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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
V119-1985To1986-331.Pdf
I LyJL^JJLK p <4- Ontario JOURNALS OF THE Legislative Assembly OF THE PROVINCE OF ONTARIO From 4th of June to 18th of June 1985 Both Days Inclusive and from 2nd of July to 12th of July 1985 Both Days Inclusive and from 15th of October to 20th of December 1985 Both Days Inclusive and from 6th of January to 12th of February 1986 Both Days Inclusive IN THE THIRTY-FOURTH AND THIRTY-FIFTH YEAR OF THE REIGN OF OUR SOVEREIGN LADY QUEEN ELIZABETH II BEING THE First Session of the Thirty-Third Parliament of Ontario SESSION 1985-86 VOL. CXIX INDEX Journals of the Legislative Assembly, Ontario 34-35 ELIZABETH II, 1985-86 1st Session Thirty-Third Parliament DJOURNMENT DEBATES: July 9 (two matters), July 11, November 5 (two matters), December 5 (two matters), December 10 (two matters), December 12 (two matters), Decem- ber 19, January 7, 21 , 23, 28. Aexander, Honourable Lincoln: Appointment as Lieutenant Governor remarks on, (Oct. 15), 71. gOARD OF INTERNAL ECONOMY: Order-in-Council re membership of, (June 7, July 5, Oct. 28, Dec. 9), 26. 46. 92, 144. Budget Debate: 1. Motion for approval, (Oct. 24), 87. Carried, (Feb. 12), 232. Amendment moved, (Oct. 25), 90. Lost, (Feb. 12), 231. 2. Dates debated October 24, 25, 28, 29, 31, November 1 , 4, February 12. By-Election: Warrant for issued, (Oct. 15), 71. fiiil iv index 1985-86 1 ABINET OFFICE ESTIMATES: Cabinet Office Programme. Deemed reported and concurred in (Feb. 12), 221. Francophone Affairs Programme see Francophone Affairs. Commission on Redistribution: Debate on the motion for Consideration of Objections to the Report of (July 5, Oct. -
Darren Hayman and the Secondary Modern Losing My Glue Mp3, Flac, Wma
Darren Hayman And The Secondary Modern Losing My Glue mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Losing My Glue Country: UK Released: 2009 Style: Indie Rock MP3 version RAR size: 1586 mb FLAC version RAR size: 1873 mb WMA version RAR size: 1125 mb Rating: 4.3 Votes: 299 Other Formats: WAV MPC AA ADX MP3 FLAC MP2 Tracklist Hide Credits Losing My Glue 1 Written-By – Darren Hayman, David Tattersall Ruth 2 Written-By – Darren Hayman, David Sheppard Small Town Sleeping 3 Written-By – Darren Hayman, David Sheppard Amateur Dramatics 4 Written-By – Darren Hayman Credits Performer – Aki Paivarinne*, Dan Mayfield , Darren Hayman, David Sheppard, David Tattersall, Mark Crown, Matthew Benson, Nick Buxton Notes This EP was only given away with the purchase of the album "Pram Town" at an instore gig at Rough Trade East on January 26th 2009. Remaining copies were given away through the label's website with the purchase of ANY Darren Hayman CD. Also available as a commerical download. Other versions Category Artist Title (Format) Label Category Country Year Darren Hayman And The Losing My Glue (4xFile, none Belka none UK 2011 Secondary Modern* MP3, EP, Promo, 320) Related Music albums to Losing My Glue by Darren Hayman And The Secondary Modern Darren Hayman & The Secondary Modern - Nothing You Can Do About It Joe Hayman - Cohen 'Phones His Son At College / Cohen At The Fight Darren Hayman - Four Queens Darren Hayman - Great British Holiday EPs Richard Hayman - (Her Name Is) Suzanne Darren Hayman & The Secondary Modern - Bad Policewoman / Your Heart Richard Hayman - Street Of Tears Darren Hayman - Thankful Villages Vol. -
Dream Calendar
PS edited by Raymond Friel and Richard Price number 4 PS is the Prose Supplement to Painted, spoken, which is edited, typeset, and published by Richard Price. Please send an A5 stamped self-addressed envelope for a free copy. Earlier issues have been digitised at: www.poetrymagazines.org.uk PS‟s editorial policy is constituted in instalments by the contents of PS PS appears occasionally, from 24 Sirdar Rd, Wood Green, London N22 6RG Other related projects are outlined at www.hydrohotel.net PS edited by Raymond Friel and Richard Price PS number 4 2008 Darren Hayman and the Secondary Modern (Track and Field) Richard Price “Give the kids what they want!” Darren Hayman sings on the rousing opener to his new collection. “Art & Design” is a song about the allure of trendy teachers to pupils and colleagues alike, it‟s about adultery avoidance and confused state- sponsored educationalism. “But they don‟t know what they want!” he replies to himself in anguished but energetic tones. This track is the beginning of an album of songs whose great hooks belie their rich narrative content. It is surely among Hayman‟s most catchy batches of songs and that‟s saying something. The electric blue-grass band he has assembled gives this record a fuller sound than his last outing with the appropriately named solo project Table For One. Occasional use of horns, uplifting saxophone here, delicate trumpet there, and the presence of guitars now fully back since the electronic experiments of Dead Media and Local Information all up the power but don‟t deaden the wit. -
Barefacts21-02-02
