Planetarium Handbook

Total Page:16

File Type:pdf, Size:1020Kb

Planetarium Handbook Portable Planetarium Handbook Susan Reynolds Button, Editor July 2002 Table of Contents Section I. Table of Contents .................................................................................... 1 Section II. Introduction ............................................................................................. 1 Section III. Contributors............................................................................................. 1 Section IV. Practical Applications of Portable Planetariums...................................1 A. Introduction: “Why are Portable Planetariums so Special?” .......................2 1. “Twenty Years on the Road: The Portable Planetarium’s Development and Contributions to the Teaching of Astronomy” ......................................................................................3 2. “Outreach: The Long Arm of STARLAB”.......................................18 3. “Professionalism and Survival Tactics” ..........................................20 B. Outreach with a Planetarium Specialist ....................................................22 1. “Reach Out and Teach Someone” ................................................ 23 2. “Student Intern/Mentor Program Proposal”................................... 26 3. “Student-Directed Planetarium Lessons and Other Creative Uses For STARLAB”..................................................................... 27 C. Outreach-Lending/Rental Programs and Teacher Training ..................... 30 1. “Unmanned Satellite” .................................................................... 31 2. “When You’ve Got the Whole World in Your Hands, You Can Share it with Everyone”................................................................. 40 3. “STARLAB Training” ..................................................................... 42 4. “Designing a STARLAB Training Program” .................................. 43 5. “Berkeley Program Brings Astronomy Down to Earth”.................. 45 6. “An Outreach Program Without Going Out!” ................................. 46 7. “The Stars Shine Brightly in Nova Scotia Schools” ....................... 49 8. “Distance Learning and STARLAB” .............................................. 52 9. “Facilitating an Effective STARLAB Program”............................... 54 10. OCM BOCES STARLAB Rental Unit Checklist ............................ 56 2 D. Planetariums in Business ........................................................................ 57 1. “Owning Your Own Planetarium” by Meader ................................ 58 2. “Owning Your Own Planetarium” by Whitt…................................. 64 3. “Warning Testimonial”................................................................... 78 4. “Marketing Strategy”…………………………………………………..79 5. “Mobile Domes in Business”………………………………………….82 6. “Portable Planetarium Business Owner’s Survey”…………………83 Section V. Manufacturers of Portable Planetariums............................................... 1 A. Cosmodyssee III and Roving Star (France)............................................... 2 B. Gambato Projectors (Italy)......................................................................... 8 C. GOTO NEX and E-5 (Japan)..................................................................... 9 D. Holmestronic (United Kingdom)............................................................... 11 E. MediaGlobe (Japan)................................................................................ 12 F. Megastar Projector (Japan) ..................................................................... 14 G. PLANETRONEX (Mexico) ....................................................................... 16 H. Sphaera Domes (Spain) .......................................................................... 17 I. Stargazer Domes (United Kingdom)........................................................ 18 J. STARLAB (USA) ..................................................................................... 20 K. StratoSphere (United Kingdom) .............................................................. 24 L. ZPS-Cubex (Argentina) ........................................................................... 25 Section VI. Sources of Funding..................................................................................1 A. “How and Where Can You Find Funding Sources?”...................................2 B. “When You Wish Upon a STARLAB”..........................................................4 C. “Sponsorship and Creative Funding”..........................................................5 D. Corporations That Have Supported Science/Technology Education......... 6 Section VII. Liability and Equipment Insurance .........................................................1 A. General Considerations............................................................................. 2 B. Insurance................................................................................................... 2 C. Self-Protection Strategies.......................................................................... 3 D. Sample Letter to Teachers ........................................................................ 4 E. Sample Sign .............................................................................................. 5 3 Section VIII. Advertising……………..............................................................................1 A. Overview ................................................................................................... 2 B. “Customizing a STARLAB Dome”.............................................................. 3 C. Auxilliary “Attention-Getters”...................................................................... 4 a. “Organizing an Astronomy Club”.......................................... 