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Vergleich Von Buch Und Film Am Beispiel Des Romans Winnetou Von Karl May
Vergleich von Buch und Film am Beispiel des Romans Winnetou von Karl May Baričević, Jeannie Undergraduate thesis / Završni rad 2018 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet u Rijeci Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:760665 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-25 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository UNIVERSITÄT RIJEKA PHILOSOPHISCHE FAKULTÄT ABTEILUNG FÜR GERMANISTIK Vergleich von Buch und Film am Beispiel des Romans Winnetou von Karl May Bachelor-Arbeit Verfasst von: Betreut von: Jeannie Baričević Dr. sc. Boris Dudaš Rijeka, September 2018 Inhaltsverzeichnis 1 Einleitung...............................................................................................................4 2 Vergleich von Buch und Film................................................................................6 2.1 Buch als Medium...................................................................................................6 2.2 Film als Medium....................................................................................................7 2.3 Literaturverfilmung................................................................................................8 3 Der Autor Karl May und sein Werk Winnetou....................................................10 -
Syllabus German Karl May Films This Course Is Designed for Advanced
Syllabus German Karl May Films This course is designed for advanced students of German and fluent speakers. The language of all films and conversation is in German. Classic Karl May films produced in the 1960’s will be shown. Subtitles in German (Deutsch für Hörgeschädigte) assist those who do not understand the entire spoken dialog in order to both improve their listening comprehension and follow the action of the film. The films available for the course are: Der Schatz im Silbersee 1962 106 min Winnetou 1 1963 97 min Winneout 2 1964 91 min Unter Geiern 1964 99 min Winnetou 3 1965 89 min Der Ölprinz 1965 87 min Winnetou und das Halbblut Apanatschi 1966 87 min Winnetou and sein Freund Old Firehand 1966 91 min Old Surehand 1965 89 min Because of the length of the films several class periods will be devoted to each and class members will decide which films to watch. Time will be alloted for discussion and sharing of memories. Every boy and many girls growing up during the twentieth century in Germany and elsewhere in Europe assiduously devoured the Karl May adventure novels. Karl Friedrich May (pronounced „My“ was born February 25, 1842 and died March 30, 1912. He is one of the best selling German writers of all time, noted mainly for books set in the American Old West and similar books set in the Orient and Middle East. With the advent of the 1960’s films children and adults of all ages enjoyed Karl May in the film versions and the series soon became classics in Germany much as the Humphrey Bogart films did in the US. -
Full Day Excursions
FULL DAY EXCURSIONS CITY & WINE TOUR: Zadar Sightseeing The 3000 years of rich history! Wherever you go or stay there were, before you, the steps of Illyrians, Romans, Byzantines, Venetians, Napoleon, Habsburgs ... Visiting the old city of Zadar, the antique Forum, the old Church of St. Donatus, the Cathedral St. Anastasia, museums, monumental Renaissance city walls and gates, old palaces, squares and narrow streets... Nin Sightseeing Nin is a former Croatian royal town and one of the most important cultural centres of the early Croatian state. The small Pre-Romanesque Church of the Holy Cross originating from the 9th century, also known as the smallest cathedral in the world, is absolutely a must-see. Take some time for a walk along this lovely town. Wine Tour and Tasting with expert guidance Over the recent years there has been a strong resurgence of wines being produced in the vineyards around Zadar. Today a small but growing group of vineyards are producing some excellent wines from grapes native to Zadar region. One of the best vineyards around Zadar is KRALJEVSKI