The 69Th Annual
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Tuesday & Thursday Wristband Nights
The 68th Annual Goshen Country Fair Benefiting The Goshen Fire Company July 31st-August 5th, 2017 TUESDAY & THURSDAY WRISTBAND NIGHTS (see page 5) Grounds Open at 6:00pm, Monday–Friday Saturday at 5:00pm with reduced tickets for rides until 7:00pm Bingo · Tug-Of-War · Games · Music · Food · Rides · Exhibitors · Livestock www.goshencountryfair.org 2 www.goshencountryfair.org The Coca-Cola Bottling Company of Chester County 484-696-3600 “Quenching the thirst of our neighbors” 68th Annual Goshen Country Fair www.goshencountryfair.org 3 Goshen Fire President’s Letter Company Officers It is my pleasure to welcome you to the 68th President/Board Member . Robert Hall Annual Goshen Country Fair. The fair benefits the Goshen Fire Company. I encourage you to come Vice President/Board Member........ Ted Harrison III join us for a good old-fashioned fair, and enjoy the Treasurer ............................ Tom Stalnaker livestock, agriculture and baking contests, food Recording Secretary ................. Beth Smith and of course, the nightly tug-of-war. So come on Financial Secretary................... Peter Jamnicky out to the fairgrounds and spend a few enjoyable Board Member....................... John Fulginiti evenings at the Goshen Country Fair. I look forward Board Member ...................... Nancy Keslick to seeing you. Ted Harrison IV Board Member ...................... John Manley President Board Member....................... Chris O’Neill Board Member ...................... Rick Grothmann Board Member ...................... Phil Salas Board Member ...................... Drew Washco nonvoting Board Member............ Grant Everhart nonvoting Board Member............ Jack Smith Saturday, Aug 5 @ 5:00pm BBQ Chicken Dinner (Includes Half Chicken, French Fries, Coleslaw, Roll & Drink,) 68th Annual Goshen Country Fair 4 www.goshencountryfair.org Grab Your Chicken BBQ (610) 696-6563 and Stay for a Game FAX (610) 696-8563 of Cow Pie Bingo We will again be having cow pie bingo on Saturday, August 5th around 6 PM. -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
How the Beatles Destroyed Rock N Roll : an Alternative History of American Popular Music Pdf, Epub, Ebook
HOW THE BEATLES DESTROYED ROCK N ROLL : AN ALTERNATIVE HISTORY OF AMERICAN POPULAR MUSIC PDF, EPUB, EBOOK Elijah Wald | 336 pages | 01 Oct 2011 | Oxford University Press | 9780199756971 | English | Oxford, United Kingdom How the Beatles Destroyed Rock n Roll : An Alternative History of American Popular Music PDF Book Responsibility Elijah Wald. For a taste of how things sounded in mid-invasion, check out an hour of Top 40 radio from Scottsdale Arizona in the summer of , complete with an interview with the leader of the Beatle Boosters Fan Club as they circulate their petition to bring the Beatles to Arizona. Rather than concentrating on those traditionally favored styles, the book traces the evolution of popular music through developing tastes, trends andtechnologies--including the role of records, radio, jukeboxes and television --to give a fuller, more balanced account of the broad variety of music that captivated listeners over the course of the twentieth century. Altschuler, Tulsa World. E-Book anzeigen. It forces us to see that only by studying the good with the bad—and by seeing that the good and bad can't be pulled apart—can we truly grasp the greatness of our cultural legacy. Publication date Title Variation Beatles destroyed rock 'n' roll : alternative history of American popular music ISBN hardcover : alk. This is an excellent and exhaustive history of American popular music of the 20th century. More Stories. The arrival of radio, followed by the crash of the stock market, further altered the balance, providing a national entertainment medium that arrived for free over the airwaves. Chapters and musical examples: 1. -
