DOCSLIB.ORG

Public Television: Public Radio

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Public Television: Public Radio Public Public Television: Radio: America’s Most Cultural, Connected, Trusted Intellectual and Instuon Influenal Broadcast via these fine networks:! SPONSOR OPPORTUNITIES The WoodSongs Old-Time Radio Hour is an award-winning, live audience, naonal "front porch" style radio and TV music show. ! 15th year as a syndicated show ! Currently airs on +520 public radio staons Presentd ! 96M USA TV homes on PBS ! American Forces Radio Network broadcasts in 173 naons to all military by… bases and US Naval ships worldwide with 1.4 million listeners per weekend ! 2 Million listeners each week via public radio ! Stephen Foster Broadcas3ng award winner ! Featuring world-class and Grammy awarding winning talent ! 2.6 million dedicated online users each year ! Over 900 broadcast episodes. Kenny Loggins & Blue Sky Riders More about WoodSongs… WoodSongs began with 10 people in a small room and one radio staon. Now… The all volunteer, LeXington, KY-based live audience celebraon of grassroots music, the ar3sts who make it and the people who love Presentd it is not only reaching reaching millions of listeners and viewers by… worldwide each week, the WoodSongs brand and commitment to the arts is growing by leaps and bounds. WoodSongs is also commiZed to the future of the arts through it’s WoodSongs Kids and WoodSongs Classroom, which provides arts-based lesson plans for FREE to educators and home schools. WoodSongs’ SongFarmers and Front PorcH Associa>on is rapidly growing worldwide with over 42 ac3ve chapters and an annual “Gathering” in Berea, KY in October. John Oates WoodSongs Broadcast Outlets •WoodSongs is provided FREE OF CHARGE to public and community radio and television staons anywhere in the world. •PUBLIC RADIO broadcast downloads are available weekly from PRX •PUBLIC TV broadcast downloads are available weekly from NETA •RFD-TV broadcasts WoodSongs twice weekly, Fridays at 6pm ET & Presentd Wednesdays at 3:30pm ET. by… •There are currently over 370 public radio broadcast outlets. •American Forces Network Radio broadcasts in 173 naons to all military bases and US Naval ships worldwide with 1.4 million listeners each weekend. George Winston Public Broadcasng •PBS is the #6 broadcast & cable network in the US reaching nearly 200 million people every year…over 90 million per month. •PBS is noted as Americans’ Most Trusted Ins3tu3on •80% of US households watch PBS •On air, NPR reaches 30.2 million weekly listeners through more than 1,000 public Presentd radio staons. •83% of NPR listeners take ac3on in response to an NPR sponsorship announcement. by… •Public Radio Listener Profile: 44% enjoy reading, 27% entertain at home, and 29% enjoy gardening. •According to NETA the WoodSongs TV broadcast on public TV is available in 65% of all USA TV homes. Bela Fleck & Abigale Washburn Source: Neilson / Npower 2017 WoodSongs launcHed on RFD-TV Network in 2017. Downtown LeXington is now hos3ng a broadcast with a bigger audience than the Grand Ole Opry Presentd and Aus>n City Limits combined. by… Doyle Lawson & Quicksilver and Amy Grant •Rural America’s Most Important Network •7 0 million people live a rural lifestyle. RFD-TV reaches these valuable and omen overlooked consumers in the Heartland of America •Available in 50+ million homes Presentd •Spending Power: Median Net Worth well above naonal average by… with +$300k •90% of viewers are homeowners •Over 9 million weekly impressions •2 X more viewers than Inspiraon Network, GAC, CMT, Outdoor Channel & Sportsman Channel • #1 cable network for rural Americans, including