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La Casa Amatller Quilòmetre Zero Del Modernisme Planetari Salvador Tarragó
arquitectura històrica secció a càrrec d’Antonio Armesto i Salvador Tarragó La casa Amatller Quilòmetre zero del Modernisme planetari Salvador Tarragó Autors dels plànols: Salvador Tarragó, Eliana Vieria, Maria Turull i Martín Capeluto, arquitectes Casa Amatller La casa Amatller Kilometer zero of the Kilómetro cero planetary “Modernisme” del Modernismo planetario Una façana trencadora 0 A ground-breaking façade Una fachada rompedora Projecte de façana Josep Puig i Cadafalch consideró a Ildefons Josep Puig i Cadafalch va considerar Ildefons Cerdà i antecessora de la casa Josep Puig i Cadafalch considered Ildefons Amatller, obra del Cerdà and Barcelona’s Eixample as great Cerdà y el ensanche de Barcelona como sus l’Eixample de Barcelona com els seus grans antagonistes mestre d’obres Antoni antagonists that spurred him to produce grandes antagonistas que le incentivaron a que el van incentivar a elaborar una idea pròpia de l’ar- Robert i Morera. his own idea of architecture and the city, elaborar una idea propia de la arquitectura y de la ciudad, rechazo compartido por la quitectura i de la ciutat, un rebuig compartit per bona Arxiu Administratiu a rejection shared by the majority of de l’Ajuntament de modernist architects. mayoría de arquitectos modernistas. part dels arquitectes modernistes. Barcelona. La façana de la casa Amatller fou la primera que va The façade of Casa Amatller was the first La fachada de la casa Amatller fue la primera en romper la ordenanza de la trencar l’ordenança de l’horitzontalitat del terrat com a to break the regulation of horizontality of the roof terrace as the building’s crowning horizontalidad del terrado como corona- coronament de l’edifici, amb l’increment de l’alçada amb feature, its height being increased using the miento del edificio, con el incremento de su l’excusa de l’estudi fotogràfic del propietari i amb un pi- excuse of the owner’s photography studio altura con la excusa del estudio fotográfico del propietario y con un piñón escalonado. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
Catalonia Accessible Tourism Guide
accessible tourism good practice guide, catalonia 19 destinations selected so that everyone can experience them. A great range of accessible leisure, cultural and sports activities. A land that we can all enjoy, Catalonia. © Turisme de Catalunya 2008 © Generalitat de Catalunya 2008 Val d’Aran Andorra Pirineus Costa Brava Girona Lleida Catalunya Central Terres de Lleida Costa de Barcelona Maresme Costa Barcelona del Garraf Tarragona Terres Costa de l’Ebre Daurada Mediterranean sea Catalunya Index. Introduction 4 The best destinations 6 Vall de Boí 8 Val d’Aran 10 Pallars Sobirà 12 La Seu d’Urgell 14 La Molina - La Cerdanya 16 Camprodon – Rural Tourism in the Pyrenees 18 La Garrotxa 20 The Dalí route 22 Costa Brava - Alt Empordà 24 Vic - Osona 26 Costa Brava - Baix Empordà 28 Montserrat 30 Maresme 32 The Cister route 34 Garraf - Sitges 36 Barcelona 38 Costa Daurada 40 Delta de l’Ebre 42 Lleida 44 Accessible transport in Catalonia 46 www.turismeperatothom.com/en/, the accessible web 48 Directory of companies and activities 49 Since the end of the 1990’s, the European Union has promoted a series of initiatives to contribute to the development of accessible tourism. The Catalan tourism sector has boosted the accessibility of its services, making a reality the principle that a respectful and diverse society should recognise the equality of conditions for people with disabilities. This principle is enshrined in the “Barcelona declaration: the city and people with disabilities” that to date has been signed by 400 European cities. There are many Catalan companies and destinations that have adapted their products and services accordingly. -