4 b. “Exploring the Sky: A Starry Adventure”...............................6 D. “OCM BOCES Publicity”…………………............ ……………………………8 E. “My Publicity”............................................................................................10 Section IX. Scheduling ................................................................................................1 A. Booking ......................................................................................................2 B. Daily Schedules......................................................................................... 5 Section X. Presentation and Evaluation Techniques ............................................. 1 A. General Suggestions................................................................................. 2 1. “Some Group Characteristics” ........................................................ 5 2. “Astronomical Misconceptions” ....................................................... 7 3. “Using STARLAB to Implement the National Science Education Standards from the National Resource Council”.......... 15 4. “Back to Basics-Just You and Your Dome”................................... 18 5. “Using the Inquiry Method in the Portable Planetarium” ............... 21 6. “Planetarium Instructions”............................................................. 24 7. “Script Writing for Portable Planetariums”..................................... 27 8. “Eyes on the Sky” ......................................................................... 30 9. “Why Mythology?”......................................................................... 39 10. “Get Creative” ............................................................................... 41 11. Myths With a Twist........................................................................ 43 12. “All That Jazz”............................................................................... 47 B. Specialized Lesson Strategies ................................................................ 47 1. “Sunshine, Shadows and Silhouettes” .......................................... 48 2. “Astrophotography” ....................................................................... 48 3. “Magic Walls And Other New Experiences Using STARLAB”....... 49 4. “Discovery Rooms and Science Shows With Magic STARLAB” .................................................................................... 53 5. SPACE: STARLAB Program of Astronautics and Cosmic Exploration.................................................................................... 58 6. “Mythology With a New Twist” ...................................................... 63 7. “Observations: Cycles and Patterns” ............................................ 66 4 C. Discipline ................................................................................................. 68 1. “Discipline”.................................................................................... 68 2. “Crowd Handling”.......................................................................... 68 3. “Discipline Under the Dome”......................................................... 70 4. “The Magic List-Alternatives to Punitive Discipline” ...................... 71 D. Students with Disabilities......................................................................... 73 E. Gifted Students........................................................................................ 74 1. “Some Uses of a STARLAB Planetarium with Gifted Students” ...................................................................................... 74 F. Program Evaluation Techniques ............................................................. 78 Section XI. Lessons.....................................................................................................1
Recommended publications
  • Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
    Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel
    [Show full text]
  • Mathématiques Et Espace
    Atelier disciplinaire AD 5 Mathématiques et Espace Anne-Cécile DHERS, Education Nationale (mathématiques) Peggy THILLET, Education Nationale (mathématiques) Yann BARSAMIAN, Education Nationale (mathématiques) Olivier BONNETON, Sciences - U (mathématiques) Cahier d'activités Activité 1 : L'HORIZON TERRESTRE ET SPATIAL Activité 2 : DENOMBREMENT D'ETOILES DANS LE CIEL ET L'UNIVERS Activité 3 : D'HIPPARCOS A BENFORD Activité 4 : OBSERVATION STATISTIQUE DES CRATERES LUNAIRES Activité 5 : DIAMETRE DES CRATERES D'IMPACT Activité 6 : LOI DE TITIUS-BODE Activité 7 : MODELISER UNE CONSTELLATION EN 3D Crédits photo : NASA / CNES L'HORIZON TERRESTRE ET SPATIAL (3 ème / 2 nde ) __________________________________________________ OBJECTIF : Détermination de la ligne d'horizon à une altitude donnée. COMPETENCES : ● Utilisation du théorème de Pythagore ● Utilisation de Google Earth pour évaluer des distances à vol d'oiseau ● Recherche personnelle de données REALISATION : Il s'agit ici de mettre en application le théorème de Pythagore mais avec une vision terrestre dans un premier temps suite à un questionnement de l'élève puis dans un second temps de réutiliser la même démarche dans le cadre spatial de la visibilité d'un satellite. Fiche élève ____________________________________________________________________________ 1. Victor Hugo a écrit dans Les Châtiments : "Les horizons aux horizons succèdent […] : on avance toujours, on n’arrive jamais ". Face à la mer, vous voyez l'horizon à perte de vue. Mais "est-ce loin, l'horizon ?". D'après toi, jusqu'à quelle distance peux-tu voir si le temps est clair ? Réponse 1 : " Sans instrument, je peux voir jusqu'à .................. km " Réponse 2 : " Avec une paire de jumelles, je peux voir jusqu'à ............... km " 2. Nous allons maintenant calculer à l'aide du théorème de Pythagore la ligne d'horizon pour une hauteur H donnée.
