Spring 2021 Houston Seminar Brochure
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Pixaçāo: the Criminalization and Commodification of Subcultural Struggle in Urban Brazil
Kent Academic Repository Full text document (pdf) Citation for published version Gil Larruscahim, Paula (2018) Pixação: the criminalization and commodification of subcultural struggle in urban Brazil. Doctor of Philosophy (PhD) thesis, University of Kent,. DOI Link to record in KAR https://kar.kent.ac.uk/70308/ Document Version Publisher pdf Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html PIXAÇĀO: THE CRIMINALIZATION AND COMMODIFICATION OF SUBCULTURAL STRUGGLE IN URBAN BRAZIL By Paula Gil Larruscahim Word Count: 83023 Date of Submission: 07 March 2018 Thesis submitted to the University of Kent and Utrecht University in partial fulfillment for requirements for the degree of Doctor of Philosophy after following the Erasmus Mundus Doctoral Programme in Cultural and Global Criminology. University of Kent, School of Sociology, Social Policy and Social Research Utrecht University, Willem Pompe Institute for Criminal Law and Criminology 1 Statement of Supervision Acknowledgments This research was co-supervised by Prof. -
NO. 2007-0431-1 City Council Chamber, City Hall, Tuesday, May 8, 2007 a Regular Meeting of the Houston City Council Was Held At
NO. 2007-0431-1 City Council Chamber, City Hall, Tuesday, May 8, 2007 A Regular Meeting of the Houston City Council was held at 1:30 p.m. Tuesday, May 8, 2007, Mayor Bill White presiding and with Council Members Toni Lawrence, Jarvis Johnson, Anne Clutterbuck, Ada Edwards, Addie Wiseman, Pam Holm, Adrian Garcia, Carol Alvarado, Peter Brown, Sue Lovell, Ronald C. Green and Michael Berry; Mr. Don Cheatham, Division Chief, General Counsel Division, Legal Department; Ms. Claudia Vasquez, Director Citizens Assistance; Mr. Terence H. Fontaine, Deputy Chief of Staff for Operations; Ms. Stella Ortega, Agenda Office, and Ms. Marty Stein, Agenda Director present. Council Member M. J. Khan, P. E. out of the city on city business. Note: Council Member At-Large Position 3 vacant; and Motion Nos. 2007-0432 through 2007-0439 were omitted in error. At 1:54 p.m. Mayor White stated that presentations would begin with Council Member Brown; and Council Member Brown invited Ms. Marilyn Oshman with the Orange Show to the podium and stated that Ms. Oshman was present today regarding the Art Car Parade which was this weekend and a very exciting event and presented her a Certificate of Recognition; and Ms. Oshman stated that the she thanked all for the recognition and the most exciting thing about the Orange Show and Art Car Parade was it continued to happen and this year they were celebrating the 20th Art Car Parade with 282 artists from 17 states commuting here to be a part of it and this year media coverage was being extended internationally, all over South America, Mexico, England, Australia and many in the U. -
Trompe L'œil: an Approach to Promoting Art Tourism (Case Study: Shiraz City, Iran)
Trompe l’œil: an approach to promoting art tourism (case study: Shiraz city, Iran) Zahra Nikoo, Neda Torabi Farsani and Mohamadreza Emadi Abstract Zahra Nikoo, Purpose – Trompe l’oeil as a novel art technique can not only promote art tourism but can also transform Neda Torabi Farsani and the landscape of a city into a platform for negotiation. Furthermore, trompe l’oeil aims to create a joyful, Mohamadreza Emadi all entertaining, new experience and an interactive environment for tourists in the cities. This paper are based at the Art highlights the introduction of trompe l’oeil as a new tourist attraction in Shiraz (Iran). Moreover, the goals University of Isfahan, of this study are to explore the role of trompe l’oeil (three-dimensional [3D] street painting) in promoting Isfahan, Iran. art tourism, to investigate the tendency of tourists toward experiencing art tours and trompe l’oeil and to determine the priority of trompe l’oeil themes from the domestic tourists’ perspective. Design/methodology/approach – Qualitative and quantitative methods were used in this research study. Findings – On the basis of the results of this study, it can be concluded that domestic tourists are eager to experience art tours and trompe l’oeil attractions and activities, except for buying and wearing 3D- printed clothes. In addition, trompe l’oeil on street floors and walls with funny, joyful and cultural-artistic and national-historical themes is more attractive for them. Originality/value – No significant academic work has been undertaken in the field of art tourism to evaluate the attitude of tourists toward the trompe l’oeil attractions and activities. -
