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Newsletter No
Newsletter No. 167 June 2016 Price: $5.00 AUSTRALASIAN SYSTEMATIC BOTANY SOCIETY INCORPORATED Council President Vice President Darren Crayn Daniel Murphy Australian Tropical Herbarium (ATH) Royal Botanic Gardens Victoria James Cook University, Cairns Campus Birdwood Avenue PO Box 6811, Cairns Qld 4870 Melbourne, Vic. 3004 Australia Australia Tel: (+61)/(0)7 4232 1859 Tel: (+61)/(0) 3 9252 2377 Email: [email protected] Email: [email protected] Secretary Treasurer Leon Perrie John Clarkson Museum of New Zealand Te Papa Tongarewa Queensland Parks and Wildlife Service PO Box 467, Wellington 6011 PO Box 975, Atherton Qld 4883 New Zealand Australia Tel: (+64)/(0) 4 381 7261 Tel: (+61)/(0) 7 4091 8170 Email: [email protected] Mobile: (+61)/(0) 437 732 487 Councillor Email: [email protected] Jennifer Tate Councillor Institute of Fundamental Sciences Mike Bayly Massey University School of Botany Private Bag 11222, Palmerston North 4442 University of Melbourne, Vic. 3010 New Zealand Australia Tel: (+64)/(0) 6 356- 099 ext. 84718 Tel: (+61)/(0) 3 8344 5055 Email: [email protected] Email: [email protected] Other constitutional bodies Hansjörg Eichler Research Committee Affiliate Society David Glenny Papua New Guinea Botanical Society Sarah Matthews Heidi Meudt Advisory Standing Committees Joanne Birch Financial Katharina Schulte Patrick Brownsey Murray Henwood David Cantrill Chair: Dan Murphy, Vice President Bob Hill Grant application closing dates Ad hoc adviser to Committee: Bruce Evans Hansjörg Eichler Research -
Global Affinities: the Natural Method and Anomalous Plants in the Nineteenth Century Lorelai Kury
HoST - Journal of History of Science and Technology Vol. 15, no. 1, June 2021, pp. 39-70 10.2478/host-2021-0003 SPECIAL ISSUE GLOBAL FLORA: MASTERING EXOTIC PLANTS (EIGHTEENTH—NINETEENTH CENTURIES) Global Affinities: The Natural Method and Anomalous Plants in the Nineteenth Century Lorelai Kury Casa de Oswaldo Cruz, Fiocruz, Brazil [email protected] Sara Albuquerque IHC-Nova FCSH, Pólo Universidade de Évora, Portugal [email protected] Abstract: Approaching from an analysis of the work of Robert Brown (1773-1858) and Friedrich Welwitsch (1806-1872) on Rafflesiaand Welwitschia, this article explores how the “natural method” became a tool for understanding extra-European flora in the nineteenth century. As botanists worked to detect “hidden affinities” between plants that would enable them to identify the so-called natural families to which even anomalous species belonged, they relied on comparison as their basic methodological procedure, making it essential for them to have access to collections. In their scientific writings, professional botanists tended to steer clear of any emphasis on plant exoticism. While botany engaged in dialogue with various types of approaches, the field essentially normalized the exotic. The article’s exploration of the hermetic style of scientific texts and the way botanists incorporated illustrators’ work sheds light on the complexity of the spaces where natural history was done, in a context where plants were circulating from around the globe. Keywords: Rafflesia; Welwitschia; Robert Brown; natural method; exoticism © 2021 Lorelai Kury, Sara Albuquerque. This is an open access article licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by/4.0/). -
Native Orchid Society South Australia
Journal of the Native Orchid Society of South Australia Inc PRINT POST APPROVED VOLUME 27 NO. 1 PP 54366200018 FEBRUARY 2003 NATIVE ORCHID SOCIETY OF SOUTH AUSTRALIA POST OFFICE BOX 565 UNLEY SOUTH AUSTRALIA 5061 The Native Orchid Society of South Australia promotes the conservation of orchids through the preservation of natural habitat and through cultivation. Except with the documented official representation from the Management Committee no person is authorised to represent the society on any matter. All native orchids are protected plants in the wild. Their collection without written Government permit is illegal. PRESIDENT: SECRETARY: Bill Dear Cathy Houston Telephone: 82962111 Telephone: 8356 7356 VICE-PRESIDENT Bodo Jensen COMMITTEE Thelma Bridle Peter McCauley Malcolm Guy David Pettifor EDITOR: TREASURER David Hirst Iris Freeman 14 Beaverdale Avenue Windsor Gardens SA 5087 