Azuregreen Feb. 2012 Catalog
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Easter Bunny
VSENIORan ACTIVITY M & WELLNESSa CENTERtr e TABLE OF CONTENTS Easter Bunny .............................. 2 Healthy Tips……..………………..3 Calendar Events & News ............ 4 Brain Teasers .............................. 5 Menu ......................................... 6 Activities Events ........................ 7 Funding for Center…………....... 8 Baxter House Adult Day Center…9 Class Details .............................. 10 Puzzle ....................................... 11 Meet Our Staff ........................... 12 CENTER INFO 1101 Spring Street Hurry and get your Mountain Home, AR 72653 raffle tickets for this (870) 424-3054 (870) 424-3055 Fax beautiful large oil www.aaanwar.org painting. Facebook: @Vanmatrecenter HOURS 6 tickets for $5.00 Monday ............ 8:00 AM-4:30 PM Raffle drawing on Tuesday ............ 8:00 AM-4:30 PM Wednesday........ 8:00 AM-4:30 PM 4/30/2019 Thursday ........... 8:00 AM-4:30 PM Friday ............... 8:00 AM-4:30 PM April 12th Senior Games Women’s Pool Tournament 9 am Van Matre Lunch ........... 11:00 AM-12:30 PM April 19th Senior Games Men’s Pool Tournament 9 am Van Matre CONTACTS April 12th Premier Jewelry fundraiser for your Senior Center Director................... Robyn Snyder [email protected] Program Assistant….Anne Johnson Coming soon! [email protected] A benefit performance of The Facility Assistant…......................... Father of the Bride presented by [email protected] General Questions…...Lynne Weaver The Twin Lakes Play House for [email protected] Van Matre Senior Center in July 2019. Please buy a ticket and support your senior center. APRIL 2019 NEWS AT THE CENTER Easter Bunny The Easter Bunny (also called the Easter Rabbit or Easter Hare) is a folkloric figure and symbol of Easter, depicted as a rabbit bringing Easter eggs. -
The Lion-Faced Ḍākinī Sadhana སེང་གདོང་མའི
The Lion-Faced Ḍākinī Sadhana By Karma Chagme སེང་གདོང་མའི་སྒྲུབ་ཐབས་བཞུགས་སོ། ། ཆགས་མེད་ར་ག Translated and edited by Adele Tomlin The Lion-Faced Ḍākinī Sadhana Author: Karma Chagme Translator and Editor: Adele Tomlin Lion-Faced Ḍākinī EMPOWERMENT AND TRANSMISSION ARE ESSENTIAL BEFORE READING OR PRACTISING THIS TEXT First Edition, 2018. Publishing and Content Copyright: Adele Tomlin/Dakini Publications, 2018. Available for free private use and download. Please do not copy, re-produce or publish without express permission. 1 Translator’s Introduction The Lion-Faced Ḍākinī (seng ge gdong ma, Skt: Siṃhamukhā) is a female deity considered to be especially effective for dispelling black magic, curses, obstacles and harm-doers. In the Nyingma terma tradition, she is considered as one of the many forms of Padmasambhava, specifically a secret form of Guru Rinpoche manifested to avert spiritual obstacles and negativity. In the Sarma traditions she arises out of the Chakrasamvara cycle of tantras and belongs to the Highest Yoga Tantra 'wisdom' classification. The revelation of the root mantra for Lion-Faced Ḍākinī is also associated with the name of a famous translator and Sakya master, Bari Lotsawa (ba ri lo tsA) (aka Rinchen Drak (rin chen grags)) (1040-1111) — the second throne holder of Sakya school (Sakya Trizin). At the age of 63, he retained the seat of Sakya for a period of eight years (1102-1110). The great Sakya and Nyingma master, Jamyang Khyentse Wangpo wrote a history of the lineage of Siṃhamukhā, which has been translated and published in English onlinei. According to that biography, Bari was shown how to reveal the mantra treasure directly by Lion-Faced Ḍākinī herself, in order to avert the black magic and sorcery of an Indian master. -
BLAZE with MAJESTIC BRILLIANCE an Introduction to Himalayan Dzi Beads James Wainwright
