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Ethics After Hours the Bleeding Edge
Ethics After Hours The Bleeding Edge Documentary _________________________________________________________________ Summary1 Medical devices can save lives, help us live longer, and improve our quality of life. In The Bleeding Edge, Kirby Dick, Amy Ziering and Amy Herdy explore how lax regulations, corporate cover-ups and the drive for profit in the medical device industry may put patients at risk. The program features cases where medical devices such as Essure (a permanent birth control device), vaginal mesh, the DaVinci Surgical System, and chrome-cobalt hip- replacements have caused irrevocable harm to patients. Director: Kirby Dick Producer: Amy Ziering and Amy Herdy Released: April 21, 2018 Available on Netflix Duration: 1 hours 40 Mins. Discussion questions: • What was your initial reaction to this documentary? • In your opinion, what are the ethical responsibilities of the medical device industry, the medical community, and the government in ensuring patient safety regarding medical devices through approval, usage guidelines, and reporting of adverse events? • Should health care providers be better educated about the approval processes for drugs and medical devices? • According to the documentary, pre-market approval (PMA) for medical devices requires only one clinical trial or study. o Did it surprise you that the approval for medical devices requires fewer steps than the approval of new drugs? o Discuss various reasons for this difference in approval process. Do you believe that it is justified? • What type of regulatory and non-regulatory measures do you think could help alleviate the problems around patient safety outlined in the documentary? 1 This summary is adapted from Wikipedia https://en.wikipedia.org/wiki/The_Bleeding_Edge and Netflix’s website. -
1 the Bleeding Edge, An Independent Documentary Directed
1 The Bleeding Edge, an independent documentary directed by Kirby Dick and produced by Amy Ziering through their production company, Chain Camera Pictures, unearths systematic corruption within the “$400 billion medical device industry” (The Bleeding Edge 2018). The film takes a deep dive into the healthcare impacts of medical device “innovation” (Dick 2018). Both Dick and Ziering specialize in investigative journalism and documentary having produced the Emmy Award-winning and Academy Award-nominated documentary, The Invisible War (The Bleeding Edge 2018). In all of their documentaries, Dick and Ziering focus on issues of “breaking news,” aiming to inform public opinion, and influence policy (Fuchs 2018). According to Ziering, in an interview by No Film School, when she and Dick decide to make a film they “first get intrigued, then outraged, and then [they] decide to make a movie” (Buder 2018). In the case of The Bleeding Edge, the topic of the film arose when one of Chain Camera Picture’s producers, Amy Herdy, came forward with “this crazy story” about one of her neighbors, who had experienced complications due to an untested medical device (Buder 2018). The disbelief following the interview resulted in an in-depth investigation into this “breaking news,” where research was conducted, and interviews with survivors, professionals, scholars, and doctors were recorded (Fuchs 2018). This information was then synthesized and analyzed, before getting compiled into a commercially consumable film that informs the public of the fractured health system that “has devolved into [a] business” (Fuchs 2018) The Bleeding Edge is an independent film, meaning that,t was not produced in Hollywood and is not backed by any super PACs or the government (Grove 2014). -
Why Popular Culture Matters