VINOGRADI (Royal Vineyards) PUNTA SKALA. Join us for a wine tour through the vineyard with expert guidance and wine tasting in the cellar where you will get a lot of interesting information about the wine-making, about the wine specifics, the combination of wine and food etc. During the wine tour through the vineyard you will definitely enjoy a beautiful view of the city of Zadar and the islands. POŠIP - excellent white wine / CRLJENAK and PLAVAC MALI - red wine Full-Day Excursion includes: Transfer, Guide, Zadar & Nin Sightseeing, Museum Entrance in Zadar, Wine Tour and Tasting in the wine cellar with expert guidance. -
Mediatized Indians in Socialist Hungary: Winnetou, Tokei-Ihto, and Other Popular Heroes of the 1970S in East-Central Europe
Ildikó Sz. Kristóf (Multi-)Mediatized Indians in Socialist Hungary: Winnetou, Tokei-ihto, and Other Popular Heroes of the 1970s in East-Central Europe Indiánosdi as a Multimediatized Practice This study aims to analyse a specific field of the socialist past and its techniques of representation in our east-central European countries. This field, this “cultural field” (champs culturel), or “cultural practice” (pratique culturelle), to use the ap- proach of the excellent French sociologist, Pierre Bourdieu (1977, 1996), had two chief characteristics that seemed to be common to perhaps the majority of the scholars present in our conference in December 2015 in Sofia: first, that this so- cialist past and its cultural representations constituted our childhood—a peculiar childhood whose social context has been held and felt very different from the cur- 128 rent postsocialist–early capitalist era, its imagery, and its attitudes;1 and, second, that the same socialist past has provided a number of cultural motifs, patterns, and ways of doing for our childhood and early youth that themselves seem to have been (more or less) common in our east-central European countries. One such motif and also a pattern of doing was, I would argue, what we call indiánosdi (In- dianizing) in Hungarian—that is, reading, watching, playing, reenacting (North American) “Indians”. The functioning of indiánosdi during the 1970s in the Peoples’ Republic of Hungary is at the same time an excellent example of multimediality, the very topic of the 2015 conference. Indiánosdi relied upon—invaded, I would say—all the branches of contemporary media and (almost) all the channels of interpersonal communication and bound them closely together. -
A Westernfilmek Forgatási Helyszíneihez Kapcsolódó Turizmus Kínálatának Vizsgálata Horvátországban
A WESTERNFILMEK FORGATÁSI HELYSZÍNEIHEZ KAPCSOLÓDÓ TURIZMUS KÍNÁLATÁNAK VIZSGÁLATA HORVÁTORSZÁGBAN GYURICZA LÁSZLÓ1 Összefoglalás A filmek számos módon játszhatnak szerepet a turizmusban. De a filmturizmusban az egyik legfőbb motiváció a forgatási helyszínek felkeresése, akár eredeti, akár dublőr helyszínekről van szó. Tanulmányunkban a 60-as – 70- es évek rendkívül népszerű jugoszláv-francia-NSZK-beli, illetve jugoszláv-NDK-beli koprodukciókban forgatott westernfilmjeinek forgatási helyszíneit vizsgáltuk meg. Egyrészt terepbejárással felmértük azokat a helyszíneket, ahol a filmeket forgatták, másrészt a helyi és regionális turisztikai irodákban ímélek és szóbeli interjúk alapján megvizsgáltuk az általános turisztikai, illetve a filmekhez kötődő infrastruktúrát (tematikus utak, bemutatók stb.), valamint a helyi szolgáltatók kínálatát. Külön elemeztük a westernfilmek által motivált aktív turizmusban rejlő lehetőségeket (kenutúrák, gyalogtúrák, lovastúrák stb). Megvizsgáltuk, hogy a filmekhez köthető programok jelenthetnek-e alternatív programlehetőségeket a tengerparti üdülővendégek számára. Kulcsszavak aktív turizmus, filmturizmus, forgatási helyszín, turisztikai infrastruktúra, westernfilm Summary Films can play a role in tourism in numerous ways. But one of the main motivations of film tourism is the visit of shooting locations either at the authentic or stand-in locations. In our study we analysed the shooting locations of the western films produced with Yugoslav-French-German and Yugoslav-East German co-productions. On the one hand we surveyed those locations where the films were shot and on the other hand in local and regional tourist bureaus, based on e-mails and interviews, we analysed the general and film related infrastructure (thematic routes, exhibitions etc.), and the supply of the local service suppliers. We analysed separately the possibilities of active tourism motivated by the western films (canoe tours, hiking tours, equestrian tours). -
