An Artilleryman's Diary, by Jenkin Lloyd Jones 1

Total Page:16

File Type:pdf, Size:1020Kb

An Artilleryman's Diary, by Jenkin Lloyd Jones 1 An Artilleryman's Diary, by Jenkin Lloyd Jones 1 An Artilleryman's Diary, by Jenkin Lloyd Jones The Project Gutenberg EBook of An Artilleryman's Diary, by Jenkin Lloyd Jones This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: An Artilleryman's Diary Author: Jenkin Lloyd Jones Release Date: July 21, 2010 [EBook #33211] Language: English An Artilleryman's Diary, by Jenkin Lloyd Jones 2 Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK AN ARTILLERYMAN'S DIARY *** Produced by David Edwards, Stephen H. Sentoff and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) AN ARTILLERYMAN'S DIARY [Illustration: Jenkin Lloyd Jones] Wisconsin History Commission: Original Papers, No. 8 AN ARTILLERYMAN'S DIARY BY JENKIN LLOYD JONES Private Sixth Wisconsin Battery WISCONSIN HISTORY COMMISSION FEBRUARY, 1914 TWENTY-FIVE HUNDRED COPIES PRINTED Copyright, 1914 The Wisconsin History Commission (in behalf of the State of Wisconsin) Opinions or errors of fact on the part of the respective authors of the Commission's publications (whether Reprints or Original Narratives) have not been modified or corrected by the Commission. For all statements, of whatever character, the Author alone is responsible. DEMOCRAT PRINTING CO., STATE PRINTER An Artilleryman's Diary, by Jenkin Lloyd Jones 3 CONTENTS PAGE WISCONSIN HISTORY COMMISSION ix AUTHOR'S PREFACE xi AN ARTILLERYMAN'S DIARY: First impressions 1 Up and down the Mississippi and Yazoo 35 Encircling Vicksburg 48 The siege of Vicksburg 59 A well-earned rest 78 At work again 92 En route to Chattanooga 102 With Grant at Chattanooga 132 In winter quarters 148 On to Atlanta 221 Watching Hood 268 Wintering at Nashville 289 Garrisoning Chattanooga 303 Victory 318 Awaiting discharge 338 Homeward bound 358 Home at last 363 INDEX 369 ILLUSTRATIONS PAGE Portrait of the Author Frontispiece A Group of Comrades 128 A Group of Officers 250 Entry in diary, December 20, 1864. Photographic facsimile 290 Portraits of Author taken in 1862, 1863, 1865 358 Group of Sixth Wisconsin Battery, taken in 1897 364 WISCONSIN HISTORY COMMISSION An Artilleryman's Diary, by Jenkin Lloyd Jones 4 (Organized under the provisions of Chapter 298, Laws of 1905, as amended by Chapter 378, Laws of 1907, Chapter 445, Laws of 1909, Chapter 628, Laws of 1911, and Chapter 772, Section 64, Laws of 1913) FRANCIS E. McGOVERN Governor of Wisconsin CHARLES E. ESTABROOK Representing Department of Wisconsin, Grand Army of the Republic MILO M. QUAIFE Superintendent of the State Historical Society of Wisconsin CARL RUSSELL FISH Professor of American History in the University of Wisconsin MATTHEW S. DUDGEON Secretary of the Wisconsin Free Library Commission * * * * * Chairman, Commissioner Estabrook Secretary and Editor, Carl Russell Fish Committee on Publications, Commissioners Dudgeon and Fish AUTHOR'S PREFACE Whatever value this publication may have, lies in the fact that it offers a typical case--a small cross section of the army that freed the slave and An Artilleryman's Diary, by Jenkin Lloyd Jones 5 saved the Union. The Editor of the Commission's publications has asked me to state briefly something about myself. I am one of the multitude of "hyphenated" Americans, born across the water but reared under the flag. I am a Cambro-American, proud of both designations, and with abundant heart, loyalty, and perhaps too much head pride in both. Introduced to this world in Llandyssul, Cardiganshire, Wales, November 14, 1843, I celebrated my first anniversary by landing at Castle Garden, in New York City. My parents were sturdy "come-outers" who, after the manner called "heresy", even among Protestants, worshipped the God of their fathers. They came from what in orthodox parlance was known as the "Smwtyn Du" the heretical "black-spot" in Wales. I am the third Jenkin Jones to preach that liberal interpretation of Christianity generally known as Unitarianism. The first Jenkin Jones preached his first heretical sermon in his mother's garden way back in 1726, ninety-three years before Channing preached his Baltimore sermon (1819), from which latter event American Unitarianism generally dates its beginning. My father was a prosperous hatter-farmer--making hats for the local markets during the winter months, tilling his little ten-acre farm during the summer time. My parents were lured to America by the democracy here promised. In our family, freedom was a word to conjure by. Hoping for larger