boomers, farmers, and ranchers Roger McGuinn Source: Neilson Media Research & Doublebase GfK MRI, 2017 PROPOSAL [SPONSOR] as a PLATINUM underwriter/adver3ser on the en3re media plaorm of WoodSongs Old-Time Radio Hour you will receive: •2, 30 second ads on each RFD-TV NETWORK broadcast 2 3mes per week (media dollar value of over $400,000) •One 15 second open sponsor bumper and one 15 second close Presentd sponsor bumper on each RFD-TV NETWORK broadcast 2 3mes per week (media dollar value of over $100,000) by… •Two 15 second underwriter credits for public TV and radio broadcasts, a value of at least $100,000 (according to PRI.org sponsor overview). •Buy value $500,000 per year for terrestrial broadcast, not including online viewing and other promoonal and adver>sing opportunies, not including public television’s promo>onal value or AFN global value. (Public television’s segmented programming makes it difficult to assign a value to an underwri>ng sponsorship but it would exceed RFD’s.) But wait, there’s more… Tommy Emmanuel PROPOSAL SPONSOR will also reap the residual benefits of the eXtended WoodSong’s brand coverage, including: AMERICAN FORCES RADIO NETWORK: 2 broadcasts per weekend on their main channel The Voice plus 2 broadcasts per weekend on the new Americana/Country channel. LIVE EVENT: Signage weekly at the Lyric Theatre in LeXington, KY. Presentd ONLINE: Logo placement with 2.6M dedicated users per year. by… PRINT: Ad space and logo placement on all ads, brochures and theatre programs. WOODSONGS GATHERING: Signage at the fes3val event, Berea Arena Theatre, Berea, KY, Oct 12 and 13, 2018 TOUR SPONSOR: Sponsor par3cipaon in all touring including… MicHael JoHnathon’s Songs of Rural America SympHony Tour MicHael JoHnathon Solo Tour WoodSongs On The Road Tour PARTICIPATION LEVELS PLATINUM SPONSOR $175,000 GOLD SPONSOR 1, 30 second ad on RFD SILVER SPONSOR Presentd Closed Cap3on sponsor on RFD by… Sarah Jarosz Presentd Clockwise: Judy Collins, by… Michael Johnathan, Valerie June, Pink Mar3ni with the Von Trapp Family Contact: FaitH Quesenberry [email protected] 615-668-9720 Presentd by… All photos by Larry Neuzel. .
Load more

Recommended publications
  • C NTENTASIA #Thejobsspace Pages 14, 15, 16
    Bumper jobs issue C NTENTASIA #TheJobsSpace pages 14, 15, 16 www.contentasia.tv l https://www.facebook.com/contentasia?fref=ts facebook.com/contentasia l @contentasia l www.asiacontentwatch.com New Warner TV debuts on 15 March iZombie leads launch schedule Turner unveils the new version of regional entertainment channel Warner TV on 15 March, three days ahead of the express premiere in Asia of iZombie, the brain-eat- ing zombie show inspired by DC Comics. The new Warner TV debuts with a re- worked logo and the tagline “Get Into It”. The new schedule is divided into three clear pillars – drama, action and comedy. More on page 3 Hong Kong preps for Filmart 2015 800 exhibitors, 30 countries expected Digital entertainment companies are ex- pected to turn out in force for this year’s 19th annual Hong Kong Filmart, which runs from 23-26 March. Organisers said in the run up to the market that about 170 digital companies would participate. About 18% of these are from Hong Kong. The welcome mat is also being rolled More on page 16 Facing facts in China Docu bosses head for Asian Side of the Doc About 600 delegates are expected in the Chinese city of Xiamen for this year’s Asian Side of the Doc (ASD), including the event’s first delegation from Brazil and more indie producers than ever. This year’s event (17-20 March) takes place against sweeping changes in Chi- More on page 18 9-22 March 2015 page 1. C NTENTASIA 9-22 March 2015 Page 2.
