Annual Report 2017-18

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report 2017-18 Annual Report 2017-18 Where cultures come alive... Annual Report 2017-18 Where cultures come alive... DITSONG Annual Report 2017 - 18 1 TABLE OF CONTENTS page PART A: GENERAL INFORMATION 1. PUBLIC ENTITY’S GENERAL INFORMATION 5 2. LIST OF ABBREVIATIONS/ACRONYMS 6 3. FOREWORD BY THE CHAIRPERSON 8 4. CHIEF EXECUTIVE OFFICER’S OVERVIEW 12 5. STATEMENT OF RESPONSIBILITY 18 6. STRATEGIC OVERVIEW 19 6.1 Vision 19 6.2 Mission 19 6.3 Values 19 7 LEGISLATIVE AND OTHER MANDATES 20 7.1 Legislative Mandate 20 7.2 Constitutional Mandate 20 7.3 Other Mandates 21 7.4 Alignment to NDP and MTSF 21 7.5 Alignment to DAC Strategic Goals 21 7.6 Other Relevant Legislation 22 8 ORGANISATIONAL STRUCTURE 23 9. OVERVIEW OF DITSONG Museums 26 9.1 DITSONG: National Museum of Natural History 26 9.2 DITSONG: Tswaing Meteorite Crater 27 9.3 DITSONG: National Museum of Cultural History 27 9.4 DITSONG: Kruger Museum 29 9.5 DITSONG: Pioneer Museum 29 9.6 DITSONG: Willem Prinsloo Agricultural Museum 29 9.7 DITSONG: Sammy Marks Museum 30 9.8 DITSONG: National Museum of Military History 30 PART B: PERFORMANCE INFORMATION 1. AUDITOR-GENERAL’S REPORT: PREDETERMINED OBJECTIVES 33 2. SITUATIONAL ANALYSIS 33 2.1 Service Delivery Environment 33 2.2 Organisational Environment 34 2.3 Key Policy Developments and Legislative Changes 35 2.4 Strategic Outcome-Oriented Goals 35 3. PERFORMANCE INFORMATION BY PROGRAMME 36 3.1 Programme 1: Administration 36 3.2 Programme 2: Business Development 42 3.3 Programme 3: Public Engagement 45 4. REVENUE COLLECTION 47 4.1 Revenue Collection 47 4.2 Capital Investment 47 DITSONG Annual Report 2017 - 18 2 page PART C: GOVERNANCE 1. INTRODUCTION 50 2. PORTFOLIO COMMITTEE 50 3. EXECUTIVE AUTHORITY 50 4. THE ACCOUNTING AUTHORITY BOARD 51 5. RISK MANAGEMENT 55 6. INTERNAL CONTROL UNIT 55 7. INTERNAL AUDIT AND AUDIT COMMITTEE 56 8. COMPLIANCE WITH LAWS AND REGULATIONS 57 9. FRAUD AND CORRUPTION 57 10. MINIMISING CONFLICT OF INTEREST 58 11. CODE OF CONDUCT 58 12. HEALTH, SAFETY AND ENVIRONMENTAL ISSUES 59 13. COMPANY/BOARD SECRETARY 59 14. SOCIAL RESPONSIBILITY 59 15. AUDIT AND RISK AND INFORMATION COMMUNICATION TECHNOLOGY COMMITTEE REPORT 60 PART D: HUMAN RESOURCE MANAGEMENT 1. INTRODUCTION 63 2. HUMAN RESOURCES OVERSIGHT STATISTICS 66 PART E: FINANCIAL INFORMATION 1. REPORT OF THE EXTERNAL AUDITOR 72 2. ANNUAL FINANCIAL STATEMENTS 80 Annexures ANNEXURE A 147 DETAILED STATEMENT OF FINANCIAL PERFORMANCE FOR THE YEAR ENDED 31 MARCH 2018 ANNEXURE B 149 PUBLICATIONS ANNEXURE C 152 LECTURES AND TALKS DITSONG Annual Report 2017 - 18 3 Part A General Information DITSONG Annual Report 2017 - 18 4 PART A - General Information 1. PUBLIC ENTITY’S GENERAL INFORMATION REGISTERED NAME: DITSONG: Museums of South Africa REGISTRATION NUMBER (if applicable): Not Applicable PHYSICAL ADDRESS: 70 WF Nkomo Street gaMohle Building Pretoria 0002 POSTAL ADDRESS: PO Box 4197 Pretoria 0001 TELEPHONE NUMBERS: +27 12 492 5744 FAX NUMBER: +27 12 323 6598 EMAIL ADDRESS: [email protected] WEBSITE ADDRESS: https://www.ditsong.org.za EXTERNAL AUDITORS: Auditor-General of South Africa BANKERS: ABSA COUNCIL SECRETARY: Mr F. Mashilo DITSONG Annual Report 2017 - 18 5 PART A - General Information 2. LIST OF ABBREVIATIONS/ACRONYMS ABET Adult Basic Education and Training ACH Arts, Culture and Heritage AFS Annual Financial Statements ARIC Audit, Risk