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Yoko Ono Albumi Lista (Diskografia & Aikajana)
Yoko Ono Albumi Lista (Diskografia & Aikajana) https://fi.listvote.com/lists/music/albums/unfinished-music-no.-1%3A-two-virgins- Unfinished Music No. 1: Two Virgins 777742/songs Wedding Album https://fi.listvote.com/lists/music/albums/wedding-album-631765/songs Unfinished Music No. 2: Life with the https://fi.listvote.com/lists/music/albums/unfinished-music-no.-2%3A-life-with-the-lions- Lions 976426/songs Yoko Ono/Plastic Ono Band https://fi.listvote.com/lists/music/albums/yoko-ono%2Fplastic-ono-band-507672/songs Season of Glass https://fi.listvote.com/lists/music/albums/season-of-glass-3476814/songs Feeling the Space https://fi.listvote.com/lists/music/albums/feeling-the-space-3067999/songs Approximately Infinite Universe https://fi.listvote.com/lists/music/albums/approximately-infinite-universe-1749449/songs Fly https://fi.listvote.com/lists/music/albums/fly-616152/songs Take Me to the Land of Hell https://fi.listvote.com/lists/music/albums/take-me-to-the-land-of-hell-15131565/songs Between My Head and the Sky https://fi.listvote.com/lists/music/albums/between-my-head-and-the-sky-4899102/songs Starpeace https://fi.listvote.com/lists/music/albums/starpeace-7602195/songs https://fi.listvote.com/lists/music/albums/it%27s-alright-%28i-see-rainbows%29- It's Alright (I See Rainbows) 3155778/songs A Story https://fi.listvote.com/lists/music/albums/a-story-2819918/songs Rising https://fi.listvote.com/lists/music/albums/rising-7336112/songs Yokokimthurston https://fi.listvote.com/lists/music/albums/yokokimthurston-8054655/songs Walking on Thin -
Glam Rock by Barney Hoskyns 1
Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era. -
The Fallen Artist
Renata Del Rio Meints-Adail The Fallen Artist: The influence of John Milton‟s Paradise Lost on James Joyce‟s A Portrait of the Artist as a Young Man Universidade Federal de Minas Gerais Faculdade de Letras March 2009 Abstract This thesis is a study of the influence exerted by John Milton‟s Paradise Lost on James Joyce‟s A Portrait of the Artist as a Young Man. Its main character, Stephen Dedalus, narrates some remarkable passages of his life, through his childhood and young age, and his passage from a state of innocence to his first sinful experiences, being the first taken by the hands of a woman. This work focuses on Stephen‟s sins and repentance, his unwillingness to serve, his non serviam, and the whole course of his sins, in which I claim to have been influenced by Milton‟s characters in Paradise Lost, Adam, Eve, and Satan. The concepts and theories used to define influence used in this work are Harold Bloom‟s revisionary ratios, Patrick Colm Hogan‟s psychology and economy of influence, and Luiz Fernando Ferreira Sá‟s notion of influence as influx and inflow. A Portrait of the Artist as a Young Man is Joyce‟s tentative to propose an alternative to the ones who choose not to serve, as Milton failed to do, and be a true artificer of wor(l)ds. CONTENTS 1. Introduction ……………………………………………………………………………. 1 2. Time and Political Environment involving Milton and Joyce 2.1. Historical background and the contemporary reception of Paradise Lost………….…4 2.2 Historical background and the contemporary reception of A Portrait of the Artist as a Young Man ……………………………………………………………………...….………7 2.3 England x Ireland: the relationship between coloniser and colonised and the caricatured Irishman ………………………………………………………………...…....12 3. -
Plattenbörsen 2007
