DOCSLIB.ORG

GTMF Live 2020 Radio Series Repertoire

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
GTMF Live 2020 Radio Series Repertoire G20 Live from the Grand Teton Music Festival 2020 G20-01 Program 1 - Mahler in the Mountains Host Donald Runnicles with guest Heidi Stober Gustav Mahler - Symphony No. 4 Heidi Stober, soprano - Donald Runnicles, conductor G20-02 - Program 2 - Romeo and Juliet Hosts Donald Runnicles and Andrew Todd Pyotr Tchaikovsky - Romeo and Juliet Overture-Fantasy Donald Runnicles, conductor Sergei Prokofiev - Suite from Romeo and Juliet, Op. 64 Cristian Măcelaru, conductor G20-03 - Program 3 - English Countryside Hosts Donald Runnicles and Andrew Todd Ralph Vaughan Williams - Fantasia on a Theme by Thomas Tallis Donald Runnicles, conductor Ralph Vaughan Williams - Symphony No. 5 in D major Donald Runnicles, conductor G20-04 - Program 4 - Paris—City of Light Hosts Donald Runnicles and Andrew Todd Claude Debussy - Violin Sonata Augustin Hadelich, violin - Orion Weiss, piano Igor Stravinsky - The Rite of Spring Donald Runnicles, conductor G20-05 - Program 5 - Mozart the Magician Hosts Donald Runnicles and Andrew Todd W. A. Mozart - Bassoon Concerto in B-flat major, K. 191 Charles Ullery, bassoon - Donald Runnicles, conductor W. A. Mozart - Clarinet Concerto in A major, K. 622 - Mvt. I Gregory Raden, clarinet - Edo de Waart, conductor W. A. Mozart - Violin Concerto No. 4 in D major, K. 218 James Ehnes, violin - Donald Runnicles, conductor G20-06 - Program 6 - Mother Russia Host Andrew Todd interviews Denis Kozhukhin Anatoly Lyadov - The Enchanted Lake, Op. 62 Louis Langrée, conductor Sergei Rachmaninoff - Piano Concerto No. 2 in C minor, Op. 18 Denis Kozhukhin, piano - Fabien Gabel, conductor G20-07 - Program 7 - A Hero’s Life Co-hosts Andrew Todd and Donald Runnicles Richard Strauss - Ein Heldenleben, Op. 40 Donald Runnicles, conductor Richard Strauss - Cäcilie Heidi Melton, soprano - Donald Runnicles, conductor G20-08 - Program 8 - Romantic Piano Concerti Host Andrew Todd with guest host Stephen Hough Robert Schumann - Piano Concerto in A minor, op. 54 Jeremy Denk, piano - Ludovic Morlot, conductor Camille Saint-Saëns - Piano Concerto No. 4 in C minor, op. 44 Marc-Andre Hamelin, piano - Yan Pascal Tortelier, conductor Franz Liszt - Piano Concerto No. 1 in E-flat major, S. 124 William Wolfram, piano - Andrew Litton, conductor G20-09 - Program 9 - Choral Spectacular Hosts Donald Runnicles and Andrew Todd Giuseppe Verdi - Requiem - I. Requiem, IV. Sanctus, VII. Libera me Angela Meade, soprano; Elizabeth Bishop, mezzo-soprano; Eric Margiore, tenor; Raymond Aceto, bass; San Francisco Festival Chorale, Ian Robertson, director; Donald Runnicles, conductor Carl Orff - Carmina Burana - Parts II and III Meechot Marrero, soprano; Sunnyboy Dladla, tenor; Thomas Lehman, baritone; Utah Symphony Chorus, Eric Schmidt, chorus master; Choristers of the Madeleine Choir School, Melanie Malinka, director; Donald Runnicles, conductor G20-10 - Program 10 - Schumann Cello Concerto Host Andrew Todd interviews Rafael Payare and Alisa Weilerstein Bedřich Smetana - The Moldau Rafael Payare, conductor Robert Schumann - Cello Concerto in A minor, Op. 129 Alisa Weilerstein, cello - Rafael Payare, conductor Ludwig van Beethoven - Symphony No. 5 in C minor, Op. 67 - I. Allegro con brio Rafael Payare, conductor G20-11 - Program 11 - Takács Quartet Host Andrew Todd interviews Takács members Edward Dusinberre and Harumi Rhodes Franz Schubert - String Quintet in C major, D 956 - II. Adagio Takács Quartet with Kari Jane Doctor, cello Béla Bartók - String Quartet No. 1 in A minor Takács Quartet G20-12 - Program 12 - España Host Andrew Todd interviews LAGQ members Matthew Greif and William Kanengiser Manuel de Falla - Suite from El sombrero de tres picos (The Three Cornered Hat) Miguel Harth-Bedoya, conductor Joaquin Rodrigo - Concierto Andaluz Los Angeles Guitar Quartet - Matthias Pintscher, conductor G20-13 - Program 13 - Made in America Hosts Donald Runnicles and Andrew Todd John Adams - Slonimsky’s Earbox Donald Runnicles, conductor Samuel Barber - Violin Concerto, Op. 14 Sarah Chang, violin - Donald Runnicles, conductor Aaron Copland – Symphony No. 3 - Final Movement Cristian Măcelaru, conductor 1645 W. Waveland Avenue, Unit 3, Chicago, Illinois 60613-3632 direct 312 543 3835 [email protected].
