrabarti, and Bishnudey, all of them being the professors of English Literature, successfully incorporated Western Modernist outlook with a view to shaking off Tagore’s romantic perception.They were much influenced by French imagist and symbolist movement, French surrealist poets, Garman expressionist poets and other modernists. Sometimes they incorporates Eatsian ideology, sometimes they followed Eliotic view, and sometimes they followed Marxist Theory or Freudian psychoanalysis. Though, these modernist poets take on different styles and ways to reveal the alienation, hypocrisy and anxiety of modern man, they perceive the fact that to reflect the post-war modern world, there is no alternative of discarding romantic notion about life. This paper will shed light on three poets, Jibananda Das, AmioCakrabarti, and BishnuDey and the Western Modernist philosophy that has molded their poetic career. Keywords— creative violence, impressionism, surrealism, agnosticism. “The practice of Rabindranath is poetry became unsuccessful to give solace to the mind of Bengali poets. At least, a few important Bengali poets tried to step aside and avoid Rabindranath and welcomed the positive or negative vision of Mallarme, Paul Verlaine, Rossenr, Yeats or Eliot.” (Das, Kabitar Katha, p. -
No Reserve Nationalism Books Auction 2020
1 www.prinseps.com Prinseps Note We are excited to bring to you our first No Reserve Auction at Prinseps! We are having our first book auction of the year this Republic Day. This auction has a range of books authored by Mahatma Gandhi, Jawaharlal Nehru, Subhas Chandra Bose, Hugh Toye amongst well- known editors like Pyarelal, Amal Home and Bankim Chandra Sen. All of the lots on offer are related to important freedom fighters in Indian history. Prinseps has an important newsletter written by Mahatma Gandhi. Named after the Harijan movement that he started, the weekly newsletter written in Hindi aimed at dismantling the No Reserve Nationalism Book Auction concept of untouchability in India at the time. The Hindi edition of the Harijan was named 20-26 January 2020 Harijan Sevak. It was first published on the 23rd of February, 1933 and was the same size as the English edition. This auction also boasts of 70 volumes of The Collected Works of Mahatma Gandhi. The series took roughly 40 years to be compiled and spans from 1884 to 1948 when Gandhi Auction is open for proxy bidding was assassinated. The collection includes Gandhi’s writings, letters, essays, notes and interviews related to India’s freedom struggle. Auction commences for live bidding at 10 am on 20th January and ends as per schedule on 26th January at 7 pm In addition to books, there are three prints published by Shyam Sunder Agrawal and a 1946 Subhas Chandra Bose Calendar by Shiri Talashilkar available. Posters made in the 1940s were often mass-produced and was an easy way to inform the public. -
University of Mumbai Department of Music Sample of MCQ Question Paper for Students M.Mus Part 2 Paper -V Course Name – Music
University of Mumbai Department of Music Sample of MCQ Question Paper for Students M.mus part 2 paper -V Course Name – Music Education Paper/Subject Code_________ Student’s Seat No._____ Instrructions; 1. All the Questions are Compulsory Total Marks – 50 2. All Questions Carry Equal Marks 1. Name the artist from Kirana Gharana among the following a. Sangmeshwar Gurav b. Mallikarjun Mansoor c. Krishnarao Shankar Pandit d. Faiyyaz Khan 2. Name the student of Ustad Allauddin Khan a. Ust. Aliakbar Khan b. Kishore Kumar c. Gayatri Chitre d. MAnik Varma 3. Name disciple of Ust. Alladiya Khan among the following a. Kesarbai b. Hirabai c. Begam Akhtar d. Parveen Sultana 4. Where the Indira Kala Vishwavidyalay is