privileges for the growing family of children, they brought them to the New World, the world of many intellectual as well as material advantages. The long sea voyage of six weeks in a sailing vessel, interrupted by a dismantling storm which compelled the ship to return for repairs after two weeks sailing, brought them into the teeth of winter, too late in the season to reach their objective point in the West. So the journey was suspended and the first winter spent in a Welsh settlement near Steuben, New York. May, 1845, found us in the then territory of Wisconsin. The broad, fertile, and hospitable open prairie country in southern Wisconsin was visited and shunned as a desert land, "a country so poor that it would not grow a horse-switch." And so, three "forties" of government land were entered in An Artilleryman's Diary, by Jenkin Lloyd Jones 6 the heavy woods of Rock River valley, forty miles west of Milwaukee, midway between Oconomowoc and Watertown, which then were pioneer villages. The land was bought at $1.20 an acre, then were purchased a yoke of oxen and two cows; and when these were paid for, there remained one gold sovereign ($5) to start life with--father, mother, and six children. Trees were felled for the log house which for the first six months was roofed with basswood bark, for the shingles had not only to be made, but the art of making them had to be acquired. In this log house were spent the first twelve remembered years of my life. In it four more children were born. In the log school-house, built in the middle of the road because it was built before the road was there--we had arrived before the surveyor--I learned to speak, read, and love the English language. My first teacher was a Cambro-American who could by her bi-lingual accomplishment ease the way of the little Welsh immigrant children into English. I think I can remember crying when the teacher would speak to me in the then unintelligible English. In 1856, my thirteenth year, the family began to realize that they had chosen a hard place in which to make a home. The battle would have been a grim one, with the tall trees and their stumps, the "hardhead" boulders, the marshes, the mosquitoes, and the semi-annual attack of ague, had it not been lightened with the blind hopes and the inspirations that bring to frontier lives the consolations and encouragements of the pioneer. So the home in Ixonia, that had welcomed the coming of the first plank-road and witnessed the approach of the La Crosse & Milwaukee Railroad as far as Oconomowoc, was sold, and in 1855 we moved to a farm of 400 acres in Sauk County. The next year this was reached by the old Milwaukee & Mississippi Railroad and the village of Spring Green was established, adjoining the farm. Here I worked on the farm in the summer time, and during the winter time grew with the growing village school in Spring Green. During the spring term of school, in 1861, the boys were organized into the Spring Green Guards. "Billy" Hamilton, a clerk in George Pound's store, was excused by his employer during the noon hour and the recesses, to come An Artilleryman's Diary, by Jenkin Lloyd Jones 7 over to drill us. The tresses, black or golden, were sacrificed. Our hair was "shingled" and we wore cadet caps. Of course the boys had been stirred when they heard of the humiliation preceding the inauguration of Lincoln, of the firing on Sumter; and in the autumn all of the Spring Green Guards who were ripe enough heard and heeded the call of Father Abraham. Captain "Billy" Hamilton went out as sergeant in the 6th Wisconsin Battery, and four years later came back as colonel at the head of the 36th Wisconsin Volunteer Infantry. I was too young to go out in 1861. I cannot say that I panted for the fray. I dreaded the coming of the dire moment when conscience, not the government, would deliver me into a service that had no charm for me. Another winter's schooling in the Spring Green Academy, another sowing and harvest time, then leaving unstacked the hay that I had mown, and in the shocks the oats that I had cradled, I obeyed this "stern daughter of the voice of God"--to use Wordsworth's phrase--and turned my face to the South. I joined my old comrades of the Spring Green Guards in the 6th Wisconsin Battery, nine months or so after their first enlistment. I was a "mother's boy", and with the exception of three months' district schooling at an aunt's house in Watertown, when a little lad, had never been away from home over night. I had not then and have not since, owned a firearm of any description.
