DOCSLIB.ORG

A Better Kind of Bank Presenting the World’S finest Classical Artists Since 1919 2016|2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Better Kind of Bank Presenting the World’S finest Classical Artists Since 1919 2016|2017 A Better Kind of Bank Presenting the world’s finest classical artists since 1919 2016|2017 INTERNATIONAL SERIES AT THE GRANADA THEATRE American Riviera Bank is your community bank; owned by our employees, customers and local shareholders — people just like you. We know our customers and they know us. It’s a different kind of relationship. Daniil Rabovsky It’s better. Come visit a branch, you’ll feel the difference when you walk in the door. ST. PETERSBURG PHILHARMONIC ORCHESTRA NIKOLAY ALEXEEV Conductor Santa Barbara Montecito Goleta Online Mobile App GARRICK OHLSSON Piano TUESDAY, MARCH 14, 2017, 8PM The Granada Theatre AmericanRivieraBank.com | 805.965.5942 (Santa Barbara Center for the Performing Arts) COMMUNITY ARTS MUSIC ASSOCIATION OF SANTA BARBARA, INC “Cottage’s iMRI technology offered me a different path to treat my brain tumor.” Shortly after her procedure, Corby was back to hiking her favorite trail. Corby Santa Maria JESSIE ARMS BOTKE (1883-1971) WHITE PEACOCK IN MAGNOLIA TREE WATERCOLOR AND GOUACHE ON PAPER || 15” HIGH X 13” WIDE When doctors diagnosed Corby with a brain tumor they believed was difficult to treat, they STEWART recommended an intraoperative magnetic resonance imaging procedure (iMRI). The Santa FINE ART Barbara Neuroscience Institute at Cottage is one of just a handful of hospitals in the nation ESTABLISHED 1986 DIANE WARREN STEWART who offer this specialized medicine. Our advanced imaging system provides neurosurgeons with the clearest images during brain surgery, helping them remove the most difficult to treat tumors. iMRI technology provides some patients with a different path and helps reduce Specializing in early California Plein the likelihood of an additional procedure. Air painters, and museum quality 215 W. MISSION STREET 19th/20th century American and For 125 years, we’ve been advancing medicine. Learn more at cottagehealth.org/imri SANTA BARBARA European art, as well as a selection of fine antiques and antique furniture 805-845-0255 DIANESTEWARTFINEART.COM Open from 11 to 5:30, closed Thursday and Sunday, PARKING IN BACK available by appointment Directors Emeriti Russell S. Bock * Dr. Robert M. Failing Presenting the world’s finest classical artists since 1919 Presenting the world’s finest classical artists since 1919 Mrs. Maurice E. Faulkner * Léni Fé Bland * Arthur R. Gaudi BOARD OF DIRECTORS Dr. Melville H. Haskell, Jr. * {as of March 2, 2017) Mrs. Richard Hellmann * Dr. Dolores M. Hsu Robert K. Montgomery, president Herbert J. Kendall Philharmonia Orchestra St. Petersburg Deborah Bertling, first vice-president Mrs. Frank R. Miller, Jr. * THURSDAY, OCTOBER 6, 2016, 8PM Craig A. Parton, second vice-president Sara Miller McCune Philharmonic SPONSORS: TUESDAY, MARCH 14, 2017, 8PM William Meeker, treasurer Mary Lloyd Mills Mrs. Ernest J. Panosian * Dan & Meg Burnham PRIMARY SPONSOR: Joan R. Crossland, secretary Kenneth W. Riley * Judith L. Hopkinson The Elaine F. Stepanek Concert Fund Mrs. John G. Severson * Sara Miller McCune Bitsy Becton Bacon Joanne C. Holderman Andre M. Saltoun CO-SPONSORS: Nancy L. Wood The Towbes Fund for the Performing Arts, a field Edward Birch Judith L. Hopkinson Judith F. Smith * Deceased of interest fund of the Santa Barbara Foundation Elizabeth & Andrew Butcher Jan Bowlus James H. Hurley, Jr. Sam Toumayan Jocelyne & Bill Meeker CO-SPONSOR: Daniel P. Burnham Elizabeth Karlsberg Judith H. Writer Administration Frank & Sheila McGinity Jan & Alison Bowlus Stephen Cloud Lynn P. Kirst Catherine Leffler, Mark E. Trueblood Michele & Andre Saltoun NancyBell