DOCSLIB.ORG

Interni Preliminare Finali

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Interni Preliminare Finali aparoscopic Urology has gained wider acceptance and its indications have been gradually extended to substitute those of open surgery. Many operations are now routinely performed L via a laparoscopic approach. It is evident, however, that any new surgical approach requires careful consideration, exchange of ideas and experience on an international level. In the past years, the Vincenzo Pansadoro Foundation has hosted several meetings on laparoscopic surgery with authorities in the field. Richard Gaston, Inderbir Gill, Bertrand Guillonneau and Ingolf Türk have all been visiting professors at our institution. At this meeting, all four of these outstanding surgeons will be in the same symposium together with world leaders in Urology from both Europe and the USA. We are enthusiastically anticipating an extremely interesting and challenging meeting where live surgery, discussions and debates will 1 take place with the participation of the best Urologists in the international arena. We are extremely proud to host this international meeting in Rome, the perfect city for old antiquities and innovative techniques to meet. We hope that the challenging procedures that you will see in Rome will lead the way and define the near future of Urologic Surgery. Course Directors Invited Speakers Moderators & Organizing Committee Course Directors Vito Pansadoro, MD President of “Vincenzo Pansadoro” Foundation Director of Laparascopic Center Rome, Italy Enzo Disanto, MD Professor and Chairman Department of Urology Laparoscopy Center Francesco Miulli Hospital Acquaviva delle Fonti, Italy Invited Speakers & Moderators Mostafa Amini, MD Professor and Chairman Department of Pathology 2 San Giovanni Hospital Rome, Italy Manuel Belgrano, MD Professor and Chairman Department of Urology Hospital of Cattinara University of Trieste, Italy Mitchell Benson, MD Professor of Urology Director, Urologic Oncology Columbia Medical Center New York, USA Franco Bergamaschi, MD Associate Professor Clinic of Prostatic Diseases Hospital of Melegnano Milan, Italy Giampaolo Bianchi, MD Professor and Chairman Department of Urology University of Modena, Italy Laurent Boccon-Gibod, MD Professor and Chairman Department of Urology Hospital Bichat Paris, France Liliane Boccon-Gibod, MD Professor and Chairman Department of Anatomy & Pathologic Cytology Hospital Bichat Paris, France 3 Aldo Bono, MD Professor and Chairman Department of Urology University Hospital Varese, Italy Guglielmo Breda, MD Professor and Chairman Department of Urology Municipal Hospital Bassano del Grappa, Italy Giorgio Carmignani, MD Professor and Chairman Department of Urology University of Genoa, Italy Frans M. J. Debruyne, MD, PhD Professor and Chairman Department of Urology University Medical Center of Nijmegen, The Netherlands Franco Gaboardi, MD Professor and Chairman Department of Urology Sacco Hospital Milan, Italy Richard Gaston, MD Center of Urologic Laparoscopy Clinique Saint Augustin Bordeaux, France Inderbir Gill, MD, MCh Head, Section of Laparoscopic And Minimally Invasive Surgery Glikman Urological Institute Executive Director The Minimally Invasive 4 Surgery Center The Cleveland Clinic Foundation Cleveland, USA Gianfranco Gualdi, MD Professor and Chairman Department of Imaging CT and MR University “La Sapienza” Rome, Italy Giorgio Guazzoni, MD Professor and Chairman Department of Urology “Ville Turro” San Raffaele Hospital Milan, Italy Bertrand Guillonneau, MD Director Minimally Invasive Urologic