Satisfaction Rolling Stones 1965 3 American Pie Don Mclean 1972 4
AS VOTED AT OLDIESBOARD.COM 10/30/17 THROUGH 12/4/17 CONGRATULATIONS TO “HEY JUDE”, THE #1 SELECTION FOR THE 19 TH TIME IN 20 YEARS! Ti tle Artist Year 1 Hey Jude Beatles 1968 2 (I Can’t Get No) Satisfaction Rolling Stones 1965 3 American Pie Don McLean 1972 4 Light My Fire Doors 1967 5 In The Still Of The Nite Five Satins 1956 6 I Want To Hold Your Hand Beatles 1964 7 MacArthur Park Richard Harris 1968 8 Rag Doll Four Seasons 1964 9 God Only Knows Beach Boys 1966 10 Ain't No Mount ain High Enough Diana Ross 1970 11 Bridge Over Troubled Water Simon and Garfunkel 1970 12 Because Dave Clark Five 1964 13 Good Vibrations Beach Boys 1966 14 Cherish Association 1966 15 She Loves You Beatles 1964 16 Hotel California Eagles 1977 17 St airway To Heaven Led Zeppelin 1971 18 Born To Run Bruce Springsteen 1975 19 My Girl Temptations 1965 20 Let It Be Beatles 1970 21 Be My Baby Ronettes 1963 22 Downtown Petula Clark 1965 23 Since I Don't Have You Skyliners 1959 24 To Sir With Love Lul u 1967 25 Brandy (You're A Fine Girl) Looking Glass 1972 26 Suspicious Minds Elvis Presley 1969 27 You've Lost That Lovin' Feelin' Righteous Brothers 1965 28 You Really Got Me Kinks 19 64 29 Wichita Lineman Glen Campbell 1968 30 The Rain The Park & Ot her Things Cowsills 1967 31 A Hard Day's Night Beatles 1964 32 A Day In The Life Beatles 1967 33 Rock Around The Clock Bill Haley & His Comets 1955 34 Imagine John Lennon 1971 35 I Only Have Eyes For You Flamingos 1959 36 Waterloo Sunset Kinks 1967 37 Bohemian Rhapsody Queen 76 -92 38 Sugar Sugar Archies 1969 39 What's -
The Eddie Cochran Story
SHOW OF STARS 95 bassist Emory Gordy, who'd go on to play with or produce Emmylou Harris, Steve Earle, Roy Orbison, and George Jones; drummer Dennis St. John, who'd later work with Neil Diamond, Carole Bayer Sager, and the Band; and keyboardist Spooner Oldham, who'd played with Percy Sledge, Wilson Pickett, and Aretha Franklin and who'd later work with Neil Young, Bob Dylan, and Jackson Browne. Kindred was persistent. I recommended to them some great players; they'd decided that only I would do. Since they were already signed to Warner Brothers and had tremendous touring and recording potential, I decided to join them, recording a pair of Kindred albums in 1971 and 1972 and touring throughout America and Canada opening for Three Do,g Night. Through our shared management connection, I soon got a call from Jerry Edmonton, the drummer from Steppenwolf. They want ed me to join their band. I stayed for three albums and four years as the group's lead guitarist, one of its songwriters , and a co-lead and backing vocalist. Toward the end of my tenure with "the Wolf," I received a call from the Flying Burrito Brothers, the country-rock outfit founded by Gram Parsons and Chris Hillman of the Byrds. They needed a guitarist for a two -week tour. I went down to the rehearsal hall, jammed with the group, and found myself a Burrito for the next fourteen months. Like Uncle Ed in his brief lifetime, I have played with a plethora of artists-from obscure to superstars and try to take something of value away from every musical expe rience. -
TEN, TEN, TEN! Iraheta Seems to Have All the Ingredients to Be a Throughout the Years, Our Club Has Strived to Offer New KEEP ROCKIN’ ROCKS! True Dance Album
