The Magic Shell: Seven Kingdoms Tale Part 1 by S.E. Smith
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Paranormal Fiction
Paranormal Fiction Fairies 4. Fourth Grave Beneath My 5. Death Masks Feet 6. Blood Rites Hamilton, Laurell K. 5. Fifth Grave Past the Light 7. Dead Beat Meredith Gentry 6. Sixth Grave on the Edge 8. Proven Guilty 1. A Kiss of Shadows 7. Seventh Grave and No 9. White Night 2. A Caress of Twilight Body 10. Small Favor 3. Seduced by Moonlight 8. Eight Grave After Dark 11. Turn Coat 4. A Stroke of Midnight 9. The Dirt on Ninth Grave 12. Changes 5. Mistral’s Kiss 10. The Curse of Tenth Grave 13. Ghost Story 6. A Lick of Frost 11. Eleventh Grave in 14. Cold Days 7. Swallowing Darkness Moonlight 15. Skin Games 8. Divine Misdemeanors 12. The Trouble With Twelfth Cassidy, Dakota 9. A Shiver of Light Grave Kiss & Hell Series Moning, Karen Marie 13. Summoned to the 1. Kiss & Hell Fever Thirteenth Grave 2. My Way to Hell 1. Darkfever (2019) Cast, P.C. 2. Bloodfever Levy, Marc Divine 3. Faefever If Only it Were True 1. Divine by Mistake 4. Dreamfever 2. Divine by Choice 5. Shadowfever Misc. 3. Divine by Blood 6. Iced Crusie, Jennifer 7. Burned Andrews, Ilona The Unfortunate Miss Fortunes 8. Feverborn Kate Daniels Davidson, MaryJanice 9. Feversong 1. Magic Bites Fred the Mermaid 10. High Voltage 2. Magic Burns 1. Sleeping With the Fishes 3. Magic Strikes 2. Swimming Without a Net Ghosts 4. Magic Bleeds 3. Fish Out of Water 5. Magic Slays Deveraux, Jude Barker, Clive 6. Magic Rises Forever Trilogy Coldheart Canyon 7. Magic Breaks 1. -
The Sea Witch and the Fisherman's Wife Sometime
The Sea Witch and the Fisherman’s Wife Sometime in the gloom of the late nineteenth century, a town smokes between a black ocean and a sickly sky. Long ago in this forgotten place, a woman falls. * The fisherman's wife couldn't sleep and decided to amble up and down the seafront in the hope that dreams might find her. She was a feather of bones for her height with unusually bright red hair and a limp. She preferred the limp. For a while, the night seemed just like any other until she saw a naked woman on the beach. The stranger was pacing in the shallows with the moon strung above her head. She was fat, with large breasts and dimpled skin running up the backs of her thighs. The woman moved quickly and with violent plunges. The fisherman’s wife tightened her shawl and stepped onto the sand. But she retreated, for the woman bucked her head and howled. The sound was low and raspy, like a borrowed voice from a wild thing. Her belly bounced with every breath while her hair dangled like black seaweed. When the moon peaked between the rolling clouds, its light softened her freakishness. As if her skin was lined with silver velvet. An unexpected flush of shame overcame the fisherman's wife. She needed to go back to her husband. She would never tell him about the madwoman or the whore or whatever she may be. She would be her first secret. A small nod signified her resolve. Despite her resistance being slight, it was a stand, nonetheless. -
Generic Affinities, Posthumanisms and Science-Fictional Imaginings
GENERIC AFFINITIES, POSTHUMANISMS, SCIENCE-FICTIONAL IMAGININGS SPECULATIVE MATTER: GENERIC AFFINITIES, POSTHUMANISMS AND SCIENCE-FICTIONAL IMAGININGS By LAURA M. WIEBE, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy McMaster University © Copyright by Laura Wiebe, October 2012 McMaster University DOCTOR OF PHILOSOPHY (2012) Hamilton, Ontario (English and Cultural Studies) TITLE: Speculative Matter: Generic Affinities, Posthumanisms and Science-Fictional Imaginings AUTHOR: Laura Wiebe, B.A. (University of Waterloo), M.A. (Brock University) SUPERVISOR: Professor Anne Savage NUMBER OF PAGES: vi, 277 ii ABSTRACT Amidst the technoscientific ubiquity of the contemporary West (or global North), science fiction has come to seem the most current of genres, the narrative form best equipped to comment on and work through the social, political and ethical quandaries of rapid technoscientific development and the ways in which this development challenges conventional understandings of human identity and rationality. By this framing, the continuing popularity of stories about paranormal phenomena and supernatural entities – on mainstream television, or in print genres such as urban fantasy and paranormal romance – may seem to be a regressive reaction against the authority of and experience of living in technoscientific modernity. Nevertheless, the boundaries of science fiction, as with any genre, are relational rather than fixed, and critical engagements with Western/Northern technoscientific knowledge and practice and modern human identity and being may be found not just in science fiction “proper,” or in the scholarly field of science and technology studies, but also in the related genres of fantasy and paranormal romance. -