Surgery Department of Urology Memorial Sloan-Kettering Cancer Center New York, USA Markus Hohenfellner, MD Professor and Chairman Department of Urology University of Heidelberg, Germany Rudolph Hohenfellner, MD Professor Emeritus of the Department of Urology Professor of Urology Department of Urology, Medical School University of Mainz, Germany Joachim Leissner, MD Associate Professor of Urology Department of Urology School of Medicine University of Bonn, Germany 5 John Libertino, MD Professor and Chairman Department of Urology Lahey Clinic Medical Center Burlington, Usa Michael Marbergre, MD, FRCS (ed) Professor and Chairman Department of Urology University of Vienna, Austria Emanuele Montanari, MD Professor and Chairman Department of Urology San Paolo Hospital University of Milan, Italy John Mulhall, MD Director Sexual Medicine Programs Department of Urology Memorial Sloan-Kettering Cancer Center New York, Usa Arcangelo Pagliarulo, MD Professor and Chairman Department of Urology University of Bari, Italy David Paulson, MD Professor and Chairman of Urology Duke Medical Center Durham, USA Michele Pavone-Macaluso. MD Professor and Chairman Section of Urology Department of Internal Medicine, Cardiovascular and Nephrourological Diseases University of Palermo, Italy 6 Giorgio Pizzocaro, MD Professor and Chairman Department of urology Istituto dei Tumori Milan, Italy Salvatore Rocca-Rossetti, MD Professor and Chairman Department of Urology University of Turin, Italy Peter Scardino, MD, FACS Chairman, Department of Urology Head, Prostate Cancer Program Memorial Sloan-Kettering Cancer Center New York, USA Roberto Scarpa, MD Professor and Chairman Department of Urology Orbassano Hospital University of Turin, Italy Claude Schulman, MD, PHD Professor and Chairman Department of Urology University Clinics of Brussels Erasme Hospital Brussels, Belgium Cesare Selli, MD Professor and Chairman Medical School of Urology Department of Surgery University of Pisa, Italy Walter Stackl, MD Professor and Chairman Department of Urology Rudolfstiftung 7 Vienna, Austria Cora Sternberg, MD, FACP Chief, Department of Medical Oncology San Camillo and Forlanini Hospitals Rome, Italy Ingolf Türk, MD Director Minimally Invasive Urologic Surgery Department of Urology Lahey Clinic Medical Center Burlington, USA Organizing Committee Alessandro Amici, MD CTO Hospital Roberto Cusumano, MD Aurelia Hospital Lorenzo Defidio, MD Cristo Re Hospital Gianluca D’Elia, MD Magliano Hospital Francesco De Paula, MD Aurelia Hospital Paolo Emiliozzi, MD San Giovanni Hospital Giorgio Federico, MD 8 San Giovanni Hospital Enzo Ferdinandi, MD Sant’Eugenio Hospital Alberto Pansadoro, MD University “La Sapienza” Maurizio Pizzo, MD San Giuseppe Hospital Paolo Scarpone, MD CTO Hospital PConrgreoss Pgrogrramam WTuesdayo Junre !kst "s##h$ op %:## Industry sponsored Symposium Moderators Vito Pansadoro & Enzo Disanto Meet the Professors Richard Gaston Inderbir Gill Bertrand Guillonneau Ingolf Türk Laparoscopic Radical Prostatectomy: Indications, Techniques, Tips and Tricks, Complications and Results Three hours of questions and answers with 11 four of the best laparoscopic surgeons on the hottest topic in Urology today ':## Adjournment Limited number of participants WWednesedayd Junne "ned "#s#$day *:## Welcome Vito Pansadoro & Enzo Disanto Directors of the Meeting Frans Debruyne Secretary of the European Association of Urology Aldo Bono President of the Italian Society of Urology *:%# Surgical Session Moderators John Libertino & Guglielmo Breda Richard Gaston Left Nephrectomy Inderbir Gill Partial Nephrectomy State of the art lecture Frans Debruyne Impact of Laparoscopy on European Urology today 12 !