and Information Communication Technology AGSA Auditor-General of South Africa ASAPA Association of South African Professional Archaeologists BBBEE Broad-Based Black Economic Empowerment CEO Chief Executive Officer CFO Chief Financial Officer CJMC City of Johannesburg Metropolitan Council CNRS Centre National de la Recherché Scientifique CPD Corporation for Public Deposits CTMC City of Tshwane Metropolitan Council DAC Department of Arts and Culture DEAT Department of Environmental Affairs and Tourism DIRCO Department of International Relations and Cooperation DKM DITSONG: Kruger Museum DMSA DITSONG: Museums of South Africa DNMCH DITSONG: National Museum of Cultural History DNMMH DITSONG: National Museum of Military History DNMNH DITSONG: National Museum of Natural History DPM DITSONG: Pioneer Museum DPW Department of Public Works DSMM DITSONG: Sammy Marks Museum DTMC DITSONG: Tswaing Meteorite Crater DWPAM DITSONG: Willem Prinsloo Agricultural Museum EE Employment Equity EPWP Extended Public Works Programme ESS Employee Self-Service EXCO Executive Committee FAR Fixed Asset Register GDARD Gauteng Department of Agriculture and Rural Development GDE Gauteng Department of Education GRAP Generally Recognised Accounting Practice HDI Historically Disadvantaged Individual HO Head Office HR Human Resources HRREMCO Human Resources and Remuneration Committee ICT Information and Communications Technology LTE Long Term Evolution DITSONG Annual Report 2017 - 18 6 PART A - General Information MANCO Management Committee MEC Member of Executive Council MMC Members of the Mayoral Committee MOA Memorandum of Agreement MOU Memorandum of Understanding MK Umkhonto we Sizwe MTEF Medium Term Expenditure Framework MTSF Medium Term Strategic Framework NDP National Development Plan NFI Northern Flagship Institution NRF National Research Foundation NSCF Natural Science Collections Facility NSRCP National Scientific Research Collections Platform OHS Occupational Health and Safety PAST Palaeontological Scientific Trust PFMA Public Finance Management Act POQO Later known as Azanian People’s Liberation Army (AZAPO) PPC Parliamentary Portfolio Committee PPE Property Plant and Equipment PPP Public Private Partnership PPPFA Preferential Procurement Policy Framework Act PSCGICTPF Public Service Corporate Governance Information and Communication Technology Policy Framework RAMP Repairs and Maintenance Programme RFQ Request for Quotation RPL Recognition of Prior Learning SAASTA South African Agency for Science and Technology Advancement SAMA South African Museums Association SANBI South African National Biodiversity Institute SARIR South African Research Infrastructure Roadmap SRAC Sports Recreation Arts and Culture SCM Supply Chain Management SITA State Information Technology Agency SDIP Service Delivery Improvement Plan SMART Specific, Measurable, Achievable, Relevant, Time-bound SMME Small, Medium and Micro Enterprises SRSA Sport and Recreation South Africa TR Treasury Regulations TUT Tshwane University of Technology UKZN University of KwaZulu-Natal UNISA University of South Africa UP University of Pretoria DITSONG Annual Report 2017 - 18 7 3. FOREWORD BY THE CHAIRPERSON Ms K. Rapoo Chairperson of Council Introduction DITSONG, a Sesotho word meaning “a point where cultures converge”, could not be more apt to describe the range and extent of specimens and artefacts that DITSONG: Museums of South Africa houses, both