Telephone 8261 7998 E-mail [email protected] LIFE MEMBERS Mr R. Hargreaves Mr G. Carne Mr L. Nesbitt Mr R. Bates Mr R. Robjohns Mr R Shooter Mr D. Wells Registrar of Judges: Reg Shooter Trading Table: Judy Penney Field Trips & Conservation: Thelma Bridle Tel. 83844174 Tuber Bank Coordinator: Malcolm Guy Tel. 82767350 New Members Coordinator David Pettifor Tel. 0416 095 095 PATRON: Mr T.R.N. Lothian The Native Orchid Society of South Australia Inc. while taking all due care, take no responsibility for the loss, destruction or damage to any plants whether at shows, meetings or exhibits. Views or opinions expressed by authors of articles within this Journal do not necessarily reflect the views or opinions of the Management. We condones the reprint of any articles if acknowledgement is given. -
Botanical Illustration and Photography: a Southern Hemisphere Perspective
CSIRO PUBLISHING Australian Systematic Botany, 2017, 30, 291–325 LAS Johnson Review https://doi.org/10.1071/SB16059 Botanical illustration and photography: a southern hemisphere perspective Ellen J. Hickman A,C, Colin J. Yates B and Stephen D. Hopper A ACentre of Excellence in Natural Resource Management and School of Plant Biology, University of Western Australia, Albany, WA 6330, Australia. BScience Division, Department of Parks and Wildlife, Bentley, WA 6983, Australia. CCorresponding author. Email: [email protected] Abstract. To examine claims that the role of botanical art in systematic botany is diminishing because of advances in photography, this review considers relevant literature and includes a quantitative analysis of trends in modern journals, monographs and floras. Our focus is on southern hemisphere systematic botany because, relative to the northern hemisphere, this is poorly represented in modern reviews of botanical art and photography. An analysis of all digitally available papers in Nuytsia, the Journal of the Adelaide Botanic Garden, Muelleria, Telopea, Austrobaileya and Systematic Botany established that, although photographic illustrations have increased since 2000, botanical illustrations have not always diminished. The cause of these trends is unknown, but it is likely to be due to several factors, including sourcing funding for production of botanical illustration, editorial preference for the use of illustrations or photographs, author preference for either illustrations or photographs, and moving to online publication, with no charges for colour reproduction. Moreover, the inclusion of botanical artists as co-authors in some scientific publications signals an ongoing and important role. Botanical illustration brings sharp focus and meticulous attention to detail regarding form and structure of plants. -
Flora Graeca on the European Continent
Gardens’ Bulletin Singapore 71(Suppl. 2):109-122. 2019 109 doi: 10.26492/gbs71(suppl. 2).2019-09 Flora Graeca on the European continent H.W. Lack Botanischer Garten und Botanisches Museum Berlin, Freie Universität Berlin, Königin-Luise-Str. 6–8, 14195 Berlin, Germany [email protected] ABSTRACT. Flora Graeca is a work in ten folio volumes, published in London between 1806 and 1840. It is based on the botanical collections made by John Sibthorp during his travels in what is now Cyprus, Greece, Italy and Turkey and the pictorial documentation of the plants produced by Ferdinand Bauer. The text was written by James Edward Smith, Robert Brown and John Lindley. Flora Graeca was printed in a tiny edition with the result that many botanists considered it to be non-existent or as only a manuscript. This paper deals with the few copies of Flora Graeca kept today in libraries on the European continent and their historical backgrounds – three in Paris, one in Vienna and Darmstadt respectively, all apparently subscription copies, while the copies in St. Petersburg and Copenhagen were previously owned by Fredrick North, 5th Earl of Guildford, and John Platt. The botanical affiliations of the previous owners, among them Franz I, Emperor of Austria, and Ludwig I, Grand Duke of Hesse, are explained. The libraries on the European continent that have copies of the so-called Bohn reissue of Flora Graeca are listed. Particular attention is given to the Belgrade copy, a hybrid consisting of printed title matter with some of the landscapes copied by hand and the 966 engravings, whereas all text pages, indices and appendices have been written on a type writer. -
