Kenneth Fagerlund
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Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
Arkivförteckning Rune Gustafssons Arkiv
Rune Gustafssons arkiv Svenskt visarkiv April 2013 Leif Larsson INLEDNING Rune Gustafsson ( 1933 – 2012 ) hörde sedan början av 1950-talet till en av Sveriges allra främsta jazzmusiker. Han började sin karriär hos trumslagaren Nils-Bertil Dahlander i Göteborg men flyttade några år senare till Stockholm. Under nästan hela fortsatta 1950-talet spelade han där tillsammans med Putte Wickman. Rune träffade 1959 Arne Domnérus som han sedan samarbetade med i många olika sammanhang. Under ett par årtionden var Rune Gustafsson en av våra mest anlitade studiomusiker som genom sin mångsidighet och flexibilitet passade in i de flesta situationer. Rune Gustafsson har bakom sig en rad egna skivor, bl. a. ”Move” som belönades med Orkesterjournalens Gyllene Skiva. Han har även varit involverad i flera andra produktioner som tilldelats denna utmärkelse. Under åren har RG samarbetat med en rad av jazzens internationella storheter, såsom Benny Carter, George Russel, Dizzy Gillespie, Stan Getz och Zoot Sims. Med den sistnämnde gjorde Rune två skivor, den sista ”In A Sentimental Mood” kom att bli Zoot Sims allra sista. Med sin mångsidighet har Rune också varit efterfrågad i många andra musikaliska sammanhang, både i Sverige och stora delar av världen, t.ex. Eng- land, USA, Sydamerika, Ryssland, Japan och Kina. 1997 erhöll Rune det allra första priset ur Albin Hagströms minnesfond i Kungliga musikaliska akademien med motiveringen: ”För en mer än fyrtiofemårig gärning som framstående jazzsolist och mångsidig studio musiker – en beundrad förebild och outtömlig inspirationskälla för generationer svenska elgitarrister. 1998 fick Rune Gustafsson Thore Ehrlings stipendium med motiveringen: ”En av de mångsidigaste musikerna inom svensk populärmusik och vår genom tiderna främste jazzgitarrist”. -
Discography Updates (Updated May, 2021)
Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard. -
Listening to the Blindfold Tests: Olivia Wikle Digital Initiatives Librarian a Sonic Community of 20Th Century Jazz Artists University of Idaho Leonard Feather
Listening to the Blindfold Tests: Olivia Wikle Digital Initiatives Librarian A Sonic Community of 20th Century Jazz Artists University of Idaho Leonard Feather ❖ 1914-1994 ❖ Jazz critic, musician, composer, arranger, broadcaster, and producer Leonard Feather, 1970 Jazz Journalism Blindfold Tests ❖ Format: Feather played several selections of jazz pieces for a “blindfolded” jazz musicians, then asked them to identify who was playing ❖ Feather recorded, edited, and published (in writing) the musicians’ responses Leonard Feather with Max Roach, 1975 Blindfold Tests ❖ 1946-1994 ❖ Published in Jazz Magazines Metronome, Downbeat, Record Whirl, and JazzTimes ❖ Broadcast on Feather’s radio show, “Platterbrains” Louis Armstrong, 1955 Lionel Hampton & Leonard Feather, broadcasting from the summit on Knob. L.A., 1962 University of Idaho Blindfold Tests ❖ 1953-1986 ❖ 33 audio files ❖ Approximately 43 individual tests ❖ Files include misc. interviews, performances, and taped radio broadcasts “the best way to show what musicians really felt about music would be to subject them to an experience where they listened to what they were hearing, and then expressed their opinions. Obviously, they couldn’t be accused of prejudice if they didn’t know who it was they were listening to.” –Leonard Feather, “90 Months Behind a Blindfold,” Downbeat, June 30, 1954, 61. “Over decades, Feather embarrassed scores of musicians who thought that race or gender were audible, or that studio men can't improvise, or that big names are invariably identifiable.” –Gary Giddins “Leonard Feather Obituary,” 1994 Blindfold Tests in Downbeat ❖ 1951-1970: A pivotal time in jazz history Pearl Bailey and Louis Armstrong, 1965 Nesuhi Ertegun, Dave Lambert, Leonard Feather, Jack Teagarden, and Gene Lees LEONARD FEATHER: Well, ah, one thing that might surprise you, or it might not, is that all the records I played were made on the west coast. -
