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Bartók Béla Életének Krónikája Translated by Márta Rubin
BÉLA BARTÓK JNR. Chronicles of Béla Bartók’s Life BÉLA BARTÓK JNR. CHRONICLES OF BÉLA BARTÓK’S LIFE Magyarságkutató Intézet Budapest, 2021 Translation based on Béla Bartók Jnr.’s original Bartók Béla életének krónikája Translated by Márta Rubin Book Editor: Gábor Vásárhelyi Assistant: Ágnes Virághalmy The publication of this book was sponsored by EMMI. A kötet megjelenését az EMMI támogatta. Original edition © Béla Bartók Jnr., 1981 Revised edition © Béla Bartók Jnr.’s legal successor (Gábor Vásárhelyi), 2021 Translation © Márta Rubin, 2021 ISBN 978-615-6117-26-7 CONTENTS Foreword ......................................................7 Preface .......................................................11 Family, Infancy (1855–1889) ....................................15 School Years (1890–1903) .......................................21 Connecting to the Music Life of Europe (1904–1906) ...............71 Settling In Budapest. Systematic Collection of Folk Songs (1907–1913) ................99 War Years (1914–1919) ........................................149 After World War I (1920–1921) .................................189 Great Concert Tours on Two Continents (1922–1931) .............205 Economic Crisis (1932–1933) ..................................335 At The Academy of Sciences. Great Compositions (1934–1938) .....359 World War II. Second and Third American Tour (1939–1945) .......435 Last Journey Home, “… But For Good” (1988) ....................507 Identification List of Place Names ...............................517 FOREWORD FOREWORD I have the honour of being a family member of Béla Bartók Jnr., the author of this book. He was the husband of my paternal aunt and my Godfather. Of our yearly summer vacations spent together, I remember well that summer when one and a half rooms of the two-room-living-room cottage were occupied by the scraps of paper big and small, letters, notes, railway tickets, and other documents necessary for the compilation of this book. -
November 17, 2013 Concert Program Booklet
North Shore Choral Society With David Schrader, Organist Rejoice!November 17, 2013 Glenview Community Church Glenview, Illinois North Shore Choral Society Julia Davids, Music Director PROGRAM God Is Gone Up ................................................................................................ Gerald Finzi Paean ........................................................................................................Kenneth Leighton David Schrader, organist Rejoice in the Lord Alway .............................................................................. Henry Purcell Elizabeth Jankowski, alto; Alan Taylor, tenor; Michael Orlinsky, bass Ave Verum Corpus ......................................................................................... William Byrd Ave Verum Corpus ......................................................................................... Edward Elgar Hail, Gladdening Light ..................................................................................Charles Wood Julia Brueck, conductor The Lord Is My Shepherd .......................................................................... Howard Goodall Rachel Sparrow, soprano Julia Brueck, conductor Let All the World in Every Corner Sing ..................................................Kenneth Leighton — Intermission — I Was Glad ............................................................................Charles Hubert Hastings Parry Rachel Sparrow, soprano; Elizabeth Jankowski, alto; Alan Taylor, tenor; Michael Orlinsky, bass Rejoice in the Lamb ................................................................................. -
Information to Users
INFORMATION TO USERS This mamiscrq)t has been reproduced from the microfilm master. UM I films the text directfy from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from a iy type of conq>uter printer. The qualityof this reproduction is d^endait upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and inqnoper alignment can adversety affect reproduction. In the unlikely event that the author did not send UM I a complete manuscript and there are missing pages, these w ill be noted. Also, if unauriiorized copyrig^ material had to be removed, a note wiD indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from lefr to rigjht in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. PhotQgr^hs included in the original manuscrit have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for aity photographs or illustrations appearing in this copy for an additional charge. Contact UM I directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9505139 Bartôk’s contributions to piano pedagogy: His edition of Bach’s Well-Tempered Clavier and impressions of former students Huang, Fung-'Ym, D.M.A. -