    [Show full text]
  • Dolerites of Svalbard, North-West Barents Sea Shelf: Age, Tectonic Setting and Significance for Geotectonic Interpretation of Th
    RESEARCH/REVIEW ARTICLE Dolerites of Svalbard, north-west Barents Sea Shelf: age, tectonic setting and significance for geotectonic interpretation of the High-Arctic Large Igneous Province Krzysztof Nejbert1, Krzysztof P. Krajewski2, Elz˙bieta Dubin´ ska1 & Zolta´ nPe´ cskay3 1 Institute of Geochemistry, Mineralogy and Petrology, University of Warsaw, Al. Z˙ wirki i Wigury 93, PL-02089 Warsaw, Poland 2 Institute of Geological Sciences, Polish Academy of Sciences, Research Centre in Warsaw, ul. Twarda 51/55, PL-00818 Warsaw, Poland 3 Institute of Nuclear Research, Hungarian Academy of Sciences, Bem te´ r 18/c, HU-4026 Debrecen, Hungary Keywords Abstract Dolerite; geochemistry; petrogenesis; KÁAr whole rock ages; Svalbard; Cretaceous. The dolerites of Svalbard are mineralogically and geochemically homogeneous with geochemical features typical of continental within-plate tholeiites. Their Correspondence geochemistry is similar to tholeiites belonging to a bimodal suite defined as the Krzysztof P. Krajewski, Institute of Geologi- High-Arctic Large Igneous Province (HALIP). KÁAr dating of numerous cal Sciences, Polish Academy of Sciences, dolerites sampled from many locations across Svalbard define a narrow time Research Centre in Warsaw, ul. Twarda 51/ span of this magmatism from 125.593.6 to 78.392.6 Mya. Discrete peaks of 55, PL-00818 Warsaw, Poland. E-mail: [email protected] intensive activity occurred at 115.3, 100.8, 91.3 and 78.5 Mya corresponding to (1) breakup of the continental crust and formation of an initial rift as a result of mantle plume activity, located in the southern part of the Alpha Ridge; (2) magmatic activity related to spreading along the Alpha Ridge that led to the development of the initial oceanic crust and (3) continuation of spreading along the Alpha Ridge and termination of magmatic activity related to HALIP (last two peaks at 91.3 and 78.5 Mya).
    [Show full text]
  • General Guide to the Science and Cosmos Museum
    General guide to the Science and Cosmos Museum 1 Background: “Tenerife monts” and “Pico” near of Plato crater in the Moon PLANTA TERRAZA Terrace Floor 5 i 2 1 4 6 3 ASCENSOR 4 RELOJ DE SOL ECUATORIAL Elevator Analemmatic sundial i INFORMACIÓN 5 BUSTO PARLANTE Information “AGUSTÍN DE BETANCOURT” Agustín de Betancourt 1 PLAZA “AGUSTÍN DE talking bust BETANCOURT” Agustín de Betancourt 6 ZONA WI-FI Square Wi-Fi zone 2 ANTENA DE RADIOASTRONOMÍA Radioastronomy antenna 3 TELESCOPIO Telescope PLANTA BAJA Ground Floor WC 10 9 8 11 7 1 6 5 4 12 2 3 ASCENSOR Cosmos Lab - Creative Elevator Laboratory 1 EXPOSICIÓN 7 PLANETARIO Exhibition Planetarium 2 TALLER DE DIDÁCTICA 8 SALIDA DE EMERGENCIA Didactic Workshop Emergency exit 3 EFECTOS ÓPTICOS 9 MICROCOSMOS Optical illusions 10 SALÓN DE ACTOS 4 SALA CROMA KEY Assembly hall Chroma Key room 11 EXPOSICIONES TEMPORALES 5 LABERINTO DE ESPEJOS Temporary exhibitions Mirror Labyrinth 12 ZONA DE DESCANSO 6 COSMOS LAB - LABORATORIO Rest zone CREATIVO CONTENIDOS Contents 7 LA TIERRA The Earth 23 EL SOL The Sun 33 EL UNIVERSO The Universe 45 CÓMO FUNCIONA How does it work 72 EL CUERPO HUMANO The human body 5 ¿POR QUÉ PIRÁMIDES? Why pyramids? 1 Sacred places have often been con- ceived of as elevated spaces that draw the believer closer to the divi- nity. For this reason, once architec- tural techniques became sufficiently refined, mosques or cathedrals rai- sed their vaults, minarets, towers and spires to the sky. However, for thousands of years, the formula fa- voured by almost every culture was the pyramid.
