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Complexity in the Comic and Graphic Novel Medium: Inquiry Through Bestselling Batman Stories
Complexity in the Comic and Graphic Novel Medium: Inquiry Through Bestselling Batman Stories PAUL A. CRUTCHER DAPTATIONS OF GRAPHIC NOVELS AND COMICS FOR MAJOR MOTION pictures, TV programs, and video games in just the last five Ayears are certainly compelling, and include the X-Men, Wol- verine, Hulk, Punisher, Iron Man, Spiderman, Batman, Superman, Watchmen, 300, 30 Days of Night, Wanted, The Surrogates, Kick-Ass, The Losers, Scott Pilgrim vs. the World, and more. Nevertheless, how many of the people consuming those products would visit a comic book shop, understand comics and graphic novels as sophisticated, see them as valid and significant for serious criticism and scholarship, or prefer or appreciate the medium over these film, TV, and game adaptations? Similarly, in what ways is the medium complex according to its ad- vocates, and in what ways do we see that complexity in Batman graphic novels? Recent and seminal work done to validate the comics and graphic novel medium includes Rocco Versaci’s This Book Contains Graphic Language, Scott McCloud’s Understanding Comics, and Douglas Wolk’s Reading Comics. Arguments from these and other scholars and writers suggest that significant graphic novels about the Batman, one of the most popular and iconic characters ever produced—including Frank Miller, Klaus Janson, and Lynn Varley’s Dark Knight Returns, Grant Morrison and Dave McKean’s Arkham Asylum, and Alan Moore and Brian Bolland’s Killing Joke—can provide unique complexity not found in prose-based novels and traditional films. The Journal of Popular Culture, Vol. 44, No. 1, 2011 r 2011, Wiley Periodicals, Inc. -
Joker: a Celebration of 75 Years Free
FREE JOKER: A CELEBRATION OF 75 YEARS PDF Various | 384 pages | 29 Jul 2014 | DC Comics | 9781401247591 | English | United States JOKER A CELEBRATION OF 75 YEARS HC - Chaos Pop Account Options Sign in. Top charts. New arrivals. Celebrating Batman and Joker's seventy-five years as cultural icons, this Joker Anthology collects stories from the characters seven decades as the greatest villain in comics. Robert Kahn was born on October Joker: A Celebration of 75 Years, in the Bronx and at age 18 legally changed his name to Kane. Kane met writer Bill Finger at a party inand they soon were collaborating on comic book submissions. He discontinued his comic book efforts in mid to pencil the daily Batman and Robin newspaper strip. The success of the Batman television series brought Kane and his art back into the public eye in He was subsequently featured in various one-man art shows at galleries and museums nationwide and released a number of limited- edition lithographs. He served as a consultant on the Batman feature film and its sequels. His autobiography, Batman and Me, was published inand in he was inducted into the Eisner Awards Joker: A Celebration of 75 Years of Fame. Kane died on November 3, Reviews Review Policy. Published on. Original pages. Best for. Android 3. Content protection. Read aloud. Learn more. Learn More. Flag as inappropriate. It syncs automatically with your account and allows you to read online or offline wherever you are. Please follow the detailed Help center instructions to transfer the files to supported eReaders. The Joker: A Celebration of 75 Years by Various, Hardcover | Barnes & Noble® Uh-oh, it looks like your Internet Explorer is out of date. -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history. -
Black Label Blæk 'Leibl 1 an Edgy, Provocative New Imprint| Featuring Standalone| | Stories From| Comics’ Premier Storytellers