THE POPULAR CULTURE STUDIES JOURNAL MIDWEST PCA/ACA VOLUME 7 | NUMBER 1 | 2019 WHY POPULAR CULTURE MATTERS EDITED BY: CARRIELYnn D. REINHARD POPULAR CULTURE STUDIES JOURNAL VOLUME 7 NUMBER 1 2019 Editor CARRIELYNN D. REINHARD Dominican University Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor CHRISTOPHER J. OLSON University of Wisconsin-Milwaukee Graphics Editor ETHAN CHITTY Purdue University Please visit the PCSJ at: http://mpcaaca.org/the-popular- culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2019 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO PAUL BOOTH West Virginia University DePaul University KATIE WILSON ANTHONY ADAH University of Louisville Minnesota State University, Moorhead GARY BURNS BRIAN COGAN Northern Illinois University Molloy College ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University CARLOS D. MORRISON KIT MEDJESKY Alabama State University University of Findlay SALVADOR MURGUIA ANGELA NELSON Akita International University Bowling Green State University CARYN NEUMANN ALLISON R. LEVIN Miami University Webster University JENNIFER FARRELL Milwaukee School of Engineering ii TABLE OF CONTENTS Introduction: Why Popular Culture Matters ........................ 1 CARRIELYNN D. REINHARD Special Entry: Multimedia Presentation of “Why Popular Culture Matters” ............................................ 4 CARRIELYNN D. REINHARD Editorial: I’m So Bored with the Canon: Removing the Qualifier “Popular” from Our Cultures .......................... 6 SCOTT M. -
ON the RECORD: a Conversation with Directors Kirby Dick and Amy Ziering
ON THE RECORD Directed by Kirby Dick & Amy Ziering USA / 2020 / 97 mins Press Contacts Sales Contact - UTA Ryan Mazie, 609-410-2067 Rena Ronson, [email protected] [email protected] SYNOPSIS With their groundbreaking films on sexual assault in the military (The Invisible War) and on college campuses (The Hunting Ground), directors Kirby Dick and Amy Ziering shook the established view of sexual assault in America, moving it from an isolated “he said-she said” narrative to a sweeping indictment of systemic violence and rape culture. Now, in the #MeToo era that their films helped to usher in, comes ON THE RECORD, their third documentary in the trilogy. A searing examination of the costs of coming forward, the film follows Drew Dixon as she wrestles with the decision to go public and share her story with the NYTimes. ON THE RECORD takes you into the world of Def Jam Records in the ‘90s, where Dixon was a rising star in an industry rife with misogyny and sexual harassment. As Dixon recounts in the film, from her first day on the job, she managed to deflect and move past ongoing harassment, until she was wholly caught off guard one fateful night and brutally accosted by Simmons. More than two decades later, ON THE RECORD documents the devastating toll this recounted act exacted not only on Drew’s life but on the lives of several other women who describe having been assaulted by Simmons. Deeply illuminating and packed with powerful and revelatory insights, ON THE RECORD’s narrative tale is punctuated by interviews with prominent black thought leaders, activists, journalists and academics, who speak about the unique binds African-American women face when dealing with sexual violence in a society still plagued by racism. -
Film Guide July 2018
FILM GUIDE JULY 2018 www.loftcinema.org LOFT KIDS FEST - 10 DAYS OF FREE FAMILY FILMS! THE FILMS OF INGMAR BERGMAN, ALL THROUGH JULY AND AUGUST ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Factory Tamales, Burritos from Tumerico, Ethiopian Wraps from Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan cookies and more! *Pizza served after 5pm daily. JULY 2018 SPECIAL ENGAGEMENTS 4-27 LOFT MEMBERSHIPS 6 BEER OF THE MONTH: BERGMAN CENTENNIAL 7-10 BEER FOR DRINKING (BFD) SOLAR CINEMA 13 SIERRA NEVADA BREWING CO. SCIENCE ON SCREEN 15 ONLY $3.50 ALL THROUGH JULY! LOFT JR. 20 ESSENTIAL CINEMA 20 NEW AT THE LOFT CINEMA! LOFT STAFF SELECTS 22 The Loft Cinema now offers Closed Captions and Audio LOFT KIDS FEST 23-24 Descriptions for films whenever they are available. Check our COMMUNITY RENTALS 31-32 website to see which films offer this technology. NEW FILMS 33-44 REEL READS SELECTION 37 FILM GUIDES ARE AVAILABLE AT: MONDO MONDAYS 45 • aLoft Hotel • Fantasy Comics • Rocco’s Little Chicago • Antigone Books • First American Title • Rogue Theatre CULT CLASSICS 46 • Aqua Vita • Fresco Pizza • Santa Barbara Ice Cream • Art Institute of Tucson • Fronimos • Shot in the Dark Café THE LOFT CINEMA • AZ Title Security • Heroes & Villains • Southern AZ AIDS • Bentley’s • Hotel Congress Foundation 3233 E. Speedway Blvd. • SW U of Visual Arts Tucson, AZ 85716 • Black Crown Coffee • How Sweet It Was • Bookmans • Humanities Seminars • Ted’s Country Store • Time Market SHOWTIMES: -