JUNE 2010 ISSUE #179 Inside... THE FLIP SIDE KEY NOTES #179 JUNE 2010 Allison Iraheta Just Like You Album review by Doug Smith - TEN, TEN, TEN - CONCERT REVIEWS American Idol-love it or hate it-it has done its job: technology (“Robot - MORE RECORDS providing a showcase for a number of performers Love”), and a retelling of - LP REVIEW who desire to be successful in the music business. the Golden Rule (title RAMBLINGS FROM THE EDITOR VIEW FROM THE TOP The success rate ranges from the big stars (Carrie track). Serious tone yes, but light years from the Underwood, Daughtry, Kelly Clarkson, etc) to the We made it through another lousy Happy June everyone. We need YOUR impending footnotes. Whatever happened to Justin? sort of overwrought ma- winter and mild spring. Vendor and cus- help. Our club operates with volunteers, the And the less said about that guy with the Christmas terial that (imho) tomer participation continues to thrive. The ones that keep the finances in line, the ones album, the better. plagued the Shangri-Las April show featured three special added attrac- who find places for the show to continue as it at times. tions: the American Historic Jukebox Society with has the past 31 years EACH month and the In between are the Idol alumni who are plying their jukeboxes, the Lancaster County Car Club and Vaga- ones that get the word out on what’s going on via this very newsletter along with the special features and items we offer trade; seeing how far the Idol experience will take Iraheta certainly is not lacking in the energy, cha- bonds Rod and Custom Club with vintage wheels and the from time to time. -
Inductees M ) Nominees
INDUCTEES M ) NOMINEES EVERLY BROTHERS Bom Don Everty February let, 1937 Brownie, Kentucky Bom Phil Everiy January 19th, 1939 Brownie, Kentucky In The Everiy Brothers’ Rock and Roll Odyssey, a marked the beginning of a string of hits between video documentary made around the time of the 1957 and 1962 on Cadence and, later, Warner duo’s London reunion concert in 1983 — ten years af Bros., including “Wake Up, little Susie,” “AD I Have ter their breakup on a Southern California stage — to Do Is Dream,” “Bird Dog,” “When Will I Be Don and Phil narrate their own story. They still seem Loved” and their sill-time best seQer, “Cathy’s Clown.” a little in awe of their vocal talent, looking upon it as a Their songs offered a beguiling vision of adolescent sort of genetic gift. The modesty lends them an ingen romance, in which precociousness inched out inno uous quality that belies their years. The sons of a trav cence. eling country-and-western team, Ike and Margaret Even after the hits stopped, the Evertys’ influence Everty, the brothers first performed with their family continued to grow. Performers from the Beatles to on the road and on the radio. Then, as angelic-look Simon & Garfunkel and Linda Ronstadt imitated and ing teenagers, they transformed the sounds of their covered their material. Even the Rolling Stones owed Kentucky country roots into a bittersweet form of a debt to them: on their first tour of Great Britain, the rock ami roll. Stones opened for the Everlys. And the Everlys’ Their first hit, “Bye Bye Love,” penned by hus- voices, as well as their influence, endured. -
Music Appreciation 2014
MUSIC APPRECIATION 2014 JANUARY 2014 As always, a thoroughly varied set of records were brought in. In our 18 pieces, we had 3 Big Bands, Medieval chanting, Rhythm and Blues, Folk, Blues, Rock, FolkRock, BluesRock, Rock n Roll and Chopin. Of course we had old favourites Roy Orbison and Fats Waller. What appealed to me was that members of the group have started to acquire certain records because they heard (and liked) a piece of music at one of our sessions. I call that success for the group. For my part, I’m now looking for a vinyl single of The Spencer Davis Group doing a great version of Georgia On My Mind which was played at this meeting. We finished with a stunning version of Vivaldi’s Four Seasons on electric guitar by a 14 year old French girl called Tina S. On the video clip, it seemed to be just her sitting in her room getting so much out of the guitar. Precocious talent - Look her up on YouTube. January 2014 