I Black Label blæk 'le bl 1 An edgy, provocative new imprint| featuring standalone| | stories from| comics’ premier storytellers. 2 A state of mind achieved through an understanding of the forefront of fashion, design, entertainment and style. “An amazing showcase for Lee Bermejo, proving once again that no one can render Batman or Gotham City quite like him.” —IGN “The story promises to be grand and cinematic, and Bermejo’s painterly, detailed art rarely disappoints.” —Paste Magazine “Well-written, gorgeously drawn, and dark as hell.” —Geek Dad The Joker is dead… Did Batman kill him? He will go to hell and back to find out. Batman: Damned is a visceral thrill ride and supernatural horror story told by two of comics’ greatest modern creators: Brian Azzarello and Lee Bermejo. The Joker has been murdered. His killer’s identity is a mystery. Batman is the World’s Greatest Detective. But what happens when the person he is searching for is the man staring back at him in the mirror? With no memory of what happened on the night of the murder, Batman is going to need some help. Who better to set him straight than John Constantine? The problem is that as much as John loves a good mystery, he loves messing with people’s heads even more. With John’s “help,” the pair will delve into the sordid underbelly of Gotham as they race toward the mind-blowing truth of who murdered The Joker. Batman: Damned | Brian Azzarello | Lee Bermejo | 9781401291402 | HC | $29.99 / $39.99 CAN | DC Black Label | September 10, 2019 About the author: About the illustrator: Brian Azzarello has been writing comics Lee Bermejo began drawing comics in 1997 professionally since the mid-1990s. -
Should Batman Kill the Joker?” by Mark D
!New York Times: “Should Batman kill the Joker?” By Mark D. White and Robert Arp Published: Friday, July 25, 2008 ! Batman should kill the Joker. How many of us would agree with that? Quite a few, we'd wager. Even Heath Ledger's Joker in "The Dark Knight" marvels at Batman's refusal to kill him. After all, the Joker is a murderous psychopath, and Batman could save countless innocent lives by ending his miserable existence once and for all. Of course, there are plenty of masked loonies ready to take the Joker's place, but none of them has ever shown the same twisted devotion to chaos and tragedy as the Clown Prince of Crime. But if we say that Batman should kill the Joker, doesn't that imply that we should torture terrorism suspects if there's a chance of getting information that could save innocent lives? Of course, terrorism is all too present in the real world, and Batman only exists in the comics and movies. So maybe we're just too detached from the Dark Knight and the problems of Gotham City, so we can say "go ahead, kill him." But, if anything, that detachment implies that there's more at stake in the real world - so why aren't we tougher on actual terrorists than we are on the make-believe Joker? Pop culture, such as the Batman comics and movies, provides an opportunity to think philosophically about issues and topics that parallel the real world. For instance, thinking about why Batman has never killed the Joker may help us reflect on our issues with terrorism and torture, specifically their ethics. -
ACADEMIC READING GUIDE Sean Murphy | 9781401279592 | TP $19.99/$25.99 | Rated M
ACADEMIC READING GUIDE Sean Murphy | 9781401279592 | TP $19.99/$25.99 | Rated M Created by: OVERVIEW Batman: White Knight is a superhero tale designed for the 21st century. Written and illustrated by Sean Mur- phy, this graphic novel is fi lled with THE WHITE KNIGHT BATMAN: themes and issues ripped from today’s headlines, including police corruption, JOKER activism, mental health, and much GOES more. In doing so, the book attempts “Unlike anything to tackle the question at the heart of we’ve seen before.” —Nerdist SANE! many Batman graphic novels and com- Set in a world where the Clown Prince of Crime has been cured of his madness, BATMAN: ics within the context of today’s world: WHITE KNIGHT follows the man now known What makes someone a hero or villain, as Jack Napier as he embarks on a quest to heal the city he once terrorized. After reconciling and why? with his long-suffering partner, Harley Quinn, he sets in motion a carefully plotted campaign Set in a modern Gotham City weary to discredit the one person whom he views as Gotham City’s true enemy: Batman. from decades of crime and a seem- His crusade exposes a decades-long history ingly unending Rolodex of super-vil- of corruption within the Gotham City Police Department and transforms Napier into a city lains, Batman: White Knight follows councilman and civic hero. But when the sins of his past return to threaten everything that an aging Batman’s gradual fall from he has accomplished, the distinctions between savior and destroyer begin to break down for grace in the eyes of the citizens of both the Joker and Batman alike—and with them any hope for Gotham’s future. -