THIS IS A FREE ARTICLE FROM SACRED HOOP MAGAZINE. Sacred Hoop is an independent magazine about Shamanism and Animistic Spirituality, based in West Wales, published four times a year since 1993. You may share this in any non-commercial way but reference to www.SacredHoop.org must be made if it is reprinted anywhere. To get a very special low-cost subscription to Sacred Hoop please visit : www.SacredHoop.org/offer.html ‘Within your own mind, you already have what you need to succeed, the ability to put others ahead of yourself. This is called virtue, the wish-fulfilling jewel’ Buddha Shakyamuni BLAZE WITH MAJESTIC BRILLIANCE An introduction to Himalayan dZi beads James Wainwright he people of Tibet and the There is one sacred bead those who wear them. As the Ancient Himalayan regions have long however, that stands out from all Tibetan Buddhist master, Sakyong Tadorned their bodies, temples, others. This is known as the dZi Mipham Rinpoche says: “A person banded agate, known as statues and ritual items with bead or dZi stone. with ziji has dignity, the radiant power Bhaisajyaguru dZi heirloom and prized beads. The most widely adopted of a mind that has relaxed into its Marco Polo, the famous spelling in the world today is dZi, own inherent strength”. medieval Italian explorer and however, it is also commonly trader, mentions how important spelled gzi or zi. The word dZi I first encountered dZi beads Mediterranean coral was to the translates as bright, shine or whilst I was an ordained Buddhist Tibetans, as far back as the luminous and should be pronounced monk, and became immediately Below: two-eyed dZi with red coral C13th. -
Wednesday Reflection: Rabbits
Wednesday Reflection: Rabbits Over the past few weeks I have been reflecting on visitors to the manse garden, including hedgehogs, butterflies, bats and fairies. Towards evening, we are blessed with an occasional visit from rabbits. Quietly, they sneak under the fence and stand motionless, poised in the middle of the lawn. The moment the spot me watching them they dart out of sight with immense speed. What might we say of rabbits in the Christian tradition? Dating from the Mediaeval period, many churches have rabbits carved into the stonework. Rabbits and hares were often depicted interchangeably. Three hares sharing ears between them artistically represent the Holy Trinity: Father, Son and Holy Spirit. There is an excellent example of this in Paderborn Cathedral in Germany. In his painting Agony in the Garden, the Italian artist, Andrea Mantegna, portrays the suffering of Jesus in the Garden of Gethsemane. The disciples lie asleep while Christ prays on an elevated rock. The imposing walls of the city of Jerusalem can be seen in the background. Under the night sky, three rabbits conspicuously sit on the path which meanders through the garden. A symbol of the Trinity, one of the rabbits makes its way to be with Jesus; this is the Second Person of the Trinity. Elsewhere in Christianity, rabbits are a symbol of sin. In Wimborne Minster in Dorset, there are two ornate stone corbels. In the first, a rabbit is in the mouth of a hound and, in the second, a rabbit is being hunted by a hawk. In both cases, these images represent Christ hunting sin. -
ÆTHELMEARC Alays De Rambert. Name and Device. Per Chevron Raguly Gules and Or, Three
ACCEPTANCES Page 1 of 32 March 2010 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Alays de Rambert. Name and device. Per chevron raguly gules and Or, three hares sejant counterchanged. Great 14th C Perigord name! Annys de Valle. Name and device. Per chevron inverted purpure and sable, a chevron inverted ermine, in chief a fox passant argent. Anzelm Wo{l/}czek. Name and device. Or, in pale a woman affronty with arms raised argent vested vert crined sable seated atop a crow sable. Submitted as Anzelm W{o-}u{l/}czek, the documentation provided on the LoI for the byname was for the spelling Wo{l/}czek. No documentation was provided, and none could be found, for the change from o to {o-}u. We have corrected the byname to match the documentation in order to register the name. Aron of Hartstone. Holding name and device (see RETURNS for name). Gules, a fret Or between two wyverns sejant respectant argent. Submitted under the name Galdra-Aron. Avelina del Dolce. Device. Vert, in pale a slipper Or and a unicorn rampant argent. Belcolore da Castiglione. Name and device. Argent, in pale a lion statant gules and a castle purpure. This is clear of the device of Joyesse de Wolfe of Cath Mawr, Argent, a lion sejant erect coward guardant contourny gules seated upon a maintained rock sable and playing a maintained viol vert with a bow sable, reblazoned elsewhere in this letter. There is a CD for the change of posture of the lion and a CD for the addition of the castle. -
