The BG News April 25, 1991
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
How Do Mainstream Cultural Market Categories Emerge: a Multi
HOW DO MAINSTREAM CULTURAL MARKET CATEGORIES EMERGE: A MULTI- LEVEL ANALYSIS OF THE CREATION OF ELECTRONIC DANCE MUSIC PIERRE-YANN DOLBEC A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ADMINISTRATION SCHULICH SCHOOL OF BUSINESS YORK UNIVERSITY TORONTO, ONTARIO NOVEMBER 2015 © Pierre-Yann Dolbec 2015 ii Abstract In my research I explore how a new market category is created in an existing market. I contribute to existing research in marketing by developing a novel framework that conceptualizes markets as constituted of three levels, and by explaining the contribution of each level to the creation of a new market category. My findings emerge from a qualitative inquiry of the creation of the category of Electronic Dance Music (EDM). I find that each level contributes differently to the creation of a mainstream cultural category. Local innovation networks (or LINs) unite consumers and producers and provide unique elements that facilitate the creation of new cultural products by consumers. Niches serve as a bridge between these local networks and a mainstream market. Niche actors contribute to the creation of a boundary infrastructure that supports the transfer, translation, and transformation of the knowledge associated with an innovative cultural product. This, in turn, facilitates the movement of an innovative cultural product from a local network to a mainstream market. Mainstream actors diffuse elements of the innovative cultural product and open what Bourdieu calls “a space of possibles”. Niche entrepreneurs and peripheral mainstream actors seize the opportunity to engineer a new cultural category. -
Debbie Harry 2019 Cover Layout Design by Rob Roth Cover Photograph © Chris Stein; Illustration by Jody Morlock
Brian Aris Jody Morlock Copyright HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published by HarperCollinsPublishers 2019 FIRST EDITION © Debbie Harry 2019 Cover layout design by Rob Roth Cover photograph © Chris Stein; illustration by Jody Morlock Creative Direction by Rob Roth A catalogue record of this book is available from the British Library Debbie Harry asserts the moral right to be identified as the author of this work HarperCollinsPublishers has made every effort to credit the copyright owners of all material used in this book. If your work has not been credited, please contact us so that we may correctly credit your work in future editions All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books. Find out about HarperCollins and the environment at www.harpercollins.co.uk/green Source ISBN: 9780008229429 Ebook Edition © October 2019 ISBN: 9780008229450 Version: 2019-09-27 Dedication DEDICATED TO THE GIRLS OF THE UNDERWORLD Bob Gruen Courtesy of Debbie Harry’s personal collection Contents Cover Title Page Copyright Dedication Introduction 1. Love Child 2. Pretty Baby, You Look So Heavenly 3. Click Click House Lights 4. -
Rescuers Battle Mud, Debris to Reach Flash Flood Victims Bus Workers Ratify
is V The weather Inside today Fair, cool tonight. Low in 50s. In creasing cloudiness Tuesday, high Area news . ....11 Family........ ..6 again in 70s. National weather forecast Classified .. ..12-14 MACC news., ..5 map on Page 13. Comics .... .... 15 MCC Calendar . 16 * -.jaXTi Dear Abby,.... 15 Obituaries ... ..8 ,tW O ! sit- Editorial .. .......4 Sports.......... 9-10 w n n :, MbiteAv; At^uCT yot. x(iv, nd.'j nrsj a P Iiiigf I M *—>- - ■ - — 1.1, . fn iTi Pii in iTiJ iii.ftTitj « At least 60 persons drown, 250 injured Rescuers battle mud, debris to reach flash flood victims LOVELAND, Colo. (UPI) - debris strewn along the 35-mile flood hurled against the 60-foot sides of the tainly are buried in the debris." Rescue teams battled through mud path. steep, rocky canyon and were dis- In a briefing to rescue teams at and debris today to reach victims of Heavy rains fell overnight but membered. The dead, taken to the dawn, Watson told them to "move a flash flood that roared through a tapered at dawn, allowing Watson's morgue by National Guardsmen, the bodies to high ground but don't twisting, narrow river canyon in the deputies, state patrolmen and ranged in age from 3 to 65. and in take them out until you get the okay Colorado Rockies and swept away National Guardsmen to return to the cluded a state patrolman who died from the coroner." hundreds of fishermen and weekend devastated canyon 45 miles trying to warn campers of the flash Watson said most bodies would be campers. -