Recommended publications
  • Hank Mobley Éÿ³æ¨‚Å°ˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
    Hank Mobley 音樂專輯 串行 (专辑 & 时间表) Roll Call https://zh.listvote.com/lists/music/albums/roll-call-7360871/songs Tenor Conclave https://zh.listvote.com/lists/music/albums/tenor-conclave-3518140/songs Hi Voltage https://zh.listvote.com/lists/music/albums/hi-voltage-5750435/songs No Room for Squares https://zh.listvote.com/lists/music/albums/no-room-for-squares-7044921/songs Hank Mobley Sextet https://zh.listvote.com/lists/music/albums/hank-mobley-sextet-5648411/songs Mobley's Message https://zh.listvote.com/lists/music/albums/mobley%27s-message-6887376/songs Straight No Filter https://zh.listvote.com/lists/music/albums/straight-no-filter-7621018/songs Jazz Message No. 2 https://zh.listvote.com/lists/music/albums/jazz-message-no.-2-6168276/songs Breakthrough! https://zh.listvote.com/lists/music/albums/breakthrough%21-4959667/songs A Slice of the Top https://zh.listvote.com/lists/music/albums/a-slice-of-the-top-4659583/songs The Turnaround! https://zh.listvote.com/lists/music/albums/the-turnaround%21-7770743/songs A Caddy for Daddy https://zh.listvote.com/lists/music/albums/a-caddy-for-daddy-4655701/songs https://zh.listvote.com/lists/music/albums/the-jazz-message-of-hank-mobley- The Jazz Message of Hank Mobley 7743041/songs https://zh.listvote.com/lists/music/albums/hank-mobley-and-his-all-stars- Hank Mobley and His All Stars 5648413/songs Far Away Lands https://zh.listvote.com/lists/music/albums/far-away-lands-5434501/songs Third Season https://zh.listvote.com/lists/music/albums/third-season-7784949/songs Hank Mobley Quartet
    [Show full text]
  • The Autobiography of Patience Loader Rozsa Archer
    Utah State University DigitalCommons@USU All USU Press Publications USU Press 2006 Recollections of Past Days: The Autobiography of Patience Loader Rozsa Archer Sandra Ailey Petree Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the United States History Commons Recommended Citation Archer, P. L., & Petree, S. A. (2006). Recollections of past days: The autobiography of Patience Loader Rozsa Archer. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Recollections of Past Days The Autobiography of PATIENCE LOADER ROZSA ARCHER Edited by Sandra Ailey Petree Recollections of Past Days The Autobiography of Patience Loader Rozsa Archer Volume 8 Life Writings of Frontier Women A Series Edited by Maureen Ursenbach Beecher Volume 1 Winter Quarters The 1846 –1848 Life Writings of Mary Haskin Parker Richards Edited by Maurine Carr Ward Volume 2 Mormon Midwife The 1846 –1888 Diaries of Patty Bartlett Sessions Edited by Donna Toland Smart Volume 3 The History of Louisa Barnes Pratt Being the Autobiography of a Mormon Missionary Widow and Pioneer Edited by S. George Ellsworth Volume 4 Out of the Black Patch The Autobiography of Effi e Marquess Carmack Folk Musician, Artist, and Writer Edited by Noel A. Carmack and Karen Lynn Davidson Volume 5 The Personal Writings of Eliza Roxcy Snow Edited by Maureen Ursenbach Beecher Volume 6 A Widow’s Tale The 1884–1896 Diary of Helen Mar Kimball Whitney Transcribed and Edited by Charles M.
    [Show full text]
  • Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
    CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey.