Located? a. Pune b. Mumbai c. Khairagadh d. Nagpur 5. Among following who is awarded with Padmavibhushan? a. Pt. Rakesh Chaurasia b. Pt. Jasraj c. Pt. Mukund Lath d. Sumitra Guha 6. Who was the Guru of Kumar Gandharva? a. Saraswati Rane b. B.R. Deodhar c. Kagalkar buwa d. Bhaskarbuwa Bakhale 7. Who had written book on Aesthetics of Indian Music? a. Sudheer Nayak b. Manjiri Sinha c. Rama Deodhar d. Ashok D. Ranade 8. Among the following which is a performing art? a. Natya b. Pottery c. Poetry d. Sculpture 9. Who was titled as Swarbhaskar ? a. Prabhakar Karekar b. Vinay Mishra c. Rajan Sajan Mishra d. Bhimsen Joshi 10. Who was the only direct disciple of Kesarbai Kerkar? a. Dhondutai Kulkarni b. Parmeshwar Hegade c. Pahadi Sanyal d. Jaimala Shiledar 11. Name the famous stage actor-singer a. Saleel Choudhari b. -
Visva-Bharati, Santiniketan Title Accno Language Author / Script Folios DVD Remarks
www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks CF, All letters to A 1 Bengali Many Others 75 RBVB_042 Rabindranath Tagore Vol-A, Corrected, English tr. A Flight of Wild Geese 66 English Typed 112 RBVB_006 By K.C. Sen A Flight of Wild Geese 338 English Typed 107 RBVB_024 Vol-A A poems by Dwijendranath to Satyendranath and Dwijendranath Jyotirindranath while 431(B) Bengali Tagore and 118 RBVB_033 Vol-A, presenting a copy of Printed Swapnaprayana to them A poems in English ('This 397(xiv Rabindranath English 1 RBVB_029 Vol-A, great utterance...') ) Tagore A song from Tapati and Rabindranath 397(ix) Bengali 1.5 RBVB_029 Vol-A, stage directions Tagore A. Perumal Collection 214 English A. Perumal ? 102 RBVB_101 CF, All letters to AA 83 Bengali Many others 14 RBVB_043 Rabindranath Tagore Aakas Pradeep 466 Bengali Rabindranath 61 RBVB_036 Vol-A, Tagore and 1 www.ignca.gov.in Visva-Bharati, Santiniketan Title AccNo Language Author / Script Folios DVD Remarks Sudhir Chandra Kar Aakas Pradeep, Chitra- Bichitra, Nabajatak, Sudhir Vol-A, corrected by 263 Bengali 40 RBVB_018 Parisesh, Prahasinee, Chandra Kar Rabindranath Tagore Sanai, and others Indira Devi Bengali & Choudhurani, Aamar Katha 409 73 RBVB_029 Vol-A, English Unknown, & printed Indira Devi Aanarkali 401(A) Bengali Choudhurani 37 RBVB_029 Vol-A, & Unknown Indira Devi Aanarkali 401(B) Bengali Choudhurani 72 RBVB_029 Vol-A, & Unknown Aarogya, Geetabitan, 262 Bengali Sudhir 72 RBVB_018 Vol-A, corrected by Chhelebele-fef. Rabindra- Chandra -
Nandan Gupta. `Prak-Bibar` Parbe Samaresh Basu. Nimai Bandyopadhyay
BOOK DESCRIPTION AUTHOR " Contemporary India ". Nandan Gupta. `Prak-Bibar` Parbe Samaresh Basu. Nimai Bandyopadhyay. 100 Great Lives. John Cannong. 100 Most important Indians Today. Sterling Special. 100 Most Important Indians Today. Sterling Special. 1787 The Grand Convention. Clinton Rossiter. 1952 Act of Provident Fund as Amended on 16th November 1995. Government of India. 1993 Vienna Declaration and Programme of Action. Indian Institute of Human Rights. 19e May ebong Assame Bangaliar Ostiter Sonkot. Bijit kumar Bhattacharjee. 19-er Basha Sohidera. Dilip kanti Laskar. 20 Tales From Shakespeare. Charles & Mary Lamb. 25 ways to Motivate People. Steve Chandler and Scott Richardson. 42-er Bharat Chara Andolane Srihatta-Cacharer abodan. Debashish Roy. 71 Judhe Pakisthan, Bharat O Bangaladesh. Deb Dullal Bangopadhyay. A Book of Education for Beginners. Bhatia and Bhatia. A River Sutra. Gita Mehta. A study of the philosophy of vivekananda. Tapash Shankar Dutta. A advaita concept of falsity-a critical study. Nirod Baron Chakravarty. A B C of Human Rights. Indian Institute of Human Rights. A Basic Grammar Of Moden Hindi. ----- A Book of English Essays. W E Williams. A Book of English Prose and Poetry. Macmillan India Ltd.. A book of English prose and poetry. Dutta & Bhattacharjee. A brief introduction to psychology. Clifford T Morgan. A bureaucrat`s diary. Prakash Krishen. A century of government and politics in North East India. V V Rao and Niru Hazarika. A Companion To Ethics. Peter Singer. A Companion to Indian Fiction in E nglish. Pier Paolo Piciucco. A Comparative Approach to American History. C Vann Woodward. A comparative study of Religion : A sufi and a Sanatani ( Ramakrishana). -