2 Oldie-Markt 3/07 Schallplattenbörsen Plattenbörsen 2007 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, dass sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teuren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Bücher Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeitschrift monatlich den aktuellen Börsenkalender. Folgende Termine wurden von den Veranstaltern bekannt gegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 1. März Berlin Parkcenter Treptow Kurt Wehrs (030) 87 77 62 42 4. März Leipzig Werk II First & Last (03 41) 699 56 80 10. März Wels/Österreich Pfarrsaal Vogelweide Werner Stoschek (086 09) 25 09 11. März Braunschweig Mensa 2 Jürgen Schwarz (05 31) 35 18 92 11. März Mainz Legienhof Wolfgang W. Korte (061 01) 12 86 62 11. März Lindau Inselhalle Robert Menzel (07 31) 605 65 17. März Kiel Legienhof Aftermath (04 31) 80 19 31 17. März Salzburg/Österreich Kleingmainer Hof Werner Stoschek (086 09) 25 09 18. März Aschaffenburg Unterfrankenhalle Wolfgang W. Korte (061 01) 12 86 62 18. März Berlin TU-Mensa Michael Kohls (030) 341 10 35 24. März München Max-Emanuel-Halle Werner Stoschek (086 09) 25 09 25. März München Elserhalle Skull Concerts (089) 25. März Neusäß Stadthalle Robert Menzel (07 31) 605 65 25. März Oberhausen Revierpark Vonderort Agentur Lauber (02 11) 955 92 50 31. März Gießen Kongreßhalle Kai Engel (01 73) 470 79 06 31. März Erfurt Thüringerhalle Iris Lange (056 59) 73 24 1. -
The Contradictory Communities of Wizard Rock
Identity, Rhetoric and Behavior: The Contradictory Communities of Wizard Rock by Kelli Rohlman, B.M. A Thesis In MUSICOLOGY Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Approved Dr. Christopher J. Smith Chair Professor Angela Mariani Dr. Thomas Cimarusti Ralph Ferguson Dean of the Graduate School December, 2010 Copyright 2010, Kelli Rohlman Texas Tech University, Kelli Rohlman, December 2010 ACKNOWLEDGMENTS In the December 2003 issue of O Magazine, American critic and writer Bell Hooks said “Life-transforming ideas have always come to me through books.” The Harry Potter book series is one that many would claim has changed their lives in one way or another, and I am no exception. I would first like to thank, with the utmost respect and admiration, author J.K. Rowling for her literature that has inspired such a flourishing, creative, and beautiful community of fans. I would then like to register my complete gratitude to each of my informants; without their cooperation, generosity, and eagerness to share their incredible talents and expertise, this thesis would not have been possible. I would like to thank the hundreds of “wizards” that I have met or communicated with along my journey for their undying enthusiasm. I would also like to thank, specifically, Dinah Russell of the Wizrocklopedia.com for her assistance in general community support for my research. Thank you to Melissa Anelli of The Leaky Cauldron website and Pottercast for her accessibility and for answering all of my questions about Harry, A History on multiple occasions. -
Oldiemarkt Magazin
EUR 7,10 DIE WELTWEIT GRÖSSTE MONATLICHE 01/08 VINYL -/ CD-AUKTION Januar Tommy James & The Shondells: Bubblegum? Poprock! Powered and designed by Peter Trieb – D 84453 Mühldorf Ergebnisse der AUKTION 350 Hier finden Sie ein interessantes Gebot dieser Auktion sowie die Auktionsergebnisse Anzahl der Gebote 2.518 Gesamtwert aller Gebote 40.341,00 Gesamtwert der versteigerten Platten / CD’s 21.873,00 Höchstgebot auf eine Platte / CD 710,00 Highlight des Monats Dezember 2007 2LP - Spectrum - Milesago - Harvest SHDW 50/51 - AU - M- / M- So wurde auf die Platte / CD auf Seite 19, Zeile 12 geboten: Mindestgebot EURO 18,00 Progressiver Rock aus Australien gehört Bieter 1 - 3 18,11 - 19,50 zu den begehrtesten Untergruppen des progressiven Rock allgemein. Bieter 4 - 5 20,99 - 21,13 Bands vom 5. Kontinent wie Buffalo, La - Bieter 6 8 23,73 - 25,00 De Das, Kahvas Jute oder Missing Links - erzielen seit langem sehr hohe Preise. In dieses Gebiet passt auch Spectrum aus Bieter 9 - 10 31,01 - 31,50 Australien. Bieter 11 - 12 45,11 - 48,80 Wie man sehen kann, ist das Mindestgebot für dieses Doppel-Album