    [Show full text]
  • A Christian Physicist Examines Noah's Flood and Plate Tectonics
    A Christian Physicist Examines Noah’s Flood and Plate Tectonics by Steven Ball, Ph.D. September 2003 Dedication I dedicate this work to my friend and colleague Rodric White-Stevens, who delighted in discussing with me the geologic wonders of the Earth and their relevance to Biblical faith. Cover picture courtesy of the U.S. Geological Survey, copyright free 1 Introduction It seems that no subject stirs the passions of those intending to defend biblical truth more than Noah’s Flood. It is perhaps the one biblical account that appears to conflict with modern science more than any other. Many aspiring Christian apologists have chosen to use this account as a litmus test of whether one accepts the Bible or modern science as true. Before we examine this together, let me clarify that I accept the account of Noah’s Flood as completely true, just as I do the entirety of the Bible. The Bible demonstrates itself to be reliable and remarkably consistent, having numerous interesting participants in various stories through which is interwoven a continuous theme of God’s plan for man’s redemption. Noah’s Flood is one of those stories, revealing to us both God’s judgment of sin and God’s over-riding grace and mercy. It remains a timeless account, for it has much to teach us about a God who never changes. It is one of the most popular Bible stories for children, and the truth be known, for us adults as well. It is rather unfortunate that many dismiss the account as mythical, simply because it seems to be at odds with a scientific view of the earth.
    [Show full text]
  • The Brightest Stars Seite 1 Von 9
    The Brightest Stars Seite 1 von 9 The Brightest Stars This is a list of the 300 brightest stars made using data from the Hipparcos catalogue. The stellar distances are only fairly accurate for stars well within 1000 light years. 1 2 3 4 5 6 7 8 9 10 11 12 13 No. Star Names Equatorial Galactic Spectral Vis Abs Prllx Err Dist Coordinates Coordinates Type Mag Mag ly RA Dec l° b° 1. Alpha Canis Majoris Sirius 06 45 -16.7 227.2 -8.9 A1V -1.44 1.45 379.21 1.58 9 2. Alpha Carinae Canopus 06 24 -52.7 261.2 -25.3 F0Ib -0.62 -5.53 10.43 0.53 310 3. Alpha Centauri Rigil Kentaurus 14 40 -60.8 315.8 -0.7 G2V+K1V -0.27 4.08 742.12 1.40 4 4. Alpha Boötis Arcturus 14 16 +19.2 15.2 +69.0 K2III -0.05 -0.31 88.85 0.74 37 5. Alpha Lyrae Vega 18 37 +38.8 67.5 +19.2 A0V 0.03 0.58 128.93 0.55 25 6. Alpha Aurigae Capella 05 17 +46.0 162.6 +4.6 G5III+G0III 0.08 -0.48 77.29 0.89 42 7. Beta Orionis Rigel 05 15 -8.2 209.3 -25.1 B8Ia 0.18 -6.69 4.22 0.81 770 8. Alpha Canis Minoris Procyon 07 39 +5.2 213.7 +13.0 F5IV-V 0.40 2.68 285.93 0.88 11 9. Alpha Eridani Achernar 01 38 -57.2 290.7 -58.8 B3V 0.45 -2.77 22.68 0.57 144 10.