Coe Frank E. McGinity president, executive director Nancy Schlosser Bridget B. Colleary Raye Haskell Melville CAMA Women’s Board Warsaw Philharmonic Elizabeth Alvarez MONDAY, NOVEMBER 7, 2016, 8PM Robert J. Emmons Stephen J.M. (Mike) director of development Danish National Jill Felber Morris SPONSOR: Linda Proud Ellen & Peter Johnson Symphony Orchestra office manager/subscriber services TUESDAY, MARCH 28, 2017, 8PM CO-SPONSORS: Please send programming queries to: [email protected], SPONSORS: Dan & Meg Burnham Justin Rizzo-Weaver Bob & Val Montgomery attn: CAMA Program Committee Jan & Alison Bowlus concert & publicity manager Michele & Andre Saltoun Hollis Norris Fund 2060 Alameda Padre Serra, Suite 201 Santa Barbara, CA 93103 Tel (805) 966-4324 Fax (805) 962-2014 [email protected] George & Judy Writer CO-SPONSORS: Bruckner Lynn P. Kirst Orchestra Linz Barbara & Sam Toumayan TUESDAY, FEBRUARY 7, 2017, 8PM Los Angeles Philharmonic PRINCIPAL SPONSOR: Herbert & Elaine Kendall SUNDAY, MAY 7, 2017, 4PM SPONSORS: Bitsy & Denny Bacon and PRINCIPAL SPONSOR: The Becton Family Foundation The Samuel B. & Margaret C. Mosher Foundation The Andrew H. Burnett Foundation CO-SPONSORS: CO-SPONSORS: Bitsy & Denny Bacon Louise & Michael Caccese and The Becton Family Foundation Jocelyne & William Meeker Robert & Christine Emmons Judith F. Smith Jocelyne & Bill Meeker Stephen Cloud Bob & Val Montgomery Anonymous in Honor of Robert McDuffie Ellen & Jock Pillsbury Johnathan Biss Tafelmusik Baroque Orchestra Brentano Quartet WEDNESDAY, MARCH 8, 2017, 8PM MONDAY, OCTOBER 17, 2016, 8PM CO-SPONSOR: Craig & Ellen Parton CONCERT PARTNER: CONCERT PARTNERS: Robert & Christine Emmons Elizabeth Karlsberg & Jeff Young • Lynn P. Kirst Bob & Val Montgomery Susan Graham mezzo-soprano Augustin Hadelich violin THURSDAY, APRIL 6, 2017, 8PM CO-SPONSOR: Stephen J.M. & Anne Morris Joyce Yang piano TUESDAY, NOVEMBER 22, 2016, 8PM CONCERT PARTNERS: SPONSOR: Bitsy & Denny Bacon Laurel Abbott, Berkshire Hathaway Luxury Properties and The Becton Family Foundation Bridget Colleary CONCERT PARTNER: Bob & Val Montgomery Raye Haskell Melville Ted Plute & Larry Falxa 2 INTERNATIONAL SERIES AT THE GRANADA THEATRE TOGETHER WE CAN MAKE IT HAPPEN WEALTH ADVISORS Opus 3 Artists Presents ST. PETERSBURG I welcome the opportunity to learn about your unique goals and needs. Together we can create a PHILHARMONIC ORCHESTRA strategy designed to help guide you along the path toward financial well-being. NIKOLAY ALEXEEV CONDUCTOR GARRICK OHLSSON PIANO Call to schedule a consultation today. TUESDAY, MARCH 14, 2017, 8PM The Granada Theatre (Santa Barbara Center for the Performing Arts) JOHANNES Piano Concerto No.1 in D minor, Op.15 BRAHMS (1833-1897) I. Maestoso II. Adagio III. Rondo: Allegro non troppo Garrick Ohlsson, Piano INTERMISSION DMITRI Symphony No.10 in E minor, Op. 93 SHOSTAKOVICH (1906-1975) I. Moderato II. Allegro III. Allegretto IV. Andante; Allegro Programs and artists subject to change CAMA gratefully acknowledges our sponsors for this evening’s performance… International Series Season Sponsor: SAGE Publications Primary Sponsor: The Elaine F. Stepanek Concert Fund Co-Sponsors: Elizabeth & Andrew Butcher Jocelyne & Bill Meeker Frank & Sheila McGinity Michele & Andre Saltoun Jorge Morales Nancy Schlosser Wealth Advisor CA Insurance #0D70984 www.philharmonia.spb.ru Rosneft - Title Partner of the D.D. Shostakovich Saint Petersburg Academic Philharmonia 1000 State Street Steinway Piano Santa Barbara, CA 93101 Office Mr. Ohlsson appears courtesy of Opus 3 Artists. (805) 564-7305 US Tour Management: [email protected] Opus 3 Artists, 470 Park Avenue South, 9th Floor North, New York, NY 10016 • www.opus3artists.com Not FDIC Insured Not Bank Guaranteed May Lose Value We request that you switch off cellular phones, watch