numerically and in diversity. DMSA develops, manages and administers some of the largest and most significant Southern African heritage assets in the fields of fauna, palaeontology, cultural history, anthropology, archaeology and military history. These irreplaceable national heritage assets require constant monitoring to ensure their sustainable and responsible custodianship. High level overview of DMSA strategy and performance DITSONG: Museums of South Africa (DMSA) is a schedule 3A public entity, accountable to the Department of Arts and Culture (DAC) and Parliament in terms of financial and performance management, as required by legislation. As an accounting authority, the DMSA Council has fiduciary responsibilities towards the Institution. Council is accountable for the development of a five year Strategic and Annual Performance Plan in line with government’s five-year Medium Term Strategic Framework (MTSF). It is the Council’s responsibility to ensure that management implements the approved Strategic Plan and Annual Performance Plans in line with the annual Medium Term Expenditure Framework (MTEF) budgets. The Annual Performance Plan focuses on the implementation of the institution’s Strategic Goals, Strategic Objectives and Key Performance Areas, with clear targets and performance indicators. For the year under review, DMSA met 79% of their performance targets, an improvement of 15% from the previous year. DMSA’s access to collections, research, exhibitions, education and public programmes promotes nation building, social cohesion and raises awareness of South Africa’s diverse history, culture and heritage. This is achieved through the presentation of public and outreach programmes, publications, exhibitions and the empowerment of young graduates. The repositioning of DMSA has presented the institution with an opportunity to deliver transformation objectives DITSONG Annual Report 2017 - 18 8 PART A - General Information such as the fostering of constitutional values and presenting equal opportunities to all South Africans, while ensuring inclusion and redress. In developing the 2017–2021 Strategic Plan, Council and senior management met to reposition the institution. In this regard, Council emphasised the following: 1. An urgent need to implement a comprehensive transformation strategy 2. Maintaining the personnel budget at below 60% over a three-year period 3. Refocussing efforts and agenda towards the core mandate of DMSA 4. Financial sustainability and addressing post retirement obligations 5. A drive towards a clean audit and good governance 6. Collaborations and partnerships with private and public sector 7. A renewed focus on marketing and branding 8. Human capital development and building thought leadership capacity. 9. Enforcement of performance and consequence
Recommended publications
  • Experience 5)&7*#3"/$:0'4065)"'3*$"Μ4$6-563"-%*7&34*5: Africa
    EXPERIENCE 5)&7*#3"/$:0'4065)"'3*$"µ4$6-563"-%*7&34*5: AFRICA $&-&#3"5*/(5)& 7*#3"/$:0' GUIDE 2010 AND CULTURE ARTS 4065)"'3*$"4 $6-563"-%*7&34*5: ARTSANDCULTURE $EPARTMENT ARTSANDCULTURE !RTSAND#ULTURE $EPARTMENT 2%05",)#/&3/54(!&2)#! !RTSAND#ULTURE 5FM ARTS AND CULTURE GUIDE 2010 2%05",)#/&3/54(!