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PSB Report Definitions
Definitions: Channel groups (1) Channel group Output & Spend definition TV Viewing Audience Opinion Legal Definition BBC One, BBC Two, BBC Three, BBC All BBC channels (BBC Four, BBC News, BBC Parliament, CBBC, One, BBC Two, BBC CBeebies, BBC streaming channels, BBC Three, BBC Four, BBC BBC One, BBC Two, BBC HD (to March 2013) and BBC Olympics News , BBC Parliament Three, BBC Four, BBC News, channels (2012 only). ITV Network* (inc ,CBeebies, CBBC, BBC PSB Channels BBC Parliament, ITV/ITV ITV Breakfast), Channel 4, Channel 5 and Alba, all BBC HD Breakfast, Channel 4, Channel S4C (S4C is added to C4 2008-2009 and channels), the Channel 3 5,, BBC CBBC, CBeebies excluded from 2010 onwards post-DSO in services (provided by ITV, Wales). HD variants are included where STV and UTV), Channel 4, applicable (but not +1s). Channel 5, and S4C. BBC One, BBC Two, ITV Network (inc ITV BBC One, BBC Two, ITV/ITV Main five PSB Breakfast), Channel 4, Channel 5. HD BBC One, BBC Two, Breakfast, Channel 4, Channel channels variants are included where applicable ITV/STV/UTV, Channel 4, 5 (but not +1s). Channel 5 BBC One, BBC Two, BBC Three, BBC Four , BBC Main PSB channels News, ITV/STV/UTV, combined Channel 4, Channel 5, S4C Commercial PSB ITV/ITV Breakfast, Channel 4, Channels Channel 5 ITV+1 Network (inc ITV Breakfast) , ITV2, ITV2+1, ITV3, ITV3+1, ITV4, ITV4+1, CITV, Channel 4+1, E4, E4 +1, More4, CITV, ITV2, ITV3, ITV4, Commercial PSB More4 +1, Film4, Film4+1, 4Music, 4Seven, E4, Film4, More4, 5*, Portfolio Channels 4seven, Channel 4 Paralympics channels 5USA (2012 only), Channel 5+1, 5*, 5*+1, 5USA, 5USA+1. -
Public Television: Public Radio
Public Public Television: Radio: America’s Most Cultural, Connected, Trusted Intellectual and Instuon Influenal Broadcast via these fine networks:! SPONSOR OPPORTUNITIES The WoodSongs Old-Time Radio Hour is an award-winning, live audience, naonal "front porch" style radio and TV music show. ! 15th year as a syndicated show ! Currently airs on +520 public radio staons Presentd ! 96M USA TV homes on PBS ! American Forces Radio Network broadcasts in 173 naons to all military by… bases and US Naval ships worldwide with 1.4 million listeners per weekend ! 2 Million listeners each week via public radio ! Stephen Foster Broadcas3ng award winner ! Featuring world-class and Grammy awarding winning talent ! 2.6 million dedicated online users each year ! Over 900 broadcast episodes. Kenny Loggins & Blue Sky Riders More about WoodSongs… WoodSongs began with 10 people in a small room and one radio staon. Now… The all volunteer, LeXington, KY-based live audience celebraon of grassroots music, the ar3sts who make it and the people who love Presentd it is not only reaching reaching millions of listeners and viewers by… worldwide each week, the WoodSongs brand and commitment to the arts is growing by leaps and bounds. WoodSongs is also commiZed to the future of the arts through it’s WoodSongs Kids and WoodSongs Classroom, which provides arts-based lesson plans for FREE to educators and home schools. WoodSongs’ SongFarmers and Front PorcH Associa>on is rapidly growing worldwide with over 42 ac3ve chapters and an annual “Gathering” in Berea, KY in October. John Oates WoodSongs Broadcast Outlets •WoodSongs is provided FREE OF CHARGE to public and community radio and television staons anywhere in the world. -
C NTENTASIA #Thejobsspace Pages 14, 15, 16
