2014 Les Paul Standard Controls

Total Page:16

File Type:pdf, Size:1020Kb

2014 Les Paul Standard Controls 2014 Les Paul Standard Controls Each of the four knobs on the Les Paul Standard, Standard Plus, and Standard Premium models has a push down/pull up switch. These switches let you obtain 13 basic tones, as well as choose between two “presets” using the Pure Bypass feature. All Knobs Pushed In Pushing all knobs down provides the traditional Les Paul wiring. The pickup selector chooses among neck, bridge, or both pickups. Two knobs control pickup volume, while the other two knobs control pickup tone. Tuned Coil Tap Pulling up on the neck and/or bridge volume controls engages the pickups’ Tuned Coil Tap option. This makes a humbucker sound more like a single-coil, but taps through a tuned network that provides a gentle midrange scoop. The highs are more present, while preserving the low end so you don’t lose the humbucker’s characteristic warmth. The Tuned Coil Tap retains much of a humbucker’s hum cancellation properties and doesn’t have the degree of level drop associated with other tapping techniques. Phase Reverse Pulling up on the neck pickup’s tone control changes the neck pickup’s wiring to out of phase. Switching Between Two Presets Pulling up on the bridge tone control initiates Pure Bypass, which connects the bridge pickup directly to the output jack. This preserves the maximum bridge pickup level. So, you can set up a particular “preset” sound with your volume controls, tone controls, and pickup selector (like a favorite rhythm guitar tone), then select this sound by pushing the bridge tone control down. Or, choose the Pure Bypass bridge pickup sound by pulling the bridge tone control up. The following table summarizes the 13 possible pickup wirings. Pickup Selector Neck Volume Bridge Volume Neck Tone Neck down - - Neck up - down* Neck up - up** Bridge - down - Bridge - up - Middle down down down Middle down up down Middle up down down Middle up up down Middle down down up Middle up down up Middle down up up Middle up up up * Chooses the neck pickup’s inner (slug) coil ** Chooses the neck pickup’s outer (screw) coil Revision 1 March 3, 2014 .
Recommended publications
  • Blue Book of Electric Guitars Sixth Edition
    Blue Book of Electric Guitars Sixth Edition Gibson Electric Guitars and Basses Edited by S.P. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 1999 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. Please note: At the request of Blue Book Publications, Inc., all pricing information has been omitted. For detailed pricing information, please either contact Blue Book Publications for ordering information, or visit their web site at www.bluebookinc.com Table of Contents Gibson Background History ----------------------------------------- 3 Identifying Features --------------------------------------------------- 4 Gibson Electric Guitars ---------------------------------- 5 B.B. King Series -------------------------------------------------------- 5 Barney Kessel Series --------------------------------------------------- 6 Byrdland Model ---------------------------------------------------------
    [Show full text]
  • Gibson Declares Bankruptcy
    Gibson Declares Bankruptcy David Diaz, CEO,Davenport Laroche Another timeless rock and roll icon is headed to “rehab”. This time, though, it’s not a performer. It’s the brand that tied together some of rock’s biggest names, from Elvis Presley to Keith Richards, Jerry Garcia, Slash, Ace Frehley and Jimmy Page. Each of these icons played Gibson. Slash, in fact, was an official brand ambassador for the guitar brand he proudly played on stage during a meteoric six-year run with Guns ‘n Roses. Seeing one of the new breed of guitar gods ripping through sets on his Gibson inspired a new generation of shredders to grab their Les Paul or Standard, jam and dream. Now, though, Gibson has hit a major roadblock, filing for bankruptcy protection as the company struggles to mitigate half a billion dollars in debt. As a result of the bankruptcy filing, the press is reporting that creditors will “take control” of the company, that was founded way back in 1902 and helped defined American music for more than a century. Because Gibson guitars were so popular for so many years, many are wondering why, exactly, the company is in such dire straits. There are several reasons, though many are blaming the relatively recent acquisition of Philips’ consumer audio division a few years back. That, in fact, is the first thing Gibson’s new ownership plans to let go in an attempt to get the business back in the black. The company will divest itself of the line of headphones, loudspeakers and turntables that have proven to be a drag on profitability.
