Immediation II
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Collective Expression a Radical Pragmatics
_____________________________ Collective Expression A Radical Pragmatics Brian Massumi Department of Communication, University of Montreal _____________________________ Now it is undeniably conceivable that a beginningless series of successive utterers should all do their work in a brief interval of time, and that so should an endless series of interpreters. Still, it is not likely to be denied that, in some cases, neither the series of utterers nor that of interpreters forms an infinite collection. When this is the case, there must be a sign without an utterer and a sign without an interpreter. ... Neither an utterer, nor even, perhaps, an interpreter is essential to a sign. … I am led to inquire whether there be not some ingredient of the utterer and some ingredient of the interpreter which not only are so essential, but are even more characteristic of signs than the utterer or interpreter themselves. – C.S. Peirce (1998: 403-404) A Technique 1. Choose a generative text. 2. Choose a minor concept weaving through the generative text. 3. Ask each person in the group to count off as a 1 or a 2. 4. Instruct the 1s that they are “posts.” 5. Instruct the 2s that they are “flows.” 6. Ask the posts to find a post: a spot in the room where they would like to have a conservation. 7. Ask the flows to pair up with a post. 8. Direct everyone to a page in the text where the minor concept occurs. Brian Massumi. “Collective Expression: A Radical Pragmatics.” Inflexions 8, “Radical 59 Pedagogies” (April 2015). 59-88. www.inflexions.org 9. -
William James' Radical Empiricism with Jeffrey Mishlove
InPresence 0023: William James’ Radical Empiricism with Jeffrey Mishlove Video Transcript - New Thinking Allowed with Jeffrey Mishlove www.newthinkingallowed.org Recorded on March 13, 2018 Published to YouTube on March 24, 2018 Copyright © 2020, New Thinking Allowed Foundation (00:38) Hello, I’m Jeffrey Mishlove, and today I’d like to talk to you about William James’ concept of “radical empiricism”. And I’d like to encourage you, before watching this video, to make sure you also catch the earlier “In Presence” segment on William James. You’ll notice at the very beginning of this video, you had the opportunity to click directly to a list that would link you to every single segment thus far in the “In Presence” series. (01:13) Now, as I mentioned before, William James is really one of the great intellects of American consciousness, certainly one of my heroes, and someone with whom I seem to have something of a “synchronistic archetypal resonance” relationship. His theory of “radical empiricism” represents, I think, the culmination of his life work. In fact, he wrote five essays on the subject toward the end of his life. They were not even published until after his death. We have to appreciate that William James was a man of the 19th century, a period of rapid industrialization in the United States. A time of great progress in terms of mechanistic thinking. But, throughout his illustrious career, James largely stood against mechanistic thinking, and I think it’s fair to say he flirted with mysticism. That’s clear if you read his book Varieties of Religious Experience, for example. -
Manning What Things Do When They Shape Each Other
Erin Manning WHAT THINGS DO WHEN THEY SHAPE EACH OTHER The Way of the Anarchive In order to discover some of the major categories under which we can classify the infinitely various components of experience, we must appeal to evidence relating to every variety of occasion. Nothing can be omitted, experience drunk and experience sober, experience sleeping and experience waking, experience drowsy and experience wide-awake, experience self- conscious and experience self-forgetful, experience intellectual and experience physical; experience religious and experience sceptical, experience anxious and experience care-free, experience anticipatory and experience retrospective, experience happy and experience grieving, experience dominated by emotion and experience under self-restraint, experience in the light and experience in the dark, experience normal and experience abnormal (Whitehead 1967: 222) Bolder adventure is needed - the adventure of ideas, and the adventure of practice conforming itself to ideas (Whitehead 1967: 259) 1. METHOD "Every method is a happy simplification," writes Whitehead (1967: 221). The thing is, all accounting of experience travels through simplification - every conscious thought, but also, in a more minor sense, every tending toward a capture of attention, every gesture subtracted from the infinity of potential. And so a double-bind presents itself for those of us moved by the force of potential, of the processual, of the in-act. How to reconcile the freshness, as Whitehead might say, of processes underway with the weight of experience captured? How to reconcile force and form? This was the challenge SenseLab (www.senselab.ca) gave itself when we decided, a few years ago, to develop a concept we call "the anarchive." For us, the concept was initially an attempt to reconsider the role documentation plays in the context of the event. -