Load more

Recommended publications
  • Annual Report 2015–2016
    ANNUAL REPORT 2015–2016 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 1 CONTENTS Reflections on the 2015–16 Season 2 Oscar S. Schafer, Chairman 4 Matthew VanBesien, President 6 Alan Gilbert, Music Director 8 Year at a Glance 10 Our Audiences 12 The Orchestra 14 The Board of Directors 20 The Administration 22 Conductors, Soloists, and Ensembles 24 Serving the Community 26 Education 28 Expanding Access 32 Global Immersion 36 Innovation and Preservation 40 At Home and Online 42 Social Media 44 The Archives 47 The Year in Pictures 48 The Benefactors 84 Lifetime Gifts 86 Leonard Bernstein Circle 88 Annual Fund 90 Education Donors 104 Heritage Society 106 Volunteer Council 108 Independent Auditor’s Report 110 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT THE SEASON AT A GLANCE Second Line Title Case Reflections on the 2015–16 Season 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 3 REFLECTIONS ON THE 2015–16 SEASON From the New York Philharmonic’s Leadership I look back on the Philharmonic’s 2015–16 season and remember countless marvelous concerts that our audiences loved, with repertoire ranging from the glory of the Baroque to the excitement of the second NY PHIL BIENNIAL. As our Music Director, Alan Gilbert has once again brought excitement and inspiration to music lovers across New York City and the world. I also look back on the crucial, impactful developments that took place offstage. Throughout the season our collaboration with Lincoln Center laid a strong foundation for the renovation of our home.
    [Show full text]
  • Coa-Program-For-Web.Pdf
    HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful.
    [Show full text]
  • Un Ballo in Maschera
    San Francisco Opera Association War Memorial Opera House 2014-2015 Un Ballo in Maschera A Masked Ball (In Italian) Opera in three acts by Giuseppe Verdi Libretto by Antonio Somma Based on a libretto by Eugene Scribe for Daniel Auber's opera Gustave III, ou Le Bal masque Cast Conductor Nicola Luisotti Count Horn (Sam) Christian Van Horn Count Ribbing (Tom) Scott Conner * Director Jose Maria Condemi Oscar Heidi Stober Costume Designer Gustavus III, King of Sweden (Riccardo) Ramón Vargas John Conklin Count Anckarström (Renato) Thomas Hampson Lighting Designer Brian Mulligan 10/7, 22 Gary Marder Chief Magistrate A.J. Glueckert † Chorus Director Madame Arvidson (Ulrica) Dolora Zajick Ian Robertson Christian (Silvano) Efraín Solís † Choreographer Amelia's Servant Christopher Jackson Lawrence Pech Amelia Anckarström Julianna Di Giacomo * Assistant Conductors Giuseppe Finzi Vito Lombardi * San Francisco Opera debut † Current Adler Fellow Musical Preparation Bryndon Hassman Tamara Sanikidze Place and Time: 1792 in Stockholm, Sweden John Churchwell Jonathan Khuner Fabrizio Corona Prompter Dennis Doubin Supertitles Philip Kuttner Assistant Stage Directors E. Reed Fisher Morgan Robinson Stage Manager Rachel Henneberry Costume Supervisor Jai Alltizer Wig and Makeup Designer Jeanna Parham Saturday, Oct 04 2014, 7:30 PM ACT I Tuesday, Oct 07 2014, 7:30 PM Scene 1: Levee in the king's bedroom Friday, Oct 10 2014, 7:30 PM Scene 2: Madame Arvidson's house on the waterfront Monday, Oct 13 2014, 7:30 PM INTERMISSION Thursday, Oct 16 2014, 7:30 PM ACT II Sunday, Oct 19 2014, 7:30 PM A lonely field Wednesday, Oct 22 2014, 7:30 PM INTERMISSION ACT III Scene 1: Count Anckarström's study Scene 2: The king's box at the opera Scene 3: Inside the Stockhold opera house Sponsors This production is made possible, in part, by the Bernard Osher Endowment Fund and the Thomas Tilton Production Fund.