Fighting Outside the Ring: a Labor Alternative to the Continued Federal Regulation of Professional Boxing
Fighting Outside the Ring: A Labor Alternative to the Continued Federal Regulation of Professional Boxing ARLIN R. CRISCO* Inside the ring, boxers fightfor their lives. Their safety is at risk Outside the ring, boxers are financially vulnerable. They must associate with the right managers and promoters in order to realize a big payday. Currently, there is little federal regulation of the sport of boxing and little uniformity among state regulations. This inadequate regulationscheme puts boxers' safety andfinancialfuturein jeopardy. This Note proposes that boxers organize under the NLRA to achieve appropriateregulation of the sport. This Note examines the current lack of effective regulation and discusses organizationunder the NLRA as a means ofprotecting boxers'physicalandfinancial well being. I. NTRODUCTION On New Year's Day 1995, Gerald McClellan was a world champion professional boxer who regularly fought for six-figure purses and was looking forward to a title bout that could net him over a million dollars. 2 By New Year's 1996, McClellan was a deaf and blind3 multiple-stroke victim 4 who relied day-to- 5 day on trust fund donations because his own assets had been exhausted. * I would like to thank Yuld Kendall, for her love and emotional support over the years, as well as her unswerving faith and understanding while I struggled with this Note. I would also like to thank my mother, Elsie M. Crisco, whose love and guidance helped me get to where I am today; and my brother, Steve Hardy, for his friendship and advice, and for helping me over many a rocky path through the years. -
Billboard 1976-02-07
08120 503090W40*0111524 JUN76 50 05052524217573550 BB NEWSPAPER DES MOINESPUB LIB ORDER DIV I SION 100 LOCUSTST IA 50 Ana DES MOINES A Billboard Publication The International Music -Record -Tape Newsweekly February 7, 1976 $1.50 Col Pics Pub Bows Tape Returns5,114 Attend 10th Vex London Hit LP Song Folios By STEPHEN TRAIMAN NEW YORK-Continuing dis- MIDEM, Firm Up By JOHN SIPPEL tributor hassles over return privi- LOS ANGELES-Asingle hit al- Folio contents are the actual songs in leges in the phaseout of Ampex/ bum folio series. 12 inches square so the same sequence as the recording. London prerecorded tapes casts an it can be stocked right with its LP The new $2.98 for single LP and intangible shadow over the am- Most Deals Ever counterpart ina browser box or $4.98 for two -LP albums folio series bitious two -level push planned by By PETER JONES rack, is being introduced nationally could well revolutionize folio sales London for bothits new import CANNES-The 10th MIDEM, Feb. 10 by Columbia Pictures Publi- because it makes it possible to stock "highest quality cassettes" and pop U.K. Label Execs with the biggest attendance from the cations' print division. the hit LP and the folio together. cassette/8 track product to be cus- largest number of countries, created The hit album folio, the brain- This marketing concepthas tom duplicated by Ampex. In Freebie Ban? an atmosphere forthegreatest child of Frank Hackinson, division caused Columbia Pictures Publica- Both Ampex and London are fac- amount of music industry activity, vice president, carries an exact re- tions' Joe Lopez. -
Record-World-1973-08-11.Pdf
DEDICATED TO THE IsiEEDS OF THE MUSICMEC31,1D ;A'OUSTRY $1.25 ' r 11 AUGUST 11, 1973 r 17-T, = _ - WHO IN die WORLD: C-- _ + ' " , FUNK GRAND I I ° 'We're An American Band' Is The Title `' 4'',+ Q - #10'--T - n' r t < K Of Grand Funk's New Album And Single, ° ° 's, v _ .t . ' "- 1y Z7 And Both Discs Have Been Pressed On V ? r 4 It. y -'S;- K. , .. 'ky s Gold Vinyl To Celebrate The Group's . [` f .t 1.f a r ' h Lt' a Solid Gold Track Record. The New A {_su;, ..,-7 y. rÍF`.:a. Todd Rundgren-Produced Discs Are Also " 41 The Subject Of A Huge Promo Campaign l " -f: By Capitol Records. See .Story On Page 18. 