Academic Programs . . . 46 Performance Bass
Academic Calendar . 4 About LACM . 6 CONTENTS LACM Educational Programs . 9 Administration . 10 Admissions . 11 Tuition & Fees . 13 Financial Aid . 16 Registrar . 20 International Student Services . 26 Academic Policies & Procedures . 27 Student Life . 30 Career Services . 32 Campus Facilities – Security . 33 Rules of Conduct & Expectations . 35 Health Policies . 36 Grievance Policy & Procedures . 39 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 Academic Programs . 46 Performance Bass . 46 Brass & Woodwind . 52 Drums . 58 Guitar . 64 Vocal . 70 Music Composition Songwriting . 76 Music Production Composing for Visual Media . 82 Music Producing & Recording . 86 Music Industry Music Business . 92 Course Descriptions . 98 Department Chairs & Faculty Biographies . 138 SPRING 2015 (APRIL 6 – JUNE 19) SUMMER 2015 (JULY 6 – SEPTEMBER 18) January 26-30: Registration Period for April 27-May 1: Registration Period for Upcoming Quarter Upcoming Quarter April 6: Quarter Begins May 26: Tuition Deadline for Continuing Students February 23: Tuition Deadline for Continuing Students July 3: Independence Day (Observed), Campus Closed May 25: Memorial Day, Campus Closed July 6: Quarter Begins June 15–19: Exams Week September 7: Labor Day, Campus Closed June 19: Quarter ends September 14-18: Exams Week September 18: Quarter Ends September 19: Graduation ACADEMIC CALENDAR FALL 2015 (OCTOBER 5 – DECEMBER 18) WINTER 2016 (JANUARY 4 – MARCH 18) July 27-31: Registration Period for October 26-30: Registration Period for Upcoming Quarter Upcoming Quarter August 24: Tuition Deadline for Continuing November 23: Tuition Deadline for Continuing Students Students October 5: Quarter Begins January 4: Quarter Begins Nov. 11: Veterans, Campus Closed January 18: MLK Jr. -
Download the Tenor Saxophone of Mikkel
1 The TENORSAX of MICHAEL FLAGSTAD “MIKKEL” Solographer: Jan Evensmo Last update: Aug. 18, 2017 2 Born: Oslo, April 23, 1930 Died: Oslo, June 29, 2005 Introduction: Mikkel Flagstad was a highly respected tenor saxophonist in the Norwegian jazz community. It should be mentioned that he was the nephew of the famous opera singer Kirsten Flagstad. His possibilities for a great career were cut short by having to remove one lung. Personally I never heard him play, but I met him in trying to identify the tenorsax soli with the Kjell Karlsen orchestra, a very kind and pleasant man. History: With Tage Wilford's orkester ca. 1945, school band at Riis 1945-46 (cl, as), professional musician 1946-70, with Hans Backe, Kjell Johansen's orchestra in Åsgårdstrand and touring Sweden 1948. Touring with Per Asplin same autumn, several jobs with Karl Otto Hoff a.o., in Den Norske Swing Klubb's orchestra 1949. One of the first to play real bebop in Norway. Led own bebop band autumn 1949 but no recordings exist. Played with Egil Monn-Iversen's orchestra 1951. Played with Ragnar Robertsen's and Kjell Johansen's experimental band 1952 (heavily influenced by Lennie Tristano) but left for Sweden later that year to work for Simon Brehm. Illness brought MF back to Norway in 1954, but one year later he was active again, with "Norsk Jazzelite" and Kjell Johansen's Radioband in 1955. Worked with Alf Søgaard and Aage Kjelstrup at Restaurant Humlen 1955-57. Illness brought MF back to Norway in 1954, but one year later he was active again, with "Norsk Jazzelite" and Kjell Johansen's Radioband in 1955. -
Meet Some of the Swinging Swedes
