George Armstrong Custer
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DOCUMENT RESUME RC 021 689 AUTHOR Many Nations
DOCUMENT RESUME ED 424 046 RC 021 689 AUTHOR Frazier, Patrick, Ed. TITLE Many Nations: A Library of Congress Resource Guide for the Study of Indian and Alaska Native Peoples of the United States. INSTITUTION Library of Congress, Washington, DC. ISBN ISBN-0-8444-0904-9 PUB DATE 1996-00-00 NOTE 357p.; Photographs and illustrations may not reproduce adequately. AVAILABLE FROM Superintendent of Documents, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Books (010) Guides Non-Classroom (055) -- Reference Materials Directories/Catalogs (132) EDRS PRICE MF01/PC15 Plus Postage. DESCRIPTORS *Alaska Natives; American Indian Culture; *American Indian History; American Indian Languages; *American Indian Studies; *American Indians; Annotated Bibliographies; Federal Indian Relationship; *Library Collections; *Resource Materials; Tribes; United States History IDENTIFIERS *Library of Congress ABSTRACT The Library of Congress has a wealth of information on North American Indian people but does not have a separate collection or section devoted to them. The nature of the Librarv's broad subject divisions, variety of formats, and methods of acquisition have dispersed relevant material among a number of divisions. This guide aims to help the researcher to encounter Indian people through the Library's collections and to enhance the Library staff's own ability to assist with that encounter. The guide is arranged by collections or divisions within the Library and focuses on American Indian and Alaska Native peoples within the United States. Each -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
La Représentation De L Indien
La représentation de l’indien dans le western hollywoodien classique Politique des acteurs Ces quelques propos qui reprennent et développent un travail personnel publié en anglais aux Etats Unis (Racism in the Western, Revisionis Press, New York, 1981) ne sont que de simples réflexions sur un sujet très vaste et complexe qui a déjà été abondamment exploré. On se bornera à citer le remarquable travail de Mathieu Lacque-Labarthe Les Indiens dans le cinéma américain, Presses Universitaires de Paris, 2013) qui représente la somme de ce que l’on peut écrire sur le sujet. Il nous a néanmoins paru que certaines des conclusions de la présente étude ne sont pas nécessairement redondantes par rapport à d’autres écrits et que le lien entre le choix de l’acteur et le personnage historique qu’il incarne n’a pas toujours été suffisamment souligné. ***** Il aura fallu attendre Dances with wolves (Danse avec les loups) de Kevin Costner en 1990 pour voir enfin des rôles d’indiens entièrement interprétés par des Amérindiens.(1) L’Indien (ou Native American pour s’en tenir à la terminologie contemporaine) occupe une place centrale dans le Western, et ce depuis le début du XXème siècle. Mais la tradition qui s’est maintenue jusqu’à la période post hollywoodienne de faire jouer à des acteurs blancs les rôles d’Indiens, même dans les films ouvertement favorables à leur cause (Tell them Willie Boy is here d’Abraham Polonski, 1969) a banni presque totalement les acteurs de ce groupe ethnique de l’écran en dehors de la simple figuration. -
175747467.Pdf
DIZIONARIO DEI FILM WESTERN A cura di Mario Raciti Fonti Dizionario Morandini 2008 Mymovies.it Film.tv.it Dedicato agli amici di Farwest.it A Accidenti, che ospitalità! Our Hospitality USA 1923 REGIA: Buster Keaton, John G. Blystone ATTORI: Buster Keaton, Natalie Talmadge, Joe Roberts * Una faida tra le famiglie Canfield e McKay funge da prologo. Allevato a New York da una zia, Will McKay torna dopo vent'anni al paese natale del West dove i Canfield tentano di ucciderlo. Finché è sotto il loro tetto, però, non possono farlo. E lui sposa una di loro. 2o film lungo di Keaton e uno dei suoi capolavori. È un western