Ole Bulls Regneverden 5.-7
Faktaopplysning Ole Bull, til lærer Ole Bulls Regneverden 5.-7. trinn Forslag til forarbeid Bruk ulike læremidler og la elevene bli kjent med Ole Bull. Faktaarket er et hjelpemiddel til deg som lærer. Fakta Ole Bull 1810-1880 Fiolinist fra Bergen Født på Svaneapoteket hvor faren var apoteker. Spilte fiolin fra han var 8 år. Dyktig improvisator Komponerte en del, men kun få verk er bevart. Var visjonær og initiativrik Hadde et liberalt forhold til penger. Følgende tekst er redigert og hentet fra Wikipedia Ole Bull var mye av en improvisator og hadde for en stor del komposisjonene i hodet. Mens han levde, oppnådde han å bli en eventyrfigur. Stjernestatusen sank nok noe i årene etter hans død. Men Ole Bull var mye mer enn komponist og sagnomsust fiolinvirtuos. Han var også en betydelig kulturpersonlighet og inspirator for en selvstendig norsk kunst i vid mening, med stor betydning for kunstmusikk og folke- musikk, for litteratur og teater. Ole Bull hadde store visjoner og ville mye. Han drømte om en norsk ope- ra, og han arbeidet for en høyere utdanningsinstitusjon for musikk. Ole Bull ble født på Svaneapoteket i Bergen, der hans far, Johan Storm Bull, var apoteker. Hans mor var Anna Dorothea (Geelmeyden). Han vokste opp i et musikkinteressert miljø. Ole Bulls første lærere i fiolinspill var konsertmester ved Musikselskabet «Harmonien» (nå Bergen Fil- harmoniske orkester). Ole Bull viste tydelig et usedvanlig talent og skal ha fått sin første skikkelige fiolin i en alder av 8 år. Da han var 18 år gammel ble han sendt til hovedstaden for å ta eksamen artium etter å ha vært elev ved Bergen katedralskole. -
NEWS LETTER Northfield, Minnesota from the NAHA Office to the Association Members
16994 NAHA Summer NL 6/30/05 7:48 AM Page 2 The Norwegian-American Historical Association NEWS LETTER Northfield, Minnesota From the NAHA Office to the Association Members NUMBER 125 EDITOR, KIM HOLLAND SUMMER 2005 by the director of the Norwegian Nobel Institute, Geir NEW BOARD OF DIRECTORS ELECTED Lundestad. The symposium concludes with music, a banquet and remarks by distinguished guests. NAHA’s 27th triennial membership meeting was held Register at: www.stolaf.edu/events/norway2005/confer- on April 30, 2005. We are pleased to announce that four new ence/registration A list of hotels in Northfield is included on members joined the Board of Directors. These individuals the website. We look forward to seeing you for this important bring a geographic diversity and a commitment to sharing their event which will showcase the ongoing close relationship these time and talents for the betterment of the Norwegian-American two countries share. While registering for the conference you Historical Association. can click on “Speakers” and check out the backgrounds on the Joining the NAHA Board for the first time are H.Theodore various speakers. Grindal, a health care attorney from Eden Prairie, Minnesota, Katherine Hanson, a professor in the Department of Scandinavian NORWEGIAN NATIONAL OPERA PERFORMS Studies at the University of Washington, James Honsvall, a CPA PEER GYNT from Stillwater, Minnesota and Mary Rand Taylor, a philanthro- pist from La Jolla, California. Returning members to the NAHA Board include: Mark your calendars! The Norwegian National Opera H. George Anderson, Joan Buckley, Ruth Crane, Karen Davidson, will perform Peer Gynt on Tuesday and Wednesday, October 18 David Hill, Nils Lang-Ree, Zay Lenaburg, Mary Ann Olsen, and 19 at the Ordway Theatre in St. -
Boston Symphony Orchestra Concert Programs, Season 103, 1983
Boston Symphony Orchestra SEIJI OZAWA, Music Director - - /BOSTON \ . ,\ SEIJI OZAWA As ,\t Director V .T 103rd Season Mt Musu 1983-84 Savor the sense of Remy Imported by Remy Martin Amerique, Inc., N.Y SINCE !4 VS.O.P COGNAC. ; Sole U.S.A. Distributor, Premiere Wine Merchants Inc., N.Y. 80 Proof. REMY MARTINI Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Third Season, 1983-84 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Mrs. Harris Fahnestock, Vice-President George H. Kidder, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. David B. Arnold, Jr. Mrs. John H. Fitzpatrick William J. Poorvu J.R Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley E. James Morton Mrs. George R. Rowland Mrs. Norman L. Cahners David G. Mugar Mrs. George Lee Sargent George H.A. Clowes, Jr. Albert L. Nickerson William A. Selke Mrs. Lewis S. Dabney John Hoyt Stookey Trustees Emeriti Abram T. Collier, Chairman ofthe Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward M. Kennedy Paul C. Reardon Richard P. Chapman Edward G. Murray John L. Thorndike John T. Noonan Administration of the Boston Symphony Orchestra, Inc. Thomas W Morris - General Manager William Bernell - Artistic Administrator Daniel R. Gustin - Assistant Manager B.J. Krintzman - Director ofPlanning Anne H. Parsons - Orchestra Manager Caroline Smedvig - Director ofPromotion Charles D. -