    [Show full text]
  • Bound: Documentation and Home- Making
    (Un)Bound: Documentation and home­ making across national borders Swarthmore College Department of Sociology and Anthropology Senior Honors Thesis Submitted: May 2015 Advised by Professor Farha Ghannam Anushka Suketu Mehta Abstract This thesis explores legal/documented immigrants in the United States, and how they perceive 'home' and their identities in light of their mobility and changing locations. In particular, I am interested in the relationship between meanings of home and documentation, examining questions such as: How do citizenship papers shape feelings of belonging and attachment to a particular country? How do Green cards and passports influence one's mobility and understanding of home? Drawing on studies of flexible citizenship, nationalism, post-nationalism, and liminality, my thesis analyzes the narratives of five immigrant women and explores how they define and view home. It argues that home is best understood as a continuous process of making and remaking that is shaped by multiple forces and discourses. This process is informed by specific histories and socio-economic structures, yet it is not fixed and is open to constant transformation. Analyzing documentation as a form of legal capital that both enables and limits mobilities but that can be converted into other forms (including social, cultural, material and symbolic) of capital, I trace how 'home' is constituted by reworking memories of the past and recalling sensory experiences of the immigrants' home country and/or city and negotiating the social and economic realities of their current positionalities as workers, parents, permanent residents and citizens. 2 Acknowledgements This thesis is dedicated to Natasha Mehta, A fellow home-searcher, and my partner in all things 'home.' This thesis would not have been possible without the support and guidance of a variety of people.
    [Show full text]
  • Southeastern Ohio's Soldiers and Their Families During the Civil
    They Fought the War Together: Southeastern Ohio’s Soldiers and Their Families During the Civil War A Dissertation Submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Gregory R. Jones December, 2013 Dissertation written by Gregory R. Jones B.A., Geneva College, 2005 M.A., Western Carolina University, 2007 Ph.D., Kent State University, 2013 Approved by Dr. Leonne M. Hudson, Chair, Doctoral Dissertation Committee Dr. Bradley Keefer, Doctoral Dissertation Committee Members Dr. John Jameson Dr. David Purcell Dr. Willie Harrell Accepted by Dr. Kenneth Bindas, Chair, Department of History Dr. Raymond A. Craig, Dean, College of Arts and Sciences ii Table of Contents Acknowledgements.............................................................................................................iv Introduction..........................................................................................................................7 Chapter 1: War Fever is On: The Fight to Define Patriotism............................................26 Chapter 2: “Wars and Rumors of War:” Southeastern Ohio’s Correspondence on Combat...............................................................................................................................60 Chapter 3: The “Thunderbolt” Strikes Southeastern Ohio: Hardships and Morgan’s Raid....................................................................................................................................95 Chapter 4: “Traitors at Home”:
    [Show full text]
  • House and Home
    House and Home The existential dimension in Anders T. Andersen’s production of John Gabriel Borkman Cécilia Elsen Master’s thesis in Ibsen Studies Center for Ibsen Studies, Faculty of Humanities UNIVERSITETET I OSLO May 2015 II House and Home The existential dimension in Anders T. Andersen’s production of John Gabriel Borkman Cécilia Elsen Master’s thesis in Ibsen Studies Center for Ibsen Studies, Faculty of Humanities UNIVERSITETET I OSLO May 2015 III © Cécilia Elsen 2015 The existential dimension in Anders T. Andersen’s John Gabriel Borkman http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The topic of the thesis is the relation between the concepts ‘house’ and ‘home’ in Ibsen’s drama. I believe that the relationship between house and home is common to his oeuvre in general and not specific to some plays. I study the relation between the concepts ‘house’ and ‘home’ in John Gabriel Borkman based on a performance I saw in Teater Ibsen in Skien in September 2012. In the first chapter, I support my claim that Ibsen's works have an existential dimension on the house/home concepts by drawing on Anthony Vidler (1992), Mark Sandberg (2001, 2007 and 2015) as well as Mark Wigley (1993). In the second chapter I explain by Heidegger why Anders T. Andersen was provoked by Ostermeier’s version of John Gabriel Borkman. Andersen found that Ostermeier had no sub- text – or in other words – no existential dimension. Although originally a Freudian concept I apply Heidegger's concept of the uncanny (das Unheimliche) in a metaphysical perspective drawing on Anette Storli Andersen’s master thesis based on Robert Wilson’s Peer Gynt.