alarms and pager signals during the performance. Not Insured by Any Federal Government Agency Not a Bank Deposit The photographing or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited. Program magazines printed on Endeavour® Paper: 50% Recycled, 25% Post-Consumer Waste Jorge Morales is a registered representative with, and securities offered through LPL Financial, Member Paper sponsored by Jano Graphics FINRA/SIPC. Insurance products offered through LPL Financial or its licensed affiliates. Montecito Bank & Trust Located at Montecito Bank & Trust • montecito.bank and MB&T Advisors are not registered brokers/dealers nor affiliates of LPL Financial. AD_WealthCAMA_Advisors_020217.indd 1 2/14/17 11:43 AM ST. PETERSBURG PHILHARMONIC ORCHESTRA ccording to foreign critics, the history In 1921, the orchestra, given the hall of the of the St. Petersburg Philharmonic former Noble Assembly at its disposal, opened the AOrchestra - “part of the world elite and, country’s first Philharmonic. The unprecedented no doubt, historically the most important of the in scale activities of the orchestra drew a new Russian orchestras” - began with the decree of and sometimes far removed from classical Alexander III dated 16 July 1882, which initiated music audience to its Grand Hall. Outstanding the creation of the Court Choir. Transformed into Russian musicians underwent a rigorous test the Court Orchestra at the beginning of the XX of their conducting skills with the orchestra. century, for the first time in Russia, the orchestra Such legendary Western conductors as B.Walter, performed the symphonic poems “The Life of a F.Weingartner, G.Abendroth, O.Fried, E.Kleiber, Hero” and “Thus Spake Zarathustra” by Richard P.Monteux and O.Klemperer; soloists V.Horowitz Strauss, Mahler’s First Symphony and Bruckner’s and S.Prokofiev, performed with the orchestra. Ninth Symphony, Scriabin’s “Poem of Ecstasy” The orchestra mastered a vast contemporary and Stravinsky’s First Symphony. A.Nikish and repertoire. In 1918, it presented the premiere of R.Strauss conducted the orchestra as well Prokofiev’s “Classical Symphony”, and in
Load more

Recommended publications
  • Connecting Analysis and Performance: a Case Study for Developing an Effective Approach
    Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 6 Issue 1 Article 8 October 2013 Connecting Analysis and Performance: A Case Study for Developing an Effective Approach Annie Yih University of California, Santa Barbara Follow this and additional works at: https://trace.tennessee.edu/gamut Part of the Music Theory Commons Recommended Citation Yih, Annie (2013) "Connecting Analysis and Performance: A Case Study for Developing an Effective Approach," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 6 : Iss. 1 , Article 8. Available at: https://trace.tennessee.edu/gamut/vol6/iss1/8 This A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part IV), edited by David Carson Berry is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. CONNECTING ANALYSIS AND PERFORMANCE: A CASE STUDY FOR DEVELOPING AN EFFECTIVE APPROACH ANNIE YIH ne of the purposes of teaching music theory is to connect the practice of analysis with O performance. However, several studies have expressed concern over a lack of connec- tion between the two, and they have raised questions concerning the performative qualities of traditional analytic theory.1 If theorists are to achieve one of the objectives of analysis in provid- ing performers with information for making decisions, and to develop what John Rink calls “informed intuition,” then they need to understand what types of analysis—and what details in an analysis—can be of service to performers.2 As we know, notation is not music; notation must be realized as music, and the first step involves score study.