    [Show full text]
  • The American Opera Series May 16 – November 28, 2015
    The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary.
    [Show full text]
  • Christine Brewer, Soprano and Craig Terry, Piano
    Old Dominion University 2018-2019 F. Ludwig Diehn Concert Series Christine Brewer, soprano Craig Terry, piano Concert: October 15, 7:30 p.m. Master Class: October 16, 12:30 p.m. Wilson G. Chandler Recital Hall F. Ludwig Diehn Center for the Performing Arts arts@odu Program Dich, teure Halle Richard Wagner (1813 – 1883) from Tannhäuser Wesendonck Lieder Richard Wagner Der Engel Stehe Still Im Treibhaus Schmerzen Träume September Richard Strauss (1864 – 1949) from Vier Letzte Lieder Ich liebe dich Allerseelen Breit über mein Haupt Zueignung INTERMISSION With a Song in My Heart Richard Rodgers (1902 – 1979) from Spring is Here Sing to Me, Sing Sidney Homer (1864 – 1953) Review Celius Dougherty (1902 – 1986) Hickory Hill Paul Sargent (1910 – 1987) Come Rain or Come Shine Harold Arlen (1905 – 1986) I Had Myself a True Love from St. Louis Woman Happiness is Just a Thing Called Joe Harold Arlen from Cabin in the Sky When I Have Sung My Songs Ernest Charles (1895 – 1984) Love Went A-Riding Frank Bridge (1879 – 1941) An endowment established at the Hampton Roads Community Foundation, made possible by a generous gift from F. Ludwig Diehn, funds this program. Translations Dich, teure Halle – Tannhäuser Be Still! – Stehe Still! by Richard Wagner Hurrying, scurrying wheel of time Marking out eternity; You, dear hall, I greet again... Glowing spheres in distant space I gladly greet you, beloved room! Circling us with gravity; All sempiternal generation, cease! In you, I still hear his songs Enough of that – let me know peace! Which waken me from my gloomy dream When he departed from you Desist, now, creative powers; How desolate you appeared to me.
    [Show full text]
  • Season Premiere of Tosca Glitters
    2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B.
    [Show full text]
  • Spring 2015 CUES Internet at the Speed of Whoa
    OPERAVolume 55 Number 05 | Spring 2015 CUES Internet at the speed of whoa. XFINITY® Internet delivers the fastest and most reliable in-home WiFi for all rooms, all devices, all the time. To learn more call 866-620-9714 or visit comcast.com Restrictions apply. Not available in all areas. Features and programming vary depending on area and level of service. WiFi claims based on April and October 2013 study by Allion Test Labs, Inc. Actual speeds vary and are not guaranteed. Reliably fast speed based on February 2013 FCC Broadband Report. Call for restrictions and complete details. ©2014 Comcast. All rights reserved. All trademarks are property of their respective owners. DIE WALKÜRE APRIL 18, 22, 25, 30 MAY 3 SWEENEY TODD APRIL 24, 26, 29 MAY 2, 8, 9 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR MANAGING DIRECTOR Margaret Alkek Williams Chair ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Kim Anderson Paul Hopper Perryn Leech Elizabeth Lyons Patrick Summers For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera instagram.com/hougrandopera Readers of Houston Grand Opera’s Opera Cues magazine are the Mobile: HGO.org most desirable prospects for an advertiser’s message.
    [Show full text]
  • The Magic Flute in San Francisco
    HOME COMMENTARY FEATURED OPERAS Glimmerglass: Butterfly Leads the Pack NEWS Every so often an opera fan is treated to a minor REPERTOIRE miracle, a revelatory performance of a familiar REVIEWS favorite that immediately sweeps all other ABOUT versions before it. CONTACT LINKS Operalia, the World Opera Competition, Showcases 2014 Winners SEARCH SITE On August 30, Los Angeles Opera presented the finals concert of Plácido Domingo’s Operalia, the world opera competition. Founded in 1993, the contest endeavors to discover and help launch the careers of the most promising young Enter Keywords opera singers of today. Thousands of applicants Search send in recordings from which forty singers are chosen to perform live in the city where the contest is being held. Last year it was Verona, Italy, this year Los Angeles, next year London. Subscribe to Opera Today Elektra at Prom 59 Receive articles and The second day of the Richard Strauss weekend news via RSS feeds or at the BBC Proms saw Richard Strauss's Elektra email subscription. performed at the Royal Albert Hall on 31 August Feature Articles 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Email Address Goerke in the title role. Subscribe Powerful Mahler Symphony no 2 Harding, BBC Proms London Triumphant! An exceptionally stimulating 15 Jun 2012 Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's The Magic Flute in San Francisco Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the A feast for the eyes, a feast for the ears, a Flute from benchmark by which all other performances are assessed.