&2)#! XXXEBDHPW[B Ditsong: Kruger Museum AFRICA In compiling this guide to the institutions and events that represent the incredibly broad and varied spectrum of the South African cultural scene, the Department of Arts and Culture has received the generous assistance of a number of organisations and individuals. The Department would like to thank each of these for their time, effort and valuable input, all of which were absolutely essential in making this publication as complete, accurate and appealing as possible. Angelique Kidjo (Benin) Freshlyground’s lead singer, Zolani Mahola National Department of Arts and Culture: 2010 Project Management Office Duduzile Mazibuko - Content Advisor and 2010 Project Manager Communications Department: Lisa Combrinck - Editor and Head of Communications Premi Appalraju - Content Development Corney Wright - Product Development James Mathibeng - Photography and DAC Administration Editorial services: ACKNOWLEDGEMENTS: DeskLink Media Team Design and Layout: Amadou & Mariam (Mali) Mariam & Amadou DeskLink Media Luthuli Nyathi, Sizakele Shingange Project Management: Chris Watterson Printed by: Colorpress (PTY) Ltd FOREWORD .*/*45&30'"354"/%$6-563& .4-6-69*/(8"/" At last, the FIFA 2010 World Cup™ is here. South Africa’s six long and busy years of preparation are finally coming to fruition. We have no doubt that South Africa and Africa are ready to offer the world an unforgettable occasion, creating festive hubs to which fans can flock to share their appreciation of the beautiful game and to experience African arts and culture.
    [Show full text]
  • Heritage Impact Assessment for the Proposed Sammy Marks Mixed
    AFRICAN HERITAGE CONSULTANTS CC 2001/077745/23 DR UDO S KÜSEL P.O. Box 652 Tel/Fax: (012) 567 6046 MAGALIESKRUIN Cell: 082 498 0673 0150 E-mail: [email protected] Heritage Impact Assessment for the proposed Sammy Marks mixed-used development Remainder of Portion 2 of the Farm Zwartkoppies 364 JR, City of Tshwane Metropolitan Municipality, Gauteng Province Client: LEAP Enviro Report: Client Info: Dr Gwen Theron Dr Udo S. Küsel Tel: 012 3443582 [email protected] [email protected] African Heritage Consultants CC September 2019 Siegwalt U Küsel: Heritage Consultant, archaeologist and landscape specialist, director of Habitat Landscape Architects Pty (Ltd) Cell: 082 775 4803 E-mail: [email protected] Pr (LArch) SACLAP Reg. 20182 BL Landscape Architecture BA (Hons) Archaeology (Cum laude) MA (Archaeology) Candidate UNISA Accredited Professional Archaeologist for the SADC Region Member No. 367 Dr Udo S. Küsel African Heritage Consultants CC P.O. Box 652 Magalieskruin 0150 Tel: (012) 567 6046; Fax: 086 594 9721; Cell: 082 498 0673 E-mail: [email protected] Accredited Professional Archaeologist for the SADC Region Member No. 068 Principal Investigator Iron Age Principal Investigator Colonial Period Principal Investigator Industrial Archaeology Field Director Stone Age BA Archaeology, Anthropology and Indigenous Law, University of Pretoria 1966 MA Archaeology, University of Pretoria 1975 D. Phil, University of Pretoria 1988 Post-Graduate Diploma in Museum and Heritage Studies Dr Maria van der Ryst E-mail: [email protected] PhD (Archaeology) Wits Accredited professional archaeologist for the SADC Region Member No. 158 Principal Investigator Stone Age Principal Investigator Iron Age Field Director Colonial Period Accredited with Heritage Eastern Cape © 2019 African Heritage Consultants & Habitat Landscape Architects (Pty) Ltd RE PTN 2 Zwartkoppies 364 JR 2 Contents 1 Background information on the project ........................................................................
