Winter 2005 Dixie Daylily
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Lori Goldston Lorigoldston.Com | +1 206.715.4540| [email protected]
Lori Goldston lorigoldston.com | +1 206.715.4540| [email protected] Selected Commissioned Works Death and the Mourning After for Timothy White Eagle Improvised solo acoustic cello score for an livestreamed theater performance, part of La MaMa’s Reflections of Native Voices Festival. 2021 Manzanar, Diverted Composed a score for a feature-length documentary by Ann Kaneko, in collaboration with Steve Fisk, Alexander Mirana, Susie Kozawa and Matt Chamberlain. 2021 What You Can Hear From Here for Art Saves Me Commissioned by One Reel to create new work for an online exhibition. In collaboration with videographer Isaac Hanson. Seattle. 2020 Rivulet, for Nonsequitur Composed and performed an evening-length piece for a small ensemble; with Greg Kelley, Kole Galbraith, Dave Abramson and Haley Freedlund. Chapel Performance Space, Seattle. 2019 Yellowstone, for Jon Jost Recorded an improvised solo amplified cello score for a work-in-progress video installation. Featured as part of Nonsequitur’s “Wayward In Limbo”. Seattle. 2019 Ama (The Woman Diver), for Nalanda West Performed an improvised solo acoustic cello score for Jim Fletcher and Katiana Rangel’s production of a 14th Century Japanese play. Seattle. 2018 Études N°11, for Paris Fashion Week Composed and performed a solo acoustic cello score accompanying the runway show for fashion house Études. Paris, France. 2017 That Sunrise, for the BBC Scottish Symphony Composed and performed a new work for amplified cello and orchestra as part of Glasgow Tectonics Festival. Glasgow. 2017 The Seawall , for the City of Seattle With drummer Dan Sasaki, composed and recorded a response to Seattle’s seawall reconstruction project. -
Creative Music Studio Norman Granz Glen Hall Khan Jamal David Lopato Bob Mintzer CD Reviews International Jazz News Jazz Stories Remembering Bert Wilson
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Creative Music Studio Norman Granz Glen Hall Khan Jamal David Lopato Bob Mintzer CD Reviews International jazz news jazz stories Remembering bert wilson Volume 39 Number 3 July Aug Sept 2013 romhog records presents random access a retrospective BARRY ROMBERG’S RANDOM ACCESS parts 1 & 2 “FULL CIRCLE” coming soon www.barryromberg.com www.itunes “Leslie Lewis is all a good jazz singer should be. Her beautiful tone and classy phrasing evoke the sound of the classic jazz singers like Ella Fitzgerald and Sarah aughan.V Leslie Lewis’ vocals are complimented perfectly by her husband, Gerard Hagen ...” JAZZ TIMES MAGAZINE “...the background she brings contains some solid Jazz credentials; among the people she has worked with are the Cleveland Jazz Orchestra, members of the Ellington Orchestra, John Bunch, Britt Woodman, Joe Wilder, Norris Turney, Harry Allen, and Patrice Rushen. Lewis comes across as a mature artist.” CADENCE MAGAZINE “Leslie Lewis & Gerard Hagen in New York” is the latest recording by jazz vocalist Leslie Lewis and her husband pianist Gerard Hagen. While they were in New York to perform at the Lehman College Jazz Festival the opportunity to record presented itself. “Leslie Lewis & Gerard Hagen in New York” featuring their vocal/piano duo is the result those sessions. www.surfcovejazz.com Release date August 10, 2013. Surf Cove Jazz Productions ___ IC 1001 Doodlin’ - Archie Shepp ___ IC 1070 City Dreams - David Pritchard ___ IC 1002 European Rhythm Machine - ___ IC 1071 Tommy Flanagan/Harold Arlen Phil Woods ___ IC 1072 Roland Hanna - Alec Wilder Songs ___ IC 1004 Billie Remembered - S. -
May 2019 New Releases