    [Show full text]
  • 01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
    A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models.
    [Show full text]
  • Christie's to Offer Les Paul's Personal “Number One” ~ the Guitar That
    PRESS RELEASE | NEW YORK I FOR IMMEDIATE RELEASE : 18 A U G U S T 2021 CHRISTIE’S TO OFFER LES PAUL’S PERSONAL “NUMBER ONE” ~ THE GUITAR THAT STARTED IT ALL THE FIRST GIBSON LES PAUL GUITAR OWNED & APPROVED BY THE FATHER OF THE SOLID-BODY ELECTRIC GUITAR ~ OFFERED AT CHRISTIE’S ‘EXCEPTIONAL SALE’ ON OCTOBER 13 IN NEW YORK Gibson Incorporated, Kalamazoo, Michigan, Circa 1951-52 The solid-Body Electric Guitar, Known as Les Paul’s “Number One” Les Paul Model Artist's Prototype Estimate: $100,000-150,000 Les Paul “is part of a homespun tradition of scientific wizards that includes Benjamin Franklin and Thomas Edison.” ~The Rock & Roll Hall of Fame New York— Christie’s announces Les Paul’s own personal ‘Number One,’ the very earliest approved production model of the famed Gibson Les Paul electric guitar which monumentally changed the development of Rock’n’Roll in the 20th Century will be featured in The Exceptional Sale on October 13 in New York. Along with Mr. Paul, Gibson Incorporated developed this innovative solid body electric guitar circa 1951-1952 to meet the demanding standards of guitar virtuoso and inventor, Les Paul, who designated this his Number One; the first solid electrified guitar that met with his approval, and was the culmination of his lifelong dream. Kerry Keane, Christie’s consultant and Musical Instruments Specialist, remarks, “In any creation narrative there are always multiple protagonists, but the name Les Paul ranks at the pinnacle when discussing the electric guitar. His development of multi-track recording, and audio effects like delay, echo, and reverb all profoundly influenced how music is reproduced and heard.
    [Show full text]
  • Yorkville Month 2017
    Avantone Apex Microphones Orion ORFX100 Apex microphones deliver incredible features and tone. Cerwin Vega CVE Series October is YORKVILLE Month Starball FREE GUITAR MixCubes Apex550 (330905) Reg. $170 1000w Powered Speakers ■ Multi-colour wide field LED effect ■ Mini reference monitors that Low Profile FET Condenser Mic Ideal for small-to-medium size venues where portability is paramount, or a lightweight, integrated Easy plug and play operation SETUP DAY ■ allow you to hear what your $ audio solution is essential. The simple yet effective control panel allows for quick, efficient setup – Integrated microphone mixes will sound like on bass- Sale 99 FINANCING (431296) Reg. $4775 SATURDAY, OCTOBER 14, 2017 even by non-professionals – to match various acoustical environments. 0% challenged real-world systems $ 99 .*%)..%),+,-).'%(%#'% at all L&M locations. such as computers, televisions, Apex515 (319545) Reg. 99 CVE-10 CVE-15 $ 99 Multi-Pattern Hand Held *%. *+ '"",.&(%$(#)$+,!.*+. Sale 39 Buy 2 sets of any Gibson, Rotosound, Ernie Ball or car stereos and iPod docking 10” 2-Way Full Range with Bluetooth 15” 2-Way Full Range with Bluetooth Dean Markley Strings and get a free guitar setup. stations. In Cream or Black. Condenser Mic !'-)+'$),!. +*!$#)-. $+#(-,!. $ 99 $ $ '%.),.&*%).*. #)*,+ Orion ORFX103 Offer limited to one guitar per customer. $ Sale 79 (497057) 469 (497062) 679 Ultra Cyclops (506569/571) 699/pair ■ Apex880 (59013) Reg. $4250 CVE-12 CVE-18S Multi-colour LED DJ Light Effect ■ Supercardioid Hand Held Vocal Mic 12” 2-Way Full Range with Bluetooth 18” Subwoofer with Bluetooth Multiple control modes with Cable $ $ ■ Integrated microphone Avantone CV-12 $ 1/2 PRICE $ 99 (497061) 569 (497063) 949 Meet the new élite (431300) Reg.