    [Show full text]
  • The Randlords, Art and South Africa
    OLD MASTERS AND ASPIRATIONS: THE RANDLORDS, ART AND SOUTH AFRICA MICHAEL STEVENSON Thesis presented for the Degree of Doctor of Philosophy in the Department of Art History, University of Cape Town, September 1997 University of Cape Town r·~ i.·;:~:t·;:·.:~; s.; Yt.:, :·.; ::,f:~:i·~; L cr In ;)c .. I.. C-·1-o•''::i'" !.:.· !<·.·:~ wY •. .!-.:. w..... •ll.;-!. ,1 t~:-;:;--:-:;_:,--::;-r-:_,_-:--:-.\:.>{<:'-:-'>,:7.-:~~.., ·---:;: ~-._.' •• j":".. • ,·, ::-- -::~ ....--:' ··_ • .:..""·.-:--_--::::;~-:-.'~.:_:JJ The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town CONTENTS ABSTRACT ............................................................................................. ~ ..................•.•..•....................•......• i CONVENTIONS •...•.•.........•.•••••••••.•..•....................•.....••....••••••••••.•.••..............••••••.••••••••••................••..•••••• vii INTRODUCTION ...................................................................................................................................... 1 CHAPTER ONE: SIR JULIUS AND LADY WERNHER ••.•...•.••••.....••.•..••••.•••••.•.•••.•.••.•..•.•.•.•.••• 37 CHAPTER TWO: ALFRED AND SIR OTTO BElT .................................................................
    [Show full text]
  • Coal Capital: the Shaping of Social Relations in the Stormberg, 1880-1910
    UNIVERSITY OF THE WITWATERSRAND FACULTY OF HUMANITIES SCHOOL OF SOCIAL SCIENCES DEPARTMENT OF HISTORY COAL CAPITAL: THE SHAPING OF SOCIAL RELATIONS IN THE STORMBERG, 1880-1910 PhD PAT GIBBS 330289 Supervisors: Professor Phillip Bonner Dr Noor Nieftaqodien Professor Anne Mager Port Elizabeth 2014 i Abstract This thesis is an analysis of the interaction of a variety of communities that coalesced around the coal fields in the environs of the town of Molteno in the Stormberg mountains, during the late Victorian period and the first decade of the 20th century. An influx of mining and merchant capitalists, bankers and financiers, skilled miners and artisans from overseas and Thembu labourers from across the Kei River flooded into what had been a quasi-capitalist world dominated mainly by Afrikaner stock farmers, some English farmers and Thembu and Khoi sharecroppers and labourers. It also examines the brief life-span of a coal mining enterprise, which initially held out the hope of literally fuelling South Africa’s industrial revolution, and its relationship with the economically and socially significant railway, which it drew into the area. This capitalisation of an early capitalist zone on the northern border of the Cape has demanded an analysis of the intersecting economies of mining, farming and urbanisation as well as of the race, class and ethnic formations generated by this interaction. In delineating the day-to-day minutiae of events, this thesis seeks to reveal a microcosmic view of the fortunes and identities of the associated communities and to present a distinctive, regional study of a hitherto unknown and early aspect of South Africa’s mineral revolution.