DO N BI 1 I NEWS-FEATURES Chicago, November 30, 195 Bouquet To Sweden Meet Some Of The Swinging Swedes By LEONARD FEATHER of Prestige records here, sounded New Tork—In a hastily-prepared, schnapps-splattered dis exactly like the Shearing quintet. patch from Stockholm which appeared in the Aug. 10 Beat, About 30, he’s from way up in Prestige Buys A this roving reporter promised to acquaint you at a later date, north Sweden, got a good educa tion at a school for the blind, both biographically and photographically, with some of the plays organ and good classics. Swedish Sides young Man who make the Swedish ---------- Looks like a young Charles Laugh jau picture so astonishingly bright 1 ton and has a similarly caustic New York—Swedish jazz wil to every visiting American. personality. get a big boost in the U.S.-as a On most instruments Sweden of- Was the big hit at the inter result of a series of deals recent!' fers a choice of several major tal national jazz festival held in Paris completed by Prestige records. ents. but for the present I’d like in 1949. Has blind wife and house In addition to the sides cut b to introduce mainly those who were maid, two siirhted children. Under Leonard Feather in Stockholm, re first-place winners in the poll con cently issued on a Prestige LP, th pseudonym "Hammond Olsen,” has ii ducted recently by Estrad. for made very successful comic corny same label will soon present which 25 Swedish jazz critics did duets, Twelfth St. -
533-Larry Adler, Harmonica with John Kirby Orchestra: Star Dust/: Creole Love Call
533-Larry Adler, harmonica with John Kirby orchestra: Star dust/: Creole love call. Decca BM 4294.US. (V+) . P.50:- 9832-Larry Adler (The virtuoso of the mouth organ): Japanese sandman / Somebody stole my gal/: Some of these days / Dardanella. Decca F 6421.UK. (E-) . P.75:- 9802-Larry Adler, the virtouse of the Mouth-Organ: Cheek to cheek/: Isn´t this a lovely day, Top Hat. Rex 8650.UK. (V) . P.50:- 1702-Juan Akoni, ukulele w piano acc.: Hawaiian Butterfly/: What do you want to make those eyes at me for. Zonophone Rec. 1847.UK. (E-) . P.100:- 301-Peter Alexander och Sunshinekvartetten, Adalbert Luczkowskis orkester: Tschip-Tschiu-Tschi, F/: Cara mia, V. Polydor 49491.S, DE. (E) . P.50:- 920-Peter Alexander, Die Mickeys und das metropol-Tanzorchester: Hannelore, Marschfox/: Bella, bella Donna, F. Odeon SD 5732.Austria.1953 (N-) . P.50:- 1910-All Star Stompers: Hotter than that/: Big butter and egg man. Gazell 1016.US, SE.1947 (E+) from Circle J 1025 resp J 1024. P.100:- 1701-Henry Allen and orchestra, voc: Allen: Rosetta/: Dinah Lou, F. Parlophone R 2886.US. (E+) . P.125:- 1200-Gitta Alpar mit Orchesterbegleitung, Leitung: Dr. Weissmann: DasVellchen vom Montmartre: Warum weiss dein Herz nichts von mir/: Ich sing mein Lied im Regen und Schnee. Odeon O 11412.DE. (V) . P.30:- 1805-Fransisco Alves com Orchestra, Dir: Lirio Panicali: Chuvas de veräo, samba/: Maria Bonita, cancäo Mexicana. Odeon 12923.Brasil. (E+) . P.75:- 2011-Fransisco Alves com Eduardo Patané e sua Orquestra: Velhas cartas de amor, samba/: A noite triste em que vocé näo vem, valsa cancao. -
John ABERCROMBIE: Rabih ABOU-KHALIL
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ John ABERCROMBIE: John Abercrombie -g; Marc Johnson -b; Peter Erskine -d; recorded April 27, 1991 in Ludwigsburg 36614 SWEET AND LOVELY 8.20 Aircheck 36615 JUMPIN' IN 9.20 --- 36616 ALICE IN WONDERLAND 9.12 --- 36617 FURS ON ICE 8.00 --- 36618 I WISH I KNEW 8.35 --- 36619 THE MUSIC OF MY PEOPLE 10.10 --- 36620 SAMURAI HEE-HAW 7.16 --- 36621 STREET TALK 8.06 --- 36622 HOW DEEP IS THE OCEAN 8.08 --- 36623 FOUR ON ONE 8.06 --- ------------------------------------------ Rabih ABOU-KHALIL: "Bright Moments - Modern Jazz in Rastede / Ammerland" Rabih Abou-Khalil -oud; Sonny Fortune -ts; Glen Moore -b; Ramesh Shotham, Glen Velez -perc; recorded May 10, 1988 in Mühlenhof, Rastede 59413 DUSK 13.04 "Jazzgipfel Stuttgart 1992 (S2, July 30, 1992)" Rabih Abou-Khalil -oud; Kronos Quartet: David Harrington, John Sherba -v; Hank Dutt -va; Joanne Jeanrenaud -cello; recorded June 1992 in Stuttgart 39725 ARABIAN WALTZ 5.46 Aircheck Rabih Abou-Khalil -oud; Glen Moore -b; Ramesh Shotham -perc; recorded June 1992 in Stuttgart 39716 LOST CENTURIES 11.12 --- 39717 CATANIA 4.02 --- Rabih Abou-Khalil -oud; Glen Moore -b; Ramesh Shotham -perc; Kronos Quartet: David Harrington, John Sherba -v; Hank Dutt -va; Joanne Jeanrenaud -cello; recorded June 1992 in Stuttgart 39726 DREAMS OF A DYING CITY 12.08 --- Rabih Abou-Khalil -oud; Nabil Khaiat -frame drum; Ramesh Shotham -perc; Jonas Hellborg -g,b; recorded February 19, 1993 in Hamburg 43726 BLUE CAMEL 11.58 --- 43727 MIKLAGAARD 17.32 --- 43728 RABOU ABOU KABOU 9.18 --- 43729 DREAMS OF A DYING CITY 15.48 --- 43730 VILNIUS 11.38 --- 43731 DEEP PIG 18.40 --- 43732 ZIRIAB 9.44 --- 43733 ARABIAN WALTZ (CLOSING COMMENTS AND FADE) 17.42 --- "9. -