    [Show full text]
  • Stars and Their Spectra: an Introduction to the Spectral Sequence Second Edition James B
    Cambridge University Press 978-0-521-89954-3 - Stars and Their Spectra: An Introduction to the Spectral Sequence Second Edition James B. Kaler Index More information Star index Stars are arranged by the Latin genitive of their constellation of residence, with other star names interspersed alphabetically. Within a constellation, Bayer Greek letters are given first, followed by Roman letters, Flamsteed numbers, variable stars arranged in traditional order (see Section 1.11), and then other names that take on genitive form. Stellar spectra are indicated by an asterisk. The best-known proper names have priority over their Greek-letter names. Spectra of the Sun and of nebulae are included as well. Abell 21 nucleus, see a Aurigae, see Capella Abell 78 nucleus, 327* ε Aurigae, 178, 186 Achernar, 9, 243, 264, 274 z Aurigae, 177, 186 Acrux, see Alpha Crucis Z Aurigae, 186, 269* Adhara, see Epsilon Canis Majoris AB Aurigae, 255 Albireo, 26 Alcor, 26, 177, 241, 243, 272* Barnard’s Star, 129–130, 131 Aldebaran, 9, 27, 80*, 163, 165 Betelgeuse, 2, 9, 16, 18, 20, 73, 74*, 79, Algol, 20, 26, 176–177, 271*, 333, 366 80*, 88, 104–105, 106*, 110*, 113, Altair, 9, 236, 241, 250 115, 118, 122, 187, 216, 264 a Andromedae, 273, 273* image of, 114 b Andromedae, 164 BDþ284211, 285* g Andromedae, 26 Bl 253* u Andromedae A, 218* a Boo¨tis, see Arcturus u Andromedae B, 109* g Boo¨tis, 243 Z Andromedae, 337 Z Boo¨tis, 185 Antares, 10, 73, 104–105, 113, 115, 118, l Boo¨tis, 254, 280, 314 122, 174* s Boo¨tis, 218* 53 Aquarii A, 195 53 Aquarii B, 195 T Camelopardalis,
    [Show full text]
  • DHX Media Ltd
    A YEAR OF MILESTONES July 2007 November 2007 March 2008 Secured the worldwide television Issued 9,815,000 Units from Production began for Kid vs. Kat and home entertainment treasury at $1.80 per unit for total Season I, Animal Mechanicals distribution rights to My Spy Family. proceeds of $17,667,000. A Unit Season II, Canada’s Super Spellers consisted of one common share and Season I and Poppets Town Season August 2007 one-half of one common share I. Signed up a UK licensing agent for purchase warrant. Franny’s Feet. Canada’s Super Spellers launched Completed a strategic investment in online qualifying website. This Hour Has 22 Minutes Season Tribal Nova, an on-line game XIV was nominated for 4 Gemini developer and operator of gaming Acquired Halifax-based Bulldog Awards. and video-on-demand broadband Interactive Fitness Inc., a developer channels for children. of children’s entertainment centers. September 2007 Posted year end results for 2007 December 2007 April 2008 with revenues up 65%. Acquired Vancouver-based Studio B Signed a Canadian-Singaporean Productions Inc. with a library of collaboration with Scrawl Studios for Award-winning hit comedy series 400 half-hours of children’s new animated series RPG High. This Hour Has 22 Minutes returned programming and a current for its 15th season. production slate of seven shows The Guard was renewed for a including Kid vs. Kat for YTV, Ricky second season by Global Television. Production began on The Guard Sprocket – Showbiz Boy for Season I. Teletoon and Nickelodeon Networks May 2008 and Martha Speaks, a co-production Canada’s Super Spellers began local Shake Hands with the Devil with WGBH Boston.