    [Show full text]
  • Appendix 1 German Diplomatic Representation in Southern Africa 1883-99
    Appendix 1 German Diplomatic Representation in Southern Africa 1883-99 Capetown (Consul-General) 1883 W. A. Lippert (Consul) 1886 Dr Ernst Bieber 1888 Ernst von Treskow 1892 Freiherr von Nordenflycht 1896 Bruno von Schuckrnann 1899 Dr Focke Bloemfontein (Consul) Durban (Consul) 1883 Dr Kellner 1879 Gustav Monhaupt 1886 Dr Max Stollreither Port Elizabeth (Consul) Pretoria (Consul) 1880 W. H. Dalldorf 1888 Ferdinand Ritschl 1889 Theodor von Schopfer 1890 Franz von Herff 1898 Max Biermann Johannesburg (Vice Consul) King William Town and East London (Vice Consul) 1897 Johannes Nels 1883 Hermann MalcomeB 1889 Position divided East London (Vice Consul) King William Town (Consul) 1889 John Dircks 1889 Hermann MalcomeB 1894 Hermann MalcomeB (Consul) 1894 Position abolished John Dirks (Vice Consul) 144 Appendix 1 145 Lourenro Marques (Vice Consul) Mossel Bay (Vice Consul) 1883 Wilhelm Roghe 1883 Fr Matare 1886 Unoccupied Simonstown (Vice Consul) 1893 W. Joost 1895 Markus Graf von Pfeil 1883 P. D. Martin 1898 Herr Walter 1888 Position abolished Kimberley (Vice Consul) Port Alfred (Vice Consul) 1883 C. L. Diering 1883 Robert Louis Bertram 1890 Unoccupied 1886 Unoccupied 1891 Werner Rolfes (Consul) 1887 Leopold HeB 1893 Hermann Wehner (Consul) 1888 Position abolished 1897 In commission Main Source: Reichsamt des lnnen, Handbuch fur das Deutsche Reich (Berlin, 1883-99) Appendix 2 Trade Statistics Origin and value of goods sent to South Africa (in £): 1892 1893 1894 1895 Britain 10118 837 10 880 873 10515730 12 215 907 USA 418 126 602 025 632 618 I
    [Show full text]
  • A Petrologist in South Africa: Frederick Henry Hatch and the Witwatersrand Goldfield
    A petrologist in South Africa: Frederick Henry Hatch and the Witwatersrand Goldfield R.J. Howarth* Department of Earth Sciences, University College London, London, WC1E 6BT --------------------------------------------------- *Tel.: +44 020 8332 7835. E-mail address: [email protected]. --------------------------------------------------- Keywords: History of geology; Gold mining; The Witwatersrand ABSTRACT The English geologist, Frederick Henry Hatch (1864-1932), today mainly recalled for a textbook on igneous petrology, emigrated to South Africa, where, in the years between 1892 and 1906, he became one of the pioneers of the geology of the Transvaal and the Witwatersrand Goldfield. This article reviews his life and, in particular, his work during this period which led to his becoming a mining geologist with connections to many of the world’s goldfields, set against the political background of the Boer War which influenced the course of his work. 1. Introduction The English geologist, Frederick Henry Hatch (1864-1932) is today probably recalled, if at all, simply as an author of The Petrology of the Igneous Rocks, which ran to 12 editions, the later ones co- authored with the igneous petrologists Alfred Kingsley Wells (1899-1980) and Maurice Kingsley Wells (1921-1994) (1st, Hatch, 1891c; 8th, Hatch and Wells, 1926; 10th, Hatch et al., 1949; 12th, Hatch et al., 1961). However, probably the most important parts of his career took place in South Africa between the years 1892 and 1906, during which time he established a reputation as a consulting mining engineer whose work had helped to unlock the economic potential of the Witwatersrand (commonly referred to as ‘the Rand’) Goldfield, which was becoming the world’s most productive.
    [Show full text]
  • Module 3 Gauteng
    Tel: +27 11 676 3000 | Web: www.guideacademy.co.za Module 3 Gauteng Gauteng Province GAUTENG ........................................................................................................................................ 7 INTRODUCTION - TRANSVAAL .......................................................... 7 PHYSICAL FEATURES AND BOUNDARIES ........................................................................................... 7 HISTORY ......................................................................................................................................... 7 The Early Inhabitants ................................................................................................................ 7 Early Europeans ........................................................................................................................ 8 Important dates ......................................................................................................................... 8 GAUTENG ECONOMY ..................................................................................................................... 11 Manufacturing ......................................................................................................................... 11 Basic facts and statistics ......................................................................................................... 11 Mining .....................................................................................................................................