Dances with Worlds: Karl May, 'Indian' Hobbyists, and German Fans of the American West Since 1912
. Volume 13, Issue 1 May 2016 Dances With Worlds: Karl May, ‘Indian’ hobbyists, and German fans of the American West since 1912 Nancy Reagin Pace University, New York, USA Abstract: This essay discusses the German fans of author Karl May’s Westerns against the backdrop of a broader community of German hobbyists devoted to the American West, as this community developed after 1912 – examining the impact of political repression, war, and the division of Germany after 1945 on these fan communities and their interpretations of the American West. German fans of the ‘Old West’ (both ‘Indian’ re-enactment hobbyists and fans of Karl May’s more fictionalized story world) created their own bodies of knowledge and celebratory performances over the last century, reinterpreting and exploring the world of May’s novels. The historical American West is part of the ‘Primary World,’ as defined by Mark Wolf, but this essay argues that the diverse versions of the West created by German fans can be understood as partly or entirely secondary, since neither May, nor many of the first generations of German fans, ever visited the American West. Both May’s stories and fans’ interpretations of the West were partly based on fiction, even as many tried to recreate an ‘authentic’ world that they had never seen. The story world created by May, and the broader fictionalized world of the American West created by German fans, was also transmedial before media convergence, tentatively before 1945 and increasingly so after 1960. But the German versions of Karl May’s stories and the American West that extended across varied media during the twentieth century were often inconsistent, created by a variety of producers as a result of political regime turnover in twentieth century Germany, the expiration of copyright over May’s novels, and the growing consumer culture of West Germany after 1945. -
Der Schuh Des Manitu Viele Meiner Hörerinnen Und Hörer Haben Sich
Transkript des Podcasts Slow German www.slowgerman.com Der Schuh des Manitu Viele meiner Hörerinnen und Hörer haben sich gefreut, dass ich vor kurzem über den Film "Fack Ju Göhte" gesprochen habe. Also habe ich mir gedacht: Heute erzähle ich Dir etwas über den erfolgreichsten deutschen Film aller Zeiten! Er heißt "Der Schuh des Manitu". Dazu muss ich einiges erklären, glaube ich. Fangen wir ganz vorne an: Seit Jahrzehnten sind die Bücher von Karl May beliebt in Deutschland. Karl May lebte von 1842 bis 1912 und schrieb Abenteuerromane. Sehr bekannt wurden seine Bücher über den „Indianer“ Winnetou, der sich mit dem weißen Cowboy Old Shatterhand anfreundete. Die Bücher spielen im sogenannten Wilden Westen, also in den USA. Winnetou war in den Büchern ein Häuptling der Apachen. Er kämpfte für Gerechtigkeit und Frieden. In den 1960er-Jahren wurden Filme gedreht, in denen die Figur des Häuptlings Winnetou die Hauptrolle spielte. Gespielt wurde er vom französischen Schauspieler Pierre Brice. Elf derartige Filme gab es in den 60er-Jahren, und sie waren sehr beliebt. So, das war jetzt eine lange Vorgeschichte. Kommen wir zu "Der Schuh des Manitu". Denn dieser Film ist eine Parodie der Winnetou-Filme und des ganzen Genres der Westernfilme. Der Film ist eine Komödie. Hinter diesem erfolgreichen Film, der 2001 ins Kino kam, steht Michael "Bully" Herbig. Er ist ein erfolgreicher Komiker, Schauspieler, Regisseur und noch vieles mehr. In diesem Film schrieb er gemeinsam mit anderen Autoren das Drehbuch, er führte Regie, war Produzent und spielte die zwei Hauptrollen. Worum geht es in dem Film? Der weiße Südstaatler Ranger hat den Häuptling der Apachen Abahachi gerettet. -
Django Unchained: Ein Postmoderner Westernfilm?