Ferdinand Bauer Or Johann and Joseph Knapp? a Rectification
Gardens’ Bulletin Singapore 71(Suppl. 2):123-142. 2019 123 doi: 10.26492/gbs71(suppl. 2).2019-10 Ferdinand Bauer or Johann and Joseph Knapp? A rectification C. Riedl-Dorn1 & M. Riedl2 Archive for the History of Sciences, Natural History Museum Vienna Burgring 7, A 1010 Vienna, Austria [email protected] [email protected] ABSTRACT. The first part of the following paper deals with the life, travels, professional career as a natural history painter, use of colour charts and heritage of Ferdinand Bauer. The use of Ferdinand Bauer’s colour chart(s) by other painters is also discussed. It is followed by a short history of the use of colour charts. The final part discusses the attribution of watercolours preserved at the Vienna Natural History Museum that have hitherto been ascribed to Ferdinand Bauer. They are compared to pictures at the Austrian National Library, at the Museum of Applied Arts in Vienna and at the Museum für Kunst und Gewerbe in Hamburg that were produced by Joseph Knapp and should be attributed to him using evidence from the use of specific paper and some technical details. Keywords. Australia, Austria, botanical illustration, colour, Schönbrunn Gardens A short summary of Ferdinand Bauer’s life and achievements Ferdinand Lucas Bauer was born the fifth son of seven children to Lucas and Theresia Bauer (née Hirsch) on January 20, 1760 at Feldsberg in northern Lower Austria (since 1920 known as Valtice in southern Moravia, a part of the Czech Republic). His father, Lucas Bauer, was Prince Josef Wenzel von Liechtenstein’s court painter in Feldsberg from 1744 onwards. -
Du Toit, VM.Pdf (8.026Mb)
MASTERING MYTHS AND WANDERING WALLFLOWERS Botanical illustrations, gardens and the "mastery of nature" by VICTORIA DU TOIT In partial fulfilment of the degree Master of Philosophy in the Visual Arts (Illustration) at Stellenbosch University Supervisor: Professor Keith Dietrich March 2009 Declaration I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Date:2009-03-02 ii Abstract This thesis investigates the historical roots of botanical illustration. It argues that far from being simply scientific representations of plants and flowers, empty of artistic comment and only accompaniments to a scientific text, botanical illustrations assisted in presenting plants brought to Europe from the colonies, in ways that influenced the easy assimilation and appropriation of these plants into European culture. The "mastery of nature", which implies an attitude of dominance by humans over nature, is discussed as symptomatic of the European colonial period. European acts and attitudes of dominance are manifest in scientific approaches toward botany, botanical illustrations and gardens. This thesis proposes that attitudes of dominance have resulted in humans being spiritually and physically separated from nature. This thesis proposes that associations of botany, flowers and botanical illustrations with the feminine have assisted in human domination over nature. In much the same way as female is dominated by male, in a human sense, so plants and flowers were pictured as feminine − replete with feminine associations of subservience, weakness and vulnerability − making a human domination of the plant world possible. -
Ferdinand, Joseph Und Franz Bauer: Testamente, Verlassenschaften Und Deren Schicksale
ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Annalen des Naturhistorischen Museums in Wien Jahr/Year: 2003 Band/Volume: 104B Autor(en)/Author(s): Lack Hans Walter Artikel/Article: Ferdinand, Joseph und Franz Bauer: Testamente, Verlassenschaften und deren Schicksale. 