    [Show full text]
  • Wegener and His Theory of Continental Drift
    GENERAL I ARTICLE Wegener and his Theory of Continental Drift Ramesh Chander Alfred Wegener, an astronomer by training and meteorologist by profession, visualised that there was once a single very large landmass on the surface of the earth. Gradually it broke up into smaller fragments which drifted away to form the present continents. In a few cases, the drifting fragments subsequently collided, coalesced and Ramesh Chander is a formed larger landmasses again. Wegener could thus Professor at the Universit}' explain in a simple way (i) similarities in shapes of of Rool'kee, engaged in diverse studies related to continental coast lines separated by wide oceans, (ii) natural earthquakes in the similarities in the rocks and fossils occurring on such Himalaya as well as coasts and in the fauna and flora inhabiting them, (ill) the modelling of reservoir­ formation of several major mountain ranges of the world, induced earthquakes in that region. and (iv) the evidence in rocks on past climates ofthe earth. Introduction Astronomers take immense delight in enumerating the various motions that we partake even as we are apparently stationary on the surface of the earth. Geophysicists, the people who apply the principles of physics to investigate the earth, gleefully add that the surface of the terra firma itself is not steady but responds pliantly to many causes in the earth's interior and on its surface as well as to a few causes in the solar system. Occasionally, we can feel the motion of the earth's surface directly for brief periods, as during a major earthquake or when a heavy object moves near us.
    [Show full text]
  • UK@Kidscreen Delegation Organised By: Contents
    © Bear Hunt Films Ltd 2016 © 2016 Brown Bag Films and Technicolor Entertainment Services France SAS Horrible Science Shane the Chef © Hoho Entertainment Limited. All Rights Reserved. ©Illuminated Films 2017 © Plug-in Media Group Ltd. UK@Kidscreen delegation organised by: Contents Forewords 3-5 KidsCave Entertainment Productions 29 David Prodger 3 Kidzilla Media 30 Greg Childs and Sarah Baynes 4-5 Kindle Entertainment 31 Larkshead Media 32 UK Delegate Companies 6-53 Lupus Films 33 Accorder Music 6 MCC Media 34 Adorable Media 7 Mezzo Kids 35 Animation Associates 8 Myro, On A Mission! 36 Blink Industries 9 Blue-Zoo Productions 10 Ollie’s Edible Adventures/MRM Inc 37 Cloth Cat Animation 11 Plug-in Media 38 DM Consulting 12 Raydar Media 39 Enabling Genius 13 Reality Studios 40 Eye Present 14 Serious Lunch 41 Factory 15 Sixth Sense Media 42 Film London 16 Spider Eye 43 Fourth Wall Creative 17 Studio aka 44 Fudge Animation Studios 18 Studio Liddell 45 Fun Crew 19 The Brothers McLeod 46 Grass Roots Media 20 The Children’s Media Conference 47 History Bombs Ltd 21 The Creative Garden 48 HoHo Rights 22 Three Arrows Media 49 Hopster 23 Thud Media 50 Ideas at Work 24 Tiger Aspect Productions 51 Illuminated Productions 25 Tom Angell Ltd 52 ITV PLC 26 Visionality 53 Jellyfish Pictures 27 Jetpack Distribution 28 Contacts 54 UK@Kidscreen 2017 3 Foreword By David Prodger, Consul General, Miami, Foreign and Commonwealth Office I am delighted to welcome such an impressive UK delegation to Kidscreen which is taking place in Miami for the third time.