May 2019 New Releases what’s PAGE inside featured exclusives 3 RUSH Releases Vinyl Available Immediately! 66 Vinyl Audio 3 CD Audio 19 FEATURED RELEASES DUKE ROBILLARD BAND - EVERLY BROTHERS - THE PRETENDERS - EAR WORMS STUDIO OUTTAKES WITH FRIENDS Music Video DVD & Blu-ray 49 Non-Music Video DVD & Blu-ray 57 MVD Distribution Independent Releases 81 Order Form 94 Deletions and Price Changes 88 800.888.0486 LORDS OF CHAOS YAKUZA LAW BOOGIE BOY 203 Windsor Rd., Pottstown, PA 19464 THE RESIDENTS - THE AGGROLITES - CHARGER - www.MVDb2b.com ESKIMO: DECONSTRUCTED REGGAE NOW! S/T [40TH ANNIVERSARY 2LP/CD SET] MVD MAY-HEM! May Madness abounds with the movie release of LORDS OF CHAOS, a theatrical representation based on the Norwegian Black Metal band MAYHEM and the unholy alliance they made with the dark arts! An official SUNDANCE selection, LORDS OF CHAOS tracks the antics of the devil’s children as they burn churches and steal gravestones-all the while leading the charge of the Black Metal scene. An in-band rivalry leads to a brain-teasing ending that’ll leave you scratching your metal head! The controversial death of New York Dolls guitarist and drug induced legend JOHNNY THUNDERS is explored in the film ROOM 37: THE MYSTERIOUS DEATH OF JOHNNY THUNDERS. Did Johnny OD or was he murdered on that Sad Vacation in New Orleans? Deluxe package includes a bonus audio CD soundtrack, along with the Blu-ray and DVD. Get a little Hynde-sight with the DVD release of WITH FRIENDS, a live PRETENDERS show finding the band joined by guests Kings of Leon, Iggy Pop, Shirley Manson and Incubus. -
— and — DANCE from Broadway to Bellingham P.15
THE GRISTLE, P.06 + SQUARE ONE MAPS, P.14 + ISLAND INSIGHTS, P.16 c a s c a d i a REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT ISLAND COUNTIES 03-21-2018* • ISSUE:*12 • V.13 PICKFORD CALENDAR INSIDE SONG — and — DANCE From Broadway to Bellingham P.15 SALMON SUMMIT The legacy of Billy Frank Jr., P.08 BEST OF SKAGIT WHAT THE FUNK! Last chance to vote!, Of music and magic, P.25 P.18 Choose Your Own Adventure: 8pm, Upfront Theatre 30 A brief overview of this Backyard Brawl: 10pm, Upfront Theatre FOOD week’s happenings DANCE THISWEEK Contra Dance: 7-10:30pm, Fairhaven Library Ballroom Dance: 7:30-9:30pm, Bellingham Senior 24 Activity Center MUSIC B-BOARD Shantala: 7pm, Presence Studio WORDS 23 Gail Noble-Sanderson: 4pm, Village Books, Lynden Spencer Ellsworth: 7pm, Village Books FILM COMMUNITY March for Our Lives: 10am, Bellingham City Hall 18 Democrats Convention: 10am-2pm, Bellingham High School MUSIC Rock & Gem Club Show: 10am-6pm, Bloedel Donovan 16 Tax Help: 12:30-4:30pm, First Congregational Church ART GET OUT 15 Work Party: 9am-12pm, Squalicum Creek Park Native Plant Sale and Expo: 9am-2pm, Whatcom Community College STAGE Walk for Water: 10am-12pm, Fairhaven Village Green 14 FOOD Carry full jugs and walk the distance women and Pancake Breakfast: 8-11am, American Legion Hall, GET OUT children across the world frequently travel to Ferndale VISUAL 12 collect water for daily use at the 10th annual “Walk for Spring Show Reception: 2-5pm, River Gallery, Mount Vernon Alan Friedlob Talk: 3-4:30pm, Deming Library WORDS Water” Sat., March 24 at the Fairhaven Village Green [03. -
Bruises on the Fruit
ruises onon thethe fruitfruit B A BRIEF HISTORY OF NIRVANA & THE EVOLUTION OF THEIR MUSIC by Gary Vehar From the moment Nirvana’s landmark CD Nevermind was released, the world of rock music has never been the same. I for one will always be thankful that that album came out when it did, slightly over a week before my eighteenth birthday. I was a still-wet-behind-the-ears college freshman, away from home for the first time. Just as my life was changing drastically, so was the culture. Music, politics, fashion and art underwent an enormous change as the 90’s sloughed off the last vestiges of the 80’s. Concealed as I was in the quiet town of Ellensburg, Washington, within the tiny