Twentieth Century Music for Unaccompanied Trumpet: an Annotated Bibliography. Timothy Wayne Justus Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1995 Twentieth Century Music for Unaccompanied Trumpet: An Annotated Bibliography. Timothy Wayne Justus Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Justus, Timothy Wayne, "Twentieth Century Music for Unaccompanied Trumpet: An Annotated Bibliography." (1995). LSU Historical Dissertations and Theses. 6113. https://digitalcommons.lsu.edu/gradschool_disstheses/6113 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Boston Symphony Orchestra Concert Programs, Season 126, 2006-2007
, 2006-2007 SEASON > BOSTON SYM PHONY RCHESTRA JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE *.>' ^m W." » II l^eaJ \e. /f: JCO a X; 4 1 f- ^ n| ' ^4e4rit* r **&&&&*** t"l'VV1' » f 13 i - : ud to support the Boston Symphony Orchesti ncoc, the future is yours A World-Class Alcohol and Drug Treatment Program View from The McLean Center, Princeton, MA E McLEAN CENTER AT FERNSIDE A comprehensive residential treatment program. Expertise in treating co- occurring psychiatric disorders. Highly discreet and individualized care for adults. Exceptional accommodations in a peaceful, rural setting. McLean Hospital: A Legacy of Compassionate Care and Superb Clinical Treatment www.mclean.harvaxd.edu • 1-800-906-9531 McLean Hospital is a psychiatric teachingfacility Partners ofHarvard Medical School, an affiliate of Healthcare Massachusetts General Hospital and a member of Partners HealthCare. REASON #75 transplan exper s It takes more than just a steady hand to perform a successful organ transplant. The highly complicated nature of these procedures demands the utmost in experience and expertise. At Beth Israel Deaconess Medical Center, we offer one of the most comprehensive liver, kidney and pancreas transplant programs available today. Our doctors' exceptional knowledge and skill translate to enhanced safety and care in transplant surgery - and everything that goes into it. For more information on the Transplant Center, visit www.bidmc.harvard.edu or call 1-800-667-5356. A teaching hospital of Beth Israel Deaconess Harvard Medical School Medical Center Official | Hospital of the Boston Red Sox Affiliated with Joslin Clinic | A Research Partner of Dana-Farber/Harvard Cancer Center James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 Trustees of the Boston Symphony Orchestra, Inc. -
Industrial Areas of Madison, Wisconsin, 1880-1970
Walking and Biking Tours in Several Industrial Areas of Madison, Wisconsin, 1880-1970 by Burr Angle and Dolores Kester Copyright © Burr Angle 2013 CONTENTS Introduction – Industries, railroad tracks, and bike paths Alexander - John Wesley Alexander’s studies of industries in the Rock River Valley; Madison, Wisconsin; and Oshkosh, Wisconsin Johnson – John A. Johnson – Madison’s first major industrialist Tour 1 – East Washington Avenue Corridor Tour 2 – Fair Oaks Tour 3 – Northside Tour 4 – West of the Capitol Square Introduction Almost all small to medium cities in the upper Midwest are home to at least one manufacturing company and some contain many such firms. As a University of Wisconsin geography professor, John Wesley Alexander, pointed out in his studies of manufacturing in Rock River Valley cities in Illinois and Wisconsin, these firms had a great deal in common throughout the entire area so that conclusions reached about manufacturing in one city often apply to others throughout the region. From 1880 to 1970 nearly all major factories in the Rock River Valley were located directly beside or only a few hundred feet from railroad tracks. In Madison many of these railroad tracks or portions of their right-of-way have been replaced by bike paths that can be used without paying a fee. This means that many factory buildings built from 1880 to 1970 that are typical of others throughout the Midwest can be cheaply, safely, easily, and legally viewed by bikers from one to four sides within relatively small areas. Those without a bike can rent one from several vendors. Others may prefer to walk. -
Ole Bull «Omkranset» Av Sin Berømte Gullkrans Og Utallige Litografier Av Ole Bull