The Rehla of Ibn Battuta
Gackwad's Oriental Series Published under the Authority of the Maharaja Sayajirao University of Baroda, Baroda General Editor : A. N. Jani, M.A.. Ph.D.. D.Litt., KavyaHrtha. Director. Oriental Institute No. 122 THE REHLA OF IBN BATTUTA ( INDIA. MALDIVE ISLANDS AND CEYLON ) ) ) THE REHLA OF IBN BATTCTA • •••••• (INDIA, MALDIVE ISLANDS AND CEYLON TRANSLATION AND COMMENTARY By Mabdi Husain, M.A. ( Punjab ), Ph.D. (London), D.Liu. ( Sorbcnne, Paris Oriental Institute Baroda 1976 First Woo: 1953 Stednd Edition (Reprint): 1976 Copies 500 Published with Financial Aid of the University Grants Commission, Govt, of Gujarat & M. S. University of Baroda Price Rs. 71=00 Copies can be had from : — The Manager, UNIVERSITY PUBLICATION SALES UNIT, M. S. University of Baroda ( Sadhana Press ), Near Palace Gate, Palace Road, BARODA-390 001 Re-printed by photo-offset process at 'the " Printrasee-' Bagikhana, Baroda. for Shri Rasiklal G. Patel, Manager, Maharaja Sayajirao University of Baroda Press (Sadhana Press), Near Palace Gate, Palace Road, Baroda and published on behalf of the Maharaja Sayajirao University of Baroda by Pr. h- N. Jani, Director, Oriental Institute, Maharaja Sayajirao University of Baroda, Baroda, March 1976. FOREWORD The Rehla of Ibn Ea\\u\a was first published in the Gaekwad's Oriental Series as No. CXXII in 1953 by the then Director, the Late Professor G. H. Bhatt It should not be necessary to justify this reprint of an imported work of Muslim Cultural History, which has been in demand for a long time. I hope this reprint will fill a long-felt desideratum. T thanks the University Grants Commission, the Government of Gujarat and the M. -
Tavistock World Heritage Site Key Centre Steering Group Interpretation Strategy
Tavistock World Heritage Site Key Centre Steering Group Interpretation Strategy Andrew Thompson January 2014 Tavistock Town Centre © Barry Gamble Contents Introduction p2 1. Statement of Significance p7 2. Interpretation Audit p13 3. Audience Research p22 4. Interpretive Themes p29 5. Standards for Interpretation p44 6. Recommendations p47 7. Action Plan p59 Appendix: Tavistock Statement of Significance p62 Bibliography p76 Acknowledgement The author is grateful to Alex Mettler and Barry Gamble for their assistance in preparing this strategy. 1 Introduction This strategy sets out a framework and action plan for improving interpretation in Tavistock and for enabling the town to fulfil the requirements of a Key Centre within the Cornwall and West Devon Mining Landscape World Heritage Site (WHS). It is intended to complement the Tavistock World Heritage Site Key Centre Learning Strategy (Kell 2013) which concentrates on learning activities and people. Consequently the focus here is primarily on interpretive content and infrastructure rather than personnel. Aims and objectives The brief set by the Tavistock World Heritage Site Key Centre Steering Group was to identify a consistent, integrated approach to presenting the full range of themes arising from the Outstanding Universal Value of WHS Areas 8, 9 and 10 and to respond to the specific recommendations arising from the WHS Interpretation Strategy (WHS 2005). We were asked to: x Address interpretation priorities in the context of the Cornish Mining WHS x Identify and prioritise target audiences x Set out a clearly articulated framework and action plan for the development of interpretation provision in WHS Area 10, including recommendations which address x Product development (i.e. -
Brother G's Cyclopedia