nel quale il comico non nasce dalla parodia ma dalla incongruità del personaggio Keaton mentre tutti gli altri sono costruiti secondo gli schemi classici e si comportano come tali. È una rivisitazione straniata che s'impernia, come il solito, sullo spostamento delle funzioni degli oggetti, sull'altalena tra sembrare ed essere. DURATA: 74' FOTOGRAFIA: BN Acquasanta Joe It. 1971 REGIA: Mario Gariazzo ATTORI: Lincoln Tate, Ty Hardin, Silvia Monelli * Dopo la guerra di secessione, in un improbabile West trovano posto la banda del cannone, un prete che fabbrica acquavite, avventurieri e tradimenti. Western povero di tutto. DURATA: 97' Adios Gringo It. 1965 REGIA: George Finley (> Giorgio Stegani) ATTORI: Giuliano Gemma, Evelyn Stewart, Robert Camardiel * Ricercato salva fanciulla da morte sicura, sgomina banda di prepotenti e prosegue con la bella per dimostrare la sua innocenza. George Finley (Giorgio Stegani) ha confezionato un discreto western all'italiana con un Gemma che fa il “buono” prima di imparare a recitare. -
Newsletter 01/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 01/12 DIGITAL EDITION Nr. 305 - Januar 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/12 (Nr. 305) Januar 2012 editorial Hallo Laserdisc- und sten Mustervorführungen geschlossen. Um Ihnen DVD-Fans, waren bereits vielverspre- schon einen kleinen Vorge- liebe Filmfreunde! chend. Seien Sie also ge- schmack zu geben, haben spannt. Wir werden Sie na- wir auf dieser Seite schon Mit 86 prall gefüllten Seiten türlich rechtzeitig informie- mal das Teaser-Poster ab- heissen wir Sie ganz herzlich ren, sobald unser Projekt gebildet. willkommen zu unserem er- fertiggestellt ist. Denn dann sten Newsletter in unserem werden Sie den “Director’s In diesem Sinne – freuen Jubiläumsjahr 2012. Gerne Cut” auf unserer Website Sie sich mit uns zusammen hätten wir Ausgabe 305 (www.laserhotline.de) an- auf ein adrenalintreibendes schon wesentlich früher ins schauen können. Eine an- Jahr! Feld geschickt, doch wie es schließende Kinoauswertung halt immer so ist: Termine, ist übrigens auch nicht aus- Ihr Laser Hotline Team Termine, Termine. Dafür aber sieht die aktuelle Aus- gabe vom Umfang eher aus wie eine Doppelnummer – und das obwohl wir auf Grafik praktisch fast voll- kommen verzichtet haben. Aber Sie kennen ja unsere Einstellung: Information geht vor! Auch wenn Sie lange nichts mehr von uns gehört haben, so waren wir doch extrem fleissig. Denn um un- ser 20jähriges Jubiläum ge- bührend feiern zu können, haben wir mit der Produkti- on unseres ersten eigenen Films begonnen. -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Historian-2014.Pdf
THE CHICO HISTORIAN Volume XXIV 2014 Oppression, Resistance, and the Formation of Identity The Chico Historian History Department California State University, Chico 400 West First Street Trinity Hall Room 223 Chico, California, 95929-0735 (530) 898-5366 The Chico Historian is an annual publication of the Alpha Delta Omicron Chapter of the Phi Alpha Theta National History Honor Society and the California State University, Chico (CSUC) Department of History. It aims to provide students the opportunity to publish historical works, and to train editorial staff members in producing an academic journal. Issues are published at the end of each academic year. All opinions or statements of fact are the sole responsibility of the authors, and may not reflect the views of the editorial staff. The authors retain rights to individual essays. Phi Alpha Theta states their mission is to promote the study of history through the encouragement of research, good teaching, publication, and the exchange of learning and ideas among historians. The organization seeks to bring students, teachers, and writers of history together for intellectual and social exchanges, which promote and assist historical research and publication by our members in a variety of ways. Copyright © 2014 Alpha Delta Omicron, California State University, Chico. The Chico Historian We dedicate this volume to Claudia Beaty Claudia has been the Administrative Support Coordinator for the Department of History since 1995. It is with a mixture of sadness and warmth that we say our fond farewells to Claudia as she begins this new chapter in her life. She has been an integral part of our department, facilitating the effective administration of daily activities both large and small. -