MASARYK UNIVERSITY BRNO American Gothic Fiction: Vampire
MASARYK UNIVERSITY BRNO FACULTY OF EDUCATION DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE American Gothic Fiction: Vampire Romances Final thesis Brno 2012 Supervisor: Author: PhDr. Irena Přibylová, Ph.D. Mgr. Jitka Čápová Declaration I hereby declare that I have written this final thesis myself and that all the sources I have used are listed in the bibliography section. Hradec Králové 13 August 2012 …………………………………………… Mgr. Jitka Čápová Acknowledgements: I would like to thank to PhDr. Irena Přibylová, Ph.D. for her time, patience and valuable advice. I would also like to thank to my family for their support. Table of Contents 1. Introduction ......................................................................................................................................... 1 2. Theory ................................................................................................................................................. 2 2.1 Gothic ................................................................................................................................................ 3 2.2 Romance ............................................................................................................................................ 5 2.3 Conclusion ......................................................................................................................................... 9 3. Analysis ............................................................................................................................................ -
The Little Mermaid (1989)
Ariel the little mermaid (1989) @ Once Upon a Time Parties D.C. Character Background Movie: The Little Mermaid title: Princess Family: Prince Eric (husband), Melody (daughter), King Triton (Father), Queen Athena (Mother), 7 sisters (see page 5 for their names) objective: To become a human and live her life on land with Prince Eric - To restore music and happiness to the Kingdom of Atlantica - To protect her daughter Melody from Morgana speech: Medium pitch, young, enthusiastic, bubbly Likes: The human world, dinglehoppers/thingamajigs etc., adventure, freedom, music, singing, dancing, Prince Eric, and chasing her dreams Dislikes: Her father’s stubbornness and hatred of humans, being with- out music and fun, restriction, chores, pirates, violence, Sebastian’s nagging, her friends/family being in danger plot synopsis: Ariel, the youngest daughter of King Triton, is dis- satisfied with life in the sea. She longs to be with the humans above the sur- face. and is often caught in arguments with her father over those ”barbaric fisheaters“. She goes to meet Ursula, the Sea Witch, to strike a deal. Ursula gives Ariel legs in exchange for human legs. She has 3 days to receive a kiss from her true love Eric. Ariel begins her journey to the surface and meets her love Prince Eric face to face. He realizes Ariel cannot be the girl he heard singing since Ariel doesn’t have a voice. Ariel is so close to convincing Eric to kiss her but fails. The next day Ariel finds Eric with a woman named Vanessa, who is actually Ursula disguised as a human. -
Les Seigneurs Dragons De Valdier T04,1
POUR L’AMOUR DE TIA LES SEIGNEURS DRAGONS DE VALDIER TOME 4.1 S.E. SMITH R E M E R C I E M E N T S Je voudrais remercier mon mari Steve de croire en moi et d'être assez fier de moi pour me donner le courage de suivre mes rêves. J'aimerais également remercier tout particulièrement ma sœur et meilleure amie, Linda, qui non seulement m'a encouragée à écrire mais a également lu le manuscrit. Et également mes autres amis qui croient en moi : Julie, Jackie, Lisa, Sally, Elizabeth (Beth), Laurelle, et Narelle. Les filles qui m'aident à continuer ! Et un merci tout particulier à Paul Heitsch, David Brenin, Samantha Cook, Suzanne Elise Freeman, et PJ Ochlan, les voix fantastiques derrière mes livres audios ! —S.E. Smith Montana Publishing Science Fiction Romance Pour l’amour de Tia : LES SEIGNEURS DRAGONS DE VALDIER TOME 4.1 Copyright © 2019 par Susan E. Smith Première Publication E-Book en anglais Mai 2013 Couverture par : Melody Simmons et Montana Publishing TOUS DROITS RÉSERVÉS : Cette œuvre littéraire ne peut être reproduite ou transmise sous quelque forme ou par quelque moyen que ce soit, y compris la reproduction électronique ou photographique, en tout ou en partie, sans l'autorisation écrite expresse de l'auteur. Tous les personnages et événements de ce livre sont fictifs ou ont été utilisés de façon fictive, et ne doivent pas être interprétés comme étant réels. Toute ressemblance avec des personnes vivantes ou décédées, des événements réels ou des organisations est strictement fortuite et n'est pas voulue par l'auteur. -