Bumper jobs issue C NTENTASIA #TheJobsSpace pages 14, 15, 16 www.contentasia.tv l https://www.facebook.com/contentasia?fref=ts facebook.com/contentasia l @contentasia l www.asiacontentwatch.com New Warner TV debuts on 15 March iZombie leads launch schedule Turner unveils the new version of regional entertainment channel Warner TV on 15 March, three days ahead of the express premiere in Asia of iZombie, the brain-eat- ing zombie show inspired by DC Comics. The new Warner TV debuts with a re- worked logo and the tagline “Get Into It”. The new schedule is divided into three clear pillars – drama, action and comedy. More on page 3 Hong Kong preps for Filmart 2015 800 exhibitors, 30 countries expected Digital entertainment companies are ex- pected to turn out in force for this year’s 19th annual Hong Kong Filmart, which runs from 23-26 March. Organisers said in the run up to the market that about 170 digital companies would participate. About 18% of these are from Hong Kong. The welcome mat is also being rolled More on page 16 Facing facts in China Docu bosses head for Asian Side of the Doc About 600 delegates are expected in the Chinese city of Xiamen for this year’s Asian Side of the Doc (ASD), including the event’s first delegation from Brazil and more indie producers than ever. This year’s event (17-20 March) takes place against sweeping changes in Chi- More on page 18 9-22 March 2015 page 1. C NTENTASIA 9-22 March 2015 Page 2. -
Toon Cup 2020
PARTNERSHIP PROPOSAL TOON CUP WILL TAKE PLACE AS PLANNED! While for a known reason Euro 2020 has been postponed for a year... EURO …the Cartoon Network characters will do everything to provide 2020 great sport experience for young and older football fans! WHAT IS TOON CUP? Casual football mobile app and web game. Players choose a country and build a team using their favourite CN characters. They can tackle the ball, dribble, pass, shoot and unlock new playable characters by earning coins. Available as: Desktop/Mobile/Tablet web game IOS/Android Mobile app Game is Free AD FUNDED Live Dates Web game & mobile app: June 11th Tournament: June 11th – August 6th App icons are not final MARKETING ACTIVITIES ▪ WEBSITE takeover presence (2 weeks from launch) ▪ Significant, DIGITAL paid campaigns driving both website traffic and app downloads ▪ SEARCH and APP STORE advertising ▪ YOUTUBE pre-roll / bumper campaign ▪ ON-AIR promos (15” and 30” promo + squeeze credit) ▪ SOCIAL MEDIA promotion, both organic and paid All activities - TBC Most of promotion can include sponsor message TOON CUP LEGACY Total app downloads since launch: 39.5M Tournament Year Unique Users Matches Played Average Dwell time (Data Period) Winter 2019 (Dec 17th – Jan 31st) 1.3M 11.8M 19.0 minutes Summer 2019 (June 6th – July 31st) 14M 89M 24.4 minutes Winter 2018 (Dec 13th – Feb 7th) 2.1M 22M 16.4 minutes Summer 2018 (June 28th – August 8th) 9.2M 61M 17.2 minutes IN-APP ADVERTISING AND SPONSORSHIP OPPORTUNITIES Mid-rolls on app Pitch side advertising Plays after every 3 minutes -
Researching Digital on Screen Graphics Executive Sum M Ary
Researching Digital On Screen Graphics Executive Sum m ary Background In Spring 2010, the BBC commissioned independent market research company, Ipsos MediaCT to conduct research into what the general public, across the UK thought of Digital On Screen Graphics (DOGs) – the channel logos that are often in the corner of the TV screen. The research was conducted between 5th and 11th March, with a representative sample of 1,031 adults aged 15+. The research was conducted by interviewers in-home, using the Ipsos MORI Omnibus. The key findings from the research can be found below. Key Findings Do viewers notice DOGs? As one of our first questions we split our sample into random halves and showed both halves a typical image that they would see on TV. One was a very busy image, with a DOG present in the top left corner, the other image had much less going on, again with the DOG in the top left corner. We asked respondents what the first thing they noticed was, and then we asked what they second thing they noticed was. It was clear from the results that the DOGs did not tend to stand out on screen, with only 12% of those presented with the ‘less busy’ screen picking out the DOG (and even fewer, 7%, amongst those who saw the busy screen). Even when we had pointed out DOGs and talked to respondents specifically about them, 59% agreed that they ‘tend not to notice the logos’, with females and viewers over 55, the least likely to notice them according to our survey. -