Acts of Rebellion
ACTS OF REBELLION ALSO BY WARD CHURCHILL Authored Fantasies of the Master Race: Literature, Cinema, and the Colonization of American Indians (1992, 1998) Struggle for the Land: Native North American Resistance to Genocide, Ecocide, and Colonization (1993, 1999) Indians ‘R’ Us: Culture and Genocide in Native North America (1994, 2002) Since Predator Came: Notes from the Struggle for American Indian Liberation (1995) Que Sont les Indiens Devenue? Culture et génocide chez les Indiens d’Amerique du Nord (1996) From a Native Son: Essays in Indigenism, 1985–1995 (1996) Perversions of Justice: Indigenous Peoples and Angloamerican Law (2002) Co-authored Culture versus Economism: Essays on Marxism in the Multicultural Arena, with Elisabeth R.Lloyd (1984) Agents of Repression: The FBI’s Secret Wars Against the Black Panther Party and the American Indian Movement, with Jim Vander Wall (1988, 2002) The COINTELPRO Papers: Documents from the FBI’s Secret Wars Against Dissent in the United States, with Jim Vander Wall (1990, 2002) Pacifism as Pathology: Reflections on the Role of Armed Struggle in North America, with Mike Ryan (1996) Edited Marxism and Native Americans (1983) Critical Issues in Native North America, Volumes 1 and 2 (1989–1990) Die indigen Nationen Nordamerikas und die Marxistishe Tradition: Debatte über eine revolutionäre Theorie der Kulture (1993) In My Own Voice: Explorations in the Sociopolitical Context of Art and Cinema, by Leah Renae Kelly (2001) Co-edited Cages of Steel: The Politics of Imprisonment in the United States, with J.J.Vander Wall (1992) Islands in Captivity: The Record of the International Tribunal on the Rights of Indigenous Hawaiians, Volumes 1, 2, and 3, with Sharon H.Venne (2002) ACTS OF REBELLION THE WARD CHURCHILL READER WARD CHURCHILL ROUTLEDGE New York London Published in 2003 by Routledge 29 West 35th Street New York, New York 10001 www.routledge-ny.com Routledge is an imprint of the Taylor & Francis Group. -
Film Exhibition at Indian Residential School, 1930-1969 Joel Hughes A
Film Exhibition at Indian Residential School, 1930-1969 Joel Hughes A Thesis In the School of Cinema Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Film and Moving Image Studies) at Concordia University Montréal, Quebec, Canada June 2016 © Joel Hughes, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Joel Hughes Entitled: Film Exhibition at Indian Residential School, 1930-1969 and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Film and Moving Image Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Elena Razlogova Dr. Zoë Druick External Examiner Dr. Monika Gagnon External to Program Dr. Thomas Waugh Examiner Dr. Luca Caminati Examiner Dr. Haidee Wasson Thesis Supervisor Approved by Chair of Department or Graduate Program Director Dean of Faculty iii ABSTRACT Film Exhibition at Indian Residential School in Canada, 1930-1969 Joel Hughes, Ph.D. Concordia University, 2016 This dissertation examines the pedagogical imperatives informing film exhibition within the Indian Residential School System in Canada between the years 1930-1969, and argues the medium was specifically employed to facilitate the system’s culturally genocidal ideology and curriculum. Archival in methodology, I utilize a range of administrative documents from the Canadian government and varying religious organizations to write the history of film exhibition at residential schools. I situate this research in concert with postcolonial theory, suggesting the films exhibited intended to reimagine Indigenous identity in ways beneficial to the colonial powers dictating Canadian culture and privilege, and then to transfer this identity to the students through educational positioning of film. -