2019 Barcelona Intensive Course Abroad Itinerary Draft: Subject to Updating
2019 BARCELONA INTENSIVE COURSE ABROAD ITINERARY DRAFT: SUBJECT TO UPDATING Sunday Arrival in BarCelona Sept. 8 Morning Transport from El Prat Airport: Take the train* to Plaça de Sants; transfer to Metro* Line 1 (direction Fondo); take metro to Marina; walk to the residencia THS Campus Marina (address below).* A sinGle, 1 zone ticket costs 2 €, a Group can share a T-10 ticket (10 rides for 9.25 €). For more transit information, Go to: www.tmb.cat/en/el-teu- transport. NOTE: Prepare today for the week’s transit needs: ** purchase a 5- day travel card, to be initiated on the morning of Sunday, September 6th. ** Points of sale: www.tmb.cat/en/bitllets-i-tarifes/-/bitllet/52 - Metro automatic vendinG machines Intensive Course Abroad beGins in Barcelona at our accommodations: THS Campus Marina Carrer Sancho de Ávila, 22 08018 Barcelona, Spain Telephone: + 34 932178812 Web: www.melondistrict.com/en/location Metro: L1-Marina Afternoon Meet for an orientation; Walk to: 15:00 Museu del Disseny de BarCelona Architecture: MBM Studio (Martorell-BohiGas-Mackay), 2013 Plaça de les Glories Catalanes, 37 Dinner Group dinner (paid for by program), location to be determined 19:00 pm Monday Exploring great designs by Gaudi and DomèneCh; The Sept. 9 Contemporary City around the Plaça de las Glòries Catalanes, the Avinguda Diagonal, and DistriCt 22@bcn. Lobby 8:15 BrinG Metro Card and Articket. Early start! Morning BasiliCa de la Sagrada Familia 9:00-12:00 Architect: Antoni Gaudí, 1883-1926, onGoinG work by others Visit/SketChing Carrer de Mallorca, 401 1 Metro: L2+5 SaGrada Familia (open daily 9am-8pm / 13 or 14,30 € ) LunCh Many fast food options nearby 12:00-12:45 Afternoon Hospital de la Santa Creu i Sant Pau 13:00-14:00 Architect: Lluís Domènech i Montaner, 1901-1930 (under renovation as a museum and cultural center, access currently limited) Sant Pau Maria Claret, 167. -
Ourgeois Taste in Decorative Arts in the Collections of the Museu Nacional D'art De Catalunya
SHORT ourgeois Taste in Mariàngels ARTICLESB Decorative Arts Fondevila Spain ART NOUVEAU in the Collections of the Museu Nacional D'Art de Catalunya Gaspar Homar (1870-1955) Settee with side cabinets and marquetry panel Circa 1905 120 x 154 x 4 cm Oak wood, marquetry, green velvet upholstery and leaded glass Inv. number: 071703-000 Purchased 1967 Museu Nacional d'Art de Catalunya (Barcelona) Lluís Domènech i Montaner In 1880 the Italian travel writer Edmondo de (1850-1923) Amicis observed while visiting Barcelona: Hydraulic floor tiles There are large buildings, long streets, regular squares. Circa 1900 210 x 120 x 3,5 cm Luxurious homes are being constructed in the Hydraulic floor tiles Eixample for the new middle and upper classes. Inv. number: 153252-CJT Donated by OCSA, By the end of the century, Barcelona had beco- 1991 me the most industrialized, populous, and cul- Museu Nacional d'Art turally advanced city in Spain, open to the de Catalunya outside world and proud of its economic (Barcelona) potential after the success of its Universal Ex- position of 1888. Modernisme was made pos- sible in Catalonia by the growth of construc- tion through the urban development project of the Eixample (expansion) following a plan by Ildefonso Cerdà. The old walls were demo- lished in 1854, and a new city sprang up. The emerging bourgeoise, enriched thanks in parti- cular to the textile sector, was looking for ways to show off its power. This was a golden age for the architects, the real protagonists of Mo- dernisme, who broadened horizons and excer- cised their skills in other fields. -
Modernist Movement