Playlist Nina Simone I Put A Spell On You Eva Cassidy Fields Of Gold Glen Miller Orchestra Tuxedo Junction Hank Marvin & Mark Knopfler Mrs Robinson Tom Rush No Regrets Frederic Chopin Nocturne in G Major Op 37 Josquin des Pres Veni Sancte Spiritus The Spencer Davis Group Georgia On My Mind Nora Jones & Billie Joe Armstrong Barbara Allen Robert Johnson Phonograph Blues Charlie Gracie Just Looking Roy Orbison You Got It Lionel Hampton & Nat King Cole Central Avenue Breakdown The Kinks Waterloo Sunset Santana Black Magic Woman The Harry James Orchestra Trumpet Blues & Cantible Fats Waller Grandad Tina S Vivaldi’s Four Seasons FEBRUARY 2014 A fine session of very varied records in our monthly trawl through members’ attics and memories. -
2018 ROOTS RAMBLE FEATURED ARTISTS the Melton Brothers Feat
2018 ROOTS RAMBLE FEATURED ARTISTS The Melton Brothers feat. John Lilley & Fred Berman Charlie Gracie – @ Stephen’s on State (9:30–1:15) The Meltons are widely acknowledged as regional music The Legendary Rock & Roll Pioneer legends from their debut vinyl album Livin in the City Returning for his 16th straight Ramble appearance! through their current focus on song interpretations @ Azie (10–1) and originals. Dale and Dennis will be supported at the Ramble with some exemplary musicians – drummer The singer/guitarist/entertainer/Delco resident makes yet Fred Berman (of Amos Lee) and guitarist John Lilley (of The Hooters). The band is a groovin’ another appearance at tonight’s Ramble. South Philly native stew of styles – Roots-Rock, Folk-Rock, Blues, Jazz, New Orleans Funk, and Island beats to Gracie became the first recording star of the “Rock Era” serve up in sizzling and sumptuous musical conversations with everyone lucky enough to to emerge from his neighborhood. In 1957 his “Butterfly” be at Stephens. www.meltonbrothers.net topped the American and British charts by selling more than three million copies. Other late-50’s hits like “99 Ways” and “Wanderin’ Eyes” bankrolled Philly’s famous Cameo-Park- way record label. At the height of his fame, Gracie appeared Reggae Thunder on American Bandstand, The Ed Sullivan Show and Allen Freed’s TV Specials. He was the @ Joclyn’s (9:30–1:15) second American artist – preceded only by Delco’s Bill Haley and The Comets – to bring Rock Second-time Roots Ramble appearance! & Roll to English concert stages. In an incredible career spanning more than 60 years, Gracie performs annually to huge audiences in England and elsewhere in Europe. -
The World of SOUL PRICE: $1 25
BillboardTheSOUL WorldPRICE: of $1 25 Documenting the impact of Blues and R&Bupon ourmusical culture The Great Sound of Soul isonATLANTIC *Aretha Franklin *WilsonPickett Sledge *1°e16::::rifters* Percy *Young Rascals Estherc Phillipsi * Barbara.44Lewis Wi gal Sow B * rBotr ho*ethrserSE:t BUM S010111011 Henry(Dial) Clarence"Frogman" Sweet Inspirations * Benny Latimore (Dade) Ste tti L lBriglit *Pa JuniorWells he Bhiebelles aBel F M 1841 Broadway,ATLANTIC The Great Sound of Soul isonATCO Conley Arthur *KingCurtis * Jimmy Hughes (Fame) *BellE Mg DeOniaCkS" MaryWells capitols The pat FreemanlFamel DonVarner (SouthCamp) *Darrell Banks *Dee DeeSharp (SouthCamp) * AlJohnson * Percy Wiggins *-Clarence Carter(Fame) ATCONew York, N.Y. 10023 THE BLUES: A Document in Depth THIS,the first annual issue of The World of Soul, is the initial step by Billboard to document in depth the blues and its many derivatives. Blues, as a musical form, has had and continues to have a profound effect on the entire music industry, both in the United States and abroad. Blues constitute a rich cultural entity in its pure form; but its influence goes far beyond this-for itis the bedrock of jazz, the basis of much of folk and country music and it is closely akin to gospel. But finally and most importantly, blues and its derivatives- and the concept of soul-are major factors in today's pop music. In fact, it is no exaggeration to state flatly that blues, a truly American idiom, is the most pervasive element in American music COVER PHOTO today. Ray Charles symbolizes the World Therefore we have embarked on this study of blues. -