Thought in the Act: Passages in the Ecology of Experience Pdf Free
THOUGHT IN THE ACT: PASSAGES IN THE ECOLOGY OF EXPERIENCE PDF, EPUB, EBOOK Erin Manning,Brian Massumi | 224 pages | 01 May 2014 | University of Minnesota Press | 9780816679676 | English | Minnesota, United States Thought in the Act: Passages in the Ecology of Experience PDF Book Want to Read Currently Reading Read. Sign in. Greg marked it as to-read Jan 19, To paint: a thinking through color. Lisa Banu rated it it was amazing Dec 18, N Filbert rated it it was amazing Sep 09, Manning and Massumi, however, depart from the vast scope of their predecessors, limiting their sources to a narrow range, predominantly William James and Alfred North Whitehead, engaged as much for their poetics as for their ideas. Explores the intimate connections between thinking and creative practice. The result is a thinking-with and a writing-in-collaboration-with these processes and a demonstration of how philosophy co-composes with the act in the making. This book feels very timely. Thanks for telling us about the problem. Average rating 4. Kate rated it really liked it Aug 09, Daniella rated it it was amazing Feb 04, We have a verbal travel through the experience of receiving their work, experiencing their re-configuration of spaces and intervention into the physicality of our lives. Keywords: philosophy of art , process philosophy , art and activism , political philosophy , neurodiversity , embodied cognition , art-based research. Drawing from the idiosyncratic vocabularies of each creative practice, and building on the vocabulary of process philosophy, the book reactivates rather than merely describes the artistic processes it examines. Search Site only in current section. -
Understanding Affective Engagement As a Resource in Interaction Design
UNDERSTANDING AFFECTIVE ENGAGEMENT AS A RESOURCE IN INTERACTION DESIGN BY JONAS FRITSCH CENTER FOR DIGITAL URBAN LIVING DEPARTMENT OF INFORMATION AND MEDIA STUDIES AARHUS UNIVERSITY TEL: +45 89429282 [email protected] This paper proposes affective engagement as a an understanding of the relationship between humans and digital technology (1997). Winograd argues that this possible resource when designing interactive change is necessary since people are living with the environments. The notion of affect and affective technologies in what he terms “interspaces” (1997, p, experience as developed by Brian Massumi in 161). This calls for a design practice based on a dynamic understanding of the developments in digital cultural theory is presented as a theoretical possibilities, human needs, and situated social as well as foundation for conceptualizing experience in physical contexts (Thackara 2001). Consequently, interaction design. In particular, it is shown how interaction design needs to continually revise and develop new theoretical, analytical and practical tools Massumi provides a non-informational contributing to broaden the understanding of the world understanding of affect as distinct from emotions. and the people the design is aimed for. Traditionally based on a theoretical foundation from Instead, Massumi offers a processual and relational cognitive psychology and the work setting as a starting account of affective experience as a part of point for the design practice, interaction design is today dynamic events of becoming. Through an analysis experimenting with new theoretical foundations and interaction forms uncovering new contexts of use to be of the interactive installation Touched Echoes, the explored and designed for (Dourish 2001, McCarthy & concept of affective engagement is introduced to Wright 2004). -
Augmented Reality Art and Proprioception: Towards a Theoretical Framework
Augmented Reality Art and Proprioception: Towards a Theoretical Framework Ksenia Fedorova University of California Davis USA/RU [email protected] Abstract allowing them to see alternative interpretations. The poten- Augmented reality (AR) technologies illustrate the paradoxes and tial endlessness of the layers of imaginary figures could be promises of the mechanisms of identification, simulation, and considered an illustration of Jean-François Lyotard's idea imagining that increasingly impact lives and experiences of a of the intrinsic "density" and "thickness" of the visual im- contemporary human. Augmentation implies a layer of infor- age, and so of our sensorium in general. The proposed mation (visual, textual, auditory) that can be called to appear or means of fidelity – 3D images inserted in real time within a disappear on the user's screen and correlate to the objects or situa- certain localized frame – may in the end not be as convinc- tion in actual environment. In what follows, I focus on the theo- ing as they are believed to be (e.g., because of the framing retical framework that informs the aesthetics, working principles itself). Yet this technology furthers the conversation about and critical potential of AR-based artistic projects. I will discuss the ontological (and aesthetic) status of the virtual image, the specific mechanisms AR projects use to explore the effects of its effects and affects, a discussion that has been recently appearing and disappearing, relations of interiority and exteriori- hyper-activated by the advent of Oculus Rift VR., et. al. ty, the visible and the tactile, particularly in their relation to the Duplication of reality through adding another, imaginary feeling of proprioception. -