#:%# Coffee Break !#:$. Moderators Markus Hohenfellner & Roberto Scarpa Ingolf Türk Pyeloplasty Bertrand Guillonneau Right Nephrectomy State of the art lecture David Paulson Impact of Laparoscopy on American Urology today Richard Gaston Adrenalectomy !$:## Lunch Wednesday !$:%# Scientific Session Presentations Moderators David Paulson & Cesare Selli Giorgio Guazzoni !$:%# The incidental adrenal mass Discussion Mostafa Amini !$:$. Renal cell tumor classification A few underlinings Discussion Ingolf Türk !.:## Laparoscopic donor Nephrectomy Do we compromise the outcome? Discussion 13 Face to Face Richard Gaston !.:!. Kidney and Adrenals: vs. Inderbir Gill Transperitoneal or Retroperitoneal? Discussion Presentations Moderators Mitchell Benson & Giampaolo Bianchi Gianfranco Gualdi !.:%. Multislice CT and volume rendering for Kidney surgery Discussion Richard Gaston !.:.# St. Augustin experience on Laparoscopic Radical Nephrectomy Discussion Face to Face Inderbir Gill !.:!. Laparoscopic Pyeloplasty: vs. Ingolf Türk Trans peritoneal or retro peritoneal? Discussion Wednesday Moderators Claude Schulman & Michele Pavone Macaluso State of the art lecture Michael Marberger !':"# Energy ablative therapy of renal tumors. Discussion Face to Face John Libertino !':%. Partial Nephrectomy: Open vs. Laparoscopy. vs. Inderbir Gill Discussion State of the art lecture Cora Sternberg !':.. New treatments for metastatic kidney cancer. Discussion !0:%# Adjournment 14 Thurhsdayu Junre %srd d"##a$ y *:## Surgical Session Moderators Rudolph Hohenfellner Salvatore Rocca-Rossetti Mitchell Benson Giorgio Pizzocaro Inderbir Gill Radical Cystectomy with Orthotopic bladder substitution Ingolf Türk Retroperitoneal Lymphnode dissection Stage I !#:%# Coffee Break !#:$. Richard Gaston Sacral Colpopexy 15 Ingolf Türk Retroperitoneal Lymphnode dissection Stage II !$:## Lunch Thursday !$:%# Scientific Session Moderators Rudolf Hohenfellner & Giorgio Carmignani State of the art lecture Joachim Leissner !$:%# Impact of extended lymphadenectomy in Bladder and Prostate cancer treatment Discussion Guglielmo Breda !$:$. Evolution of Urological Laparoscopy in Italy Discussion State of the art lecture Giorgio Pizzocaro !.:## Impact of Laparoscopy on treatment of testis cancer Discussion 16 Face to Face Ingolf Türk !.:!. Laparoscopic Radical Cystectomy and vs. Inderbir Gill Urinary Diversion Discussion Presentations
Load more

Recommended publications
  • A Literary Journey to Rome
    A Literary Journey to Rome A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Christina Höfferer All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7328-4 ISBN (13): 978-1-4438-7328-4 CONTENTS When the Signora Bachmann Came: A Roman Reportage ......................... 1 Street Art Feminism: Alice Pasquini Spray Paints the Walls of Rome ....... 7 Eataly: The Temple of Slow-food Close to the Pyramide ......................... 11 24 Hours at Ponte Milvio: The Lovers’ Bridge ......................................... 15 The English in Rome: The Keats-Shelley House at the Spanish Steps ...... 21 An Espresso with the Senator: High-level Politics at Caffè Sant'Eustachio ........................................................................................... 25 Ferragosto: When the Romans Leave Rome ............................................. 29 Myths and Legends, Truth and Fiction: How Secret is the Vatican Archive? ...................................................................................................