Read an Excerpt
Excerpt Terms & Conditions This excerpt is available to assist you in the play selection process. You may view, print and download any of our excerpts for perusal purposes. Excerpts are not intended for performance, classroom or other academic use. In any of these cases you will need to purchase playbooks via our website or by phone, fax or mail. A short excerpt is not always indicative of the entire work, and we strongly suggest reading the whole play before planning a production or ordering a cast quantity of scripts. Family Plays haNs ChrisTiaN aNderseN’s The LiTTLe MerMaid Book by roseMary Nursey-Bray Music by arThur hoLLe © Family Plays The LiTTLe MerMaid “Imaginative, engrossing adaptation. A wonderful play for children, filled with mystery and delightful characters.” (Evaluation in CTAA Distinguished Play Award judging) Fantasy with optional music. Book by Rosemary Nursey-Bray. Music by Arthur Holle. Based on the story by Hans Christian Andersen. Cast: 6m., 11w., extras. Sun-Through-Water, a beautiful mermaid, falls in love with a handsome human. Through a spell cast by the wicked Sea Witch, the Little Mermaid grows legs and feet—but what a terrible price she has to pay. This dramatization of the Hans Christian Andersen fairy tale offers enchanting technical effects; the director’s script gives detailed suggestions for staging them. Premiered by Hartley College of Advanced Education in Australia. A director’s script is available with costume plates, suggestions for constructing costumes, details of preparing the black-light scenes, and instructions for designing a set that will provide smooth- flowing scene changes without interrupting the action. -
Double Lines
Page 2 Coastal Fisherman June 16, 2010 www.coastalfisherman.net next if the same thinking is red knot was “on the verge of applied to black sea bass or extinction”. While I admit that some other species. It will all these beautiful birds have DoubleDouble LinesLines end up in court, of course, but declined over the years, there it seems that regional council are still thousands of them, by Dale Timmons members and other which doesn’t seem to me like government or quasi- they are about to become government bodies that extinct in the near future. In the Recreational anglers, representatives of the regulate fishing would rather same story, the statement was charter and headboat Recreational Fishing Alliance be sued by fishermen’s groups made that the birds “subsisted operators, and local business (RFA) and others who opposed than by radical environmental entirely” on horseshoe crab owners all screamed in protest, the action say the vote was groups. Perhaps that says eggs. While it is true that they but last week the South based on bad science and a something about our lack of stuff themselves with the eggs Atlantic Fishery Management regulation that is being unity and lack of funding as in order to finish the last leg of Council (SAFMC) voted to replaced this fall. much as anything else. Stay their migration north, they also close almost 5,000 square miles Sound familiar? “Bad tuned… eat bean clams and other small of fishing grounds to all forms science” includes such things creatures along the surf line as of bottom fishing. -
Paranormal Primer: Creating Believable Characters and Settings
Paranormal Primer: Creating Believable Characters and Settings Copyright © Bill Platt License: You have “personal use rights” to this report. You do not have right to change the contents, give it away, resell it, or take credit for creating it. You are not authorized to upload this document to any website. This is an Educational Guide! The information presented in this Product is intended to be for your educational and entertainment purposes only. We are not presenting you with a business opportunity. We are not presenting you with a distributorship. We are not making any claims as to income you may earn. We are not presenting you with an opportunity to get rich. Before embarking on any endeavor, please use caution and seek the advice your own personal professional advisers, such as your attorney and your accountant. Where income figures are mentioned (if any), those income figures are anecdotal information passed on to us concerning the results achieved by the individual sharing the information. We have performed no independent verification of the statements made by those individuals. Please do not assume that you will make those same income figures. Please do not construe any statement in this website/product as a claim or representation of average earnings. There are NO average earnings. Testimonials and statements of individuals are not to be construed as claims or representations of average earnings. We cannot, do not, and will not make any claims as to earnings, average, or otherwise. Success in any endeavor is based on many factors individual to you. We do not know your educational background, your skills, your prior experience, or the time you can and will devote to the endeavor. -