    [Show full text]
  • Overture November December 2018 2018 9/19/18 2:09 PM Page 1
    NOVEMBER–DECEMBER 2018 TURANGALÎLA-SYMPHONIE MARIN ALSOP AND THE BSO TAKE ON ONE OF THE 20TH CENTURY’S MOST MONUMENTAL SYMPHONIC WORKS MARIN ALSOP AND THE BSO NEW PROGRAM WIN OPUS KLASSIK FOR MAKES FREE TICKETS BERNSTEIN RECORDING AVAILABLE TO CHILDREN 15568-ad in Overture November December 2018_2018 9/19/18 2:09 PM Page 1 YULETIDE AT WINTERTHUR Open for holiday tours • November 17, 2018–January 6, 2019 Don’t miss this spectacular holiday showcase featuring tours of Henry Francis du Pont’s magnificent mansion decorated for Yuletide! Enjoy dining, shopping, musical and theatrical performances, and a full season of festive celebrations. Tickets at 800.448.3883 or visit winterthur.org/yuletide. Included with admission. Members free. Open New Year’s Day. Closed Thanksgiving and Christmas Day. Presented by r e i n r u o F n e B Winterthur is nestled in Delaware’s beautiful Brandywine Valley on Route 52, just minutes from I-95, Exit 7. 15568-ad in Overture November December 2018_2018 9/19/18 2:09 PM Page 1 NOVEMBER/ CONTENTS DECEMBER 2018 2 From the President 4 In Tempo: News of Note 6 BSO Live: Calendar of Events 7 Orchestra Roster 8 Turangalîla-symphonie Marin Alsop and the BSO take on one of the 20th century’s most monumental symphonic works 10 Poulenc Concerto for Two Pianos NOV 9–11 16 Copland Symphony No. 3 YULETIDE AT WINTERTHUR NOV 15 & 18 Off The Cuff: Copland Open for holiday tours • November 17, 2018–January 6, 2019 Symphony No. 3 Don’t miss this spectacular holiday showcase featuring tours of Henry Francis du Pont’s NOV 16 & 17 magnificent mansion decorated for Yuletide! Enjoy dining, shopping, musical and theatrical 20 Violinist Joshua Bell performances, and a full season of festive celebrations.
    [Show full text]
  • The Chopin Foundation of the United States Presents Prizewinner of the Second American National Chopin Competition
    RICE UNIVERSITY The Chopin Foundation of the United States presents ELlER SUAREZ, piano Prizewinner of the Second American National Chopin Competition Sunday, March 30, 1980 SSM 8:00p.m. in Hamman Hall 81 ._.30 iW~ PROGRA M -Oiapm eci1a1 - --..:.....;: - ._ Four Etudes: in .C-sharp minor, Dp. 2,5, No. 7 in A-flat, Op. _10, No. 10 in G-flat, GJp, lO, No. 5 in B-minor, Op. 25, No. 10 Nocturne in E-jlal Major, Op. 55, No. 2 Pownaise in F-sharp Minor, Op. 44 Interm ission Four Mazurkas, Op. 41 Sonata in B-f/a t Mi1zor, Op. 35 Grave .Scherzo Marche Funebre Finale: Presto Photographing and sound recording are prohibited. We further regret that audible paging devices not be used during performance. Paging armngtmJents may be made with ushers. ELlER SUAREZ was born in 1952 in Havana, Cubo. He received his Bachelor of Music from the University of Miami under full scholarship, and his Master of Music from The Juilliard School under Honorary Scholarship. He has studied with Eva Suarez, Claudina Mendez, Sergei Tamowsky, George Roth, Ivan Davis and Adele Marcus. Mr. Suarez has performed with both the Miami Beach Symphony and tile Miami Symphonic Society Orchestra, as well as the Dallas Symphony and ihe Florida Philharmonic. Currently, Mr. Suarez is a teaching assistant to Adele Marcus at The Juilliard School. THE INTERNATIONAL CHOPIN COMPETITION The first F. Chopin International Piano Competition was held in Jammry, 1927, at the hall of the Warsaw Philharmonic. The Jury consisted of a dozen eminent Polish pianists and pedagogues, and 17 of the 27 contestants were Polish.