    [Show full text]
  • Die Baukunst Der Renaissance in Italien Bis Zum Tode Michelangelos
    HANDBUCH DER KUNSTWISSENSCHAFT I l.^illich/ P.Zucker 3dul<un(?der Rendipnce td i en HANDBUCHDER KUNSTWISSENSCHAFT BEGRÜNDET VON PROFESSOR Dr. FRITZ BURGER f HERAUSGEGEBEN VON Dr. A. E. BRINCKMANN PROFESSOR AN DER UNIVERSITÄT KÖLN unter Mitwirkung von a. Konservator Dr. E. v. d. Bercken-Müncheii ; Dr. Professor Dr. J. Baum-Ulm D.; i. Pr.; Professor Dr. I. Beth-Berlin; Privatdozent Dr. K. H. Clasen-Könlgsberg Dr. L. Curtius-Heidelberg; Professor Dr. E. Diez-Wien; Privatdozent Dr. W. Drost- Königsberg i. Pr.; Dr. F. Dülberg-Berlin; Professor Dr. K. Escher- Zürich; Hauptkonservator Dr. A. Feulner-München; Professor Dr. P. Frankl-Halle; Dr. O. Grautoff-Berlin; Professor Dr. A. Haupt- Hannover; Professor Dr. E. Hildebrandt -Berlin; Professor Dr. H. Hildebrandt -Stuttgart; Professor Dr. O. Kümmel -Berlin; Professor Dr. A. L. Mayer - München; Dr. N. Pevsner- Dresden; Professor Dr. W. Pinder-München; Professor Dr. H. Schmitz-Berlin; Professor Dr. P. Schubring-Hannover; Professor Dr. Graf Vitzthum-Göttingen; Dr. F. Volbach- Berlin; Professor Dr. M. Wackernagel -Münster; Professor Dr. A. Weese-Bern; Professor Dr. H. Willich - München; Professor Dr. O. Wulff -Berlin; Dr. P. Zucker-Berlin WILDPARK-POTSDAM AKADEMISCHE VERLAGSGESELLSCHAFT ATHENAION M. B. H. ArlA H W DIE BAUKUNST DER RENAISSANCE IN ITALIEN VON DR. ING. HANS WILLICH Professor an der Technischen Hochschule in München UND DR. PAUL ZUCKER II .1' ACADEMIA WILDPARK-POTSDAM AKADEMISCHE VERLAGSGESELLSCHAFT ATHENAION M. B. H. DRUCK DER SPAMERSCHEN BUCHDRUCKEREI IN LEIPZIG Tafel VIII. Der Hof des Palazzo Farnese, erbaut von Antonio da San Gallo nach 1534. Zweiter Teil und Schluß von Dr. Paul Zucker. Kapitel IV. Rom nach der Jahrhundertwende.
    [Show full text]
  • A Transcription and Translation of Ms 469 (F.101R – 129R) of the Vadianische Sammlung of the Kantonsbibliothek of St. Gallen
    A SCURRILOUS LETTER TO POPE PAUL III A Transcription and Translation of Ms 469 (f.101r – 129r) of the Vadianische Sammlung of the Kantonsbibliothek of St. Gallen by Paul Hanbridge PRÉCIS A Scurrilous Letter to Pope Paul III. A Transcription and Translation of Ms 469 (f.101r – 129r) of the Vadianische Sammlung of the Kantonsbibliothek of St. Gallen. This study introduces a transcription and English translation of a ‘Letter’ in VS 469. The document is titled: Epistola invectiva Bernhardj Occhinj in qua vita et res gestae Pauli tertij Pont. Max. describuntur . The study notes other versions of the letter located in Florence. It shows that one of these copied the VS469, and that the VS469 is the earliest of the four Mss and was made from an Italian exemplar. An apocryphal document, the ‘Letter’ has been studied briefly by Ochino scholars Karl Benrath and Bendetto Nicolini, though without reference to this particular Ms. The introduction considers alternative contemporary attributions to other authors, including a more proximate determination of the first publication date of the Letter. Mario da Mercato Saraceno, the first official Capuchin ‘chronicler,’ reported a letter Paul III received from Bernardino Ochino in September 1542. Cesare Cantù and the Capuchin historian Melchiorre da Pobladura (Raffaele Turrado Riesco) after him, and quite possibly the first generations of Capuchins, identified the1542 letter with the one in transcribed in these Mss. The author shows this identification to be untenable. The transcription of VS469 is followed by an annotated English translation. Variations between the Mss are footnoted in the translation. © Paul Hanbridge, 2010 A SCURRILOUS LETTER TO POPE PAUL III A Transcription and Translation of Ms 469 (f.101r – 129r) of the Vadianische Sammlung of the Kantonsbibliothek of St.