Activity Kit
Activity Kit Copyright (c) 2011 DC Comics. All related characters and elements are trademarks of and (c) DC Comics. (s11) ACTIvITy KIT wORD SCRAMBLE Help Batman solve a mystery by unscrambling the following words! Nermusap __ __ __ __ __ __ __ __ Barrzio __ __ __ __ __ __ __ Matbna __ __ __ __ __ __ Eth Kojre __ __ __ __ __ __ __ __ Redwon Waomn Wactnamo __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ Raincaib __ __ __ __ __ __ __ __ Neerg Nerltan Hheecat __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ Ssrtonie __ __ __ __ __ __ __ __ Eht Shafl __ __ __ __ __ __ __ __ Slirev Naws __ __ __ __ __ __ __ __ __ __ Quamnaa __ __ __ __ __ __ __ Hte Ylaid Neplta __ __ __ __ __ __ __ __ __ __ __ __ __ __ Slio Anle __ __ __ __ __ __ __ __ Msliporote __ __ __ __ __ __ __ __ __ __ Nibor __ __ __ __ __ Maghto Ycti __ __ __ __ __ __ __ __ __ __ Ptknory __ __ __ __ __ __ __ Zamona __ __ __ __ __ __ Vacbtae __ __ __ __ __ __ __ Repow grin __ __ __ __ __ __ __ __ __ Elx Ultroh __ __ __ __ __ __ __ __ __ Copyright (c) 2011 DC Comics. -
Bk Sans 007405.Pdf
1 Detective Comics #27: The very first glimpse we get of the guy and already he looks pissed. 2 The first time we see Batman’s origin. It, um, won’t be the last. But modern retellings invariably discard this candlelit oath- making bit of business, likely deeming it hokey. Which: sure it is. But to skip it does a grave disservice; that oath is who Batman is. 3 For the very first time, the Joker strikes. 4 Thirty-eight years after that gruesome first kill, the Englehart/ Rogers/Austin team would pay fannish homage to it—and to a lot of Batman’s history—during their acclaimed run. 5 Enter: the pixie-booted pre- pubescent! Brought on board just a year after Batman’s first appearance to lighten the mood, Robin doubled sales and touched off a vogue for kid sidekicks. But! 6 (Detail of above page.) For decades, Robin’s steadfast appearance at Batman’s side has invited snide jokes and innuendo. Perhaps this was inevitable, even fated. Some unfortunate kerning in his introductory scroll (“ . .takes under his protect- ing mantle GUYS WHERE’S THE SPACE BETWEEN ‘AN’ AND ‘ALLY’ AW GEEZ STOP THE DAMN PRESSES”) couldn’t have helped matters. 7 Robin’s chirpy presence made for a sunnier Batman. His rogues’ gallery felt it too: suddenly mass-murdering became passé and petty larceny was au courant. Take this goon: Joe Coyne, the Penny Plunderer, and his “crime symbol.” In Gotham’s underworld, ya gotta have a gimmick. 8 In the ’50s, Batman’s supporting cast swelled with masked hangers-on. -
Mythic Symbols of Batman
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2007-11-28 Mythic Symbols of Batman John J. Darowski Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Darowski, John J., "Mythic Symbols of Batman" (2007). Theses and Dissertations. 1226. https://scholarsarchive.byu.edu/etd/1226 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The Mythic Symbols of Batman by John Jefferson Darowski A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements of the degree of Master of Arts Department of Comparative Studies Brigham Young University December 2007 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL Of a thesis submitted by John J. Darowski This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. _____________________________ ____________________________________ Date Kerry Soper, Chair _____________________________ ____________________________________ Date Carl Sederholm _____________________________ ____________________________________ Date Charlotte Stanford Brigham Young University As chair of the candidate‟s graduate committee, I have read the thesis by John J. Darowski in its final form and have found that (1) its form, citations and bibliographical style are consistent and acceptable to fulfill university and department style requirements; (2) its illustrative materials, including figures, tables and charts are in place; and (3) the final manuscript is satisfactory to the graduate committee and is ready for submission to the university library. -
A New Dark Knight Rises in Gotham!