    [Show full text]
  • Toon Cup 2020
    PARTNERSHIP PROPOSAL TOON CUP WILL TAKE PLACE AS PLANNED! While for a known reason Euro 2020 has been postponed for a year... EURO …the Cartoon Network characters will do everything to provide 2020 great sport experience for young and older football fans! WHAT IS TOON CUP? Casual football mobile app and web game. Players choose a country and build a team using their favourite CN characters. They can tackle the ball, dribble, pass, shoot and unlock new playable characters by earning coins. Available as: Desktop/Mobile/Tablet web game IOS/Android Mobile app Game is Free AD FUNDED Live Dates Web game & mobile app: June 11th Tournament: June 11th – August 6th App icons are not final MARKETING ACTIVITIES ▪ WEBSITE takeover presence (2 weeks from launch) ▪ Significant, DIGITAL paid campaigns driving both website traffic and app downloads ▪ SEARCH and APP STORE advertising ▪ YOUTUBE pre-roll / bumper campaign ▪ ON-AIR promos (15” and 30” promo + squeeze credit) ▪ SOCIAL MEDIA promotion, both organic and paid All activities - TBC Most of promotion can include sponsor message TOON CUP LEGACY Total app downloads since launch: 39.5M Tournament Year Unique Users Matches Played Average Dwell time (Data Period) Winter 2019 (Dec 17th – Jan 31st) 1.3M 11.8M 19.0 minutes Summer 2019 (June 6th – July 31st) 14M 89M 24.4 minutes Winter 2018 (Dec 13th – Feb 7th) 2.1M 22M 16.4 minutes Summer 2018 (June 28th – August 8th) 9.2M 61M 17.2 minutes IN-APP ADVERTISING AND SPONSORSHIP OPPORTUNITIES Mid-rolls on app Pitch side advertising Plays after every 3 minutes
    [Show full text]
  • Hacks, Leaks and Disruptions | Russian Cyber Strategies
    CHAILLOT PAPER Nº 148 — October 2018 Hacks, leaks and disruptions Russian cyber strategies EDITED BY Nicu Popescu and Stanislav Secrieru WITH CONTRIBUTIONS FROM Siim Alatalu, Irina Borogan, Elena Chernenko, Sven Herpig, Oscar Jonsson, Xymena Kurowska, Jarno Limnell, Patryk Pawlak, Piret Pernik, Thomas Reinhold, Anatoly Reshetnikov, Andrei Soldatov and Jean-Baptiste Jeangène Vilmer Chaillot Papers HACKS, LEAKS AND DISRUPTIONS RUSSIAN CYBER STRATEGIES Edited by Nicu Popescu and Stanislav Secrieru CHAILLOT PAPERS October 2018 148 Disclaimer The views expressed in this Chaillot Paper are solely those of the authors and do not necessarily reflect the views of the Institute or of the European Union. European Union Institute for Security Studies Paris Director: Gustav Lindstrom © EU Institute for Security Studies, 2018. Reproduction is authorised, provided prior permission is sought from the Institute and the source is acknowledged, save where otherwise stated. Contents Executive summary 5 Introduction: Russia’s cyber prowess – where, how and what for? 9 Nicu Popescu and Stanislav Secrieru Russia’s cyber posture Russia’s approach to cyber: the best defence is a good offence 15 1 Andrei Soldatov and Irina Borogan Russia’s trolling complex at home and abroad 25 2 Xymena Kurowska and Anatoly Reshetnikov Spotting the bear: credible attribution and Russian 3 operations in cyberspace 33 Sven Herpig and Thomas Reinhold Russia’s cyber diplomacy 43 4 Elena Chernenko Case studies of Russian cyberattacks The early days of cyberattacks: 5 the cases of Estonia,
    [Show full text]
  • Political Broadcast Manual
    Political Broadcast Manual California Broadcasters Association womblebonddickinson.com ©2018 Womble Bond Dickinson (US) LLP Womble Bond Dickinson (US) LLP 1200 Nineteenth Street, NW Suite 500 Washington, DC 20036 202.467.6900 202.467.6910 (fax) www.womblebonddickinson.com Contacts: Michael Bennet – 202.857.4442 [email protected] John Garziglia – 202.857.4455 [email protected] Rebecca Jacobs Goldman – 202.857.4547 [email protected] Gregg Skall – 202.857.4441 [email protected] Copyright 2018 by Womble Bond Dickinson (US) LLP This Manual is provided for general information purposes only and should not be relied upon as legal advice pertaining to any specific factual situation Political Broadcast Manual Page i Political Rules in a Nutshell (Section Numbers of this Manual are in Parentheses) A broadcast licensee must provide to (II) LEGALLY QUALIFIED political candidates for federal office (III) REASONABLE ACCESS. When any legally qualified candidate makes a (IV) USE of a broadcast facility during a (V) NON-EXEMPT PROGRAM, then an opposing candidate is entitled to make a (VI) REQUEST for (VII) EQUAL OPPORTUNITIES. Certain uses may qualify for the station’s (VIII) LOWEST UNIT CHARGE. A full (IX) DISCLOSURE of the station’s selling practices must be made to all political advertisers. All uses must be free from (X) CENSORSHIP and must bear the proper (XI) SPONSORSHIP IDENTIFICATION. Documentation of each request for a use of the station’s facilities, together with other relevant information, must be maintained in the station’s (XII) POLITICAL FILE. Public (XIII) ACCESS TO THE POLITICAL FILE must be provided.