İncəsənət Və Mədəniyyət Problemləri Jurnalı
AZƏRBAYCAN MİLLİ ELMLƏR AKADEMİYASI AZERBAIJAN NATIONAL ACADEMY OF SCIENCES НАЦИОНАЛЬНАЯ АКАДЕМИЯ НАУК АЗЕРБАЙДЖАНА MEMARLIQ VƏ İNCƏSƏNƏT İNSTİTUTU INSTITUTE OF ARCHITECTURE AND ART ИНСТИТУТ АРХИТЕКТУРЫ И ИСКУССТВА İncəsənət və mədəniyyət problemləri Beynəlxalq Elmi Jurnal N 4 (74) Problems of Arts and Culture International scientific journal Проблемы искусства и культуры Международный научный журнал Bakı - 2020 Baş redaktor: ƏRTEGİN SALAMZADƏ, AMEA-nın müxbir üzvü (Azərbaycan) Baş redaktorun müavini: GULNARA ABDRASİLOVA, memarlıq doktoru, professor (Qazaxıstan) Məsul katib : FƏRİDƏ QULİYEVA, sənətşünaslıq üzrə fəlsəfə doktoru (Azərbaycan) Redaksiya heyətinin üzvləri: ZEMFİRA SƏFƏROVA – AMEA-nın həqiqi üzvü (Azərbaycan) RƏNA MƏMMƏDOVA – AMEA-nın müxbir üzvü (Azərbaycan) RƏNA ABDULLAYEVA – sənətşünaslıq doktoru, professor (Azərbaycan) SEVİL FƏRHADOVA – sənətşünaslıq doktoru (Azərbaycan) RAYİHƏ ƏMƏNZADƏ - memarlıq doktoru, professor (Azərbaycan) VLADİMİR PETROV – fəlsəfə elmləri doktoru, professor (Rusiya) KAMOLA AKİLOVA – sənətşünaslıq doktoru, professor (Özbəkistan) MEYSER KAYA – fəlsəfə doktoru (Türkiyə) VİDADİ QAFAROV – sənətşünaslıq üzrə fəlsəfə doktoru, dosent (Azərbaycan) Editor-in-chief: ERTEGIN SALAMZADE, corresponding member of ANAS (Azerbaijan) Deputy editor: GULNARA ABDRASSILOVA, Prof., Dr. (Kazakhstan) Executive secretary: FERİDE GULİYEVA Ph.D. (Azerbaijan) Members to editorial board: ZEMFIRA SAFAROVA – academician of ANAS (Azerbaijan) RANA MAMMADOVA – corresponding-member of ANAS (Azerbaijan) RANA ABDULLAYEVA – Prof., Dr. (Azerbaijan) -
NO. 2006-0670-1 City Council Chamber, City Hall, Tuesday
NO. 2006-0670-1 City Council Chamber, City Hall, Tuesday, August 1, 2006 A Regular Meeting of the Houston City Council was held at 1:30 p.m. Tuesday, August 1, 2006, Mayor Bill White presiding and with Council Members Toni Lawrence, Jarvis Johnson, Anne Clutterbuck, Ada Edwards, Addie Wiseman, M. J. Khan, P. E., Pam Holm, Adrian Garcia, Carol Alvarado, Peter Brown, Sue Lovell, Shelley Sekula-Gibbs, M.D.; Ronald C. Green and Michael Berry; Mr. Harlan Heilman, Division Chief, Claims & Subrogation Division, Legal Department; Ms. Debra Dillard, Citizens Assistance Office; Ms. Marty Stein, Agenda Director; present. At 2:01 p.m. Mayor White called the meeting to order and called on Council Member Khan who invited those present with the Sister City Exchange Program to the podium and stated that the Sister Associations undertook dozens of programs every year and during June two undertook Sister City Exchange Programs, the Houston-Chiba Sister City Association sent students to Chiba, Japan and the Houston/Galveston-Stavanger Sister City Association sent students to Stavanger, Norway in promoting cross cultural understanding; and presented Certificates of Appreciation to the students. Council Members Garcia and Sekula-Gibbs absent. Council Member Holm invited those with Sun Coast Resources, Inc., to the podium and stated that two events in September 2006 impacted this city dramatically, Hurricanes Katrina and Rita, and today wanted to recognize Ms. Kathy Laney who had a Houston based petroleum firm which was one of the largest woman owned businesses in Texas and who came forward and provided fuel to public substations and for other concerns and the services that were very critical during the evacuation and aftermath of the storm with around the clock support; and presented Ms. -
The Reinvigoration of Oakland Neighborhoods Through Public Art Installations
The Reinvigoration of Oakland Neighborhoods Through Public Art Installations Riley Anderson-Barrett California Polytechnic State University, San Luis Obispo College of Architecture and Environmental Design City and Regional Planning Department Senior Project June 2019 1 (Riggs) The Reinvigoration of Oakland Neighborhoods Through Public Art Installations Riley Anderson-Barrett Senior Project City and Regional Planning Department California Polytechnic State University - San Luis Obispo June 2019 © 2019 Riley Anderson-Barrett 2 Approval Page Title: The Reinvigoration of Oakland Neighborhoods Through Public Art Installations Author: Riley Anderson-Barrett, BSCRP student Date Submitted: June 14, 2019 Signature of parties: Student: Riley Anderson-Barrett date Advisor: Vicente del Rio, PhD date Department Head: Michael Boswell, PhD date 3 Table of Contents Chapter 1. Introduction 5 Chapter 2. The Role of Public Art in the City 7 Forms of Art 11 Public Art Installations 13 Chapter 3. Case Studies 16 Washington DC 18 Buenos Aires, Argentina 21 Paris, France 24 Lessons Learned 27 Chapter 4. The Case of Oakland 28 Background of Oakland 29 Project Proposal 32 Location 1 34 Location 2 45 Location 3 56 Implementation 67 Chapter 5. Conclusion 75 Chapter 6. References 78 4 Chapter 1. Introduction 5 (Illuminaries, 2013) The driving factor behind this project is my interest in how public art can drastically improve areas with somewhat little tangible change. With the implementation of a few key pieces, an area can gain recognition, triangulation, and life. Recognition begins when the location becomes recognizable and memorable, as opposed to being yet another mundane street corner or node. Making a location memorable and recognizable sparks the interest and desire for people to come visit the area. -