ISSUE #14 • JULY 2021 DCCOMICS.COM SOLICITING COMICS ON SALE SEPTEMBER 2021 A New Dark Knight rises in Gotham! Written by Academy Award-winner JOHN RIDLEY A r t by Olivier Coipel ™ & © DC #14 JULY 2021 / SOLICITING COMICS ON SALE IN SEPTEMBER WHAT’S INSIDE BATMAN: FEAR STATE 1 The epic Fear State event that runs across the Batman titles continues this month. Don’t miss the first issue of I Am Batman written by Academy Award-winner John Ridley with art by Olivier Coipel or the promotionally priced comics for Batman Day 2021 including the Batman/Fortnite: Zero Point #1 special edition timed to promote the release of the graphic novel collection. BATMAN VS. BIGBY! A WOLF IN GOTHAM #1 12 The Dark Knight faces off with Bigby Wolf in Batman vs. Bigby! A Wolf in Gotham #1. Worlds will collide in this 6-issue crossover with the world of Fables, written by Bill Willingham with art by Brian Level. Fans of the acclaimed long-running Vertigo series will not want to miss the return of one of the most popular characters from Fabletown. THE SUICIDE SQUAD 21 Interest in the Suicide Squad will be at an all-time high after the release of The Suicide Squad movie written and directed by James Gunn. Be sure to stock up on Suicide Squad: King Shark, which features the breakout character from the film, and Harley Quinn: The Animated Series—The Eat. Bang. Kill Tour, which spins out of the animated series now on HBO Max. COLLECTED EDITIONS 26 The Joker by James Tynion IV and Guillem March, The Other History of the DC Universe by John Ridley and Giuseppe Camuncoli, and Far Sector by N.K. -
BOB KANE BIOGRAPHY: Almost 75 Years Ago, in a New York Art Studio
BOB KANE BIOGRAPHY: Almost 75 years ago, in a New York art studio, Bob Kane created one of the most popular characters of the twentieth century-The Batman. Kane's creation has become the star of comic books, Saturday afternoon movie serials, newspaper comic strips, a live-action TV series, several animated TV series, and several of the largest-grossing feature films of all time. "I suppose I must have had printer's ink in my blood," Kane said of his childhood, "for as far back as I can recall, I've had a pencil in my hand. When I was ten, my dad was a printer for the NEW YORK DAILY NEWS. He'd bring home all the paper's comics, and I copied them constantly. It got so eventually I could do them as well as the cartoonists themselves." This informal training led the young Kane to create his own comics, and by 1938 he was selling humorous stories to DC Comics, including the features "Professor Doolittle" and "Ginger Snapp." In 1939, one year after Superman's debut, DC Comics editor Vincent Sullivan decided that he wanted another costumed hero. He asked 22-year-old Bob Kane for his ideas. "I went home that weekend," Kane recalled, "traced some sketches of Superman, and started penciling different costume ideas. It was then that I got my first brainstorm: I remembered one of Leonardo da Vinci's sketches-a drawing of a flying machine with bat wings. That's what germinated the idea for Batman. The second influence on me was the hero with the dual identity in THE MARK OF ZORRO, starring Douglas Fairbanks Sr. -
Origins of Batman's Joker
Origins of Batman’s Joker by Saul Ruvalcaba As with any series (movies, books, comics, periodicals, etc.) with a web of long, overarching narratives, it may be hard to pinpoint the exact details of major characters or plot points in any particular story. A protagonist’s fictional account may take several years to develop and, along the way, the story may become so convoluted that it can be challenging to trace when something specific may have happened. Unsurprisingly, comic books present this sort of issue (pun intended). In the case of the Joker, one of Batman’s most well-known antagonists, and one of the most recognized villains in the world of comic books, establishing an origin can be a tremendous undertaking. Comic books came into fruition in the early part of the twentieth century and, in nearly a century, an insurmountable number of stories have been told with a variety of writers for any one character. Batman as a character was first introduced in issue 27 of Detective Comics in May, 1939. Earlier issues in this series introduced detective-type stories with a variety of characters making up each individual issue; however, when Batman was introduced in issue 27, the character struck a chord with readers, eventually leading to the release of issue 1 of The Batman, written by Bob Kane in the spring of 1940. While Detective Comics is known for introducing a list of important characters central to the Batman canon, it wasn’t until issue 1 of The Batman that readers were acquainted with the Joker.