BACHELORARBEIT Herr Bernd Martin Bode Django Unchained: Ein postmoderner Westernfilm? 2017 Fakultät Medien BACHELORARBEIT Django Unchained: Ein postmoderner Westernfilm? Autor: Herr Bernd Martin Bode Studiengang: Film und Fernsehen, Kamera Seminargruppe: FF12wK3-B Erstprüfer: Prof. Dr. Detlef Gwosc Zweitprüfer: Christian Maintz, M.A. Einreichung: Hamburg, 09.01.2017 Faculty of Media BACHELOR THESIS Django Unchained: A postmodern western film? author: Mr. Bernd Martin Bode course of studies: Film und Fernsehen, Kamera seminar group: FF12wK3-B first examiner: Prof. Dr. Detlef Gwosc second examiner: Christian Maintz, M.A. submission: Hamburg, 09.01.2017 IV Bibliografische Angaben: Bode, Bernd Martin: Django Unchained: Ein postmoderner Westernfilm? Django Unchained: A postmodern western film? 2017 - 88 Seiten Mittweida, Hochschule Mittweida (FH), University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2017 Abstract Im Rahmen dieser Arbeit wir der Film Django Unchained (2012) mit den Grundsätzen des Westernfilms in Verbindung gebracht. Es wird aufgezeigt, inwiefern der Film sich als Western einordnen lässt. Dabei wird zuerst herausgearbeitet, was einen Western ausmacht und welchen Einfluss Tarantinos eigener Stil auf den Film hat. Darauf auf- bauend wird untersucht, welche postmodernen Tendenzen der Film erkennen lässt und daraus gefolgert, um welche Art von Film es sich handelt. V Inhaltsverzeichnis Abstract....................................................................................................................IV Abbildungsverzeichnis...........................................................................................VII -
Louisiana Plantation Weddings in Fact, Fiction and Folklore
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2012 Wedding belles and enslaved brides: Louisiana plantation weddings in fact, fiction and folklore Cherry Lynne Levin Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Levin, Cherry Lynne, "Wedding belles and enslaved brides: Louisiana plantation weddings in fact, fiction and folklore" (2012). LSU Doctoral Dissertations. 3506. https://digitalcommons.lsu.edu/gradschool_dissertations/3506 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. WEDDING BELLES AND ENSLAVED BRIDES: LOUISIANA PLANTATION WEDDINGS IN FACT, FICTION AND FOLKLORE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Cherry Lynne Pyburn Levin B.A., University of Houston, 1975. M.A., University of California, Berkeley, 2000 M.A. Texas A&M University, 2004 May, 2012 Acknowledgments The following people have taught me much about literature and folklore as well as southern studies and I am deeply grateful for their willing donation of time and energy to see this project to completion. My Dissertation Director, John Wharton Lowe and Emeritus Professor Frank deCaro always took time to listen and give suggestions. -
Karl May Eine Studie Über Die Deutsche Faszination Mit Karl Mays
Karl May Eine Studie über die deutsche Faszination mit Karl Mays Werken: Hat das Interesse der heutigen Jugend an seinen Erzählungen nachgelassen? by KARIN SENFT A THESIS IN GERMAN Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Dr. Stefanie Borst Chair Dr. Charles Grair Dr. Marlene Selker Fred Hartmeister Dean of Graduate School May, 2009 © 2009 Karin Senft Texas Tech University, Karin Senft, May 2009 DANKSAGUNG Ich möchte mich ganz herzlich bei Dr. Borst für die Betreuung dieser Arbeit bedanken und dafür, dass sie an meine Idee geglaubt hat. Ausserdem bedanke ich mich bei meinem Thesis-Komitee Dr. Charles Grair und Dr. Marlen Selker für das Editieren meiner Arbeit Weiter möchte ich mich bei Dr. Meredith McClain dafür bedanken, dass sie den deutschen Autor Karl May an der Texas Tech University