MA BENGALI SYLLABUS 2015-2020 Department Of
M.A. BENGALI SYLLABUS 2015-2020 Department of Bengali, Bhasa Bhavana Visva Bharati, Santiniketan Total No- 800 Total Course No- 16 Marks of Per Course- 50 SEMESTER- 1 Objective : To impart knowledge and to enable the understanding of the nuances of the Bengali literature in the social, cultural and political context Outcome: i) Mastery over Bengali Literature in the social, cultural and political context ii) Generate employability Course- I History of Bengali Literature (‘Charyapad’ to Pre-Fort William period) An analysis of the literature in the social, cultural and political context The Background of Bengali Literature: Unit-1 Anthologies of 10-12th century poetry and Joydev: Gathasaptashati, Prakitpoingal, Suvasito Ratnakosh Bengali Literature of 10-15thcentury: Charyapad, Shrikrishnakirtan Literature by Translation: Krittibas, Maladhar Basu Mangalkavya: Biprodas Pipilai Baishnava Literature: Bidyapati, Chandidas Unit-2 Bengali Literature of 16-17th century Literature on Biography: Brindabandas, Lochandas, Jayananda, Krishnadas Kabiraj Baishnava Literature: Gayanadas, Balaramdas, Gobindadas Mangalkabya: Ketakadas, Mukunda Chakraborty, Rupram Chakraborty Ballad: Maymansinghagitika Literature by Translation: Literature of Arakan Court, Kashiram Das [This Unit corresponds with the Syllabus of WBCS Paper I Section B a)b)c) ] Unit-3 Bengali Literature of 18th century Mangalkavya: Ghanaram Chakraborty, Bharatchandra Nath Literature Shakta Poetry: Ramprasad, Kamalakanta Collection of Poetry: Khanadagitchintamani, Padakalpataru, Padamritasamudra -
Dr. Kedar Naphade Accompanied by Dr
Raag•Rang Presents A Lecture•Demonstation on the Indian Harmonium By Dr. Kedar Naphade Accompanied By Dr. Amod Dandawate on Tabla Dr. Kedar Naphade received preliminary training in Hindustani Classical Music from his grandfather, Shri Dadasaheb Naphade and from Shri Arvind Gajendragadkar. For over 15 years, he has been a leading disciple of Pt. Tulsidas Borkar, arguably the most acclaimed harmonium player in India today. Kedar has also had the privilege of training from Smt. Padmavati Shaligram•Gokhale, a veteran singer of the Atrauli•Jaipur gharana. She played a pivotal role in his musical development and sowed in him the seed that developed into a passionate love for the vocal art form. As such, like his guru, Kedar's music derives inspiration from the stylistic genius and dexterous wizardry of P. Madhukar as well as the character of the traditional hindustani vocal art form. In addition to classical music, Kedar also plays the semi•classical forms of Marathi Natyasangeet (Stage Music), Bhajans, Thumri, Dhun etc. Kedar has performed harmonium solo and has accompanied vocalists at numerous concerts in India, Europe and in the U.S. including prestigious festivals and venues such as the Alladiya Khan Smruti Samaroha, Dadar Matunga Cultural Center in Mumbai, The Lincoln Center in New York, The Smithsonian Institute in Washington D.C etc. He has also been featured on NPR. He has shared the stage with luminaries such as his guru Smt. Padmavati Shaligram•Gokhale, Pt. Jasraj, Smt. Veena Sahasrabuddhe, Pt. Ulhas Kashalkar, Smt. Prabha Atre, Smt. Laxmi Shankar, Pt. Phiroz Dastur etc. Kedar continues to train from Pt.