    [Show full text]
  • Reale Accademia D'italia
    RILIEVI RACCOLTI A CVRA DELLA REALE ACCADEMIA D'ITALIA FASCICOLO XII FABBRICHE CIVILI NEL QVAR TIERE DEL RINASCIMENTO IN ROMA Testo di Bruno Maria Apollonj LA LIBRERIA DELLO STATO R O M A I 9 3 7 · A. X V I E. F. LA CLASSE DELLE ARTI DELLA R. ACCADEMIA D'ITALIA- PROMOTRICE CESARE BAZZANI - ARMANDO BRASINI - PIETRO CANONICA - FELICE CARENA FERRVCCIO FERRAZZI - VMBERTO GIORDAN O - GVSTAVO GIOVANNONI PIETRO MASCAGN I - LORENZO PERO S I - MARCELLO PIACENTI N I ROMANO ROMANELLI - ATTILIO SELVA - ETTORE TITO IL CONSIGLIO DI DIREZIONE MARCELLO PIACENTINI - PRESIDENTE GVSTAVO GIOVANNONI - GINO CHIERICI - VI N C ENZ O FASOLO FERDINANDO FORLATI- BRVN O MARIA APOLLON J, DIRETTORE I MONVMENTI ITALIANI RILIEVI RACCOLTI A CVRA DELLA REALE ACCADEMIA D'ITALIA FASCICOLO XII FABBRICHE CIVILI NEL QUARTIER E DEL RINASCIMENTO IN ROMA REMESSA SUL QUARTIERE DEL RINASCIMENTO Ponte Sisto; costruisce o trasforma chiese quali: i Santi IN GENERE. - Il movimento della Rinascenza si Apostoli, S. Maria del Popolo, S. Agostino, S. Maria determina in Roma nel periodo compreso tra della Pace; inizia le raccolte d'arte del Museo Capitolino. il ritorno in Città di Gregorio XI (I 377 ), con In tutta questa vasta attività edilizia è ormai assodato che si chiude l'esilio fatale di Avignone, ed il risol­ abbia avuto viva parte il Cardinale Guglielmo d' Estoute­ versi dello scisma d'occidente, ciò che avviene nel I 429, ville (1403-I483). È nella stessa epoca che si edifica, sulla durante il pontificato di Martino V Colonna. x) Via Papale - oggi del Governo Vecchio, - il Palazzo Questi inizia il rinnovamento della città che, con mag­ Nardini che, diverrà, in seguito, la residenza del Governo giore energia, continua Eugenio IV (I431-47) valendosi di Roma.
    [Show full text]
  • Der Buon Governo Des Pompeo Ruggieri. Die Fresken Von Cherubino Und Giovanni Alberti Im Palazzo Ruggieri in Rom
    Der Buon Governo des Pompeo Ruggieri. Die Fresken von Cherubino und Giovanni Alberti im Palazzo Ruggieri in Rom Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie der Philosophischen Fakultäten der Universität des Saarlandes vorgelegt von Susanne Hoppe M.A. aus Mannheim Saarbrücken, 2015 0 Der Dekan: Prof. Dr. Peter Riemer 1. Berichterstatter: Prof. Dr. Henry Keazor 2. Berichterstatter: Prof. Dr. Michael Hesse Tag der letzten Prüfungsleistung: 7. März 2013 1 Inhaltsverzeichnis Vorwort und Danksagung .................................................................................................. 4 Einleitung ............................................................................................................................. 6 I. „… fece casa che romana oggi è ma venuta de Sutri“: Pompeo Ruggieri und sein Palazzo im rione Pigna .................................................... 11 I. 1. Die Entstehungsgeschichte des Familienpalastes .................................................. 11 I. 2. Der Palazzo Ruggieri nach Pompeos Tod .............................................................. .24 II. Die Architektur .............................................................................................................. 27 II. 1. Baubeschreibung und Baugeschichte .................................................................... 27 II. 1. 1. Der Grundriss..................................................................................................... 27 II. 1. 2. Die Fassade .......................................................................................................