    [Show full text]
  • Hannoart Presents Dave's Guitar Shop
    HannoArt presents IN A WORLD FULL OF SO MUCH SAMENESS, HannoArt stands apart as one of the most distinctive coated sheets in the industry. Thanks to a proprietary triple-coating process, HannoArt offers an outstanding ink lay that holds crisp details and rich, dense solids—all on an incomparably smooth, uniform surface. Simply put, HannoArt represents a level of craftsmanship that is without peer—making it the ideal sheet for those with a passion for the exceptional. THE BENEFITS OF HANNOART Superior Surface Smoothness A unique triple-coated surface provides exceptional ink lay— enabling spectacular image fidelity and print depth. Outstanding Gloss Finish Provides an outstanding surface for excellent reproduction and visual impact. Exceptional Silk Finish Provides a superior and elegant tactile experience. Broad Basis Weight Range A broad range of sheet fed grades enables HannoArt to handle a variety of print projects. Custom sizes are also available through Sappi’s Special Making Order (SMO) services. Environmental Responsibility HannoArt boasts FSC Chain of Custody certification. This guarantees that trees used to produce HannoArt papers were procured from responsibly managed forests. YOU’D PROBABLY EXPECT a place called Dave’s Guitar Shop to be happily ensconced in some strip mall catering to America’s adolescents. But as the old adage goes, one cannot judge a book — or, in this case, a shrine — by its cover. You see, Dave’s Guitar Shop is a veritable mecca for guitar aficionados from around the world. Tucked away in La Crosse, Wisconsin, a city more famous for its barrels of brew than its Gibsons and Gretsches, Dave Rogers has created a haven for those seeking the finest in guitar design and craftsmanship.
    [Show full text]
  • Made to Be Played
    made to be played... CATALOG 2004 made to be played... Second To None Elitist Tak Matsumoto Les Paul Standard TakBurst Elitist Les Paul Custom Wine Red Elitist Les Paul ‘57 GoldTop Metallic Antique Gold Elitist Tak Matsumoto Elitist Les Paul Custom Les Paul Standard Tuners Grover Elitist Les Paul ‘57 GoldTop Tuners Green Keys by Gotoh Fingerboard Rosewood Tuners Grover Fingerboard Rosewood, Abalone Inlays Neck 1-pc Mahogany, 22 fret Fingerboard Rosewood Neck 1-pc Mahogany, 22 fret Neck Joint Set, 16th fret Neck 1-pc Mahogany, 22 fret Neck Joint Set, 16th fret Nut 1-11/16, Bone Neck Joint Set, 16th fret Nut 1-11/16, Bone Scale 24-3/4 Nut 1-11/16, Bone Scale 24-3/4 Top Book-Matched Maple Scale 24-3/4 Top Book-Matched Quilt-Maple Back Book-Matched Mahogany Top Hard Maple Back Book-Matched Mahogany Sides n/a Back Book-Matched Mahogany Sides n/a Rhythm PU 50SR (USA Humbucker) Sides n/a Rhythm PU Gibson Burstbucker-2 Treble PU 60ST (USA Humbucker) Rhythm PU 50SR (USA Humbucker) Treble PU Gibson Burstbucker-3 Controls 2-V, 2-T; 3-Way SW Treble PU 60ST (USA Humbucker) Controls 2-V, 2-T; 3-Way SW Hardware 24K Gold Controls 2-V, 2-T; 3-Way SW Hardware Nickel Finishes Ebony, Vintage White, Hardware Nickel Finishes TakBurst Wine Red Finishes Metallic Antique Gold Elitist Les Paul Custom Ebony Elitist Les Paul Standard Left-Handed Honeyburst Guitar One Elitist ‘61 SG Standard July 2003 Cherry Elitist Les Paul Custom Elitist Les Paul Standard LH Elitist ‘61 SG Standard Tuners Grover Tuners Grover Tuners Grover Fingerboard Rosewood Fingerboard Rosewood
    [Show full text]
  • Genetically Reengineering Today's Music with the V-Synth from Roland
    ® (800) 222-4700 • www.sweetwater.com Late Spring 2003 Issue Genetically reengineering today’s music with the V-Synth from Roland Every keyboard player acknowledges the instruments nology had essentially matured. With very few exceptions, bilities, its controls are very accessible; you can easily create that in their particular time, were the “next big thing.” His- the synths being produced by all the “big players” seem stunningly dramatic sounds full of life and motion without torically, it’s easy to point to certain instruments that made more to be refinements of existing architectures, rather than so much as a glance under the hood! There’s no long, pain- the