    [Show full text]
  • Federal Election Commission § 100.33
    Federal Election Commission § 100.33 (G) In the case of a communication through the facilities of any broadcast, appearing exclusively on a cable or sat- cable, or satellite television or radio ellite television system, but not on a station, unless such facilities are broadcast station or network, that the owned or controlled by any political viewership of the cable system or sat- party, political committee, or can- ellite system lying within a Congres- didate. A news story distributed sional district or State is 50,000 or through a broadcast, cable, or satellite more; or television or radio station owned or (H) In the case of a communication controlled by any political party, polit- appearing on a cable television net- ical committee, or candidate is never- work, that the total cable and satellite theless exempt if the news story meets viewership within a Congressional dis- the requirements described in 11 CFR trict or State is 50,000 or more. 100.132(a) and (b); (ii) Cable or satellite television (3) Constitutes an expenditure or viewership is determined by multi- independent expenditure provided that plying the number of subscribers with- the expenditure or independent expend- in a Congressional district or State, or iture is required to be reported under a part thereof, as appropriate, by the the Act or Commission regulations; current national average household (4) Constitutes a candidate debate or size, as determined by the Bureau of forum conducted pursuant to 11 CFR the Census. 110.13, or that solely promotes such a (iii) A determination
    [Show full text]
  • 16 Miner Bumper Miner Incidents
    Features Inside: 16 Miner Bumper The December 11, 2009 Miner Incidents Miner Christmas Rants and Raves from the staff Samantha Johnson’s Rave: I love the 25 days of Christmas special on ABC. Issue 3 Volume 58 December 11, 2009 Josey Erickson’s Rant: They play Christmas music before Thanksgiving and it would be devastating not to have snow! Otherwise I love Christmas! Brenna Johansen’s Rave: I love the “25 days of Christmas” tv special on ABC channel where Christmas movies are played Economy impacts auto industy By: Brandon Renner Shelby Schields’ Rave: everyday till Christmas. I’m an avid “Home Alone” watcher. I love Christmas music, Christmas trees, and Christmas snow, People......7:Where are They The American economy’s Now?: Cody Johnson stands on pretty much everything about Christmas is great. recession negatively affected the top of a windmill at his job sight in automotive industry. It has even Jaydin Mann’s Rave: I love Christmas because I can hear Baker, Montana. caused two of the three major car Logan Dschaak’s Rant: Santa is not real! Elves are not real! Tyler Schmidt singing and humming Christmas songs in the hallways...actually he is always doing that. companies to go bankrupt. Chrysler The North Pole is NOT REAL! Its all just a big lie! Cooperation was bought out by a European company, Fiat. General Tyler Freuer’s Rave: I love seeing all of my relatives on Christmas Day. Ruby Aiupperspach’s Rant: I hate the cold weather and snow. Motors is now basically run by the We are always prone to accidents.
    [Show full text]
  • CLOSURE BUMPER Assembly Time Reduction for a Perfect Fit and Finish Adjustment ARAYMOND, CLOSE to YOU EVERYWHERE
    PRODUCT INFORMATION SELF-ADJUSTABLE CLOSURE BUMPER Assembly time reduction for a perfect fit and finish adjustment ARAYMOND, CLOSE TO YOU EVERYWHERE 1 center of expertise 11 engineering centers 26 manufacturing sites in 25 countries 6,800 employees More than 150 years of experience 2 SELF-ADJUSTABLE BUMPER // PRODUCT INFORMATION OVERVIEW Application . p.4 Environment . p.5 Assembly time reduction . p.6 Improved passenger comfort . p.8 Flexibility of assembly . p.9 Technical specifications. p.10 A wide product portfolio . p.12 Key advantages . p.14 Your contacts worldwide . p.15 PRODUCT INFORMATION // SELF-ADJUSTABLE BUMPER 3 APPLICATION A PERFECT FIT AND FINISH ADJUSTMENT PROTECTS THE TAILGATE FROM CLOSURE VIBRATIONS 4 SELF-ADJUSTABLE BUMPER // PRODUCT INFORMATION ENVIRONMENT Aesthetic The self-adjustable bumper is mounted into the tailgate and adjusted to the vehicle geometry and tolerances at the OEM assembly line. No additional counter-stops needed which reduce the number of parts, operations, and tolerance adjustments. Bumper Tailgate PRODUCT INFORMATION // SELF-ADJUSTABLE BUMPER 5 ASSEMBLY TIME REDUCTION • Easy assembly and secure locking by quarter turn without tool • Auto-adjusting height of two bumpers in one closure by simple pressure of the tailgate for a perfect fit and finish adjustment Push in and quarter turn in only one operation • Secure locking of the height and automatic compression adjustment by a simple quarter turn of the ring 1 6 SELF-ADJUSTABLE BUMPER // PRODUCT INFORMATION Fast and accurate + 1,6 mm overtravel for compression 1,6 mm 10 mm gap compensation Assembly quality 2 3 PRODUCT INFORMATION // SELF-ADJUSTABLE BUMPER 7 IMPROVED PASSENGER COMFORT • Absorbs shocks and vibrations • Reduces noise propagation • Ensures watertightness • Better perceived quality and durability – Can withstand Reaction force 30,000 open/close cycles over the lifetime of a vehicle 80 N to 130 N Auto-adjusted compression, high quality bumper (EPDM), double seal.