Dark Tales: the Little Mermaid Rulebook
When the young mermaid turned fifteen, she was given permission to leave. She swam toward the sky that she could see over her head. With a spray of thousands of droplets, she raised above the sea’s surface, and saw on the deck of a magnificent caravel a young and handsome prince... Contents - A deck of 26 cards: ? 2 3 PRINCE SHIPWRECK LITTLE MERMAID 2 LM 1 P P/ / / • 24 Playing cards At the end of your turn, score 2VP if you have at least All players draw 1 card. You may play Take 1 Prince from the discard pile and play him. 1 Female in play in front of you. If she is a Princess 1 Male, Female, or Villain in front If there’s no Prince in the discards, take him from of you without activating it. or the Little Mermaid, score 1 additional VP. 3 any player. Draw 1 Pact. You may discard 1 Pact. 4 3 Discard 1 Magic Wand and 1 card from your hand to take 1 card of the same type from the discard pile and play it. 2 4 Discard 1 Armor and reveal 1 Villain from your hand to force all players to either give you 1 card from their hand or discard 2 VP. Discard 1 Gold Coin and 2 cards from your hand to score 4 VP. You may repeat this action any number of times. 5 Discard 1 Sword and any 1 Villain in play to score 5 VP; then, all players draw 1 card. A B • 2 Setting card for the basic game: A6 and B6 A6 B6 the ghost vessel the mage’s chest After the storm, a menacing galleon with torn sails ...and during the quest, they also learn about is advancing towards the coast. -
Middle and Junior High Core Collection
MIDDLE AND JUNIOR HIGH CORE COLLECTION A Selection Guide 2012 SUPPLEMENT TO THE TENTH EDITION EDITED BY EVE-MARIE MILLER, CHRISTI SHOWMAN FARRAR AND LIZA OLDHAM H. W. WILSON A Division of EBSCO Publishing, Inc. IPSWICH, MASSACHUSETTS Copyright © 2013 by H. W. Wilson, A Division of EBSCO Publishing, Inc. All rights reserved. No part of this work may be used or reproduced in any manner whatsoever or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without written permission from the copyright owner. For permissions requests, contact [email protected]. Library of Congress Control Number 2009027506 International Standard Book Number: 978-0-8242-1102-8 Printed in the United States of America Abridged Dewey Decimal Classification and Relative Index, Edition 15 is © 2004–2012 OCLC Online Computer Library Center, Inc. Used with Permission. DDC, Dewey, Dewey Decimal Classification, and WebDewey are registered trademarks of OCLC. TABLE OF CONTENTS Preface v Directions for Use vi Part 1. Classified Collection 1 Part 2. Author, Title, and Subject Index 133 PREFACE Middle and Junior High Core Collection is a selective list of books recommended for young people in grades five through nine, together with professional aids for librarians and library media specialists. This 2012 Supplement is intended for use with the Tenth Edition of the Collection and contains entries for approximately 500 titles. The items in the Collection are considered appropriate for middle and junior high school libraries, though some titles overlap in their reading level with Children’s Core Collection and others with Senior High Core Collection. -
Chilling Adventures of Sabrina | Dialogue Transcript | S3:E6
CREATED BY Roberto Aguirre-Sacasa EPISODE 3.06 “Chapter Twenty-Six: All of Them Witches” Zelda attempts to forge a supernatural alliance, Sabrina and the gang work with Caliban, and Hilda's transformation takes a terrifying turn. WRITTEN BY: Joshua Conkel DIRECTED BY: Roxanne Benjamin ORIGINAL BROADCAST: January 24, 2020 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. EPISODE CAST Kiernan Shipka ... Sabrina Spellman Ross Lynch ... Harvey Kinkle Lucy Davis ... Hilda Spellman Chance Perdomo ... Ambrose Spellman Michelle Gomez ... Mary Wardwell Jaz Sinclair ... Rosalind Walker Lachlan Watson ... Theo Putnam Gavin Leatherwood ... Nicholas Scratch Tati Gabrielle ... Prudence Night Adeline Rudolph ... Agatha Richard Coyle ... Father Faustus Blackwood Miranda Otto ... Zelda Spellman Sam Corlett ... Caliban Abigail Cowen ... Dorcas Glynis Davies ... Dezmelda P a g e | 1 1 00:00:10,010 --> 00:00:12,012 [intro theme music plays] 2 00:01:52,695 --> 00:01:55,698 Halt, sisters, and welcome. 3 00:01:55,782 --> 00:01:57,867 Welcome is for guests. 4 00:01:58,535 --> 00:02:01,996 You summoned us here against our will, Zelda Spellman. 5 00:02:02,080 --> 00:02:05,250 I did, Gryla. I summoned you here for the good of all witchkind. 6 00:02:05,333 --> 00:02:07,418 You are no longer safe on your own.