confines of my third-floor door room, it was the change in musical guard that first caught my attention. Friends from Seattle regularly brought over dubbed tapes to share with those of us here in college, and among one batch was an advance tape for a band called Nirvana. Nevermind was already causing excitement before its official release of September 24th, 1991. Leaving my friends for the night, I couldn’t get the songs, the sounds, out of my head. About a week later I was in yet another dorm room, listening to a brutish lout rave about the same album. Even at this early date it was obvious Nirvana was crossing all boundaries, even if the fellow who owned this copy (the real CD, this time) made fun of the over-the-top screams that so captivated me. -
Seattle Jazzed Pushing Forward in Epic Times
Earshot Jazz is a 501(c)(3) nonprofit organization March 2021 A Mirror and Focus for the Jazz Community Volume 37, No. 03 Seattle, Washington Seattle JazzED Pushing Forward in Epic Times Jazz Prep for Beginners Trumpet class led by Samantha Boshnack (top right) Screen capture courtesy of Seattle JazzED Letter from the Director The Sound at the End of EXECUTIVE DIRECTOR theFirst of all, Tunnelwe hope that you and your loved John Gilbreath MANAGING DIRECTOR ones are safe and healthy. Beyond that, here’s Karen Caropepe hoping that the longer, warmer, and brighter MARKETING & DEVELOPMENT ASSOCIATE days of spring will shine some much-needed Lucienne Aggarwal rays of optimism on the funky scenario into EARSHOT JAZZ EDITOR which these historic times have delivered us. Lucienne Aggarwal With this March issue of Earshot Jazz, we’re EARSHOT JAZZ COPY EDITOR finding hope in the jazz artists and audiences Caitlin Carter here in the Puget Sound region, delivering news CONTRIBUTING WRITERS Paul de Barros, Ian Gwin, Paul Rauch, Jonathan that celebrates the past, present, and future Shipley of one of the most dynamic and resilient jazz CALENDAR EDITORS scenes in America. Carol Levin and Jane Emerson We’re delighted to begin this issue with a John Gilbreath photo by Bill Uznay PHOTOGRAPHY cover profile of Seattle JazzED. This city’s Daniel Sheehan L AYO U T jazz education programs have always been nationally respected. So much so, Karen Caropepe that they’ve helped to build the civic value system for jazz here. But Seattle DISTRIBUTION JazzED has taken the best of Seattle’s existing programs to a whole new level. -
Bianchi Per Caso
SENTIREASCOLTARE online music magazine LUGLIO/AGOSTO N. 33/34 Mirah Smashing Pumpkins Neurosis Primavera Sound Gianluca Becuzzi Ex-Otago Pasquale Panella Control Beastie Boys bianchi per caso s e n t i r e a s c o l t a r e WWW.AUDIOGLOBE.IT VENDITA PER CORRISPONDENZA TEL. 055-3280121, FAX 055 3280122, [email protected] DISTRIBUZIONE DISCOGRAFICA TEL. 055-328011, FAX 055 3280122, [email protected] AMIINA MICHAEL FAKESCH “Kurr” “Dos” CD Ever CD !K7 Due EP ormai Michael Fakesch introvabili e de- è stato, insieme butto su Ever per a Chris De Luca, le Amiina, già dal la metà dei Funk- vivo con i Sigur störung, una delle Ros e loro quar- formazioni più in- tetto d’archi di fluenti nella scena fiducia. Strumen- elettronica degli tazione inimma- ultimi dieci anni e ginabile, seghe tra le più comple- musicali ad arco, te nel coniugare glockenspiel, xi- una nuova esteti- lofononi e metal- ca elettronica ed il lofoni, insieme a beat digitale. Il de- qualcosa di più butto solista “Dos”, consueto come comunque sempre l’harmonium, il piano rhodes, la tromba e naturalmente i loro archi. denso di elettronica e bleeps, vuole essere in primis un album profon- Musica delicata e raffinata, pura magia sospesa nel tempo. Immagi- damente funk. Immaginatevi, così, brani che suonano come se Curtis nate una versione nordica e “fatata” della Penguin Cafè Orchestra in Mayfield