THE MODERNIST MOVEMENT MODERNIST ARCHITECTURE MODERNISMIN ARCHITECTURE AND THE INDUSTRIAL ARTS AND, CONSEQUENTLY, IN DESIGN, CAN BE CONSIDERED THE MOST IMPORTANT ARTISTIC MOVEMENT IN MODERN CATALAN CULTURE. THE MODERNIST MOVEMENT are not only important as architects but also for their extensive humanistic training. Although Gaudí had the same training, his circumstances were very dif- ferent from those of the others. Our study of this architectural movement must be seen as a debate with the central idea of Gaudí, of whom we spoke in the odernism in architecture and the first issue of this magazine, as a count- sought with faith and courage and industrial arts and, consequently, erpoint to the other two architects, without renouncing the past. Oin design, can be considered the without taking this to mean that he was With this purely theoretical outlook, most important artistic movement in situated between Domknech and Puig i Domenech started his professional ca- modem Catalan culture. The movement Cadafalch. reer. He finished his training in 1873 gained such importance and strength that The controversy between Lluís Dome- and 8 years later work started on his first it cannot really be studied in the same nech i Montaner and Gaudí centred on project, the Editorial Montaner i Simón, light as its contemporary European the aspect of space, that between Puig i 255, Aragó street, Barcelona, completed movements such as Art Nouveau, Cadafalch and Gaudí on ornamentation. in 1884. Jugendstil, Sezession, Liberty o Floreale, In 1878, the same year Gaudí finished his This building, along with Gaudí's Casa to name just the best-known. -
Un Seísmo Causa Más De
i LUNES CONSELL DE CENTPAÍS: 425-427 Españawww.elperiodico.com DIRECTOR FRECUENCIA: Diario 1,30 18 DE ABRIL DEL 2016 BARCELONA. TEL. 93.265.53.53 www.grupozeta.es ENRIC HERNÀNDEZ PÁGINAS: 1-4 O.J.D.: 89305 TARIFA: 77026 € E.G.M.: 513000 lu. ÁREA: 3330 CM² - 313% SECCIÓN: PORTADA 18 Abril, 2016 PARA GENTE COMPROMETIDA 18 El modernismo abre las puertas Las casas museo afloran en BCN por el interés turístico de la arquitectura TEMA DEL DÍA Páginas 2 a 4 3 PANORAMA EL PAÍS SUDAMERICANO VIVE SU PEOR TRAGEDIA EN DÉCADAS Página 14 3 Un seísmo causa más de 230 muertos en Ecuador EFE / JOSÉ JÁCOME El terremoto, que sacudió la zona costera, provocó más de 1.600 heridos El presidente Correa regresa de urgencia a Quito y decreta el estado de emergencia VECINOS AL RESCATE Varias personas sacan de los escombros a un hombre en Pedernales. q JORDI COTRINA REUNIÓN DE DOHA El choque de El Barça Irán y Arabia culmina Saudí dinamita su semana un pacto por el petróleo trágica El Valencia gana en el Riad exige en la cumbre de 3Camp Nou (1-2) y pone 3Catar que Teherán también la Liga en máximo peligro congele la producción de crudo PRIMERA FILA PANORAMA Páginas 42 a 45 Neymar y Suárez se lamentan. Páginas 24 y 25 3 3 PAÍS: España FRECUENCIA: Diario LUNES 2 Conexión a internet: http://www.elperiodico.com 18 DE ABRIL DEL 2016 PÁGINAS: 1-4 O.J.D.: 89305 TARIFA: 77026 € E.G.M.: 513000 ÁREA: 3330 CM² - 313% SECCIÓN:El patrimonioPORTADA arquitectónico 18 Abril, 2016Tema del día Páginas 2 a 4 LA CIUDAD Y SU HISTORIA Las casas museo afloran en Barcelona El interés turístico -
Summer in Barcelona
OFFICIAL Monthly agenda FREE GUIDE! AUGUST 2017 SUMMER IN BARCELONA TRADITIONAL THE BEST FOOD AGENDA WITH CULTURE AND WINE MORE THAN FOR ALL EXPERIENCES 200 ACTIVITIES CONTENTS August 2017 Tibidabo Amusement Park. 08 COVER STORY 18 IN THE CITY Summer in Barcelona A month packed with culture Live intensely: beaches and Music outdoors and in iconic sea activities, culture and buildings, festivals, parties entertainment, gastronomy, sport... and traditional Catalan celebrations, major sports 14 ART events... A thrilling cultural Passport to the best museums summer. All of Barcelona’s art at your fingertips with the combination Articket. 