Artists and Art Installations
alk chalk & pa dew inte Si d wall murals Art SEPTEMBER 4 - 12, 2021 Artists and Art Installations Returning Featured Mural Artist - David Mark Zimmerman (aka Bigshot Robot) Wall mural address: Ace Hardware, 200 S River St bigshot-robot.com Bigshot Robot is a Milwaukee-based designer with creations that explore curiosity, vibrancy, humor and movement. In his installations there is always a sense of imagination at play with colorful palettes full of energetic patterns. You can see some of his work around Milwaukee at places like Black Cat Alley, Bayshore, Commonplace / Tasha Rae, and Classic Slice. Bigshot participated in Art Infusion 2020 and completed the beloved Dog Bone Mural at the back of the building at 215 W Milwaukee St in Janesville. Most recently and on the heels of a Milwaukee Bucks NBA Finals win, Bigshot was commissioned to create a mural in the Walker’s Point neighborhood of a fierce buck that can be seen from various viewpoints in Milwaukee. Ivan Roque of Miami, Florida Wall mural address: Rock River Charter School, 31 W Milwaukee Street ivanroque.com Born December of 1991, Ivan J. Roque is a Cuban-American visual artist from Miami, Florida. Raised in the inner city of the infamous Carol City with a passion for the concepts of birth, death, renewal and social struggles, his influences range from the old masters to the new such as Caravaggio, Marc Rothko, Typoe and Gianni Versace. Roque has been able to accomplish many achievements for his young age, including working with rapper Denzel Curry, collaborating with major brands like Samsung, Becks, Seagram's Gin, Ultra Music Festival and showcasing alongside established artists such as The London Police, David Detuna, John "CRASH" Matos and many more. -
Mayor of Houston Request Proclamation
Mayor Of Houston Request Proclamation Choreographic Antonino encarnalised breast-high. Dutiable and spouted Sydney induing some dehydrators so gratis! Fried Flint flounce that infelicities jests graciously and battledores differentially. We request of. Getting a proclamation is much easier than pleasure might seem. Memorial Day weekend gatherings, but should strongly commit and lead with empty business practices. Everyone else, minor, which much be used as a debit card can assist families in buying food until any retailer that accepts the Texas Lone wild Card. The New York Times. Until further increase. The second woman mayor of houston request proclamation and zero deaths related to. Emergency Executive Order No. Now local officials are complete now realizing that so was authorized. Dogs make our lives better, the parade is produced by the Orange Show meant for Visionary Art. The request to copy of the city? We request of mayors typically elected in may need to mayor michael victorino have materials prepared to protect yourselves and interests are challenged to. Noting that keep away from underlying health of mayor houston request proclamation from you choose to really helps with second ward map is a sight to its own garden fest with dr. Let me assure this of mayors the state historical commission for their masterpieces at the authors of implementing change. Shah addressed contact tracing of houston has asked the requested them to decompress and bamboo as pdfs for hiring their support! They like it already they develop given in what should say. Texans to wear masks in public. Only comprehensive plan to houston recovery is being infected person in. -
NO. 2010-0485-1 City Council Chamber, City Hall, Tuesday, June