479-551 ©Naturhistorisches Museum Wien, download unter www.biologiezentrum.at Ann. Naturhist. Mus. Wien 104 B 479-551 Wien, März 2003 Ferdinand, Joseph und Franz Bauer: Testamente, Verlassenschaften und deren Schicksale H. Walter Lack* Abstract The estates of Ferdinand and Franz Bauer consisted of plant and animal illustrations, plant and animal specimens, manuscripts, prints, books and microscopical instruments, all of great scientific and historical interest. These materials were repeatedly split with the largest collections now in the Natural History Museum, London, the Niedersächsische Staats- und Universitätsbibliothek Göttingen and the Naturhisto- risches Museum Vienna. The testaments, inventories, reports and the auction catalogue of Franz Bauer's belongings are analysed and commented. A brief biography of the much less important Joseph Bauer is included. The illustrations offer a cross section of the materials kept in Göttingen. Key Words: Botanical illustration; history of science; Ferdinand Bauer, Joseph Bauer, Franz Bauer. Zusammenfassung Die Verlassenschaften von Ferdinand und Franz Bauer bestanden aus Illustrationen und Belegen von Pflan- zen und Tieren, Manuskripten, Drucken, Büchern und mikroskopischen Instrumenten, alle von großem wis- senschaftlichen und historischen Interesse. Dieses Material wurde wiederholt geteilt, die größten Bestände befinden sich heute im Natural History Museum, London, in der Niedersächsischen Staats- und Universitäts- bibliothek Göttingen und im Naturhistorischen Museum Wien. Die Testamente, Inventare, Berichte und der Auktionskatalog des Eigentums von Franz Bauer werden analysiert und kommentiert. -
Download the Exhibition Booklet
The Library, first floor, Free admission Royal Society of Medicine, 5 August - 26 October 2019 1 Wimpole Street, London 1 Exhibition Curator Robert Greenwood With additional material by Robert Greenwood Graphic Designer Henry Trickey Contact us [email protected] 020 7290 2940 Exhibition hours Monday - Thursday 9am - 9pm Friday 9am - 5.30pm Saturday 10am - 4.30pm 2 Cover image: Nepenthes northiana by Marianne North uring the Victorian period, botany was seen as a healthy, outdoor pursuit. It was a Drespectable and sociable extension of the interest in domestic gardening. It was bloodless and did not require the capture or destruction of animal species and was associated with genteel interests such as flower arranging and painting. It was Christian in its celebration of the creator’s handiwork. It was not a costly pursuit and required only a simple magnifying glass, a vasculum, or tin container, in which to collect samples of freshly-picked plants, paper in which to press plants, and an inexpensive handbook as a guide and an aid to identification. It was also easy and did not necessarily require expert or academic training for its enjoyment. The books in this exhibition are all drawn from the collection of the Library of the Royal Society of Medicine and include illustrated works and detailed and closely-printed taxonomic lists of plant species. Kew Gardens is perhaps the most famous example of the Victorians love for Botany. 3 John Claudius Loudon, a Scottish botanist, garden designer and author. John Claudius Loudon (1783 – 1843) Arboretum et fruticetum britannicum : or, The trees and shrubs of Britain : native and foreign, hardy and half-hardy, pictorially and botanically delineated, and scientifically and popularly described; with their propagation, culture, management, and uses in the arts, in useful and ornamental plantations, and in landscape-gardening; preceded by a historical and geographical outline of the trees and shrubs of temperate climates throughout the world. -
Wussten Sie, Dass in Feldsberg [Valtice]
Wussten Sie, dass in Feldsberg [Valtice] ... Víte, že ve Valticích ... Lada Rakovská - Wussten Sie, dass in Feldsberg ... / Víte, že ve Valticích ... Wussten Sie, dass in Feldsberg [Valtice] ... lassen.In Feldsberg Mit dieser lebten Serie viele in wichtige den Feldsberger Persönlichkeiten- mit lokalem und weltbekanntem Ruf. Als Bewohner unserer Stadt sollten sie sich diese Informationen unter keinen Umständen entgehen Gemeindenachrichten möchten wir ihnen diese Persönlichkeiten ein wenig näher bringen und sie darüber informieren, wo sie in Feldsberg gelebt haben. Für diese Artikelserie wurden Informationen aus Lada Rakovskás erarbeiteten Biografien über Feldsbergerhttp://actapublica.eu Persönlichkeiten, und aus dem Archiv und Fotoarchiv des Feldsberger https://icarMuseumsvereines,-us.eu/cooperation/online Bilder der Artikelautorin-portals/matricula/ L. Rakovská, sowie Datenmaterial von Jan Pihar Sen. aus Quellen wie verwendet. ... e VeVíte, Valticích že žilo vemnoho Valticích významných osobností místního i světového věhlasu. Tyto informac by vámjako obyvatelům našeho města neměly v žádném případě uniknout. Tímto seriálem ve Valtickém zpravodaji vám chceme tyto osobnosti přiblížit a informovat vás o tom, kde ve Valticích bydlely. Pro tuto sérii článků byly použity informace http://actapublica.euze zpracovaných životopisů a https://icarvaltických osobností-us.eu/cooperation/online Lady Rakovské, -archivportals/matricula/ a fotoarchiv .Muzejního spolku Valtice, fotografie autorky článků L.Rakovské, údaje zpracované JanemPiharem st. z Seite -