sehr zurückhaltend angesetzt, zumal die Qualität sehr ansprechend ist. Deswegen ist es kein Wunder, dass das Höchstgebot weit darüber liegt. Am überraschendsten ist die hohe Zahl der Bieter, die die eingangs geäußerte Behauptung unterstreicht. Bieter 13 51,80 Sie finden Highlight des Monats ab Juni 1998 im Internet unter www.plattensammeln.de Werden Sie reich durch OLDIE-MARKT – die Auktionszahlen sprechen für sich ! Software und Preiskataloge für Musiksammler bei Peter Trieb – D84442 Mühldorf – Fax (+49) 08631 – 162786 – eMail [email protected] Kleinanzeigenformulare WORD und EXCEL im Internet unter www.plattensammeln.de Schallplattenbörsen Oldie-Markt 1/08 3 Plattenbörsen 2007/8 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. -
Close-Up with Pioneering Rock Music Photographer Bob Gruen - September 18, 2015 - Newyork.Com 11/14/16, 4:46 PM
Close-up with Pioneering Rock Music Photographer Bob Gruen - September 18, 2015 - NewYork.com 11/14/16, 4:46 PM HOME VISITING NEW YORK LIVING IN NEW YORK Search BROADWAY ▼ HOTELS THINGS TO DO TOURS & ATTRACTIONS EVENTS RESTAURANTS JOBS HOME › JOBS › Everything Jobs › Close-up with Pioneering Rock Music Photographer B... REAL ESTATE HOT 5 COOL JOB Q&A Close-up with Pioneering Rock Music READ MORE ABOUT Photographer Bob Gruen The legendary rock music photographer talks about why he’s more active than » Broadway » Attractions ever, the high school field trip that changed his life and his relationship with » Tours » Restaurants Lennon » Hotels » Real Estate GET WEEKLY September 18, 2015, Craigh Barboza » Jobs 1 Share Like 326 Share Tweet NEWS AND EXCLUSIVE OFFERS When Bob Gruen started taking pictures of rock musicians five decades ago, there was no rock media, Enter your e-mail address SUBSCRIBE or even a nationally distributed journal dedicated to the music. “I didn’t have any role models because the job description ‘rock photographer’ didn’t exist,” Gruen says. “Now I understand you can study it in college.” It would be hard to find a better teacher than Gruen. His work, after all, is a vivid scrapbook of rock ‘n’ roll history in all its messy complexity and magnificence. Pleasant and easygoing with a large nest of curly hair, he is a natural storyteller, capable of rattling off arcane facts about bands or describing the births of various movements as well as memorable tours, performances and the scene inside CBGB. Bob Gruen with Debbie Harry and Chris Stein of Blondie at Gruen’s ‘The 40th Anniversary Of Blondie’ exhibition at Chelsea Hotel Storefront Gallery in 2014 in New York City (Photo: Dimitrios Kambouris/Getty Images) EXPLORE NEW YORK Throughout his illustrious career, Gruen has been seemingly everywhere at once, snapping thousands upon thousands of photos, many of which are encrusted in rock lore. -
MA Thesisgrosman15oktober2015
Elements of Science Fiction in Milton’s Paradise Lost (1666), and Margaret Cavendish’s The Description of a New World called the Blazing World (1666) by Jacqueline Grosman S1446088 Superviser: N. T. van Pelt Second reader: E.J. van Leeuwen October 13, 2015 Contents Introduction 1 Situating Early Modern Cosmological Fiction 2 and Science Fiction Survey of Science Fiction Elements 14 Multiple Worlds 16 Aliens and Alien visitations in The 23 Description of a New World Called the Blazing World Aliens and Alien visitation in Paradise Lost 35 Ecological change in Paradise Lost and in The 45 Description of a New World Called the Blazing World Time Travel 50 Past, Present and Future in Cavendish’s 51 Multiple Worlds Multiplicity of Time and Prophetic 56 Panoramas in Paradise Lost The Development of the Telescope and its 59 Conceptualizations Returning to Adam’s widening view in 64 Paradise Lost Milton’s Blind Poet in the Invocations 70 Optics in The Description of a New World 74 Called the Blazing World Conclusion 81 