Hacks, Leaks and Disruptions | Russian Cyber Strategies
CHAILLOT PAPER Nº 148 — October 2018 Hacks, leaks and disruptions Russian cyber strategies EDITED BY Nicu Popescu and Stanislav Secrieru WITH CONTRIBUTIONS FROM Siim Alatalu, Irina Borogan, Elena Chernenko, Sven Herpig, Oscar Jonsson, Xymena Kurowska, Jarno Limnell, Patryk Pawlak, Piret Pernik, Thomas Reinhold, Anatoly Reshetnikov, Andrei Soldatov and Jean-Baptiste Jeangène Vilmer Chaillot Papers HACKS, LEAKS AND DISRUPTIONS RUSSIAN CYBER STRATEGIES Edited by Nicu Popescu and Stanislav Secrieru CHAILLOT PAPERS October 2018 148 Disclaimer The views expressed in this Chaillot Paper are solely those of the authors and do not necessarily reflect the views of the Institute or of the European Union. European Union Institute for Security Studies Paris Director: Gustav Lindstrom © EU Institute for Security Studies, 2018. Reproduction is authorised, provided prior permission is sought from the Institute and the source is acknowledged, save where otherwise stated. Contents Executive summary 5 Introduction: Russia’s cyber prowess – where, how and what for? 9 Nicu Popescu and Stanislav Secrieru Russia’s cyber posture Russia’s approach to cyber: the best defence is a good offence 15 1 Andrei Soldatov and Irina Borogan Russia’s trolling complex at home and abroad 25 2 Xymena Kurowska and Anatoly Reshetnikov Spotting the bear: credible attribution and Russian 3 operations in cyberspace 33 Sven Herpig and Thomas Reinhold Russia’s cyber diplomacy 43 4 Elena Chernenko Case studies of Russian cyberattacks The early days of cyberattacks: 5 the cases of Estonia, -
Proposal Terms and Conditions Channel Four
Proposal Terms and Conditions Channel Four Television Corporation ('Channel 4') hereby thanks originators for their interest in this website. Please note however that Channel 4 is unable to accept programme proposals from members of the general public. In order for a programme proposal to be considered by Channel 4, the originator of such proposal must be: (i) an independent production company (company registration number to be supplied); or (ii) an individual or partnership with previous production related experience. Before deciding to submit a proposal to Channel 4 for consideration, please read the following terms and conditions carefully. The terms and conditions aim to put into practice the principals of the Code of Practice for Submission of Programme Proposals as agreed between the Alliance for the Protection of Copyright and Channel 4. 1. Offensive Material Channel 4 reserves the right to delete any submissions which are offensive, defamatory or libellous. 2. Ownership of Proposal Originators must (to the best of their knowledge) be the creator of the programme proposal and have the legal right to submit the proposal to Channel 4 for consideration. 3. Disclosure not Confidential The originator of the programme proposal accepts that Channel 4 may discuss any proposals submitted with its employees, and possibly others, to evaluate its suitability for Channel 4. The originator acknowledges that Channel 4’s consideration of a programme proposal does not create a confidential relationship between the originator and Channel 4. 4. Similarity of Proposals The originator acknowledges that Channel 4 may already be exploring similar programme proposals or and ideas which resemble the originator’s proposal and that, in some cases, similar or identical ideas may be generated independently. -
BRITISH ACADEMY TELEVISION CRAFT AWARDS in 2016: Winners in *BOLD