    [Show full text]
  • A Study of Select World-Federated International Piano Competitions: Influential Actf Ors in Performer Repertoire Choices
    The University of Southern Mississippi The Aquila Digital Community Dissertations Summer 2020 A Study of Select World-Federated International Piano Competitions: Influential actF ors in Performer Repertoire Choices Yuan-Hung Lin Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Performance Commons Recommended Citation Lin, Yuan-Hung, "A Study of Select World-Federated International Piano Competitions: Influential actF ors in Performer Repertoire Choices" (2020). Dissertations. 1799. https://aquila.usm.edu/dissertations/1799 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. A STUDY OF SELECT WORLD-FEDERATED INTERNATIONAL PIANO COMPETITIONS: INFLUENTIAL FACTORS IN PERFORMER REPERTOIRE CHOICES by Yuan-Hung Lin A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved by: Dr. Elizabeth Moak, Committee Chair Dr. Ellen Elder Dr. Michael Bunchman Dr. Edward Hafer Dr. Joseph Brumbeloe August 2020 COPYRIGHT BY Yuan-Hung Lin 2020 Published by the Graduate School ABSTRACT In the last ninety years, international music competitions have increased steadily. According to the 2011 Yearbook of the World Federation of International Music Competitions (WFIMC)—founded in 1957—there were only thirteen world-federated international competitions at its founding, with at least nine competitions featuring or including piano. One of the founding competitions, the Chopin competition held in Warsaw, dates back to 1927.
    [Show full text]
  • Season 2012-2013
    Conductor Jaap van Zweden has regrettably withdrawn from the April 4-6 performances due to family reasons. This Thursday, April 4, and Friday, April 5, Philadelphia Orchestra Music Director Yannick Nézet-Séguin will conduct. On Saturday, April 6, Associate Conductor Cristian Măcelaru will lead the ensemble in his Philadelphia Orchestra subscription debut. As a result, the repertoire has been changed slightly. Brahms’s Piano Concerto No. 1 and Strauss’s Suite from Der Rosenkavalier will remain on the program, while Schoenberg’s Transfigured Night will be replaced by Strauss’s Death and Transfiguration. Season 2012-2013 Thursday, April 4, at 8:00 Friday, April 5, at 2:00 The Philadelphia Orchestra Saturday, April 6, at 8:00 Yannick Nézet-Séguin Conductor (April 4 and 5) Cristian Măcelaru Conductor (April 6) Garrick Ohlsson Piano Brahms Piano Concerto No. 1 in D minor, Op. 15 I. Maestoso II. Adagio III. Rondo: Allegro non troppo Intermission Strauss Death and Transfiguration, Op. 24 Strauss Suite from Der Rosenkavalier, Op. 59 This program runs approximately 1 hour, 55 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 2 PM. Visit www.wrti.org to listen live or for more details. 224 Story Title The Philadelphia Orchestra Jessica Griffin Renowned for its distinctive Philadelphia is home and Carnegie Hall and the sound, beloved for its the Orchestra nurtures Kennedy Center while also keen ability to capture the an important relationship enjoying a three-week hearts and imaginations not only with patrons who residency in Saratoga of audiences, and admired support the main season Springs, N.Y., and a strong for an unrivaled legacy of at the Kimmel Center but partnership with the Bravo! “firsts” in music-making, also those who enjoy the Vail festival.
    [Show full text]
  • Included Services: CHOPIN EXCLUSIVE TOUR / Tour CODE A
    Included services: CHOPIN EXCLUSIVE TOUR / Tour CODE A-6 • accommodation at Sofitel Victoria, 5* hotel - Warsaw [4 nights including buffet breakfast] Guaranteed Date 2020 • transportation by deluxe motor coach (up to 49pax) or minibus (up to 19 pax) throughout all the tour • English speaking tour escort throughout all the tour Starting dates in Warsaw Ending dates in Warsaw • Welcome and farewell dinner (3 meals with water+ coffee/tea) Wednesday Sunday • Lunch in Restaurant Przepis na KOMPOT • local guide for a visits of Warsaw October 21 October 25 • Entrance fees: Chopin Museum, Wilanow Palace, POLIN Museum, Żelazowa Wola, Nieborow • Chopin concert in the Museum of Archdiocese • Chocolate tasting • Concert of Finalists of Frederic Chopin Piano Competition • Ballet performance or opera at the Warsaw Opera House Mazurkas Travel Exclusive CHOPIN GUARANTEED DEPARTURE TOUR OCTOBER 21-25 / 2020 Guaranteed Prices 2020 Price per person in twin/double room EUR 992 Single room supplement EUR 299 Mazurkas Travel T: + 48 22 536 46 00 ul. Wojska Polskiego 27 www.mazurkas.com.pl 01-515 Warszawa [email protected] October 21 / 2020 - Wednesday October 22 / 2015 - Thursday October 23 / 2020 - Friday October 24 / 2020 - Saturday WARSAW WARSAW WARSAW WARSAW-ZELAZOWA WOLA- WARSAW (Welcome dinner) (Breakfast) (Breakfast) (Breakfast, lunch & farEwell dinner) After arrival, you will be met and transferred to your hotel in See the Krasinski Palace with the Chopin Drawing Room Morning visit to one of the most splendid residence of Drive to Zelazowa Wola. This is where on February 22, 1810 the heart of the city. where Chopin performed his etudes, some polonaises, and Warsaw, the Wilanow Palace and Royal Gardens.