    [Show full text]
  • Sorrentino's Locations
    In another scene in the series, the Consistory The Young Pope (2016) 11 Orto Botanico 16 Sant’Ivo alla Sapienza 1 Casa dell’Architettura room can be recognized, while the Sala Regia QUADRARO-CINECITTÀ and the Monumental Staircase of the Palace The scenes of the confessional were shot inside Largo Cristina di Svezia, 24 Corso del Rinascimento, 40 21 all’Acquario Romano are crossed by the cardinal procession before the church of Sant’Anselmo, characterized by a The New Pope (2019-20) Il divo (2008) Parco degli Acquedotti Piazza Manfredo Fanti, 47 entering the Sistine Chapel in episode 1 of The Romanesque-Lombard “style”. The Great Beauty (2013) Several scenes set in the Vatican Gardens were Inside the complex of Sant’Ivo alla Sapienza, by Youth (2016) New Pope. shot in the Botanical Garden of Rome. In episode Francesco Borromini (1599-1677), once the seat of In the Ancient Appian way park, Jep (Toni Servillo) This building, designed by Ettore Bernich 8 3, for example, we see the prelates climbing the University of Rome and now the seat of the attends the performance of Talia Concept (Anita (1850-1914) towards the end of the nineteenth Tempietto del Bramante in San the Fountain of the Eleven Gushes to reach State Archives of Rome, the car of Il divo (Toni Kravos) with a certain scepticism. The artist runs 5 Musei Capitolini century to become the Acquario di Roma, is Pietro in Montorio the Sistine Chapel where the pope will give his Servillo) arrives and he is attacked by reporters. against one of the pillars of the Claudio Aqueduct now the seat of Casa dell’Architettura (ndt.
    [Show full text]
  • Beyond Perspective. Salviati's Bathsheba Goes to David
    Fabio Colonnese Studies in Visual Arts and Communication: an international journal Vol 1, No 2 (2014) on-line ISSN 2393 - 1221 Beyond Perspective. Salviati’s Bathsheba goes to David Fabio Colonnese Sapienza University of Rome Abstract Among the capricciose et ingegnose invenzioni that made Francesco Salviati a famous and discussed mannerist painter, a special place is occupied by Bathsheba goes to David he painted in 1552 in the fresco cycle at Palazzo Ricci in Rome. He depicted Bathsheba four times while approaching a towered alcove via a sinuous staircase: one can see her climbing the stairs, entering David’s room and joining him as four subsequent moments overlapped in the same picture. Such a narrative device has remote origins but appears unusual in an artistic context theoretically dominated by the perspective representation. A perspective should be like a photograph: an instant projection of three-dimensional space from a centre on a plane. Time flowing should be conceptually excluded from such a representation. Even the fictive architectural background Salviati painted, responds to no canonical perspective construction: the stair follows a curved geometry that is hardly detectable and incongruous with the human figures depicted on. But the little painting is only part of a wider anti-perspectival visual program in which the whole hall is involved to move the observer along invisible narrative tracks. Keywords Francesco Salviati, Palazzo Ricci, Sala dei Mappamondi, Bathsheba and David, Representation of time in space, Fictive architecture, Perspective decoration, Optical illusions, Trompe l’oeil. Introduction “For Cardinal Riccio of Montepulciano he painted a most beautiful hall in his Palace in the Strada Giulia, where he executed in fresco various pictures with many stories of David; (…) to put it briefly, the work of that hall is all full of grace, of most beautiful fantasies, and of many fanciful and ingenious inventions; the distribution of the parts is done with much consideration, and the colouring is very pleasing.