    [Show full text]
  • Carshitsthe Hits Theroad
    Contents | Zoom In | Zoom Out For navigation instructions please click here Search Issue | Next Page THE BUSINESS, TECHNOLOGY & ART OF ANIMATION July 2006 ™ Disney/Pixar's Cars Hits the Road TerrificTerrifi c MTV2 Talent Welcomes Flocks to NewToonNew Toon Annecy Rebellion ww_____________________________________________________w.animationmagazine.ne t Contents | Zoom In | Zoom Out For navigation instructions please click here Search Issue | Next Page A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B !FTERYEARSWEDECIDEDWE³D 8PVMESFDPNNFOE #FMJFWFZPVTIPVME 5IJOL#BSEFMJT #BSEFMUPBGSJFOE CF¿G¿M¿¿F¿YJCMFBOESPMM "SUJTUESJWFOBOEUIBU XJUIUIFQVODIFT UIFZIBWFBDSFBUJWFWPJDF XPVMEMJLFUPTFFNPSFBEWFSUJTJOHQSPNPUJPOGPSUIFTUVEJPEPOF XXXCBSEFMDBKPCT______________________ _________________________!CBSEFMDB A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B ASKWHATOUREMPLOYEESTHOUGHT 'FFM$IBMMFOHFE &OKPZCFJOHIFSF 'FFMZPVOFFEUP BOEUIBU#BSEFMJT UIJOLJUµTBGVO CFQSFQBSFEUP BHPPEDBSFFSNPWF QMBDFUPXPSL XPSLZPVS#VUUPGG /H ANDBYTHEWAY 7ERE(IRING 6ISITUSAT!NNECYSTAND A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B ____________________________ ___________________ A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B A A Previous Page | Contents | Zoom in | Zoom out | Front Cover | Search Issue | Next Page EF MaGS MAGAZINE B Volume 20, Issue 7, Number 162, July 2006 CONTENTS 6 Frame-by-Frame The Monthly Animation Planner ... Tom Goes to the Mayor Again... Babar Stumps for Ecology ...Strapontin Makes Plans for Sinbad of the Stars.
    [Show full text]
  • Statistiques Sur L'industrie Du Film Et De La Production Télévisuelle
    Chapitre 11 LES MESURES FISCALES RELATIVES À L’INDUSTRIE DU FILM LES MESURES FISCALES RELATIVES À L’INDUSTRIE DU FILM CHAPITRE 11 163 Tableau 11.1.1 Productions1 cinématographiques et télévisuelles doublées selon le premier marché, la langue de la version originale et de doublage, Québec, 2005-2006 Premier marché Version originale Version doublée Anglais Français Total n Cinéma2 Anglais – 159 159 Espagnol – 1 1 Français 1 – 1 Italien – 1 1 Télévision Anglais – 172 172 Français 4 – 4 Vidéoclub Anglais – 64 64 Français 4 – 4 Total 9 397 406 1. Productions ayant bénéfi cié du programme de crédit d’impôt remboursable pour le doublage de fi lms. 2. Comprend une production en format géant. Source : SODEC. Tableau 11.1.2 Productions1 cinématographiques et télévisuelles doublées selon le premier marché, la langue de la version originale et de doublage, Québec, de 1999-2000 à 2005-2006 Premier marché Version originale Version doublée Anglais Français Inuktitut Anglais Total (américain) n Cinéma2 Anglais – 863 – – 863 Espagnol – 1 – – 1 Français 10 – – – 10 Italien – 3 – – 3 Télévision Allemand 11 – – – 11 Anglais (britanique) – – – 1 1 Anglais 1 727 1 – 729 Français 19 1 – – 20 Italien 1 – – – 1 Japonais 1 – – – 1 Portugais – 1 – – 1 Vidéoclub Anglais – 183 – – 183 Français 5 – – – 5 Total 48 1 779 1 1 1 829 1. Productions ayant bénéfi cié du programme de crédit d’impôt remboursable pour le doublage de fi lms. 2. Comprend quatre productions en format géant. Source : SODEC. OBSERVATOIRE DE LA CULTURE ET DES COMMUNICATIONS DU QUÉBEC 164 STATISTIQUES SUR L’INDUSTRIE DU FILM ÉDITION 2006 Tableau 11.2.1 Productions1 cinématographiques et télévisuelles doublées selon le premier marché et le format, Québec, 2005-2006 Premier marché Oeuvre unique Minisérie Série Total (2 à 6 épisodes) (7 épisodes et plus) n Cinéma2 162 – – 162 Télévision 56 30 90 176 Vidéoclub 67 1 – 68 Total 285 31 90 406 1.
    [Show full text]