    [Show full text]
  • Hank Mobley No Room for Squares Mp3, Flac, Wma
    Hank Mobley No Room For Squares mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: No Room For Squares Country: Japan Released: 2015 Style: Hard Bop MP3 version RAR size: 1501 mb FLAC version RAR size: 1985 mb WMA version RAR size: 1349 mb Rating: 4.6 Votes: 825 Other Formats: MMF DXD AIFF WMA AUD FLAC MP3 Tracklist Hide Credits Three Way Split 1 7:47 Written-By – Hank Mobley Carolyn 2 5:28 Written-By – Lee Morgan Up A Step 3 8:29 Written-By – Hank Mobley No Room For Squares 4 6:55 Written-By – Hank Mobley Me 'N You 5 7:15 Written-By – Lee Morgan Old World, New Imports 6 6:05 Written-By – Hank Mobley Carolyn (alt. take) 7 Written By – Lee Morgan No Room For Squares 8 Written By – Hank Mobley Syrup & Biscuits 9 Written By – Hank Mobley Comin' Back 10 Written By – Hank Mobley Credits Bass – Butch Warren, John Ore Design [Cover] – Reid Miles Drums – Philly Joe Jones* Liner Notes – Joe Goldberg Photography By [Cover Photo] – Francis Wolff Piano – Andrew Hill, Herbie Hancock Producer – Alfred Lion Recorded By [Recording By], Remastered By – Rudy Van Gelder Tenor Saxophone – Hank Mobley Trumpet – Donald Byrd, Lee Morgan Notes 2015 Japanese SHM-CD with 4 bonus tracks. Barcode and Other Identifiers Barcode: 4988005850980 Other versions Category Artist Title (Format) Label Category Country Year Hank No Room For Squares BLP 4149 Blue Note BLP 4149 US 1964 Mobley (LP, Album, Mono) Hank No Room For Squares BST 84149 Blue Note BST 84149 US 1966 Mobley (LP, Album, RE) Blue Note, BST-84149, Hank No Room For Squares BST-84149, Heavenly France
    [Show full text]
  • Uneasy Assembly: Unsettling Home in Early Twentieth-Century American Cultural Production
    Uneasy Assembly: Unsettling Home in Early Twentieth-Century American Cultural Production Camilla Perri Ammirati Canton, NY B.A., Carleton College, 2000 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English University of Virginia August, 2013 Table of Contents Acknowledgements……………………………………………………………………………….i Introduction: “Come Right In”: Situating Narratives of Domecility…………………………………………….1 Chapter One: Solid American Spaces: From Domestic Standardization to Dilemmatic Democracy…………………………………….30 Chapter Two: “Their Only Treason”: Domestic Space and National Belonging in Djuna Barnes’ Ryder………………………………………………..68 Chapter Three: “Honor Bilt”: Constructions of Home in Absalom, Absalom!..………………………………...147 Chapter Four: “Home Thoughts”: Domestic Disarray and Buffet Flat Belonging in Claude McKay’s Home to Harlem………………………………..…216 Chapter Five: Lock and Key Blues: Mobile Domecility in the Recorded Works of Bessie Smith………………………………………………………..242 Coda: Talking With the House Itself…………………………………………………………………..314 Works Cited …………………………………………………………………………………...321 Acknowledgements I would first like to thank my wonderful committee. Deborah McDowell has been an incredible director and mentor, not only providing invaluable intellectual guidance throughout this process but offering true insight and kindness beyond the bounds of the project that kept me going at critical moments. Victoria Olwell has worked closely with me through countless rough pages, offering vital feedback and support and re-invigorating my thinking at every step. In my first term of the program, Eric Lott ignited my enthusiasm and set me on an intellectual path that keeps me always thinking about the next set of questions worth asking. Our conversations over the course of this project have been essential both in shaping my thinking and in encouraging me to take the chance of pursuing ideas I believe in.