    [Show full text]
  • Houston Grand Opera's 2017–18 Season Features Long-Awaited Return of Strauss's Elektra
    Season Update: Houston Grand Opera’s 2017–18 Season Features Long-Awaited Return of Strauss’s Elektra and Bellini’s Norma, World Premiere of Ricky Ian Gordon/Royce Vavrek’s The House without a Christmas Tree, First Major American Opera House Presentation of Bernstein’sWest Side Story Company’s six-year multidisciplinary Seeking the Human Spirit initiative begins with opening production of La traviata Updated July 2017. Please discard previous 2017–18 season information. Houston, July 28, 2017— Houston Grand Opera expands its commitment to broadening the audience for opera with a 2017–18 season that includes the first presentations of Leonard Bernstein’s classic musical West Side Story by a major American opera house and the world premiere of composer Ricky Ian Gordon and librettist Royce Vavrek’s holiday opera The House without a Christmas Tree. HGO will present its first performances in a quarter century of two iconic works: Richard Strauss’s revenge-filled Elektra with virtuoso soprano Christine Goerke in the tempestuous title role and 2016 Richard Tucker Award–winner and HGO Studio alumna Tamara Wilson in her role debut as Chrysothemis, under the baton of HGO Artistic and Music Director Patrick Summers; and Bellini’s grand-scale tragedy Norma showcasing the role debut of stellar dramatic soprano Liudmyla Monastyrska in the notoriously difficult title role, with 2015 Tucker winner and HGO Studio alumna Jamie Barton as Adalgisa. The company will revive its production of Handel’s Julius Caesar set in 1930s Hollywood, featuring the role debuts of star countertenor Anthony Roth Costanzo (HGO’s 2017–18 Lynn Wyatt Great Artist) and Houston favorite and HGO Studio alumna soprano Heidi Stober as Caesar and Cleopatra, respectively, also conducted by Maestro Summers; and Rossini’s ever-popular comedy, The Barber of Seville, with a cast that includes the eagerly anticipated return of HGO Studio alumnus Eric Owens, Musical America’s 2017 Vocalist of the Year, as Don Basilio.
    [Show full text]
  • Unravel Gem Show Confusion at Star Discussion
    THE MINIVAN REAL ESTATE MOMOLOGUES Backyard hacks Annual check-up CLASSIFIED Kristen finds focus Find out what’s again, thanks to read- Problem yards become award- Keep your home in good health; happening in the ing glasses Page E4 winning landscapes / E9 follow Rosie’s to-do list / E12 Tucson-area real estate market. Pages 13-16 SUNDAY, JANUARY 15, 2017 • SECTION E Editor: Inger Sandal / 520-573-4131 / [email protected] RICK WILEY / ARIZONA DAILY STAR Board members representing arts groups in Phoenix and Tucson met on Friday to discuss future Desert Song Festivals, including next year’s Leonard Bernstein birthday celebration. SONG FEST UNITES MANY VOICES Annual concert series draws participation from 10 arts groups in Arizona By Cathalena E. Burch SONG FESTIVAL STAR POWER ARIZONA DAILY STAR • The artists: Angela Brower, Bernadette ack Forsythe had a crazy idea in early 2010: What if a Peters Cheryl Lindquist, Daniel Montenegro, Bernardo Bermudez, bunch of arts organizations in Tucson — the symphony Elizabeth Futral, Judicaël Perroy, Marco Cammarota, Heidi Stober, Kristin and university, the professional choir and the guitar Dauphinais, Heather Phillips, Kevin J Murphy, Rena Harms, Rebecca Ringle, society — joined hands and put on a big multi-week Nathaniel Olson, René Barbera, Sandra Lopez, Trey Smagur, Tony Arnold, Refus festival focusing on the human voice? Müller, Richard Paul Fink and Victoria Robertson. The festival would insert itself into the groups’ existing • The arts groups: Ravinia Steans Music Institute of Illinois; Arizona Early Music seasons, guaranteeing at minimum an audience of season Society, Arizona Opera, Arizona Friends of Chamber Music, Ballet Tucson, ticketholders.
    [Show full text]
  • Network Notebook
    Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Art Works Grants
    National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops.
    [Show full text]