    [Show full text]
  • The Line of Fate in Michelangelo's Painting Leo Steinberg Critical
    The Line of Fate in Michelangelo's Painting Leo Steinberg Critical Inquiry, Vol. 6, No. 3. (Spring, 1980), pp. 411-454. Stable URL: http://links.jstor.org/sici?sici=0093-1896%28198021%296%3A3%3C411%3ATLOFIM%3E2.0.CO%3B2-E Critical Inquiry is currently published by The University of Chicago Press. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/ucpress.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is an independent not-for-profit organization dedicated to and preserving a digital archive of scholarly journals. For more information regarding JSTOR, please contact [email protected]. http://www.jstor.org Wed Apr 25 14:31:47 2007 The Line of Fate in Michelangelo's Painting Leo Steinberg There are several reasons why an art historian of fastidious taste might want to look at bad art-at poor early copies, for instance, of a great painting, even when the latter survives in near perfect condition.
    [Show full text]
  • QUI Il Libretto Palazzo Storici a Roma
    Palazzi Storici a Roma Cortili Aperti 2016 Palazzi Storici a Roma Cortili Aperti 2016 PALAZZI STORICI DI ROMA © COPYRIGHT 2016 A.D.S.I. Lazio Pubblicazione realizzata in occasione della manifestazione: “Cortili Aperti Roma 2016” Sotto l’Alto Patronato della Presidenza della Repubblica Con il Patrocinio di: Ministero dei Beni e delle Attività Culturali e del Turismo Comune di Roma - Municipio I A cura di: Patrizio Mario Mergè Revisione: Stephane Asoni Il volume è stato prodotto da: A.D.S.I. Lazio In copertina: Alessandro Specchi Sistemazione delle statue a palazzo dei Conservatori Si ringraziano le famiglie, le amministrazioni e i condomini che hanno gentilmente accettato di aderire all’iniziativa. A.D.S.I. Associazione Dimore Storiche Italiane Sezione Lazio Ringrazia per il contributo alla realizzazione di: Cortili Aperti 2016 3 SOMMARIO A.D.S.I Lazio .......................................................................................................pag. 5 Cortili Aperti Roma 2016 ................................................................................... “ 6 La grande Committenza Patrizio Mario Mergè .............................................. “ 7 Itinerario fra i cortili ........................................................................................... “ 10 I PALAZZI Palazzo d’Aste ..................................................................................................... “ 12 Palazzo Attolico .................................................................................................. “ 14 Palazzo
    [Show full text]
  • Mannerist Staircases: a Twist in the Tale Valerie Ficklin
    Mannerist Staircases: A Twist in the Tale Valerie Ficklin Scholars differ greatly in their opinions on Mannerism. Art Palace, Rome, 1511, Figure 3) almost literally on its side. historians debate how to best define this style and the qualita- Pontormo’s stairs cut diagonally across the middle of the pic- tive value which should be assigned to these works. Com- ture, seeming to hang in mid-air but for the few supports which pared with High Renaissance works, Mannerist art could be connect them to the building they mount. Most High Renais- defined as “abnormal or strange” in order to stress evocative sance artists used stairs to create order, symmetry, and bal- emotional content. A chart in Frederick Hartt’s History of Ital- ance in their works. Pontormo, however, emphasized the stair- ian Renaissance Art demonstrates the differences between the case with its precarious position and twisting form, thereby two periods. Hartt describes Renaissance art as “normal, di- drawing attention to an object normally relegated to the back- rect, controlled, harmonious, and natural” respectively on the ground. following topics: content, narrative, space, composition, and The stairs in Salviati’s Bathsheba Goes to David exem- substance.1 Mannerism, he describes as “abnormal, elaborate plify how important twisting forms remained throughout the disjointed, conflicting, and artificial,” using the same dimen- Mannerist period and the extreme degree to which the ser- sions he employed to analyze the earlier period.2 More often pentine line was taken. The staircase dominates the work, and than not, the sense of a divergence from the norm clung to rather than being a straight spiral, the staircase now has an works in the Mannerist style, but modern day viewers need to even more fanciful backwards “S”-shaped curve.