Appendix 85 Works Cited 88 Grosman 1 Elements of Science Fiction in Paradise Lost and The Description of a New World, Called the Blazing-World Introduction To dub early modern literatures, say John Milton’s Paradise Lost (1667) and Margaret Cavendish’s The Description of a New World, Called the Blazing World (1668), science fiction is inevitably an anachronism, for only in 1851 William Wilson introduced the term (Cuddon 638). The genre flourished in the late nineteenth and early twentieth century, but it is generally accepted that there are many precursors of science fiction, and Cavendish is often counted among them, whereas Milton generally is not. -
A Place to Bury Strangers
A Place To Bury Strangers SLC Hardcore Bands Reunite Powderwhore Productions Vol 23 Issue 287 November 2012 Always Free slugmag.com slugmag.com 1 2 SaltLakeUnderGround slugmag.com 3 SaltLakeUnderGround • Vol. 23 • Issue #287 • Nov. 2012 • slugmag.com Publisher: Eighteen Percent Gray Marketing Team: Ischa B., Stephanie Editor: Angela H. Brown Buschardt, Emily Burkhart, Sabrina Costello, Managing Editor: Esther Meroño Taylor Hunsaker, Tom Espinoza, Kristina Contributing Editor: Ricky Vigil Sandi, Brooklyn Ottens, Angella Lucisano, Junior Editor: Alexander Ortega Nicole Roccanova, Briana Buendia, Raffi Office Coordinator:Gavin Sheehan Shahinian, Victoria Loveless Copy Editing Team: Rebecca Vernon, Social Media Coordinator: Catie Weimer Ricky Vigil, Esther Meroño, Liz Phillips, Rio Connelly, Alexander Ortega, Mary Enge, Distribution Manager: Eric Granato Cody Kirkland, Johnathan Ford, Eleanor Distro: Eric Granato, Tommy Dolph, Tony Scholz, Alex Cragun, Rachel Miller, Dave Bassett, Joe Jewkes, Nancy Burkhart, Joyce Stuart, Katie Bald Bennett, Adam Okeefe, Ryan Worwood, John Ford, Cody Kirkland, Nate Brooks, Ricky Cover Photo: Gary Isaacs Vigil, Matt Pothier Cover Design: Joshua Joye Lead Designer: Joshua Joye Senior Staff Writers: Mike Brown, Mariah Design Team: Eric Sapp, Eleanor Scholz Mann-Mellus, James Orme, Lance Saunders, Design Intern: Jeremy Riley Bryer Wharton, Peter Fryer, James Bennett, Ad Designers: Kent Farrington, Sumerset Ricky Vigil, Gavin Hoffman, Jon Robertson, Bivens, Christian Broadbent, Kelli Tompkins, Esther Meroño, Rebecca Vernon, Jimmy Maggie Poulton, Eric Sapp, Brad Barker, Martin, Ben Trentelman, JP, Tyler Makmell, Lindsey Morris, Paden Bischoff, Maggie Princess Kennedy, Sean Zimmerman-Wall, Zukowski, Thy Doan Cody Hudson, Shawn Mayer, Rio Connelly, Website Design: Kate Colgan Courtney Blair, Dean O. Hillis, Jessie Wood, Office Interns: Kia McGinnis, Carl Acheson Chris Proctor, Alexander Ortega, Jeanette Illustrators: Ryan Perkins, Phil Cannon, D. -
Women in Rock OLLI Berkeley Course Material
Syllabus for Women in Rock: From the 1950s to the 1980s Instructor: Richie Unterberger, [email protected] OLLI Berkeley Week One: Women in Rock: The Early Years and The Girl Groups In the 1950s, rhythm and blues singers like Ruth Brown and LaVern Baker have some of the first rock’n’roll hits; Wanda Jackson and the Collins Kids are top rockabilly acts; and Brenda Lee becomes the first woman rock superstar. As New York’s Brill Building becomes established as the top place for rock publishers, women like Carole King, Cynthia Weil, and Ellie Greenwich become some of pop-rock’s most successful songwriters. Girl groups like the Shirelles, the Crystals, the Ronettes, the Chiffons, and the Cookies have numerous hits in the early 1960s, forming one of the major trends in rock of the period. In the early 1960s, some of the most R&B-oriented girl groups become some of the first soul stars, especially for Motown Records, with the Marvelettes, Martha & the Vandellas, the Supremes, and Mary Wells. Week Two: Women in Soul and British Rock Women soul singers emerge throughout the country, some of them more pop-oriented (Maxine Brown, Dionne Warwick), some of them earthier (Carla Thomas, Irma Thomas, Etta James). Aretha Franklin is anointed the Queen of Soul after moving to Atlantic Records and adopting a tougher, more spiritual sound. Other women soul singers with a forceful style emerge and increase in popularity, like Gladys Knight, Nina Simone, and the Staple Singers. Although all-male guitar bands dominate the British Invasion, a good number of women singers also make an impact both in their native UK and in the US. -