    [Show full text]
  • Sammy Marks Business Hotel
    University of Pretoria etd – Hutten, E R (2005) SAMMY MARKS BUSINESS HOTEL Submitted by: Etienne Hutten Student Number: 20095882 Mentor: Gary White SUBMITTED AS PART OF THE REQUIREMENTS FOR THE DEGREE OF MAGISTER IN ARCHITECTURE (PROFESSIONAL) IN THE FACULTY OF ENGINEERING, BUILT ENVIRONMENT AND INFORMATION TECHNOLOGY University of Pretoria - Department of Architecture - November 2005 University of Pretoria etd – Hutten, E R (2005) SUMMARY The design of a fi ve star hotel entails a miniature world within the walls of a building. Attendant human and psychological factors in such a community must be carefully worked out and used to the advantage of the public, staff and hotelier alike. The different components of the hotel must be layered in such a manner that it is suitable contextually and functionally. The proposed hotel forms part of a very rich historically urban context. The focus of the design will be, not to ignore the surrounding context (as many hotels function on their own), but rather to support the city of Pretoria to strengthen its image as the Capital City and at the same time help to keep Church Street as the business core of the city. Densifying the Inner City to prevent urban sprawl and to create an environment that promotes security by activity. Although the scheme is a system in itself, it plays a supportive and integrative role in the Inner City of Pretoria.The design will strive not to be an island tipe building that exclude the general public, but instead to include them into the design so that the city as a whole remains the most important element.
    [Show full text]
  • Memorial Complexity and Political Change: Paul Kruger's Statue's Political Travels Through Space and Time
    Memorial complexity and political change: Paul Kruger’s statue’s political travels through space and time Pieter Labuschagne Department of Political Sciences, Unisa Email: [email protected] For more than a century the statue of Paul Kruger has served as a focal point of political uncertainty and change in South Africa. Since Paul Kruger’s statue was first brought to Pretoria after its completion just before the Anglo-Boer War it has been moved from location to location in a process of political manipulation until its eventual positioning on Church Square in the city centre. However, in post-apartheid South Africa it seems the political process of forced relocation is to be perpetuated, but this time as part of the post-colonial reconstruction process. The article aims to investigate the aspect of memorial complexity and its relationship with the underpinning political change in South Africa and the prospect of the statue’s relocation sometime in the future. The importance and effect of a nexus between a statue and its location on the possible relocation of Paul Kruger’s statue, is also highlighted. Keywords: Paul Kruger, Paul Kruger’s statue, Church Square, Prince’s Park, Station Park Gedenkkompleksiteit en politieke verandering: die politieke migrasie van Paul Kruger se standbeeld deur ruimte en tyd Die standbeeld van Paul Kruger het vir meer as ‘n eeu as die ‘opvanger’ van politieke onsekerheid en verandering in Suid-Afrika gedien. Sedert die standbeeld voor die Anglo-Boere-oorlog na sy voltooing na Suid-Afrika gebring is, is dit as deel van ‘n proses van politieke manipulasie van standplaas na standplaas verskuif.
    [Show full text]
  • Rhodesian Sunset Factional Politics, War, and the Demise of an Imperial Order in British South Africa
    Rhodesian Sunset Factional Politics, War, and the Demise of an Imperial Order in British South Africa By Michael Brunetti A thesis submitted to the Department of History for honors Duke University Durham, North Carolina Under the advisement of Dr. Vasant Kaiwar April 15, 2019 Brunetti | i Abstract The pursuit of an unorthodox and revolutionary grand vision of empire by idealistic imperialists such as Cecil Rhodes, Alfred Milner, and Percy FitzPatrick led to the creation of a pro-conflict imperial coalition in South Africa, one that inadvertently caused the South African War. This thesis examines the causes behind the South African War (also known as the Second Anglo-Boer War), sheds light on those culpable for its occurrence, and analyzes its effects on South Africa’s subsequent failure to fulfill the imperial vision for it held by contemporary British imperialists. This thesis addresses the previous historiographical debates on the relative importance of the factions that formed a coalition to promote their interests in South Africa. Some of these interests focused on political and economic matters of concern to the British Empire, while others pertained to Johannesburg settlers, primarily of British extraction, who had their own reasons for joining the pro-imperial coalition. Moreover, this thesis emphasizes the importance of the pro-imperial coalition’s unity in provoking the South African War while also explaining the coalition’s post-war decline and directly correlating this to the decline of British influence in South Africa. Brunetti | ii Acknowledgments To Dr. Vasant Kaiwar, for being my advisor, my gateway to the Duke University History Department, my mentor, and my friend.