21/02/02 The University of Surrey Students’ Newspaper www.ussu.co.uk Issue no: 1026 FREE Green Week Special: Letters: On Being A Sabb... What’s It All About, VC’s Pay - The Uni p16 - 17 Hit’s Back! Who Cares? p4 p6 News In Brief BY MICHAEL CHAMBERS Over 200 decomposing corpses found in crematorium yard Thank Orange It’s An extensive search operation was put into action last Friday after a pet dog, which was being walked by its owner, unearthed a human skull in a forest behind a cremato- rium in the US state of Georgia. Authorities Friday! say they have now recovered more than 200 BY RICHARD WATTS nights in recent history. Having been thought Touché complimented the temporary décor decomposing corpses from the grounds of Deputy Editor of as one of the best venues last year, USSU erected by Orange with decent dance tunes the Tri-State Crematorium. Bodies were found stacked in storage sheds and scattered was once again praised by the representatives that we are not necessarily accustomed to at in woods around the site in the small town of Following the success of last year’s Orange of Orange, not only for the atmosphere and Surrey, whilst downstairs, in the Helyn Rose Noble, north west of Georgia. It is believed V.1 event, Orange V.2 took the Union over general good nature of the event, but also for Bar, Dynamo Productions fused a beat wor- that the owners of the business have been once again last Friday night and gave the the technical support offered by Stage Crew. -
The Architecture of Popular Songs
Songwriters and song lyrics: architecture, ambiguity and repetition Keith Negus and Pete Astor Pete Astor, Department of Music, University of Westminster, Regent Street, London, W1B 2HW Keith Negus, Department of Music, Goldsmiths, University of London, New Cross, London, SE14 6NW Main contact: [email protected] Abstract This article argues for understanding popular songs and songwriting through the metaphor of architecture, an idea we draw from vernacular terms used by songwriters when comprehending and explaining their own creative practice, and which we deploy in response to those who have called for writing about music to use a non-technical vocabulary and make greater use of metaphor. By architecture we mean those recognisable characteristics of songs that exist as enduring qualities regardless of a specific performance, recording or sheet music score. We use this analogy not as a systematic model, but as a device for exploring the intricate ways that words and music are combined and pointing to similarities in the composition of poetry and writing of song lyrics. The art of repetition and play with ambiguity are integral to popular song architectures that endure regardless of the modifications introduced by performers who temporarily inhabit a particular song. *** In this article we argue for an architectural approach to the popular song, a perspective that treats songwriters as architects rather than romantically inspired expressive artists. Our approach implies that listeners are indeed dancing (and thinking) about architecture when responding to popular songs, and it is an awareness of this that informs the practices of songwriters.1 By architecture we mean those recognisable characteristics of songs that exist as enduring qualities regardless of a particular performance, recording or version. -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
South East Walker December 2017
walkerSOUTH EAST No. 100 December 2017 Largest urban wetland nature reserve in Europe opens althamstow Wetlands, an area of ten A cycle route also crosses the site, paid for by the reservoirs built between 1853 and 1904 Greater London Authority. Thames Water remains the Won what was marshland next to the owner of the site and maintains the reservoirs which River Lee in north east London, opened on 20 continue to be operational and are the main source of October. The 520 acre/211 ha site, previously only water supply for about 3.5 million households. available to permit holders - mainly anglers and Walthamstow Wetlands lies between Tottenham birdwatchers - is now open to the public daily, free Hale and Blackhorse Road stations with the main of charge. entrance on Ferry Lane, about ten minutes walk from The opening follows a £10.6 million regeneration of both stations. The site is open daily from 9.30am, the site, the result of a partnership made up of Waltham closing at 4pm from October to March and 5pm in Forest Council, Thames Water, Heritage Lottery Fund summer. No dogs (except guide dogs) are permitted. and London Wildlife Trust. On site are 13 miles of Further information is at www.walthamstowwetlands. footpath, a visitor centre and London's largest heronry. com At the southern end of Walthamstow Wetlands, the listed Coppermill Tower will offer a viewing platform. There has been a mill on the site since at least the 1086 Domesday Book Essex rail crossings inquiry delayed public inquiry into and access were needed to check Network Rail's proposals these changes but Network Rail Ato close many railway suggested that the objectors should crossings in Essex was due contact landowners themselves. -
New Com Puter Wi Ll Offer More for G Ra Ph