Representation of the Battle of Little Bighorn in Four Major Films: “Little Big Man”, “They Died with Their Boots On”, “Sitting Bull” and “Chief Crazy Horse”
Representation of the Battle of Little Bighorn 1 Representation of the battle of Little Bighorn in four major films: “Little Big Man”, “They Died with their Boots on”, “Sitting Bull” and “Chief Crazy Horse”. Javier Rafael Fernández Esteller Doctoral thesis UDC / 2015 Director: Alan Floyd Moore Department of English Philology/RD 778/1998 Representation of the Battle of Little Bighorn 2 ACKNOWLEDGEMENTS My thanks go to Dr Alan Floyd, Dr María Jesús Lorenzo Modia, Antonio López Zanón, Mary Allport and the staff of the Library of the Philology Faculty, Universidade da Coruña. Representation of the Battle of Little Bighorn 3 RESUMEN La presente tesis analiza las complejas relaciones entre cine e Historia y más concretamente la representación de la batalla de Little Bighorn en las películas “Pequeño Gran Hombre”, “Murieron con las botas puestas”, “Sitting Bull, casta de guerreros” y “El gran jefe”. La primera está centrada en la personalidad de George Armstrong Custer, la segunda en su carrera militar, la tercera en la vida de Sitting Bull y la última en la vida de Crazy Horse. Después de haber establecido los hechos concernientes a la batalla de Little Bighorn a través de los libros de los diferentes autores y la comparación de los hechos por ellos narrados, se han estudiado las cuatro películas, comparando las secuencias de las películas con los hechos establecidos en la historia. La tesis también da una perspectiva de la historia de las películas de Indios y los dos grandes conflictos entre los Indios y los Estados Unidos Representation of the Battle of Little Bighorn 4 RESUMO A presente tese analiza as complexas relacións entre cinema e Historia e máis concretamente a representación da batalla de Little Bighorn nas películas “Pequeño Gran Home”, “Morreron coas botas postas”, “Sitting Bull” e “O gran xefe”. -
21 05/03/2014 ...And Justice for All 19/10/1979 #Followfriday 15/09/2016
21 05/03/2014 ...And Justice for All 19/10/1979 #Followfriday 15/09/2016 $ (Dollars) (The Heist) 15/12/1971 10 Rillington Place 12/05/1971 1001 Arabian Nights 01/12/1959 12 To The Moon 22/06/1960 13 Frightened Girls 01/07/1963 13 Frightened Girls (The Candy Web) 01/07/1963 13 Ghosts (1960) 01/07/1960 13 Going On 30 01/01/2005 13 West Street 01/05/1962 1776 11/08/1972 17th Precinct 30/12/2011 19th Wife 13/09/2010 2 Guns 01/02/2014 20 Million Miles To Earth 01/07/1957 20/30/40 11/03/2004 2012 11/11/2009 21 (2008) 27/03/2008 21 Jump Street 01/10/2012 22 Jump Street 05/06/2014 28 Days 14/04/2000 29 Acacia Avenue 01/05/1945 3 Ninjas: High Noon At Mega Mountain 10/04/1998 3:10 to Yuma 07/08/1957 30 Is A Dangerous Age, Cynthia 01/04/1968 30 Minutes Or Less 10/08/2011 40 Carats 28/06/1973 40 Guns To Apache Pass 01/05/1967 5 Against The House 10/06/1955 50 First Dates 12/02/2004 50 To 1 21/03/2014 7 Seconds 22/09/2004 711 Ocean Drive 20/07/1950 7th Cavalry 07/12/1956 84 Charing Cross Road 13/02/1987 8MM 26/02/1999 8MM 2 15/02/2005 919 Fifth Avenue 01/01/1995 976-Evil 24/03/1989 A Bullet Is Waiting 04/09/1954 A Child Lost Forever 16/11/1992 A Close Call For Boston Blackie 24/01/1946 A Dandy In Aspic (1968) 02/04/1968 A Dangerous Adventure 22/07/1937 A Dangerous Affair 30/09/1931 A Day In The Death Of Joe Egg 04/06/1972 A Doctor's Story 23/04/1984 A Dogs Way Home 09/04/19 A Feather In Her Hat 25/10/1933 A Fight To The Finish (1937) 30/06/1937 A Fine Mess 08/08/1986 A Fire In The Sky (1978) 26/11/1978 A Girl Like Me: The Gwen Araujo Story 19/06/2006