    [Show full text]
  • From the Streets of Manila to the Eberswalde Forest | ABS-CBN News
    3.1.2019 From the streets of Manila to the Eberswalde Forest | ABS-CBN News Toggle navigation News Search Search facebook twitter youtube login Search Search Home News Business Entertainment Life Sports Overseas Trending Focus Weather DZMM ANC TV Patrol LOGIN EXPLORE ABS-CBN Why Tony Labrusca thinks all ‘Pinoy power to the max’: Tyra UNCUT: Catriona Gray does ‘slow- IN PHOTOS: Kylie Padilla marries Filipinos are horny Banks has glowing words for mo twirl’ again, this time in tight Aljur Abrenica in resplendent Catriona Gray dress ceremony Recommended by Home > Focus From the streets of Manila to the Eberswalde Forest Katrin Hartmann Posted at Nov 18 2018 12:48 AM | Updated as of Nov 18 2018 01:30 PM Share Save Facebook Twitter GPlus LinkedIn https://news.abs-cbn.com/focus/11/18/18/from-the-streets-of-manila-to-the-eberswalde-forest 1/11 3.1.2019 From the streets of Manila to the Eberswalde Forest | ABS-CBN News University of the Philippines-Diliman student Gino Carlo Garcia. Jeffrey Hernaez MANILA – Gino Carlo Garcia doesn’t stand out in Manila. He pins his raven-black hair backwards with a hair clip and his white teeth flash with every smile. At the University of the Philippines Diliman (UP) in Quezon City, he resembles every other student. And yet, many things are different for the 33-year-old. Sitting on a bench at UP, he observes the students lying on the grass having a good time in the park. It's the first time he's seen his home in two years.
    [Show full text]
  • Cable Audio Services --- the (Hi-Fi) Sky's the Limit
    CABLE AUDIO SERVICES --- THE (HI-FI) SKY'S THE LIMIT Ned Mountain UA-Columbia Cablevision, Inc San Angelo, Texas The time has come to re-examine the poten­ The development of aural entertainment service tial and impact of audio services within the can be looked at in a similar analogy. The same cable television industry. This paper com­ 3 forms of consumption exist; broadcast, cable, ments on several marketing and technical as­ and home audio recording/playback, but they evol­ pects of implementing quality service. A un­ ved in slightly different order. First to be de­ ique blend of technology, public demand for veloped was the phonograph in 1877. Next, com­ diversification, and new program services is mercial radio broadcasting began in 1920. These rapidly coming together that will allow crea­ two forms of audio entertainment make up the bulk tive operators to develop an exciting audio of today's available sources. Both industries product for their subscribers. continue to grow, flourish and compliment each other. The third item to be considered is audio services via cable. It is my opinion that the area is being left behind in our industries "blue INTRODUCTION sky" thinking. Cable television is a dynamic, expanding business with unlimited potential. Much cur­ TECHNICAL CONSIDERATIONS rent thinking is directed toward taking the It is possible to add a multi-channel FM audio "television" out of the term and looking at service in just about any well designed CATV sys­ the ultimate blue sky potential of the "ca­ tem provided that good engineering practices are ble". At this point in the growth of our in­ used.