To the Stars and Spend the Entire Summer at the Shore
the SUN by-the-Sea “Those who live by the sea can hardly form a single thought of which the sea would not be part.” ~Hermann Broch (1886–1951) When I was a youngster I thought I was the luckiest kid in the world. My grandparents had 3 apartment houses in North Wildwood! As a re- sult, I got to leave the city each year to the stars and spend the entire summer at the shore. by Steve Murray Summers down here were like a dream for a young boy - a combination of Disneyland, car- nival, island paradise and a little bit of Las Vegas. Every day was spent on the beach and most nights on the boardwalk. In between there was The Lynne Sisters (l-r) fishing, crabbing, boating, miniature golf, sand Nancy Murray and Irma Roma lot baseball (there were still lots in those days), and even horse back riding (in the Crest). No worries - never a boring day. Like Bobby’s song says “Every days a holiday ...” The tenants at my grandparents property fell into three categories. There were the Phila. working class families, usually taking apartments weekly. There were the bartenders and wait- resses, doubling up in efficiency units for the summer. (You hardly ever saw these people - Johnny Gilbert they mostly worked and slept.) Then there were the show business performers, renting full size apartments seasonally. There were no condos at that time and these large well furnished, com- fortable and affordable apartments offered a nice home away from home. Steve’s Grandparents rental property which Before the advent of casino era Atlantic City, still stands at 223 E. -
Wednesday Thursday Friday Saturday Sunday
WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY June 12 June 13 June 14 June 15 June 16 Delaware County The Fabulous Greaseband Melissa Martin & The Rose Tree Pops Boy in Black Symphony A perennial summer concert Mighty Rhythm Kings Roberta Winemiller, Conductor Tribute to Johnny Cash Spend a summer evening under favorite! Fun, entertaining delivery Honey Spiked with Whiskey The 65-member orchestra, The captivating Anthony Caserta the stars with this magnificent of the “best of five decades” Vocals! Philly’s premiere jump featuring youth soloist Joseph puts on a must-see show covering community orchestra. The of oldies, classic rock and pop blues band brings high-energy, Kang performing the first Johnny Cash in a charismatic, performance includes classical nostalgia, suitable for all ages, swinging dance grooves. movement of Rachmaninoff humble performance. Songs from selections by Wagner, Verdi, and enjoyable for the entire family. Martin has all three “S”s - she’s Piano Concerto 2, performs light the early days and all throughout Schumann. sexy, sassy and oh-so soulful. classics, Big Band, and music his career. (BluesWax Magazine) from movies and Broadway. June 19 10:00 a.m. show June 20 June 21 June 22 June 23 Blackbird Society Peter Moses Boat House Row The Class of ‘84 James Day & The Fish Fry Orchestra Super Summer Sing-Along! Yacht Rock Experience Break out the legwarmers for Vizztone Label New Orleans band, The Roaring ‘20s Roar Again! Major musical fun, dancing, The ultimate musical guilty all your favorite pop, rock and covering Zydeco, Cajun, R&B, Note for note recreations of 1920s silliness and song with singer- pleasures: silky sounds of Hall dance hits from Michael Jackson, Jump Blues, parade beats and hit songs as well as forgotten songwriter and children’s recording & Oates, Christopher Cross, Madonna, Prince and more.