    [Show full text]
  • Couv ROME UK 2017 A.Indd
    SECRET ROME GINEVRA LOVATELLI, ADRIANO MORABITO AND MARCO GRADOZZI JONGLEZ PUBLISHING CENTRE NORTH VILLA MARAINI 9 48 Via Ludovisi • Guided tours: every Monday at 3pm and 4pm (in English, French and Italian), on request only, by writing to: [email protected] • Admission e 5 • Metro: A – Barberini; Bus: 61, 63, 80, 83, 116 n the heart of the Ludovisi district, close A superb to Via Veneto, Villa Maraini offers one of panoramic Ithe most spectacular views over the city: view from from the tower of the villa is a 360° panoramic viewpoint that is only 3 metres lower than an artificial hill the belvedere on the dome of Saint Peter’s Basilica. This luxurious and eclectic building combining“ Renaissance and Baroque influences was built between 1903 and 1905 by Emilio Maraini, a successful captain of industry born in Lugano, Switzerland, in 1853. He began to produce sugar from beets that he had grown in the countryside around Rieti and in a few years became the “sugar king”. He then obtained Italian citizenship and even became a member of parliament, which is why he moved to Rome. A short distance from the church of Trinità dei Monti he bought some land where tonnes of stone, gravel and rubble had been piled up, partly for the construction of Via Ludovisi. Rather than just dispose of the rubbish, Maraini had the idea of building his house on top of this artificial hill. The majestic three-storey villa, set in lush gardens, was designed by his architect brother Otto, who was also involved with the construction of the Excelsior Hotel on Via Veneto.
    [Show full text]
  • Artificiality in Mannerism: the Influence of Self-Fashioning
    Artificiality in Mannerism: the Influence of Self-fashioning Author: Kira Maye Persistent link: http://hdl.handle.net/2345/495 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2007 Copyright is held by the author, with all rights reserved, unless otherwise noted. Artificiality in Mannerism: The Influence of Self-fashioning Kira Maye Professor Stephanie Leone Fine Arts Department, Art History Senior Honors Thesis April 2007 Table of Contents List of Illustrations 2 Introduction 3 Chapter I: Defining Mannerism 7 Chapter II: Vasari and Self-fashioning 27 Chapter III: Farnese Patronage and Self-fashioning 44 Conclusion 69 Illustrations 71 Bibliography 80 Illustrations Figures 1. Pontormo, Descent from the Cross, 1525-27 2. Rosso Fiorentino, Descent from the Cross, 1521 3. Rosso Fiorentino, The Dead Christ with Angels, 1524-27 4. Giovanni Bologna, Rape of the Sabine, 1583 5. Bronzino, Venus, Cupid, Folly, and Time, c. 1546 6. Giorgio Vasari, Allegory of the Immaculate Conception, 1541 7. Giulio Clovio, Queen of Sheba before Solomon, 1546 8. Michelangelo, Victory, c. 1532-34 9. Francesco Salviati, History of Paul III, c. 1558 10. Francesco Salviati, Bathsheba Going to David, 1552-54 11. Giorgio Vasari, Justice, 1543 12. Giorgio Vasari, Sala dei Cento Giorni, 1546 13. Giorgio Vasari, Peace of Nice, 1546 14. Giorgio Vasari, Paul III Distributing Benefices, 1546 15. Giorgio Vasari, Rebuilding of St. Peter’s, 1546 16. Giorgio Vasari, Universal Homage to Paul III, 1546 17. Raphael, Vision of the Cross, 1517-24 Introduction In the sixteenth century, Giorgio Vasari created a three-part history of Italian art in Lives of the most eminent painters, sculptors and architects.
    [Show full text]