    [Show full text]
  • Cartoons Are No Laughing Matter
    SPECIAL REPORT July 2011 Cartoons Are No Laughing Matter Sex, Drugs and Profanity on Primetime Animated Programs Cartoons Are No Laughing Matter: Sex, Drugs and Profanity on Primetime Animated Programs July 2011 Our work is often inspired by the passion and compassion of others. A special thank you to the following individuals and foundations for their generous support. Donald and Michele D’Amour William E. Simon Foundation Mathile Family Foundation Stuart Family Foundation Mr. & Mrs. T. Bondurant French 2 Cartoons Are No Laughing Matter: Sex, Drugs and Profanity on Primetime Animated Programs July 2011 FOR MEDIA INQUIRIES PLEASE CONTACT Megan Franko CRC Public Relations (703) 859-5054 or Liz Krieger CRC Public Relations (703) 683-5004, ext. 120 www.ParentsTV.org 3 Cartoons Are No Laughing Matter: Sex, Drugs and Profanity on Primetime Animated Programs July 2011 CONTENTS I. Executive Summary 5 II. Network Report Card 9 III. Introduction 10 IV. About the Networks 11 V. Methodology 12 VI. A Description of the TV Rating System 13 VII. Study Findings 13 VIII. Conclusion 17 IX. Content Examples 19 X. Data Tables 26 XI. References 4 Cartoons Are No Laughing Matter: Sex, Drugs and Profanity on Primetime Animated Programs July 2011 C artoons Are No Laughing Matter Sex, Drugs and Profanity on Primetime Animated Programs The present study not only reveals what kids are seeing on cartoons today, it also reveals what networks and advertisers are marketing to children and teens while they are watching. Executive Summary The television industry is often criticized for the amount of sex, violence and profanity it airs.
    [Show full text]
  • PBS Producer's Handbook
    PBS Producer’s Handbook As of December 2019 Welcome to the PBS Producer’s Handbook The PBS Producer’s Handbook is designed to help producers create and deliver content for PBS. This comprehensive Handbook provides detailed information on a wide range of producer responsibilities and requirements, including production and promotional deliverables, broadcast standards and practices and general policies. Producers are encouraged to read the Handbook and share it with their production teams. About PBS PBS is a private, nonprofit corporation, founded in 1969, whose members are America’s public TV stations — noncommercial, educational licensees that operate more than 330 PBS member stations and serve all 50 states, Puerto Rico, U.S. Virgin Islands, Guam and American Samoa. In partnership with its member stations, PBS serves the American public with programming and services of the highest quality, using media to educate, inspire, entertain and express a diversity of perspectives. PBS empowers individuals to achieve their potential and strengthen the social, democratic and cultural health of the U.S. Every day, PBS and its more than 330 member stations fulfill an essential mission to the American public, providing trusted programming that is uniquely different from commercial broadcasting and treating audiences as citizens, not simply consumers. For 16 consecutive years, a national study has rated PBS as the most trusted institution in America. PBS Producer’s Handbook 2 TABLE OF CONTENTS GLOSSARY 1 INCLUSION 4 SECTION 1: PBS PROGRAMMING 5 Types
    [Show full text]
  • The Sovereign Trickster
    The Journal of Asian Studies Vol. 78, No. 1 (February) 2019: 141–166. © The Association for Asian Studies, Inc., 2019 doi:10.1017/S0021911818002656 The Sovereign Trickster VICENTE L. RAFAEL In our current moment, authoritarian figures loom large. One of them is Philippine Presi- dent Rodrigo Duterte. He seems to embody two notions of sovereignty. One is related to law, the other to norms: on the one hand, the power of taking exception to the former, decid- ing who will live and who will die; on the other hand, the freedom from the limits of the latter by way of dissipation, irresponsibility, and excess. This article explores the double sources of his power with reference to the works of Michel Foucault and Achille Mbembe. While most of Foucault’s work has focused on Europe, Mbembe has written about postcolonial conditions in ways that make critical use of Foucault. Drawing from their writings, this article situates Duterte as a “sovereign trickster” who seeks to dominate death while monopolizing laughter. Finally, this article speculates on the comparative usefulness of this figure of the sovereign trickster with regard to President Donald Trump, whose form of tricksterism derives, the author argues, from the tradition of blackface minstrelsy. Keywords: death, drug war, Duterte, Foucault, Mbembe, Philippines, sovereignty, trickster, Trump Justice pursues the body beyond all possible pain. — Michel Foucault, Discipline and Punish Duterte: May Utak sa Bayag, May Bayag sa Utak [Duterte: Brains in the balls and balls in the brains]. — Duterte campaign bumper sticker, 2016 PROVINCIALIZING FOUCAULT OR THE LAST FEW years, I have been teaching a course on Filipino histories during Fthe same term that I have been leading a reading seminar on Michel Foucault at my university.
    [Show full text]