Brother G’s Cyclopedia Of Comparative Mythology 380+ building blocks for the aspiring mythopoet Dedicated To Messrs. Mircea Eliade and Hugh Nibley, who introduced a young boy to comparative mythology. To Lord Dunsany and Mr. H. P. Lovecraft, who pioneered the art of literary mythopoeia. And To Messrs. M. A. R. Barker and J. R. R. Tolkien, who taught us that master worldbuilders must be referred to by three initials and a last name. Table of Contents Introduction…………………………………………………………………...................................1 From Acosmism to the Year-King...………………………………………………………….....3 Appendix A: Non-Standard Portfolios………………………………………………………...52 Appendix B: Epithets and Fusions……………………………………………………………..55 Appendix C: Meta-Theory…………………………………………………………………......... 56 Appendix D: Story-starting Phrases…………………………………………………………… 62 Appendix E: Random Tables…………………………………………………………………... 65 1 Introduction What is this? Why is it here? Where is it going? Why, for the sake of all that’s holy, do I think that you care about yet another book on mythology? Surely, you must be thinking to yourself, you have no need for one (even if it is free). You have three already. Maybe even more! Here’s the difference: Those books that you have will tell you who Hades was. Maybe it’ll be incredibly in-depth and inform you of every variation of every myth that ever featured him. You’ll know a lot about Hades after you read that incredibly thorough book. And after you read the entries on a dozen or so other death divinities, you’ll have a pretty good idea of their common traits. This book approaches the matter from the complete opposite direction. It tells you about death divinities as a class, and then it casually mentions Hades as a number of examples. -
The Complete Costume Dictionary
The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward. -
The Gift of Letting Go: May 30, 2021
The Gift of Letting Go: May 30, 2021 Let's begin with a mystery today... shall we? In the early 1600's... [1 HTC Suffolk] There was a bit of iconoclastic fervor... That accompanied the reformation movements... Throughout Germany and England. Meaning that... People who were anti-Catholic... Mucked about... Smashing statues... Images of saints... Art of all kinds... In churches... Including stained glass windows. One of the churches attacked in this way... Was Holy Trinity Church in Long Meldford, Suffolk, England. This is the stained glass work... [2 HTC North Door] Found above the north door... You have St. Dominic on the left... St. Peter on the right. And Mary cradling the crucified Jesus... In the center. But if you look very closely... There's a little round window... Under all the amazing art. This is a closeup of that... [3 HTC 3 Hares] Itty bitty round window. It's called the Three Hares. You can see where the window was repaired... But more interesting than that... Is the fact that there are three hares... Not rabbits... mind you... Rabbits have shorty ears... Hares have long ears. So... three hares... [4 Three Hares] But did you notice... There are only three ears. Among them. Sure... it looks like they have two ears each... But in reality... there are only... A total of three ears. They say... this is an image of the Holy Trinity. Because they are all connected... In fact they share each other's ears... But they are all individual hares. Three in One. One in Three. -
SOM Wallet List ADA 1Sept
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ANGELO, Dante 2010 the Compulsive Construction of Heritage-Augmented.Pdf
THE COMPULSIVE CONSTRUCTION OF HERITAGE: MATERIAL CULTURE AND IDENTITY AT THE DAWN OF THE 21ST CENTURY IN NORTHWESTERN ARGENTINA A DISSERTATION SUBMITTED TO THE DEPARTMENT OF ANTHROPOLOGY AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dante A. Angelo July 2010 © 2010 by Dante Alejandro Angelo Zelada. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/bd264ms1829 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Ian Hodder, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Lynn Meskell I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Michael Wilcox I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Rafael Curtoni Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format.