405:111'1 ;4 ,:+, b # ¡ 3 ' :.., . ,`r;'t , ____ _._' -i ..' . HITS OF THE WEEK Ch SPINNERS, "GHETTO CHILD" (prod. by Thom Bell) r) THE MANHATTANS, "DO IOU EVER" (prod. by rip STEVIE WONDER. "INNERV SIONS." Perhaps March) (Arnel/ the single most creative individual active in J (Mighty Three, BMD. Fourth single W Burt Keyes & Myrna 2 O from smash Ip will follow the other a, March On, ASCAP). Group estab- 2 the music worlc today, M-. Wonderful has Z as crossover written, producec, and done most of the per- three to the top. Strong Linda Creed- W lished themselves Ñ Thom Bell song and solid Bell pro- _1 giants with their last outing < forming of this magnificent album. "Living In duction make disc a winner. Infec- Cr) "There's No Me Without You.' The City" is ar urban "Day In The Life," tious hook and rreaningful lyrics Their old label releases this ballac "Visions" is a remarkable ballad and "Higher are the main ingredients on single and the outcome could spell h -i -t Ground" ias the funk to he a lumber one that'll be around for a while. -
A Spatial History of Arena Rock, 1964–79
A Spatial History of Arena Rock, 1964–79 Michael Ethen Schulich School of Music McGill University, Montreal August 2011 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Michael Ethen, 2011 Table of Contents List of Musical Examples / iv List of Illustrations / v List of Tables / vi Abstract / vii Abrégé / ix Acknowledgements / xi Introduction / 1 Genealogy of Arena Rock / 13 “Arena Rock”: Ambiguity Before 1977 / 26 1977 and “Arena Rock” / 30 Literature / 35 The Spatial Turn / 37 Space and Music / 41 Chapter Outlines / 46 Chapter One: In the Beginning Was the Beatles: Security and Intimacy of Live Performance, 1964–66 Introduction / 50 Security / 53 Expansion and Extension / 56 Expansion, Extension, and Intimacy / 60 Intimacy and the Washington Coliseum / 63 Security and Carnegie Hall / 70 Security and Empire Stadium / 74 Intimacy and Spectacular Transportation / 79 Shea Stadium, 1965 / 82 Shea Stadium, post-1965 / 86 Conclusion / 89 ii Chapter Two: Sounding Live: Led Zeppelin and the Echo-poetics of Arena Rock Introduction / 91 Context / 92 Live Performance as Self-promotion / 100 Studio Recordings as Concert Recreations / 115 Manufactured Audience Participation / 122 Compensating for Intimacy Lost / 127 Conclusion / 135 Chapter Three: An American Beauty: Grateful Dead, “Truckin',” and a Question of Routine Introduction / 137 Context / 141 Commercialism and Routine / 145 Forging a Routine / 156 Formal properties of the Routine / 157 The Crescendo-climax / 164 Extra-musical Technologies / 173 “Wall of Sound” as Prop / 174 Conclusion / 180 Chapter Four: The Festival is Dead, Long Live the “Festival” Introduction / 182 Context: 1969 Festivals and Security / 184 “Free Music” / 193 “Woodstock Laws” / 198 Innovation after Altamont / 203 Goose Lake / 208 Erie Canal: A Case Study / 211 Long Live the “Festival” / 220 Conclusion / 224 iii Chapter Five: “Spend a Week in St. -
Extensions of Remarks
February 25, 1987 EXTENSIONS OF REMARKS 4091 EXTENSIONS OF REMARKS FIGHTING LADY night she watches a couple of unadorable "Oh! Did I hurt you?" she will say after cruiserweights, Louis Coleman and Sher belting someone quite unconsciously. "I jq.st man Griffith, make mud of Egan's art. In completely forget myself!" There is some HON. BILL RICHARDSON the first round Coleman puts Griffith on thing at once frenzied and repressed about OF NEW MEXICO the canvas with his first punch, a parabolic her performance; she is wild, yet mindful of IN THE HOUSE OF REPRESENTATIVES right that could not have halved a sheet of not letting go completely. Which is to say, balsa wood. Griffith then does the same to Wednesday, February 25, 1987 she knocks no one out. Coleman with an equally artless and pillowy At the bell ending the first round Aber Mr. RICHARDSON. Mr. Speaker, through left. Soon all hell breaks loose. Griffith bat crombie slumps in her chair. While her the efforts of the gentleman from Texas [Mr. ters Coleman stupid for an endless minute. fighter is toweled, tutored and greased, she FIELDS] those of us working on boxing reform Coleman, a muscle-bound lug the color of retrieves an ivory linen handkerchief from bittersweet chocolate, is suddenly slack and her purse and, quite delicately, dabs the have been fortunate enough to benefit from the shade of milky tea. His eyes are rheumy the advice of Josephine Abercrombie, a new sweat from her pulse points and brow. Cani and very far away. "It's over," says the ref zales spits into a bucket, though his promot and constructive force in professional boxing.