incontrasse Luke Vibert. Soul, elettronica e jazz che vibrano attesa di essere scoperta da qualche regista cinematografico. insieme. Che rinascita, Mr. Fakesch! ALLOY MENTAL PARENTHETICAL GIRLS RETINA.IT “We Have Control” Skint Records “Safe as Houses” “Semeion” CD Skint CD+bonus EP CD Hefty Dopo il fol- Acuarela Nato nella se- gorante ed Anche in Ita- conda metà omonimo EP lia quel che degli anni uscito qual- è stato uno ’90, Retina.it, che mese fa, dei dischi più è il progetto del quale si chiacchierati di Lino Mo- è interessata dello scorso naco e Nicola tutta la stam- fine anno. -
The Quietus | Features | Rum Music | Rum Music for November Reviewed by Jennifer Lucy Allan 28.11.19, 12:39
The Quietus | Features | Rum Music | Rum Music For November Reviewed By Jennifer Lucy Allan 28.11.19, 12:39 News Reviews Features Opinion Film About Us Books Art Radio & Podcasts Twitter Facebook Privacy Notice Rum Music Rum Music For November Reviewed By Jennifer Lucy Allan Jennifer Lucy Allan , November 28th, 2019 09:48 Tropical ambient, Enka-noise, minyo footwork and plenty of cross-genre collaboration feature in Jennifer Lucy Allan’s Rum Music round up for the winter months Stop press! Hold that story on the election/climate/impeachment because I bought an old wooden tea trolley on Facebook marketplace for £15, from a bloke up the road opposite Mecca Bingo. Reader, it has changed everything. It came at a crucial time, as I the day before I had collapsed my entire stereo set up due to a DIY disaster involving a badly bodged shelf/table effort to stop the turntable crushing the amp. https://thequietus.com/articles/27484-derek-bailey-beatrice-dillon-lori-goldston-rum-music-review Seite 1 von 12 The Quietus | Features | Rum Music | Rum Music For November Reviewed By Jennifer Lucy Allan 28.11.19, 12:39 Now, while the world ends I won’t be rushing to hotwire a boat in the estuary at Thorpe Bay, but sat in my chair relistening to everything I own, because the tea trolley means that I can sit with the speakers at the right height, in the right place, and I can also flip a record without leaving my chair. Perhaps I have found the utopia I was looking for. -
Seattleská Hudební Scéna Za Posledních 30Let
ZÁPADOČESKÁ UNIVERZITA V PLZNI FAKULTA PEDAGOGICKÁ KATEDRA HUDEBNÍ KULTURY SEATTLESKÁ HUDEBNÍ SCÉNA ZA POSLEDNÍCH 30 LET BAKALÁŘSKÁ PRÁCE Jakub Klička Popularizace hudební kultury Vedoucí práce: Doc. Mgr. Tomáš Kuhn, Ph.D. Plzeň, 2014 Prohlašuji, že jsem bakalářskou práci vypracoval samostatně s použitím uvedené literatury a zdrojů informací. Plzeň, 1. června 2013 .............................................................................. vlastnoruční podpis OBSAH ÚVOD ........................................................................................................ 4 1 VZNIK SEATTLESKÉHO ZVUKU....................................................... 5 1.1 JACK ENDINO ................................................................................ 5 1.2 HLAVNÍ PŘEDSTAVITELÉ ........................................................... 7 2 VZESTUP A ZLATÁ ÉRA GRUNGE.................................................. 15 2.1 HUDEBNÍ VYDAVATELSTVÍ ..................................................... 15 2.2 HLAVNÍ PŘEDSTAVITELÉ ......................................................... 18 2.3 SVĚTOVĚ UZNÁVANÍ PŘEDSTAVITELÉ GRUNGE ................ 25 3 GRUNGE MIMO SEATTLE ................................................................ 31 3.1 GRUNGE V ŽENSKÉM PODÁNÍ ................................................. 31 3.2 GRUNGE V OSTATNÍCH ČÁSTECH USA .................................. 34 4 STAV SCÉNY PO SMRTI KURTA COBAINA .................................. 37 4.1 DOZVUKY GRUNGE ................................................................... -
STGLIB-8-23-2013 Web.Xlsx 1