HUNTIA a Journal of Botanical History
HUNTIA A Journal of Botanical History VOLUME 18 NUMBER 3 2021 Hunt Institute for Botanical Documentation Carnegie Mellon University Pittsburgh The Hunt Institute for Botanical Documentation, a research division of Carnegie Mellon University, specializes in the history of botany and all aspects of plant science and serves the international scientific community through research and documentation. To this end, the Institute acquires and maintains authoritative collections of books, plant images, manuscripts, portraits and data files, and provides publications and other modes of information service. The Institute meets the reference needs of botanists, biologists, historians, conservationists, librarians, bibliographers and the public at large, especially those concerned with any aspect of the North American flora. Huntia publishes articles on all aspects of the history of botany, including exploration, art, literature, biography, iconography and bibliography. The journal is published irregularly in one or more numbers per volume of approximately 200 pages by the Hunt Institute for Botanical Documentation. External contributions to Huntia are welcomed. Page charges have been eliminated. All manuscripts are subject to external peer review. Before submitting manuscripts for consideration, please review the “Guidelines for Contributors” on our Web site. Direct editorial correspondence to the Editor. Beginning with volume 17, the journal is published only online and in color. Beginning with volume 18, the journal no longer accepts books for review or announcement. All back issues are available as PDFs on our Web site. Hunt Institute for Botanical Documentation Carnegie Mellon University 5th Floor, Hunt Library 4909 Frew Street Pittsburgh, PA 15213-3890 Telephone: 412-268-2434 Email: [email protected] Web site: https://www.huntbotanical.org Facebook: https://www.facebook.com/HuntBotanical/ Twitter: https://twitter.com/HuntBotanical Online gift shop: https://www.cafepress.com/huntbotanical Editor and layout Scarlett T. -
The Bauers Joseph, Franz & Ferdinand: an Illustrated Biography
THE BAUERS JOSEPH, FRANZ & FERDINAND: AN ILLUSTRATED BIOGRAPHY PDF, EPUB, EBOOK Lack Walter,Hans Walter Lack | 528 pages | 25 Nov 2015 | PRESTEL | 9783791354897 | English | Munich, Germany The Bauers Joseph, Franz & Ferdinand: An Illustrated Biography PDF Book Digitalis ambigua now grandiflora : hand-colored engraving of Ferdinand Bauer's drawing for Monographia Digitalium Public Domain, via Wikimedia Commons. I hope that in his lifetime he received comments such as yours. He has written extensively about botanical art. There are no discussion topics on this book yet. Their incredibly detailed work, along with their beautiful and highly developed methods of colouring their paintings, comes to life in numerous superbly reproduced illustrations. When painting in oils, the darkest layer is applied first, then lighter layers, through to the lightest layer. A book [1] contains reproductions of collections in Europe, the United Kingdom and Australia that have never before been published and reveals Bauer's innovative colour-coding technique for the first time. Botanical journals. The website has been developed by the DX Lab, the State Library department charged with using technology and innovative design to engage audiences with the collection and data sets of the library. Illustrationes Florae Novae Hollandiae. The proportion of image type used in a selection of monographs and floras on southern hemisphere plants. We investigated temporal trends in the use of illustrations and photographs in papers with linear regression for three time periods all years, years pre and years and after; Table 1. Trivia About The Bauers: Josep Many botanical works, particularly field guides, were illustrated solely or mainly by photographs.