Film Guide August 2018
FILM GUIDE AUGUST 2018 www.loftcinema.org SPAGHETTI WESTERN SUNDAYS WITH ALEX COX! THE GREATEST SHOWMAN SING-A-LONG! | THE CAT VIDEO FEST! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Factory Tamales, Burritos from Tumerico, Ethiopian Wraps from Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan cookies and more! *Pizza served after 5pm daily. AUGUST 2018 SPECIAL ENGAGEMENTS 4-32 LOFT MEMBERSHIPS 6 BEER OF THE MONTH: BERGMAN CENTENNIAL 7-8 RESPETO LAGER LOFT JR. 14, 31 MASON ALE WORKS SOLAR CINEMA 15, 25, 31 ONLY $3.50 ALL THROUGH AUGUST! LOFT STAFF SELECTS 20 ESSENTIAL CINEMA 20 NEW AT THE LOFT CINEMA! ALEX COX WESTERNS 23-24 The Loft Cinema now offers Closed Captions and Audio COMMUNITY RENTALS 33-34 Descriptions for films whenever they are available. Check our NEW FILMS 35-44 website to see which films offer this technology. REEL READS SELECTION 41 MONDO MONDAYS 45 FILM GUIDES ARE AVAILABLE AT: CULT CLASSICS 46 • aLoft Hotel • First American Title • Rogue Theatre • Antigone Books • Fresco Pizza • Santa Barbara Ice Cream • Aqua Vita • Fronimos • Shot in the Dark Café • AZ Title Security • Heroes & Villains • Southern AZ AIDS THE LOFT CINEMA • Bentley’s • Hotel Congress Foundation • SW U of Visual Arts 3233 E. Speedway Blvd. • Black Crown Coffee • How Sweet It Was • Ted’s Country Store Tucson, AZ 85716 • Bookmans • Humanities Seminars • Bookstop • Imagine Barber Shop • Time Market SHOWTIMES: 520-795-7777 • Brooklyn Pizza • Jewish Community Ctr -
Students: Kimberly Calero, Olivia Pennoyer, Roseline Simanjuntak Topics: Legal & Medical Documentary: the Bleed
Students: Kimberly Calero, Olivia Pennoyer, Roseline Simanjuntak Topics: Legal & Medical Documentary: The Bleeding Edge (2018) Section I. Genesis of Film- How it Came to Be The Bleeding Edge (2018), directed by two-time Academy Award winner Kirby Dick and co-produced by Emmy Award winner Amy Ziering, places the spotlight on the $400 billion dollar U.S. medical device industry and its lenient regulations (“About: The Medical Device Industry”). The film’s intent on uncovering deficiencies in a traditionally trusted system is not a new concept to either Dick or Ziering, who’ve both received critical acclaim for unearthing horrid secrets about other industries, like the scourge of unprosecuted rape within the U.S. military, The Invisible War (2012), and the problem of sexual assault among college campuses nationwide, The Hunting Ground (2015). This time, their endeavor is supported by the Shark Island Production company, an independent documentary company based in Sydney, Australia. The production company boasts a proud mission of “aim[ing] to educate, entertain, and make a significant social impact with [their] films” (“Shark Island Productions: Documentary Production Company”). Known as “The Portfolio”, The Bleeding Edge is part of a consortium of other films created by teams of international filmmakers set with the intention to act as disruptors of the status quo (“The Portfolio”). These films then receive support via long-term impact campaigns (focused in Australia) and access to a wide circle of film influencers to maximize influence and societal change. As with most films created by Dick and Ziering, they centered their focus on an area that no one else was talking about and brought that issue to the public. -
Terrorists, Zombies, and Robots: the Political Unconscious, Thematics, and Affectual Structures of the Post-9/11 American Fear Narrative
Old Dominion University ODU Digital Commons English Theses & Dissertations English Spring 2020 Terrorists, Zombies, and Robots: The Political Unconscious, Thematics, and Affectual Structures of the Post-9/11 American Fear Narrative Nathanael J. Cloyd Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/english_etds Part of the American Literature Commons, and the Film and Media Studies Commons Recommended Citation Cloyd, Nathanael J.. "Terrorists, Zombies, and Robots: The Political Unconscious, Thematics, and Affectual Structures of the Post-9/11 American Fear Narrative" (2020). Doctor of Philosophy (PhD), Dissertation, English, Old Dominion University, DOI: 10.25777/nrbv-4d51 https://digitalcommons.odu.edu/english_etds/103 This Dissertation is brought to you for free and open access by the English