bekannt gemacht und damit den Grundstein für meine Arbeit gelegt hat. Herrn Andreas Barth, Geschäftsführer der Silberbüchse e.V., danke ich dafür, dass er sich als Karl-May-Fachmann, neben Dr. McClain, immer Zeit für die Beantwortung aller meiner Fragen nahm und von Anfang an Interesse an meiner Arbeit zeigte. Selbstverständlich schulde ich all meinen Freunden und Familienmitgliedern grossen Dank, die mir mit meinen Umfragen in Deutschland tatkräftig geholfen haben und aufrichtigen Dank auch an all jene, die sich die Zeit genommen haben, meine Fragebögen gewissenhaft auszufüllen, denn ohne deren Mithilfe wäre diese These nicht möglich gewesen. Schließlich danke ich meinem Mann Rainer, der mich während meines Studiums und der Entstehung dieser Arbeit begleitete und mich täglich unterstützte. -
Thomas Mayne Reid, Jr
“CAPTAIN” THOMAS MAYNE REID This self-publicizing invalid wrote lots and lots of “easy reading” crowd-pleasers, none of which have been found in Thoreau’s personal library. Out of “Captain” Mayne Reid’s shelflist of something like half a hundred to a hundred bestselling editions, Thoreau’s INDIAN NOTEBOOKS and FACT BOOK reveal that he copied from perhaps six — copying only supposedly factual material such as how to prepare rock moss as starvation fare. Looking at Thoreau’s extracts they seem of the sort that might easily be obtained by means of 15-minute perusals scribbling on some scrap with the stub of a pencil while standing in the aisle at Stacy’s bookstore in Concord. Nevertheless a supposed Thoreau scholar, not to be daunted, has recently inferred on the basis of such evidence that “Dissatisfied with the present, Thoreau looked back in time for happiness.... In an attempt to recapture that sense of well-being he had begun reading Mayne Reid’s BOOKS OF ADVENTURES FOR BOYS, immersing himself in each volume of the series as it appeared in the 1850s”! Perusing the material reminds one of Poe’s evaluation that the man was “a colossal but most picturesque liar.” It is marvelous how an invalid who had had in his youth one great remembered war adventure could, by an ability to write interestingly about adventures and locales he had not himself ever experienced, make himself into such a sustained hot item of public interest. The purpose of this PDF file is to reassure myself that there is no shred of evidence in Thoreau’s accessing of Mayne Reid’s “easy reiding” that any portion of such an interpretation as above, about dissatisfaction with the present, is plausible. -
Love in Western Film and Television This Page Intentionally Left Blank Love in Western Film and Television Lonely Hearts and Happy Trails
Love in Western Film and Television This page intentionally left blank Love in Western Film and Television Lonely Hearts and Happy Trails Edited by Sue Matheson LOVE IN WESTERN FILM AND TELEVISION Copyright © Sue Matheson, 2013. All rights reserved. First published in 2013 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the World, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN: 978–1–137–27293–5 Library of Congress Cataloging-in-Publication Data is available from the Library of Congress. A catalogue record of the book is available from the British Library. Design by Integra Software Services First edition: January 2013 10987654321 Dedicated to the memory of Sam Matheson, who loved a good horse opera This page intentionally left blank Contents List of Figures ix Acknowledgments xi Introduction 1 Sue Matheson 1 Virgins, Widows, and Whores: The Bride Pool of the John Wayne Westerns 7 Helen M. Lewis 2 Only a Woman After All? Gender Dynamics in the Westerns of Barbara Stanwyck 19 A. P. Nelson 3 Violence, Vixens, and Virgins: Noir-like Women in the Stewart/Mann Westerns 35 Debra B.