BRITISH ACADEMY TELEVISION CRAFT AWARDS IN 2016: Winners in *BOLD SPECIAL AWARD *NINA GOLD BREAKTHROUGH TALENT sponsored by Sara Putt Associates DC MOORE (Writer) Not Safe for Work- Clerkenwell Films/Channel 4 GUILLEM MORALES (Director) Inside No. 9 - The 12 Days of Christine - BBC Productions/BBC Two MARCUS PLOWRIGHT (Director) Muslim Drag Queens - Swan films/Channel 4 *MICHAELA COEL (Writer) Chewing Gum - Retort/E4 COSTUME DESIGN sponsored by Mad Dog Casting BARBARA KIDD Jonathan Strange & Mr Norrell - Cuba Pictures/Feel Films/BBC One *FOTINI DIMOU The Dresser - Playground Television UK Limited, Sonia Friedman Productions, Altus Productions, Prescience/BBC Two JOANNA EATWELL Wolf Hall - Playground Entertainment, Company Pictures/BBC Two MARIANNE AGERTOFT Poldark - Mammoth Screen Limited/BBC One DIGITAL CREATIVITY ATHENA WITTER, BARRY HAYTER, TERESA PEGRUM, LIAM DALLEY I'm A Celebrity... Get Me Out of Here! - ITV Consumer Ltd *DEVELOPMENT TEAM Humans - Persona Synthetics - Channel 4, 4creative, OMD, Microsoft, Fuse, Rocket, Supernatural GABRIEL BISSET-SMITH, RACHEL DE-LAHAY, KENNY EMSON, ED SELLEK The Last Hours of Laura K - BBC MIKE SMITH, FELIX RENICKS, KIERON BRYAN, HARRY HORTON Two Billion Miles - ITN DIRECTOR: FACTUAL ADAM JESSEL Professor Green: Suicide and Me - Antidote Productions/Globe Productions/BBC Three *DAVE NATH The Murder Detectives - Films of Record/Channel 4 JAMES NEWTON The Detectives - Minnow Films/BBC Two URSULA MACFARLANE Charlie Hebdo: Three Days That Shook Paris - Films of Record/More4 DIRECTOR: FICTION sponsored -
Political Broadcast Manual
Political Broadcast Manual California Broadcasters Association womblebonddickinson.com ©2018 Womble Bond Dickinson (US) LLP Womble Bond Dickinson (US) LLP 1200 Nineteenth Street, NW Suite 500 Washington, DC 20036 202.467.6900 202.467.6910 (fax) www.womblebonddickinson.com Contacts: Michael Bennet – 202.857.4442 [email protected] John Garziglia – 202.857.4455 [email protected] Rebecca Jacobs Goldman – 202.857.4547 [email protected] Gregg Skall – 202.857.4441 [email protected] Copyright 2018 by Womble Bond Dickinson (US) LLP This Manual is provided for general information purposes only and should not be relied upon as legal advice pertaining to any specific factual situation Political Broadcast Manual Page i Political Rules in a Nutshell (Section Numbers of this Manual are in Parentheses) A broadcast licensee must provide to (II) LEGALLY QUALIFIED political candidates for federal office (III) REASONABLE ACCESS. When any legally qualified candidate makes a (IV) USE of a broadcast facility during a (V) NON-EXEMPT PROGRAM, then an opposing candidate is entitled to make a (VI) REQUEST for (VII) EQUAL OPPORTUNITIES. Certain uses may qualify for the station’s (VIII) LOWEST UNIT CHARGE. A full (IX) DISCLOSURE of the station’s selling practices must be made to all political advertisers. All uses must be free from (X) CENSORSHIP and must bear the proper (XI) SPONSORSHIP IDENTIFICATION. Documentation of each request for a use of the station’s facilities, together with other relevant information, must be maintained in the station’s (XII) POLITICAL FILE. Public (XIII) ACCESS TO THE POLITICAL FILE must be provided. -
Sandyblue TV Channel Information
Satellite TV / Cable TV – Third Party Supplier Every property is privately owned and has different TV subscriptions. In most properties in the area of Quinta do Lago and Vale do Lobo it is commonly Lazer TV system. The Lazer system has many English and European channels. A comprehensive list is provided below. Many other properties will have an internet based subscription for UK programs, similar to a UK Freeview service. There may not be as many options for sports and movies but will have a reasonable selection of English language programs. If the website description for a property indicates Satellite television, for example Portuguese MEO service (visit: https://www.meo.pt/tv/canais-servicos-tv/lista-de-canais/fibra for the current list of channels) you can expect to receive at least one free to air English language channel. Additional subscription channels such as sports and movies may not be available unless stated in the property description. With all services it is unlikely that a one off payment can be made to access e.g. boxing or other pay per view sport events. If there is a specific sporting event that will be held while you are on holiday please check with us as to the availability of upgrading the TV service. A selection of our properties may be equipped to receive local foreign language channels only please check with the Reservations team before booking about the TV programs available in individual properties. If a villa is equipped with a DVD player or games console, you may need to provide your own DVDs or games. -