"^ 1 \ / Volume 11 No.4 Tech bui ldi ng sod tu rn ed at cere mony by Neil Van GrootheeatChronicle staff Sod for the'new $3.6 million Skilled Trades and Technology building at Durham College was turned on Friday, Oct 28. Chairman of the Durham Board of Governors Ruth Milne and Sam Cureatz, MPP for Durham East, were on hand for the event The new building is being constructed south of the H-block» just east of the tech- nology wing of the college. Housed in the new building will be eight new classrooms, a robotics two lab, electronic labs, and two i " . , CAD/CAM rooms with a central computer area The machine shop located in the H- block will be doubled in size. A new metal fabrication area and fitter-welder room will also be installed.^ Master of Ceremonies Mel Gariand Arthur Smith, technology division teacher, and his digging party said, "This is a great day for Durham of second year technology students show off Napiers hones. College. We have a reputation of being photo by NeU Van Grootheest advanced, and this new building is another sign of continuous growth." Sam Cureatz, MPP for Durham east, N apie r's bon es exh u m ed brought a congratulatory message from the Minister of Colleges and Universities Dr. Ministry of Colleges and Universities Dr. for new tech bu i ld i ng Bette Stephenson. by Nefl Van Grootheest . Upon their arrival back at the college, Cureatz Chronicle staff jokingly said, "It was a lot of the raiding party hid the bones in a drafting hard work twisting her arm to get money for Poor Napier. -
College Glendon College
January 18, College 1980 Glendon College Volume 19 no. 14 Ambiguity Over 10% Increase By Cheryl Watson time students. In deal ing with this, Found sees For members of the gal two areas of concern, lery at Monday's BoardOf 1) if we did not havepart Governors meeting, ob time programs would we serving came to an unex not have these students at pected end when the Board all, and 2) if we dld not went into 'closed session'. have part-time programs would more students do It had been well publi full-time studies? cizedthat both the York University Faculty Asso Vice-president Bell then ciation (YUFA) and the discussed the 1980-81 Fund Graduates AssistantAsso ing Arrangements. He not dation (GAA) had requested ed that there has been an to speak at Monday's meet overall increase in grants ing. After the Chairman to the Ministry ofColleges stated that the executive and Universities of 7.2%. felt it was "most abnormal This is better than the fore to be receiving such pre casted 5% increase, how sentations" he also stated ever, it falls some 2 to 3% that they had agreedto re below that recommended by ceive them. He then moved the Ontario Council ofUni that the Board move into a versity Affairs. closed session. Prior to this, the Board The controversial 10% received reports from var optional tuition fee increase, ious committees as well announced by the Ministry as the Vice-President of of Colleges and Universities Academic Affairs, William was dealt with in a rather Found, and Vice-President ambigious manner. -
Organization and Partners Primavera
THE FESTIVAL LINE UP PARC DEL FÒRUM ORGANIZATION AND PARTNERS TICKETS GRAPHIC CAMPAIGN PRESS QUOTES HISTORY CONTACT THE FESTIVAL Primavera Sound has always concentrated all its efforts on uniting the latest musical proposals from the independent scene together with already well-established artists, while embracing any style or genre in the line up, fundamentally looking for quality and essentially backing pop and rock as well as underground electronic and dance music. Over the last twelve years, the festival has had the most diverse range of artists. Some of those who have been on stage are Arcade Fire, Queens of the Stone Age, The National, Nine Inch Nails, Kendrick Lamar, Pixies, Aphex Twin, Neil Young, Sonic Youth, Portishead, Pet Shop Boys, Pavement, Echo & The Bunnymen, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Cat Power, Public Enemy, Grinderman, Franz Ferdinand, Television, Devo, Enri- que Morente, The White Stripes, LCD Soundsystem, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Swans, Melvins, Psychic TV, Spiritualized, The Cure, Bon Iver, La Buena Vida, Death Cab For Cutie, Iggy & The Stooges, De La Soul, Marianne Faithfull, Mazzy Star, Blur, Wu-Tang Clan, Phoenix, The Jesus and Mary Chain, Tame Impala, The Strokes, Belle & Sebastian, Antony & the Johnsons, The Black Keys, James Blake, Interpol y Sleater-Kinney amongst many others. Primavera Sound has consolidated itself as the urban festival par excellence with unique characteristics that have pro- jected it internationally as a reference cultural event. The event stands out from other large music events and is faithful to its original artistic idea, keeping the same standards and maintaining the same quality of organization of past years, without resorting to more commercial bands. -
Dossier De Premsa
22 – 26 MAYO BARCELONA DOSSIER DE PREMSA EL FESTIVAL CARTELL PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TICKETS CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA CONTACTE ANNEX: BIOGRAFIES D’ARTISTES EL FESTIVAL Des dels seus inicis, el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primor- dialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva història amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young, Sonic Youth, Portishead, Pet Shop Boys, Pavement, Echo & The Bunnymen, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Cat Power, Public Enemy, Grin- derman, Franz Ferdinand, Television, Devo, Enrique Morente, The White Stripes, LCD Soundsystem, Tinders- ticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Swans, Melvins, The National, Psychic TV, Spiritualized, The Cure, Bon Iver, La Buena Vida, Death Cab For Cutie, Iggy & The Stooges, De La Soul, Marianne Faithfull o Mazzy Star, entre molts d’altres. Primavera Sound s’ha consolidat com el festival urbà per excel·lència amb característiques úniques, atès que es desmarca de la resta de macro esdeveniments musicals i es manté fidel a la línia artística, el nivell d’exigència i la qualitat organitzativa de les passades edicions, prescindint de grups de caràcter comercial.