    [Show full text]
  • April 03, 2018
    April 03, 2018: (Full-page version) Close Window “We have two ears and one mouth so that we can listen twice as much as we speak.” — Epictetus Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Vivaldi Violin Concerto in E, Op. 3 No. 12 Academy of Ancient Music/Hogwood L'Oiseau-Lyre 414 554 028941455420 Awake! 00:11 Buy Now! Chopin Four Nocturnes, Opp. 48 & 55 Garrick Ohlsson Arabesque Z6653 026724665325 00:40 Buy Now! German Welsh Rhapsody Scottish National Orchestra/Gibson EMI 69206 077776920627 00:59 Buy Now! Adam Overture ~ If I Were King Dresden State Orchestra/Vonk Ars Vivendi 036 4101380000492 01:08 Buy Now! Haydn Symphony No. 084 in E flat Amsterdam Baroque/Koopman Erato 45807 022924580727 Johannesen/Radio Luxembourg 01:33 Buy Now! Saint-Saëns Piano Concerto No. 4 in C minor, Op. 44 Vox 7201 04716372012 Orchestra/Kontarsky 02:00 Buy Now! Corelli Concerto Grosso in B flat, Op. 6 No. 5 Cantilena/Shepherd Chandos 8336/7/8 N/A Castelnuovo- 02:13 Buy Now! Guitar Quintet, Op. 143 Yamashita/Tokyo String Quartet RCA 60421 090266042128 Tedesco Harpsichord Concerto No. 1 in D minor, BWV 02:38 Buy Now! Bach Pinnock/English Concert Archiv 415 991 028941599124 1052 03:01 Buy Now! My Life in Music 04:00 Buy Now! Grieg Lyric Pieces No. 1, Op. 12 Eva Knardahl BIS 104 7318590001042 04:14 Buy Now! Haydn Horn Concerto No. 1 in D Koster/L'Archibudelli Sony 68253 074646825327 Variations on a Hungarian Folksong, "The 04:33 Buy Now! Kodaly Chicago Symphony/Jarvi Chandos 8877 095115887721 Peacock" 04:59 Buy Now! Mendelssohn Hebrides Overture, Op.
    [Show full text]
  • Honens Media Release for Immediate Release
    HONENS MEDIA RELEASE FOR IMMEDIATE RELEASE GARRICK OHLSSON TO JOIN HONENS AS MENTOR-IN-RESIDENCE AT 2018 PIANO COMPETITION Calgary, AB, February 27, 2018—Honens is pleased to announce Garrick Ohlsson as Mentor-in-Residence for the 2018 Honens International Piano Competition & Festival. He replaces Janina Fialkowska, who has withdrawn for health reasons. Since his triumph as winner of the 1970 Chopin International Piano Competition, Mr. Ohlsson has established himself worldwide as a musician of magisterial interpretive and technical prowess. Although long regarded as one of the world’s leading exponents of the music of Frédéric Chopin, he commands an enormous repertoire, with more than 80 concertos, ranging from Haydn and Mozart to works of the 21st century, many commissioned for him. “I’m delighted to be taking part in the 2018 Honens International Piano Competition & Festival as Artist and Mentor-in- Residence. While I have taken part in many competitions, both as a competitor and as a juror, participating as a Mentor is a new role for me. I see it as a great way to help emerging pianists in a way that’s complementary to teaching,” says Mr. Ohlsson. As Honens’ Mentor-in-Residence, Mr. Ohlsson will offer coaching sessions to each of the seven Semifinalists who do not advance to the Finals. He will also hear each of the Finalists perform with the Azahar Ensemble, and the Calgary Philharmonic Orchestra under the direction of Karina Canellakis, and will meet with each Finalist to share insights. The Mentor-in-Residence shares his own experiences as a professional pianist and provides wisdom on the challenges of building a career as an artist.