ART FARMER Texto
ART FARMER Texto: Mario Benso Aunque en los inicios de su carrera el prometedor talento de Art Farmer quedo un tanto eclipsado por otros grandes de la trompeta de su tiempo, el suyo es el perfil de uno de esos mu sicos que fue ganandose poco a poco el aprecio y consideracion del mundo del jazz, bien merecido por la personalidad y cualidades elegantes y líricas como solista. Fue ademas, junto a Clark Terry, el principal responsable de popularizar el uso del fliscorno entre los trompetistas de jazz, al mismo tiempo que uno de los mas grandes especialistas en el uso del mismo. Art provenía de una pequen$ a localidad del Estado de Iowa, Council Bluffs, donde vio la luz por primera vez un 21 de agosto de 1928. Antes de decidirse por la trompeta realizo estudios de violín, piano y tuba, y a mediados de los 40 ya tocaba regularmente en bolos por el area de Los Angeles, especialmente en el kilo metro 0 del jazz en la ciudad, Central Avenue. Allí fue curtiendo su estilo en contratos de distintos registros, desde el rhythm’n’blues de Johnny Otis o Roy Porter al swing de Jay McShann o Benny Carter. A principios de los 50 Farmer trabajo durante un par de temporadas con el saxofonista Wardell Gray, y en 1953 afronto su primera gira europea como miembro de la orquesta de Lionel Hampton. A su regreso se establecio n en Nueva York, trabajando sucesivamente con Gigi Gryce (1954-56), Horace Silver (1956-58) y Gerry Mulligan (1958-59). Fue entonces cuando, junto al saxofonista de Filadelfia Benny Golson, decide poner en marcha un proyecto conjunto en forma de quinteto: el Jazztet, una banda que se mantuvo activa hasta 1962 y tuvo un gran nu mero de seguidores gracias a su hard bop aderezado con buenas dosis de elegancia y poderoso swing. -
LAMA Book.Indb
2014-2015 CATALOG CONTENTS Academic Calendar . 4 About LACM . 6 Admissions . 10 Tuition & Fees . 12 Financial Aid . 13 Institutional Aid . 16 International Students . 16 Catalog Disclosures . 17 Majors . 18 Guitar . 20 Bass . 32 Drums . 44 Vocal . 56 Brass & Woodwind . 72 Music Producing and Recording . 82 Composing for Visual Media . 94 Songwriting . 104 Additional Courses . 120 All School Courses . 122 Elective Courses . 125 General Education . 132 ACADEMIC CALENDAR New students are enrolled twice a year in the fall and spring. Calendar subject to change. Fall Quarter 2014: Winter Quarter 2015: Fall Quarter 2015: Winter Quarter 2016: October 6- December 19 January 5- March 20 October 5- December 18 January 4- March 18 July 28- August 1 Registration Period October 27-31 Registration Period July 27- 31 Registration Period October 26-30 Registration Period August 25 Tuition Deadline November 24 Tuition Deadline August 24 Tuition Deadline November 23 Tuition Deadline October 6 Quarter Begins January 5 Quarter Begins October 5 Quarter Begins January 4 Quarter Begins November 11 Holiday, Campus Closed January 19 Holiday, Campus Open November 11 Holiday, Campus Closed January 18 Holiday, Campus Open November 27 Holiday, Campus Closed February 13 Holiday, Campus Open November 26 Holiday, Campus Closed February 12 Holiday, Campus Open November 28 Holiday, Campus Open March 16- 20 Exams Week November 27 Holiday, Campus Open March 14- 18 Exams Week December 15- 19 Exams Week March 20 Quarter Ends December 14- 18 Exams Week March 18 Quarter Ends December 19 Quarter Ends March 21 Graduation December 18 Quarter Ends March 19 Graduation December 24- 25 Holiday, Campus Closed December 24- 25 Holiday, Campus Closed Dec.