Remix: Here, There, and Everywhere (Or the Three Faces of Yoko Ono, “Remix Artist”)
Journal of Contemporary Rhetoric, Vol. 7, No.2/3, 2017, pp. 116-129. Remix: Here, There, and Everywhere (or the Three Faces of Yoko Ono, “Remix Artist”) John Logie Yoko Ono is unusual in that she is a site of considerable activity in three distinct spaces where the term “remix” is in common use. This paper reviews her activity in these distinct remix spaces and examines the spaces for identifiable variations in the term’s resonances and meaning. First, the “here” of academia reflects academic conversations about remix and remix cultures that can be traced back to the mid 1990s. The second site is the site in which the general public first encountered the term “remix”— the “there” of music and music production. Within this space we pursue the shift from remix as a purely technical term occurring within the recording process to remix as an aesthetic term reflecting expanding and shifting aspirations for the composer of a remix. Finally, this paper will consider the “everywhere” of an Internet-based popular culture grounded in current social media. Keywords: bricolage, collage, mashup, remix, rhetoric On January 19, 2017, the song at the top of the Billboard Dance Charts was a remix, formally titled “Hell in Paradise 2016 – Kue Remix.”1 Though credited to ONO, the vocalist and artist at the heart of the project is Yoko Ono, and by topping the dance club charts with this version of the song, Yoko Ono achieved one of the most remarkable feats in the history of commercial music. Over the course of 31 years, Ono was able to take three separate versions of the same song to the Top 20 of Billboard’s Dance Club Song charts. -
Brian Eno • • • His Music and the Vertical Color of Sound
BRIAN ENO • • • HIS MUSIC AND THE VERTICAL COLOR OF SOUND by Eric Tamm Copyright © 1988 by Eric Tamm DEDICATION This book is dedicated to my parents, Igor Tamm and Olive Pitkin Tamm. In my childhood, my father sang bass and strummed guitar, my mother played piano and violin and sang in choirs. Together they gave me a love and respect for music that will be with me always. i TABLE OF CONTENTS DEDICATION ............................................................................................ i TABLE OF CONTENTS........................................................................... ii ACKNOWLEDGEMENTS ....................................................................... iv CHAPTER ONE: ENO’S WORK IN PERSPECTIVE ............................... 1 CHAPTER TWO: BACKGROUND AND INFLUENCES ........................ 12 CHAPTER THREE: ON OTHER MUSIC: ENO AS CRITIC................... 24 CHAPTER FOUR: THE EAR OF THE NON-MUSICIAN........................ 39 Art School and Experimental Works, Process and Product ................ 39 On Listening........................................................................................ 41 Craft and the Non-Musician ................................................................ 44 CHAPTER FIVE: LISTENERS AND AIMS ............................................ 51 Eno’s Audience................................................................................... 51 Eno’s Artistic Intent ............................................................................. 55 “Generating and Organizing Variety in