22 SHOPPING Shopping centres 16 FOOD AND DRINK An excellent shopping and Wine and food experiences entertainment option for all. Routes and tours, courses and workshops, tastings, pairings… 25 AGENDA Enjoy your wine and food. More than 200 daily activities. Follow us @VisitBCN_EN facebook.com/visitbarcelona youtube.com/c/visitbarcelonaofficial pinterest.com/visitbcn/ instagram.com/visitbarcelona plus.google.com/+visitbarcelonaofficial Key to symbols Type: show, sport, culture, gastro-tourism Target: family, children, romantic Space: outdoors, routes, historical, panoramic Time: morning, afternoon, evening, all day Publisher: Turisme de Barcelona. Passatge de la Concepció, 7-9. Tel. 93 368 97 00. visitbarcelona.com · Design & layout: ZetaCorp (Ediciones Reunidas SA - Grupo Zeta). Tel. 93 227 94 16 · Advertising: Director Comercial, Juan Garçon. ZETA Gestión de Medios. Tel. 93 484 66 00 · DL: B 12.919.2016 · Printed on certified paper 3 THE HOT Su. 20 TRADITIONS P. 41 LIST The traditional festival August 2017 in the Sants neighbourhood. Tu. 8 We. 23 OUTDOOR CINEMA P. 37 MUSIC P. -
Uvic-Ucc | Universitat De Vic - Universitat Central De Catalunya
CONTENTS WHAT WE’RE LIKE BARCELONA AND BEYOND Pere Virgili Ruth Marigot WELCOME to our city, to our country and to our home! Working together with the newspaper ARA, at BCU we’ve prepared this guide to help you to enjoy Barcelona and Catalonia like Barcelona in 10 concepts ................................................................. 4-5 On foot, running and by bike ...................................... 18-19 a native. Our universities in figures ................................................................. 6-7 From Barcelona to the world ................................... 20-21 We aim to help you feel Secret Barcelona ................................................................................................... 8-9 Why did I decide to stay here? ........................................... 22 welcome and make things easier Instagram-worthy spots ......................................................................... 10 Where can I live? ........................................................................................................ 24 for you. So, in the following pages, Don’t miss out ......................................................................................................... 12-16 Catalonia: more than just a club ....................................... 26-27 you’ll find plenty of information TALENT CITY ROSES, FIRE AND... about what to do and see, and where and when to do and see it. Pere Tordera Francesc Melcion Because historically we’ve always been a land of welcome and we’re very happy that you’ve -
Barcelona Obertura 2017-18
1 Welcome to Barcelona Obertura 2 We are proud to present a new Barcelona Obertura, Classic & Lyric season, a joint initiative of the Liceu Opera, the Palau de la Música and L’Auditori to promote Barcelona as one of the global cities where classical music matters. When major institutions with such vast history as the three promoters of Barcelona Obertura work together for their city, results are clear: an exceptional season that will help Barcelona gain fame for its excellence in the classical music scene. I want to thank the three institutions for their work and commitment, their directors and teams, as well as Barcelona Turisme. I also want to thank Fundació Banc Sabadell for sponsoring this catalogue. After two years working on the project and various press trips, we have achieved remarkable communication successes - with a dozen appearances in specialized and general international media - and we can say that Barcelona Obertura is contributing to make our city much more attractive and diverse. As a Barcelona Global member, I’m proud of this project and its future. Ramon Agenjo President of Barcelona Obertura and member of the Directive Board of Barcelona Global Barcelona Global is a private, independent and non-profit association made up of more than 700 professionals from all sectors aiming to make Barcelona one of the world’s best cities for talent and economic activity Musical Treasures Institutions from the most Liceu Opera seductive Palau de la Música Catalana Mediterranean city L'Auditori Discover Season 2017–18 Barcelona Classical music from Barcelona to the world 4 5 Musical Treasures in the most seductive Mediterranean city Pau Casals, Alícia de Larrocha, Federic Mompou, Josep Carreras, Jaume Aragall, Montserrat Caballé, Victoria de los Angeles, Jordi Savall, Cuarteto Casals.. -