    [Show full text]
  • We Are Migrants
    we are students we are teachers we are performers we are creators we are storytellers we are explorers we are the rncm we are migrants Migration has been in the DNA of the RNCM from its earliest roots, when in 1893 the German-born conductor Sir Charles Hallé realised his vision of founding a Northern conservatoire which became the Royal Manchester College of Music. Ever since then, musicians have migrated to this city from all over the world to study, teach and perform here. Move forward to 2019/20 and the RNCM now has over 950 students from 55 countries, each with their own unique experience of migration. #WeAreMigrants celebrates the stories and creative output of musicians past and present who have left their homes, through choice or necessity, and explores the impact of migration on their music and on their adopted countries. Mon 06 Jan // 2.3 0 p m Thu 09 Jan // 1.15pm // RNCM Concert Hall // Carole Nash Recital Room RNCM WIND, BRASS TRUMPET AND PERCUSSION MASTERCLASS WITH ENSEMBLES PACHO FLORES Jean Françaix Wind Quintet No 1 (excerpts) A chance to witness the creative process Minoru Miki Finale from Marimba Spiritual up close as Venezuelan trumpeter Pacho Eric Ewazen Symphony in Brass Flores works with our students to develop Nicholas Thompson conductor their understanding of the music chosen Students from the School of Wind, Brass for this public masterclass. and Percussion Tickets £8 FS Free admission, no ticket required Fri 10 Jan // Doors 7.30pm // RNCM Theatre BLACK MIDI BLACK MIDI The connection between Geordie Greep, black midi’s curiously voiced singer, guitarist Matt Kwasniewski-Kelvin, bassist Cameron Picton and drummer Morgan Simpson is reflected in the intensely focussed and driven live shows with which they’ve made their name.
    [Show full text]
  • The 2018 Guide Festivals
    April 2018 The 2018 Guide Festivals FEATURE ARTICLE 10 Questions, Two (Very Different) Festivals Editor’s Note Our fifth annual Guide to Summer Festivals is our biggest yet, with some 85 annotated entries, plus our usual free access to the 1400 listings in the Musical America database. The details for the 85—dates, locations, artistic directors, programming, guest artists, etc.—have been provided by the festivals themselves, in response to a questionnaire sent to our list of Editor’s Picks. Those are determined by a number of factors: it’s hardly a surprise to see the big-budget events, such as Salzburg, Tanglewood, and Aspen, included. But budget is by no means the sole criterion. The 2018 Guide Programming, performers, range and type of events offered—all of these factor into the equation. For our feature article, we chose two highly regarded events and asked them one set of questions, just for the purposes of compare and contrast. Since George Loomis traveled to Ravenna last summer and knows Ojai well, we decided he was the perfect candidate to get the answers. Our hunch that the two couldn’t be more different turned out to be quite accurate: one takes place over a weekend, the over a two-month period; one is in the U.S., the other in Europe; one is rural, the other urban; one’s in a valley, the other by the sea; one focuses on contemporary fare, the other on traditional; one houses its artists in homes, the other in hotels; one is overseen by a man, the other by Festivals a woman; Ojai’s venues are primarily outdoor and strictly 20th century, Ravenna’s are mostly indoor and date as far back as the sixth century.