big leap and introduced an entirely new sound or break- radical departures. ful learning curve required with through technology: The MiniMoog, the Roland Jupiter 8, the V-Synth! the DX7, the D-50, the I was lucky enough E-Mu Emulator, to get to spend a long the Kurzweil weekend with one of the 250 and Korg very first V-Synths off the M-1 — each in line, so you’re definitely its own way was a going to want to check milestone in music out Page 2 for an ex- technology and a clusive “hands on” “jumping off point” report. Meanwhile, for many instruments take a look below that followed. at just a few of the For several years features that Roland has packaged now, musicians have into this impressive new synth! — Jim Miller been asking the big ques- tion: “What’s next?” What’s Well, we do have an answer: Roland has set • 61-note synth with multiple oscillator beyond the sampling and sample out to challenge that notion with the breathtaking new technologies, sampling and COSM filtering.
    [Show full text]
  • 5.16 Patents Und Inventions
    5-208 5. Magnetic pickups 5.16 Patents und inventions 5.16.1 American Patents (selection) 1890 435679 Breed: the first guitar pickup? 1890!! 1927 1933299 Vierling: piano-pickup (PU) 1929 1839395 Kauffman: tremolo (vibrato-unit) 1929 1838886 Tuininga: violin-HB 1930 2027073 Vierling: piano-PU (see also 1933299) 1931 1906607 Jacobs: piano-PU 1931 1915858 Miessner: piano-PU 1931 1978583 Kentner: piano-PU 1934 1941870 Severy: synthesizer 1934 2020557 Loar: guitar with structure-borne-sound-PU 1934 2025875 Loar: guitar with structure-borne-sound-PU 1934 2089171 Beauchamp: Rickenbacker Frying Pan, Horseshoe-PU 1935 2026841 Lesti: PU w/out permanent magnet 1935 2119584 Knoblaugh: stacked HB w/out permanent magnet 1936 2087106 Hart/Fuller (Gibson): Charlie-Christian-PU 1936 2170294 Dopyera: National Hawaiian guitar, Blade-PU 1936 2152783 Beauchamp: Rickenbacker Electro Spanish Guitar, Horseshoe-PU 1937 2175325 Sunshine/Epiphone: "Oblong Pickup" 1938 2145490 Miller (Gibson): further development of 2087106 1938 2241911 Kauffman: motorized tremolo for steel-guitar 1939 2262335 Russell: HB w/horseshoe-magnet 1940 2261358 Fuller (Gibson): retrofit-PU 1940 2294861 Fuller (Gibson): retrofit-PU 1944 2455575 Fender/Kauffman: Solidbody guitar w/PU 1946 2455046 DeArmond: PU "Type-1000" 1948 2542271 Alvarez: Piano-HB 1948 2567570 McCarty (Gibson): PU within the pickguard 1948 2686270 Ayres: piano-HB 1949 2557754 Morrison: Solidbody guitar w/PU potted in wax, 6 cylindrical magnets 1950 2573254 Fender: Telecaster-precursor 1950 2612072 DeArmond: PU w/6 adjustable
    [Show full text]
  • Setting Guitar Intonation Using Your Peterson Tuner
    Setting Guitar Intonation Using Your Peterson Tuner Before you attempt to tune any stringed instrument, the intonation should be checked and, if necessary, adjusted to the correct position. If you’ve never used a Peterson tuner before, then it is almost certain that your instrument is not yet correctly intonated and will not sound its best until you address it. Now that you have a Peterson, you can achieve professional quality results with the help of the tips below, and the intonation will be the best it can be on your instrument. You’ll need your Peterson tuner, a short guitar cord, a small screwdriver and a set of new strings. Before starting, find a surface upon which to lay your guitar that is free of any objects which could damage your instrument and cover it with a towel or similar soft material. Remember to tune the guitar in the position in which you would normally play it (i.e. around your neck, supported by a strap), but adjust the bridge of the guitar after laying it on a flat surface. If you tune the guitar while it’s laying flat, gravity will affect the tension of the neck and skew the results. If you adjust the bridge while the guitar is hanging from a strap on your shoulder, there is a risk that the guitar’s finish will be damaged by the screwdriver. If possible, take the opportunity to clean the fingerboard after the old strings have been removed. New strings will stay clean and sound good a lot longer if the fingerboard is free of grime and dirt.