Traineeship Brochure 2020
TRAINEESHIP BROCHURE 2020 Matrix is ‘the future of the Bar.’ Chambers and Partners TRAINEESHIP BROCHURE CONTENTS • Introduction to Matrix- page 2 • Why choose Matrix?- page 2 • Glossary - plain words- page 2 • Becoming a barrister - page 3 • Areas of work - page 3 • Training schedule - page 3 • Life as a trainee - page 4 • Application procedure- page 6 • Deferred applications- page 6 • Third six- page 6 • Training awards- page 6 • Visa requirements- page 6 • Information for applicants who have a disability- page 6 • Traineeship supervisors- page 7 • Matrix selection procedure - page 10 • Stage 1- page 9 • Stage 2- page 110 • Stage 3- page 11 • Notes regarding the application form- page 11 • Equal opportunities- page 11 • Useful contacts- page 11 • Matrix core values- page 12 • Members- page 13 1 INTRODUCTION TO MATRIX Matrix is a barristers’ chambers located in hierarchies and attitudes demonstrated by our London, Geneva and Brussels. We are a members – all these elements make Matrix a collection of lawyers specialising in a wide really great place to train and to work. range of practice areas throughout the UK and Matrix is committed to providing a stimulating, internationally. Described as “professional and balanced and comprehensive training forward thinking”, we are an approachable schedule. As a junior member of Matrix, the set that are proud of our record of innovation. expectation is that you will be in court regularly Our core values govern the way we work and on a wide range of cases and practice areas outline our commitment to operating within an as this is a very important part of continuing environment where diversity, accessibility and training to be a fully-rounded barrister. -
Curriculum Vitae
Curriculum Vitae Erin Manning I. BIOGRAPHICAL INFORMATION .....................................................................................................................................3 AC A DEMIC BA CKGROUND ............................................................................................................................................................3 EMPLOYMENT HISTORY ................................................................................................................................................................3 AW A RDS .....................................................................................................................................................................................3 LA NGU A GES ................................................................................................................................................................................4 II. RESEARCH ...........................................................................................................................................................................4 EX H I B ITIONS /PERFORM A NCES (SOLO ) ............................................................................................................................................4 PERFORM A NCES (SOLO ) ...............................................................................................................................................................4 PU B LIC A TIONS (PRINT OR ELECTRONIC ) ..........................................................................................................................................5 -
Immediation I
Immediation I Edited by Erin Manning, Anna Munster, Bodil Marie Stavning Thomsen Immediation I Immediations Series Editor: SenseLab “Philosophy begins in wonder. And, at the end, when philosophic thought has done its best, the wonder remains” – A.N. Whitehead The aim of the Immediations book series is to prolong the wonder sustaining philosophic thought into transdisciplinary encounters. Its premise is that concepts are for the enacting: they must be experienced. Thought is lived, else it expires. It is most intensely lived at the crossroads of practices, and in the in-between of individuals and their singular endeavors: enlivened in the weave of a relational fabric. Co-composition. “The smile spreads over the face, as the face fits itself onto the smile” – A. N. Whitehead Which practices enter into co-composition will be left an open question, to be answered by the Series authors. Art practice, aesthetic theory, political theory, movement practice, media theory, maker culture, science studies, architecture, philosophy … the range is free. We invite you to roam it. Immediation I Edited by Erin Manning, Anna Munster, Bodil Marie Stavning Thomsen OPEN HUMANITIES PRESS London 2019 First edition published by Open Humanities Press 2019 Copyright © 2019, Erin Manning, Anna Munster, Bodil Marie Stavning Thomsen. Chapters copyright their respective authors unless otherwise noted This is an open access book, licensed under Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy their work so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license. -