    [Show full text]
  • Music Credits for Music in Episode Composer, Title and Movement Title If Applicable: Performer, Conductor If Applicable (Year Written)
    Music Credits for music in Episode Composer, Title and Movement Title if applicable: Performer, Conductor if applicable (year written) ❖ Colleen et les Boîtes à Musique, Happiness Nuggets ❖ Wolfgang Amadeus Mozart, Die Zauberflöte - Act 2: Der Hölle Rache Kocht In Meinem Herzen: Gundula Janowitz, Nicolai Gedda, Etc. with Philharmonia Orchestra & Chorus, Otto Klemperer ❖ Wolfgang Amadeus Mozart: Symphony #41 In C, K 551 "Jupiter"4. Finale: New York Philharmonic Orchestra, Leonard Bernstein Time Machine *listen to full excerpts at wuol.org/timemachine Transition/Flying Music ❖ John Adams, Short Ride In a Fast Machine: BBC National Orchestra of Wales, Grant Llewellyn Medieval(476-1475)/Renaissance(1475-1600) ❖ Anononymous, Saltarello: Studio Der Fruehen Musik, Thomas E. Binkley (12th/13th century) ❖ John Dowland, Mr. Knights Galliard: Paul O’Dette (late 1500s) ❖ Hildegard von Bingen, O Vis Aeternitatis: Sequentia (1100s) Baroque(1600-1750) ❖ Antonio Vivaldi, L’Estro Armonico: III Solisti Di Zagreb, Anton Nanut (1711) ❖ George Frideric Handel, Giulio Cesare Act I: Barbar Schlick, Derek Lee Ragin, Jennifer Larmore (1724) ❖ J.S. Bach, Violin Sonata 1 Allegro: Rachel Podger (ca. 1700) Classical(1750-1820) ❖ Joseph Haydn, String Quartet no. 53 Allegro Moderato: Hagen Quartet (ca. 1790) ❖ Wolfgang Amadeus Mozart, Duettino from Don Giovannini: Rodney Gilfry/Eirian James and English Baroque Soloists, John Eliot Gardiner (1787) ❖ Ludwig van Beethoven, Symphony no 1 Adagio Molto, Allegro Con Brio: Chamber Orchestra of Europe, Nikolaus Harnoncourt (1806) Romantic(1820-1900) ❖ Sergei Rachmaninov, Suite no. 2 For 2 Pianos Tarantella: Martha Argerich and Nelson Freire (1901) ❖ Giuseppi Verdi, La Donna E Mobile from Rigoletto: Luciano Pavarotti (1851) ❖ Johannes Brahms, Symphony no.
    [Show full text]
  • Mozart & Rachmaninoff
    OCT. 19–21 classical series SEGERSTROM CENTER FOR THE ARTS RENÉE AND HENRY SEGERSTROM CONCERT HALL presents 2017-18 HAL & JEANETTE SEGERSTROM FAMILY FOUNDATION CLASSICAL SERIES Performance begins at 8 p.m.; Preview talk with Alan Chapman begins at 7 p.m. RUNE BERGMANN • CONDUCTOR GARRICK OHLSSON • PIANO Mozart & Rachmaninoff André Previn (b. 1929) Almost an Overture WEST COAST PREMIERE Wolfgang Amadeus Mozart (1756–1791) Concerto No. 9 in E-flat Major for Piano and Orchestra, K. 271 Allegro Andantino Rondo: Presto Garrick Ohlsson INTERMISSION Sergei Rachmaninoff (1873–1943) Symphony No. 2 in E Minor, Op. 27 Largo - Allegro moderato Allegro molto Adagio Allegro vivace The 2017-18 Season Piano Soloists are generously sponsored by The Michelle F. Rohé Distinguished Pianists Fund Garrick Ohlsson’s appearance is generously sponsored by the Nicholas Family Foundation The Friday night concert is generously sponsored by Michelle F. Rohé PACIFIC SYMPHONY PROUDLY RECOGNIZES ITS OFFICIAL PARTNERS Official Hotel Official Television Station Official Classical Radio Station The Saturday, October 21 concert is being recorded for broadcast on Sunday, February 4, at 7 p.m. on Classical KUSC. Pacific Symphony • 13 NOTES by michael clive conductor of the London Symphony Orchestra and music director of the Pittsburgh Symphony Orchestra. He served as music director of the Los Angeles Philharmonic starting in 1985. In his compositions for the concert hall and the opera house, Previn has shown a special affinity for the soloist-orchestra relationship that is reflected most strongly in his collaborations with violinists Anne- Sophie Mutter, Gil Shaham and Erick Friedman; cellists Yo-Yo Ma and Lynn Harrell; and singers Renée Fleming, Janet Baker, Sylvia McNair and Barbara Bonney.
    [Show full text]