    [Show full text]
  • Hitting a High Gibson USA Proves That Manufacturing in America ROCKS
    APRIL 2006 / VOLUME 58 / NUMBER 4 ➤ BY MIKE PRINCIPATO Hitting a high Gibson USA proves that manufacturing in America ROCKS. In the second installment of our Made in America series, CTE colum- nist Mike Principato learns what it takes to make the legendary Gibson Les Paul guitar. ure, they ship tens of thou- sands of the most desired elec- tric guitars in the world every year. Yes, they sell every one they make for prices that would cover two or three of your mortgage payments. And, of course, they’ll make you your very own model if your name happens to be Jimmy Page or Slash. But the most impressive thing about theS folks at Gibson USA and the leg- endary Les Paul guitar they produce is that they have somehow mastered the art and science of making a handmade, custom guitar in a mass-production setting. Think of it: Even as you’re note reading this, dozens of musicians are purchasing an instrument that bears all the hallmarks of a customized product, from its electronics to its high-gloss finish, an instrument that emits a sound as unique and desired by Les Paul afi- cionados as the characteristic “potato- potato” sound is by Harley-Davidson fanatics. And thousands more are sav- ing their hard-earned money with the dream of buying one. Although Gibson USA, Nashville, Tenn., makes a huge variety of guitars and musical instruments, none has The legendary Les Paul guitar. the storied history of the Les Paul. Designed and launched in 1952 in co- operation with its namesake, a virtuoso electric guitars.
    [Show full text]
  • The Standard Gibson Les Paul Electric Guitar the Guitar Is a Musical Instrument That Has Been Around for Many Centuries. Music C
    The Standard Gibson Les Paul Electric Guitar The guitar is a musical instrument that has been around for many centuries. Music composition and sound evolved quite drastically over time. Therefore, the guitar transformed and evolved as well. Since the beginning of the rock and roll era, guitarists, such as Slash, Randy Rhoads, and Jimmy Page favored the Standard Gibson Les Paul electric guitar for its smooth playability as well as crisp and piercing tones. Amazingly the Gibson Les Paul consists of simple mechanisms. These simple mechanisms are found on the three main components of the Gibson Les Paul guitar: the headstock, the neck, and the body. The Headstock The Neck The Body The Headstock The first component, the headstock, has its own subcomponent: the tuners. The headstock is one of the most significant parts of the guitar because it houses six tuners which tune the guitar strings as well as hold the strings in place. It is made out of mahogany wood and angled at fourteen degrees with respect to the neck. Tuners The Gibson Les Paul’s headstock houses six tuners with three on each side of the headstock that separately hold guitar strings E, A, D, G, B, and e in place. Depending on which side of the headstock the user turns the tuner knobs, the guitar produces lower or higher pitched tones when the string(s) are plucked. Lower pitch results from the tuner knob turned in the direction that decreases the string tension, whereas the higher pitch results from the tuner knob turned in the direction that increases string tension.
    [Show full text]