Casa Batlló I Casa Amatller
Generalitat de Catalunya Departament de Cultura Direcció General del Patrimoni Cultural Àrea de Planificació i Acció Territorial EXPEDIENT DE DELIMITACIÓ D'ENTORN DE PROTECCIÓ ••• CASA BATLLÓ ••• CASA AMATLLER BARCELONA (Barcelonès) Generalitat de Catalunya Departament de Cultura Direcció General del Patrimoni Cultural Àrea de Planificació i Acció Territorial SUMARI 1. Preàmbul i objectius 2. Memòria 2.a. Memòria històrica i arquitectònica 2.a.1. Casa Batlló 2.a.2. Casa Amatller 2.b. Bibliografia 2.b.1. Casa Batlló 2.b.2. Casa Amatller 3. Règim de protecció 3.a. Els monuments. Definició i delimitació 3.a.1. Casa Batlló 3.a.2. Casa Amatller 3.b. L'entorn de protecció 3.b.1. Delimitació 3.b.2. Justificació 3.b.3. Criteris d'intervenció 3.c. Normativa 3.c.1. Marc legal 3.c.2. Règim d'autoritzacions del Departament de Cultura 4. Annex 4.a. Documentació planimètrica 4.b. Documentació fotogràfica 5. Crèdits Exp. de delimitació d'entorn de protecció de la Casa Batlló i la Casa Amatller, a Barcelona Generalitat de Catalunya Departament de Cultura Direcció General del Patrimoni Cultural Àrea de Planificació i Acció Territorial 1. Preàmbul i objectius Els monuments objecte d’aquest expedient de delimitació d'entorn de protecció són la Casa Batlló -situada al passeig de Gràcia, 43- i la Casa Amatller -situada al passeig de Gràcia, 41- a Barcelona (Barcelonès). Ambdós elements estan considerats bé cultural d’interès nacional en la categoria de monument històric d'acord amb el que disposa la Llei 9/1993, de 30 de setembre, del patrimoni cultural català. -
Social Structure of Catalonia
THE SOCIAL STRUCTURE OF CATALONIA By SALVADOR GINER 1984 THE ANGLO-CATALAN SOCIETY THE ANGLO-CATALAN SOCIETY OCCASIONAL PUBLICATIONS No 1. Salvador Giner. The Social Structure of Catalonia. No 2. J Salvat-Papasseit. Selected Poems. Translated with an Introduction by D. Keown and T. Owen. © Salvador Giner, 1980. Printed by The University of Sheffield Printing Unit. Cover design by Joan Gili. ISSN No. 0144-5863 ISBN No. 09507137 08 IN MEMORIAM JOSEP MARIA BATISTA I ROCA (1895-1978) Dr. J. M. Batista i Roca, founder member of the Anglo-Catalan Society and its first Honorary Life President, always hoped that the Society would at some stage be able to publish some of the work of its members and guest speakers. Unfortunately this was never possible during his lifetime, but now that the Society, with the help of a grant from Omnium Cultural, is undertaking the publication of Occasional Papers it seems appropriate that this Series as a whole should be dedicated to the fond memory which the Society holds of him. CONTENTS Foreword 1 I. The historical roots of an open society. 4 II. Social classes and the rise of Catalan industrial capitalism. 15 III. A broken progress. 28 IV. The structure and change of Catalan society, 1939-1980. 38 V. The reconquest of democracy. 54 VI. The future of the Catalans. 65 Appendices. Maps. 75 A Select Bibliography. 77 FOREWORD A la memòria de Josep Maria Sariola i Bosch, català com cal The following essay is based on a lecture given at a meeting of the Anglo- Catalan Society in November 1979* Members of the Society's Committee kindly suggested that I write up the ideas presented at that meeting so that they could be published under its auspices in a series of Occasional Papers then being planned.