    [Show full text]
  • Hank Mobley Dippin' Mp3, Flac, Wma
    Hank Mobley Dippin' mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Dippin' Country: US Released: 2011 Style: Hard Bop MP3 version RAR size: 1720 mb FLAC version RAR size: 1600 mb WMA version RAR size: 1575 mb Rating: 4.3 Votes: 759 Other Formats: DMF ASF MPC APE MP4 WMA MP1 Tracklist Hide Credits The Dip A 7:46 Written-By – Hank Mobley Recado Bossa Nova B1 8:07 Written-By – Djalma Ferreiro* The Break Through B2 5:47 Written-By – Hank Mobley The Vamp C 8:14 Written-By – Hank Mobley I See Your Face Before Me D1 5:24 Written-By – A. Schwartz - H. Dietz* Ballin' D2 6:43 Written-By – Hank Mobley Companies, etc. Lacquer Cut At – AcousTech Mastering Pressed By – Record Technology Incorporated – 18583 Credits Bass – Larry Ridley Cover – Reid Miles Drums – Billy Higgins Liner Notes – Ira Gitler Mastered By – Kevin Gray, Steve Hoffman Photography By [Cover Photo] – Francis Wolff Piano – Harold Mabern, Jr.* Recorded By [Recording By] – Rudy Van Gelder Tenor Saxophone – Hank Mobley Trumpet – Lee Morgan Notes Originally released in 1965 by Blue Note Records. Dippin' originally released in 1965 on Blue Note as BST-84209 Features: • Numbered & Limited to 2500 copies (Sticker on the back of jacket) • Pressed by RTI Barcode and Other Identifiers Matrix / Runout (Side 1, Hand Etched): ABNJ-84209-A KPG/SH@ATM 18583.1... Matrix / Runout (Side 2, Hand Etched): ABNJ-84209-B KPG/SH@ATM 18583.2... Matrix / Runout (Side 3, Hand Etched): ABNJ-84209-C KPG/SH@ATM 18583.3... Matrix / Runout (Side 4, Hand Etched): ABNJ-84209-D KPG/SH@ATM 18583.4..
    [Show full text]
  • Hank Mobley – Swing University Listening List
    Hank Mobley – Swing University Listening List Photo: Francis Wolff ©Mosaic Images LLC/mosaicrecordsimages.com Part 1 1. “Good Night, Irene” a. Paul Gayten and his Orchestra, Regal (1950) b. Arranged by Hank Mobley 2. “Sfax” & “Orientation” a. Max Roach Septet, Debut (April 10, 1953) b. Idrees Sulieman (tpt) c. Leon Comegys (tbn) d. Gigi Gryce (alto, flute) e. Hank Mobley (tenor) f. Walter Davis, Jr. (pn) g. Franklin Skeete (b) h. Max Roach (dr) 3. “Ow” a. Hank Mobley Quintet, Newark 1953, Uptown (September 28, 1953) b. Bennie Green (tbn) c. Hank Mobley (tenor) d. Walter Davis, Jr. (pn) e. Jimmy Schenck (b) f. Charli Persip (dr) 4. “Hey Pete” a. Dizzy Gillespie Quintet, Jazz Recital, Norgran (May 25, 1954) b. Dizzy Gillespie (tpt, vocals) c. Hank Mobley (tenor) d. Wade Legge (pn) e. Lou Hackney (b) f. Charli Persip (dr) 5. “Hankerin’” & “Creepin’ In” a. Horace Silver and the Jazz Messengers, Blue Note (November 13, 1954) b. Kenny Dorham (tpt) c. Hank Mobley (tenor) d. Horace Silver (pn) e. Doug Watkins (b) f. Art Blakey (dr) 6. “Walkin’ the Fence” & “Just Coolin’” a. Hank Mobley Quartet, Blue Note (March 57, 1955) b. Hank Mobley (tenor) c. Horace Silver (pn) d. Doug Watkins (b) e. Art Blakey (dr) 7. “Soft Winds” & “Avila & Tequila” a. The Jazz Messengers at the Café Bohemia, Blue Note (November 23, 1955) b. Kenny Dorham (tpt) c. Hank Mobley (tenor) d. Horace Silver (pn) e. Doug Watkins (b) f. Art Blakey (dr) 8. “Taking a Chance on Love” a. Rita Reys with Art Blakey and the Jazz Messengers, The Cool Voice of Rita Reys, Philips (May 3, 1956) b.