    [Show full text]
  • August 2011 Had Based This Assumption on the Sizes of Limpets and Tortoises
    Volume 37 Number 2 August 2011 had based this assumption on the sizes of limpets and tortoises. The sizes of Late Stone Age (LSA) limpets were smaller, perhaps because they were harvested more intensively, resulting in an average size reduction. He linked this with an argument that during the MSA there was not only less harvesting, but also less effective harvesting of resources. Fishing was also not common in the MSA, although during the LSA a large range of fish was eaten, as were birds. Dangerous animals were not hunted. Klein argues that MSA people were less effective at extracting resources from the environment as they did not have the cognitive ability. According to Sealy, entirely new evidence for population expansion in the MSA has come from genetic research, with researchers having looked at different haplotypes (genetic DNA Reports covering the period March 2010 to June 2011 variants) in various peoples. While five different haplotypes occur in Africa, only the L3 haplotype was carried by the early human population group that left Africa. This expanding population group was able to grow in size and extend out of Africa. Another theme of current interest concerned ideas about evolution, taken from biology and applied in an archaeological context. It had to do with the way people learn skills from their EVENING LECTURES parents and it is argued that young people learn skills from the elders and will seek out older skilled people. But copying also depended on the ability of the observer to understand the underlying principles of learning a particular skill.
    [Show full text]
  • Kruger Museum - - - - 1
    ,_ ~ ~0 rn () .J rl Presentation to Portfolio Committee on Sport, Arts and C ulture Annual Performance Plan \ 1U SEUMS or ~O ll 111 MRl(J\ 2019 - 2020 J---. ~ ~ '" ·' ·; ntati·on ...... ,,J •• ----"'~ ....... --- Slide# 1. Introductions 3-4 2. Museum Definition 5 3. Background 6-7 4. DMSA Mandate 8 5. Vision, Mission & Values 9 6. DMSA Museums: Overview 10 7. National Museum of Cultural History 11 -19 8. National Museum of Military History 20-21 9. National Museum of Natural History 22-25 10. Performance Highlights 26-32 11. Governance 33-36 12. 2019 /20 Annual Performance Plan 37-52 13. Organizational Performance 53-56 14. Financial Overview 57-60 15. Human Capital Management 61 -62 16. Other Matters 63-68 17. Annexures A - E 69-78 - .. I t oduci g D NG ....... ,., ._._4•-·· ,,,..,,,., Dr Len Konar Karabo Rapoo Deputy Chairperson Yvunne Mashilela Dr Mbongeni Mdletye Chairperson Member: Audit Com Chairperson HRRem Com Chairperson Core Com Leanda Vifakazi Gr~gory Ontong Vuyokazi Menye Adv. Lufuno Nevondwe Member: Core Com Member: Core Com Member: Audit Member: HRRem Com Com NG Introducing DMSA Executive Management "'tt\t t1\f\ '" t Olltll \fll.h, _..._,,,··--···· __ From left to right: Dr Moleboheng Mohapi (Director: NMNH). Tersia Perregil (NMNH). Kennedy Kaposa (CFO), Annabell Lebethe (CEO). Dr Noel Solani (Director: NMCHJ, Sandi Mackenzie (Director: NMMH) M seu D fin it· on Ul\11'\l\llf \1Jlltll \Ult.\ The International Council of Museums {I COM) defines a museum as: "a non-profit, permanent institution in the service of society and its development, open to the public, which acquires, conserves, researches, communicates and exhibits the t ngible and intangible heritage of humanity and its environ ent fi r the purposes f education, study and enjoyment." Background l\1 ''''" t ' I 'U Hit ~: ( .
    [Show full text]