Title Description Theater Library Event Publication Call Call Content Main Date Date Number Letters Type Subject Heading 100 Years at the DVD 100 year celebration Moore History - 2007 792.09 MOO DVD Moore Modern 100th Anniversary - The contest was in the Seattle Times Newspaper Moore Theater 2007 792.09 100 MOO Newspaper The Moore Theatre and was sponsored by STG. This is a collection of History - My Memories the entries returned to STG on the newspaper USA Contest form. STGLIB-8-23-2013 web.xlsx 1 Title Description Theater Library Event Publication Call Call Content Main Date Date Number Letters Type Subject Heading 12 Angry Men "12 Angry Men" focuses on a jury's deliberations Paramount Tragedy / 2007 792.1 AAA - ZZZ Binder in a capital murder case. A 12-man jury is sent to Drama begin deliberations in the first-degree murder trial of an 18-year-old Latino accused in the stabbing death of his father - where a guilty verdict means an automatic death sentence. The case appears to be open-and-shut: The defendant has a weak alibi; a knife he claimed to have lost is found at the murder scene; and several witnesses either heard screaming - saw the killing or the boy fleeing the scene. Eleven of the jurors immediately vote guilty; only Juror No. 8 (Mr. Davis) casts a not guilty vote. At first Mr. Davis' bases his vote more so for the sake of discussion after all - the jurors must believe beyond a reasonable doubt that the defendant is guilty. As the deliberations unfold - the story quickly becomes a study of the jurors' complex personalities (which range from wise - bright and empathetic to arrogant - prejudiced and merciless) - preconceptions - backgrounds and interactions. -
Assessing Relevance Using Automatically Translated Documents for Cross-Language Information Retrieval
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Orengo, Viviane Moreira (2004) Assessing relevance using automatically translated documents for cross-language information retrieval. PhD thesis, Middlesex University. [Thesis] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/13606/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
Nirvana : in Utero
Palem Candillier Nirvana : In Utero 1 Introduction Sperme, cancer, pores, maladie, hymen, parasite, lait, merde : les paroles d’In Utero sont le traité d’anatomie qui illustre le mieux l’expression journalistique « album viscéral ». Ringard depuis un moment, ce terme a pourtant l’air fait sur mesure pour le troisième disque de Nirvana, groupe fondé à Aberdeen en 1987 par Kurt Cobain (guitare, chant) et Krist Novoselic (basse). Devenu symbole absolu du rock alternatif des nineties et synonyme du genre « grunge », le trio rejoint sous sa forme définitive par le batteur Dave Grohl en 1990 signe avec ces douze chansons une apothéose musicale. Elle prendra aussi le rôle de chant du cygne, Cobain mettant fin à ses jours l’année suivant sa sortie, en 1994. In Utero est en effet le fruit du trajet de Nirvana, dont les débuts sont marqués par les riffs lourds des Melvins, le punk radical des Wipers et des Butthole Surfers et l’électricité de Led Zeppelin. Le premier album Bleach (1989) porte cet héritage à peine nuancé par quelques racines pop naturelles (« Je suis un admirateur des Beatles » clame Cobain) auxquelles est ajouté ensuite le minimalisme mélodique de groupes comme The Vaselines, The Breeders et les Pixies, qui aiguillent davantage le groupe en 1991 pour la conception de leur deuxième disque, Nevermind. Celui-ci rencontre un succès mondial, incontesté et surtout générationnel. Mais même si le leader de Nirvana assume entièrement son envie de porter sa musique au plus grand nombre, à l’inverse d’un certain esprit punk, autant Nevermind est le point de non-retour dans la notoriété du trio et la fin de sa tranquillité sociale et artistique.