Postadresse: epost: [email protected] Statsarkivet i Bergen [email protected] Årstadveien 22 Internett: 5009 Bergen http://www.arkivverket.no/bergen/om.html Tlf: 55965800 http://www.digitalarkivet.no/ Tidligere utgitt i denne serien: NR.1 februar 2010 13. ÅRGANG 1998 1999 2000 2001 2002 2003 2004 2/2004 1/2005 2/2005 3/2005 1/2006 2/2006 3/2006 1/2007 2/2007 3/2007 1/2008 2/2008 3/2008 1/2009 2/2009 3/2009 Bergensposten er en publikasjon som har vært utgitt av Statsarkivet i Bergen siden 1998. Dette er det 24. heftet i rekken. Ansvarlig redaktør: Yngve Nedrebø Ansvarlig for utforming: Tom Myrvold Trykk: Statsarkivet i Bergen Opplag: ca. 1000 Redaksjon avsluttet: 26. februar 2010 Forsiden: Ole Bull «omkranset» av sin berømte gullkrans og utallige litografier av Ole Bull. Omslaget er bygd over bilder vi har fått fra Knut Hendrik- sen. Ole Bulls gullkrans er oppbevart på Lysøen. "The ISSN 1501-4436" Lysøen fotografert 6. februar 2010 av Tom Myrvold. Innhold Fra redaktøren ........................................................................................... 2 Knut Hendriksen: PR-geniet Ole Bull ....................................................... 5 Christian Brun Larsen: Ole Bull og Det Norske Theater i Bergen ........... 17 Christian Brun Larsen: Om Ole Bulls vertinne Madam Grevle på Engen 19 ............................... 27 Christian Brun Larsen: Til Amerika og Oleana og hjem igjen .................. 31 Yngve Nedrebø: Elendigheten og den delvis reddende engel ................ 37 Christian Brun Larsen: Valestrand og Lysøen ......................................... 39 Christian Brun Larsen: «Skuespillerinde» Lucie Wolf forteller om Ole Bull . ................................ 45 Christian Brun Larsen: Bjørnstjerne Bjørnsons sønn Bjørn om sitt møte med Ole Bull i Roma ................................................. 47 Yngve Nedrebø: Le Grand Finale .......................................................... -
University of Oklahoma
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PERCY GRAINGER’S WIND BAND SETTING OF THE IMMOVABLE DO: ITS HISTORY AND ANALYSIS A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By PHILLIP ALLEN CORRELL Norman, Oklahoma 2009 PERCY GRAINGER’S WIND BAND SETTING OF THE IMMOVABLE DO: ITS HISTORY AND ANALYSIS A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY ______________________________ Dr. William Wakefield, Chair ______________________________ Dr. Michael Lee ______________________________ Dr. Michael Raiber ______________________________ Dr. Sarah Reichardt ______________________________ Dr. Alfred Striz © Copyright by PHILLIP ALLEN CORRELL 2009 All Rights Reserved. ACKNOWLEDGEMENTS I am especially grateful to Dr. William Wakefield, committee chair, whose encouragement, insight, and guidance inspired me to continue. Sincere appreciation is extended to my committee members Dr. Michael Lee, Dr. Michael Raiber, Dr. Sarah Reichardt, and Dr. Alfred Striz for their time and contribution to this document. I also wish to thank by colleagues at East Central University in Ada, Oklahoma for their friendship and support. I am fortunate to work with such dedicated professionals. Special thanks to Dr. Arthur Kennedy for the many invigorating conversations on research and Monica Syrette from the University of Melbourne for her assistance at the Grainger Museum. Most importantly, thanks to my wife Patricia, daughter Amanda and her husband Eric Hall, and my son David, whose love and support made this journey possible. I additionally wish to thank the G. Schirmer Publishing Company for granting permission to excerpt The Immovable Do score in this document. The Immovable Do By Percy Grainger Copyright © 1940 (Renewed) by G. -
Percy Grainger: Grieg's Interpreter and Propagator
Percy Grainger: Grieg’s Interpreter and Propagator Malcolm Gillies and David Pear Keynote Address, International Grieg Society Conference, Bergen, 30 May 2007 Abstract: The Australian composer-pianist Percy Grainger (1882-1961) came to know Grieg in the Norwegian’s final years. After a first contact in 1905, the two met in London in 1906. During the summer of 1907 Grainger stayed with Grieg at Troldhaugen, where they prepared for performances (as soloist and conductor) of Grieg’s Piano Concerto. After Grieg’s death in September 1907 Grainger continued to promote Grieg’s works through his performances, essays, editions, broadcasts, and recordings, right up until his last performance of the Concerto in January 1960 in Minnesota. He also wrote extensively about his connections with Grieg in his letters and autobiographical sketches. This paper surveys Grainger’s half-century of propagation of Grieg’s music. It contrasts Grainger’s public and private views, and traces the changes over the decades in his opinions about Grieg and his wife. The paper ends with a study of how Grainger fitted Grieg into his evolving views about the Nordic world, how Grieg influenced Grainger’s perceptions of his own pianism, composition and folk-music study, and how Grainger sought to reconcile the obligations of propagator, prophet and protégé. During the 1930s Percy Grainger established his own Museum on the grounds of the University of Melbourne. Although living in the United States, he chose Melbourne because it was his birthplace. He also chose Melbourne because he wanted to increase musical and cultural awareness in the land that he still claimed as home, despite having only occasionally visited Australia since his boyhood.