Channel 4 DEA Review
Annex 3: Evidence assessing C4C’s delivery of its media content duties (2010-2013) December 2014 Contents • Background Slide 2 • Evidence to assess C4C’s delivery of its media Slide 11 content duties 1 Background 2 Introduction • Section 198C of the Communications Act 2003 (the Act) requires Ofcom to review the extent to which Channel 4 Corporation (C4C) has delivered the media content duties set out in section 198A of the Act. These duties were introduced by the Digital Economy Act 2010 (the DEA). • This slide pack sets out C4C’s media content duties, and maps the evidence compiled to assess C4C’s delivery of each these requirements across its services comprised of: its TV channels, on-demand and online services, and Film4 Productions. 3 C4C’s media content duties under Section 198A of the Act *The public service objectives are: 4. In performing their duties under 1) to 1. C4C must participate in - (b) that cultural activity in the United Kingdom, and its diversity, are a) the making of a broad range of relevant 3) C4C must - reflected, supported and stimulated by the representation in those services media content of high quality that, taken as a) support the development of people (taken together) of drama, comedy and music, by the inclusion of feature a whole, appeals to the tastes and interests films in those services and by the treatment of other visual and performing with creative talent, in particular – arts; of a culturally diverse society, i. people at the beginning of b) the making of high quality films intended to (c) that those services (taken together) provide, to the extent that is their careers in relevant media appropriate for facilitating civic understanding and fair and well-informed be shown to the general public at the content or films, and debate on news and current affairs, a comprehensive and authoritative cinema in the United Kingdom, and coverage of news and current affairs in, and in the different parts of, the c) the broadcasting and distribution of such ii. -
Federal Election Commission § 100.33
Federal Election Commission § 100.33 (G) In the case of a communication through the facilities of any broadcast, appearing exclusively on a cable or sat- cable, or satellite television or radio ellite television system, but not on a station, unless such facilities are broadcast station or network, that the owned or controlled by any political viewership of the cable system or sat- party, political committee, or can- ellite system lying within a Congres- didate. A news story distributed sional district or State is 50,000 or through a broadcast, cable, or satellite more; or television or radio station owned or (H) In the case of a communication controlled by any political party, polit- appearing on a cable television net- ical committee, or candidate is never- work, that the total cable and satellite theless exempt if the news story meets viewership within a Congressional dis- the requirements described in 11 CFR trict or State is 50,000 or more. 100.132(a) and (b); (ii) Cable or satellite television (3) Constitutes an expenditure or viewership is determined by multi- independent expenditure provided that plying the number of subscribers with- the expenditure or independent expend- in a Congressional district or State, or iture is required to be reported under a part thereof, as appropriate, by the the Act or Commission regulations; current national average household (4) Constitutes a candidate debate or size, as determined by the Bureau of forum conducted pursuant to 11 CFR the Census. 110.13, or that solely promotes such a (iii) A determination