    [Show full text]
  • Black and Blue 33.092 1974 Grande Parade Du Jazz Black and Blue 950.504
    Jazz Interpret Titel Album/Single Label / Nummer Jahr «Nice All Stars» black and blue 33.092 1974 Grande Parade du Jazz black and blue 950.504 Abdul-Malik Ahmed The Music of New Jazz NJ 8266 1961, 2002 Adams Pepper 10 TO 4 AT THE 5 SPOT Riverside 12-265 1958, 1976 Adderley Julian "Cannonball" in the land of EmArcy MG 36 077 1956 Adderley Cannonball sophisticated swing EmArcy MG 36110 Adderley Cannonball Jump for Joy Mercury MG 36146 1958 Adderley Cannonball TAKES CHARGE LANDMARKLLP-1306 1959, 1987 Adderley Cannonball African Waltz Riverside OJC-258 (RLP-9377) 1961 Adderley Cannonball Quintet Plus Riverside OJC-306 (RLP-9388) 1961 Adderley Cannonbal Sextet In New York Riverside OJC-142 (RLP-9404) 1962 Adderley Cannonball Cannonball in Japan Capitol ECJ-50082 1966 Adderley Cannonball Masters of jazz EMI Electrola C 054-81 997 1967 Adderley Cannonball Soul of the Bible SABB-11120 1972 Adderley Cannonball Nippon Soul Riverside OJC-435 (RLP-9477) 1990 Adderley Cannonball The quintet in San Francisco feat. Nat Adderley Riverside OJC-035 (RLP-1157) Adderley Cannonball Know what I mean ? with Bill Evans Riverside RLP 9433, alto AA 021 Adderley Julian Portrait of Cannonball Riverside OJC-361 (RLP-269) 1958 Adderley Nat We remember Cannon In + Out Records 7588 1991 Adderley with Milt Jackson Things are getting better Riverside OJC-032 (RLP-1128) 1958 Adderly Julian "Cannonball" & strings 1955 Trip Jazz TLP-5508 Albam Manny Jazz lab vol.1 MCA Coral PCO 7177 1957, 1974 Alexander Monty Monty strikes again MPS 68.044 1974, 1976 Alexander Monty Overseas
    [Show full text]
  • Blue Note Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963
    Discography Of The Blue Note Label Blue Note was started in New York City in 1938 by Alfred W. Lion. Blue Note recorded jazz only. The following history of the Blue Note record label is from the Blue Note Website (bluenote.com). “In 1925, 16-year old Alfred Lion noticed a concert poster for Sam Wooding's orchestra near his favorite ice-skating arena in his native Berlin, Germany. He'd heard many of his mother's jazz records and began to take an interest in the music, but that night his life was changed. The impact of what he heard live touched a deep passion within him. His thirst for the music temporarily brought him to New York in 1928 where he worked on the docks and slept in Central Park to get closer to the music. On December 23, 1938, Lion attended the celebrated Spirituals to Swing concert at Carnegie Hall. The power, soul and beauty with which boogie woogie piano masters Albert Ammons and Meade Lux Lewis rocked the stage gripped him. Exactly two weeks later, on January 6 at 2 in the afternoon, he brought them into a New York studio to make some recordings. They took turns at the one piano, recording four solos each before relinquishing the bench to the other man. The long session ended with two stunning duets. Blue Note Records was finally a reality. The label's first brochure in May of 1939 carried a statement of purpose that Lion rarely strayed from throughout the many styles and years during which he built one of the greatest jazz record companies in the world.
    [Show full text]