at ODU Digital Commons. It has been accepted for inclusion in English Theses & Dissertations by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. TERRORISTS, ZOMBIES, AND ROBOTS: THE POLITICAL UNCONSCIOUS, THEMATICS, AND AFFECTUAL STRUCTURES OF THE POST-9/11 AMERICAN FEAR NARRATIVE by Nathanael J. Cloyd B.A. December 2009, Northern Arizona University M.A. December 2012, Northern Arizona University A Dissertation Submitted to the Faculty of Old Dominion University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY ENGLISH OLD DOMINION UNIVERSITY May 2020 Approved by: Edward Jacobs (Director) Margaret Konkol (Member) Kevin Moberly (Member) Stacy Takacs (Member) ABSTRACT TERRORISTS, ZOMBIES, AND ROBOTS: THE POLITICAL UNCONSCIOUS, THEMATICS, AND AFFECTUAL STRUCTURES OF THE POST-9/11 AMERICAN FEAR NARRATIVE Nathanael J. Cloyd Old Dominion University, 2019 Director: Dr. -
Check out These Films and Documentaries on Issues Important to ACS, and Consider Hosting Screenings for Your Chapter! 1) THE
Check out these films and documentaries on issues important to ACS, and consider hosting screenings for your chapter! 1) THE JUDGE: Director Erika Cohn's documentary THE JUDGE is a vérité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari’a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice. Visit thejudgefilm.com to learn more and watch the trailer. ACS students can now host screenings of the film for their chapters for free! Contact Carla Fleisher of Film Sprout at [email protected] to learn more and sign up. 2) DARK MONEY: a political thriller, examines one of the greatest present threats to American democracy: the influence of untraceable corporate money on our elections and elected officials. The film takes viewers to Montana to follow an intrepid local journalist working to expose the real-life impacts of the US Supreme Court’s Citizens United decision. Through this gripping story, DARK MONEY uncovers the shocking and vital truth of how American elections are bought and sold. This Sundance award-winning documentary is directed/produced by Kimberly Reed (PRODIGAL SONS) and produced by Katy Chevigny (E-TEAM). Check out the trailer and the regularly updated list of screenings. Chapters that are interested in purchasing group tickets should be in touch with the film's impact producer, Alison Byrne Fields at [email protected]. Chapters that would like to organize their own screenings should also be in touch with Alison. The film will be broadcast on PBS in October 1. -
Abstract Booklet 2016
ABSTRACTS BOOK 5th Derrida Today Conference 8th – 11th June 2016 Goldsmiths, University of London Conference Directors: Dr Lynn Turner (Goldsmiths) and Prof. Nicole Anderson (Macquarie University) Welcome Welcome to the 5th Derrida Today Conference, hosted by Goldsmiths, University of London, and Macquarie University, Sydney. The conference was co-founded by Nicole Anderson & Nick Mansfield in 2008 in Sydney to coincide with the launch of the Derrida Today Journal of which they are the co-editors in chief. The conference has since been co- directed by Nicole Anderson and a colleague from a host institution. So far the conference has been held in Sydney, London, Irvine California, New York and now London once more. The aim of the conferences is to form a community of scholars from around the world, bringing them together to share, develop and be supported in their work on Derrida. In gathering you together the conference also aims to continue the relevance of Derrida’s work for today, and therefore tomorrow. In other words, as we state in the journal, one of our goals is to see Derrida’s work in its broadest possible context and to argue for its keen and enduring relevance to our present and future intellectual, cultural and ethical-political situations’. While at the conference we hope that you meet new colleagues, and develop productive relationships and enduring friendships. conference directors: Dr. Lynn Turner is Senior Lecturer in Visual Cultures at Goldsmiths, University of London. Her books include The Animal Question in Deconstruction (edited, Edinburgh University Press, 2013); Visual Cultures As… Recollection (co-authored, Sternberg, 2013); The Edinburgh Companion to Animal Studies (co-edited, Edinburgh University Press, 2017).