Value in Experience, Thoughts on Radical Empiricism; Reflections on Frankenberry and Stone1
Value In Experience, Thoughts on Radical Empiricism; Reflections on Frankenberry and Stone1 David W. Tarbell Modern philosophy, going back to Descartes and Locke, has given preferred status to the kind of judgments that we find within the mathematical sciences and has made it difficult to support judgments of value and meaning. In Chapter Four of his book, The Minimalist Vision of Transcendence, Jerome Stone describes what he calls a "Generous Empiricism." He is building on the tradition of radical empiricism, and presents a transactional understanding of experience that allows him to support empirically grounded value judgments. I argue that a critique from the perspective of Heidegger and others of the continental tradition may present problems to Stone's approach. I then propose a modification of Stone's notion that I think would answer such criticisms. This leads me to the notion that our value judgments have an aesthetic component, and that we can find pragmatic support for the belief that there is an aesthetic tendency in the world of which we are a part. There is something divine and possibly transcendent in that thought. I. The Value Problem: One of the factors affecting the moral, ethical, and political climate of our present culture is diversity of judgment on matters of value. Some have said that the presence of so much diversity argues against our ability to resolve questions of truth in these areas. Their positions vary among skepticism, denying that we can know moral truth, nihilism, questioning that there is such a thing as moral truth, or relativism, claiming that moral truth is conditional on social and/or cultural circumstances. -
Feral Beast": Cautionary Lessons from British Press Reform Lili Levi University of Miami School of Law, [email protected]
University of Miami Law School University of Miami School of Law Institutional Repository Articles Faculty and Deans 2015 Taming the "Feral Beast": Cautionary Lessons From British Press Reform Lili Levi University of Miami School of Law, [email protected] Follow this and additional works at: https://repository.law.miami.edu/fac_articles Part of the Communications Law Commons, and the Comparative and Foreign Law Commons Recommended Citation Lili Levi, Taming the "Feral Beast": Cautionary Lessons From British Press Reform, 55 Santa Clara L. Rev. 323 (2015). This Article is brought to you for free and open access by the Faculty and Deans at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in Articles by an authorized administrator of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. TAMING THE "FERAL BEAST"1 : CAUTIONARY LESSONS FROM BRITISH PRESS REFORM Lili Levi* TABLE OF CONTENTS Introdu ction ............................................................................ 324 I. British Press Reform, in Context ....................................... 328 A. Overview of the British Press Sector .................... 328 B. The British Approach to Newspaper Regulation.. 330 C. Phone-Hacking and the Leveson Inquiry Into the Culture, Practices and Ethics of the Press ..... 331 D. Where Things Stand Now ...................................... 337 1. The Royal Charter ............................................. 339 2. IPSO and IM -
Radical Empiricist Poetics in the New York School and Beyond
Radical Empiricist Poetics in the New York School and Beyond by Maude Chanson Emerson A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Charles Altieri, Chair Professor Eric Falci Professor John Campbell Spring 2017 ! Abstract Radical Empiricist Poetics in the New York School and Beyond by Maude Chanson Emerson Doctor of Philosophy in English University of California, Berkeley Professor Charles Altieri, Chair This dissertation contends that the first-generation New York School poets—especially John Ashbery, Frank O’Hara, and James Schuyler—develop the aesthetic possibilities of the philosophical stance that William James called “radical empiricism.” James followed the British empiricists in granting priority to parts, individuals, and unanalyzed sensations, but he radicalized the empiricist perspective by holding experiences of cohesion and relation to be as real as those of disjunction and discrete sensation. Schuyler, Ashbery, and O’Hara each practice an empiricist poetics: a poetics of the everyday, the felt, and the miscellaneous. At the same time, their poetries pose challenges to the conceptions of experience on which empiricism historically has been based, from the presumption of a unified experiencing subject to the relegation of sensation and abstraction to separate orders of reality. I argue that these challenges should not be seen as a denial of experience, as some postmodernist readings of New York School poetry allege, but as part of a careful and critical commitment to experience. As radical empiricists, these poets understand experience not as an inward phenomenon but as a field in which inner and outer are merely potential and constantly shifting divisions.