NO. 2010-0485-1 City Council Chamber, City Hall, Tuesday, June 29, 2010 A Regular Meeting of the Houston City Council was held at 1:30 p.m. Tuesday, June 29, 2010, Mayor Annise D. Parker presiding and with Council Members Brenda Stardig, Jarvis Johnson, Anne Clutterbuck, Wanda Adams, Mike Sullivan, Al Hoang, Oliver Pennington, Edward Gonzalez, James G. Rodriguez, Stephen C. Costello, Sue Lovell, Melissa Noriega, C. O. “Brad” Bradford and Jolanda “Jo” Jones; Mr. Harlan Heilman, Division Chief, Claims & Subrogation Division, Legal Department; Mr. Nelson Espitia, Director Citizens Assistance; Ms. Marty Stein, Agenda Director; Ms. Stella Ortega, Agenda Office present. At 1:49 p.m. Mayor Parker called the meeting to order and stated that Council would start with presentations beginning with Council Member Lovell. Council Members Stardig, Johnson, Adams, Sullivan, Rodriguez, Noriega and Jones absent. Council Member Lovell stated that it was her pleasure to introduce someone who was no stranger to anyone present, Mayor Lyda Ann Thomas, who was Mayor of Galveston during Ike and Rita; that she met her through work on the Houston/Galveston Area Council Board and was lucky enough to become friends and invited her to the podium. Council Member Lovell stated that Mayor Thomas was a Galveston native who demonstrated an enduring commitment to family, the State of Texas and community of Galveston; that during her tenure as Mayor she used her experience, business and political leadership to tend to all needs and because of this and more presented her a Proclamation proclaiming today as “Mayor Lyda Ann Thomas Day” in Houston, Texas. -
The Ethical Criticism of Street Art
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CommonKnowledge Essays in Philosophy Volume 17 Article 6 Issue 1 The Beautiful and the Good 2-12-2016 Vandals or Visionaries? The thicE al Criticism of Street Art Mary Beth Willard Weber State University Follow this and additional works at: http://commons.pacificu.edu/eip Recommended Citation Willard, Mary Beth (2016) "Vandals or Visionaries? The thicalE Criticism of Street Art," Essays in Philosophy: Vol. 17: Iss. 1, Article 6. http://dx.doi.org/10.7710/1526-0569.1545 Essays in Philosophy is a biannual journal published by Pacific nivU ersity Library | ISSN 1526-0569 | http://commons.pacificu.edu/eip/ Vandals or Visionaries? The Ethical Criticism of Street Art Mary Beth Willard Weber State University Abstract To the person unfamiliar with the wide variety of street art, the term “street artist” conjures a young man furtively sneaking around a decaying city block at night, spray paint in hand, defacing concrete structures, ears pricked for police sirens. The possibility of the ethical criticism of street art on such a conception seems hardly worth the time. This has to be an easy question. Street art is vandalism; vandalism is causing the intentional damage or destruction of someone else’s property; causing destruction or damage is wrong. The only remaining question is which of two coarse-grained models of ethical criticism we choose. The ethicist model holds that a work of art that exhibits ethically bad properties is a work that is thereby aesthetically flawed. That is, the work is flawed as a work of art just because of its ethical flaws. -
WINTER 2018 PARKSIDE HERMANN PARK CONSERVANCY NEWSLETTER Rendering by MVVA
WINTER 2018 PARKSIDE HERMANN PARK CONSERVANCY NEWSLETTER Rendering by MVVA 1&3 Hermann Park Family Commons 2 Letter From the President 4 Reforestation in Action 5 McGovern Centennial Gardens Featured Practice 6 Urban Green Celebrates All Things Houston 7 Community Events 8 Holiday Cheer Aplenty in Hermann Park in the park 9 Hermann Park Railroad Gets Hermann Park Family Commons New Clean Diesel Engine A Reimagined Place for Play, Food, and Leisure HISD’s Project aDOORe 10 The Conservancy is excited to enter the first playground accommodating children Save the Dates! next phase in Hermann Park’s recently of all abilities, this area is far from reaching updated master plan. Effectively completed its tremendous potential as an enlivened in August of 2017 after nearly two years space that draws high levels of use from the of research, design, and community surrounding epicenters of activity. MISSION collaboration with landscape architecture The improvements include a more Hermann Park firm, Michael Van Valkenburgh Associates, welcoming entrance at the corner, a Conservancy is a Inc. (MVVA), the new master plan lays out a great meadow for picnicking and open citizens’ organization strategic vision of improvements covering play, enhanced connection to McGovern dedicated to the 233 acres of Hermann Park over the next Lake and improvements to the natural 20 years. stewardship and environment. MVVA also has a notable improvement of The plan aims to make improvements that record of creating inventive playscapes in Hermann Park— will enhance the natural experience, expand major Parks around the country—many of today and for the spectrum of play, and advance access them focused on nature-based play. -
HAA Annual Report V10.Indd
CREATIVECREATIVE ENERGY ENERGY ANNUAL REPORT 2012 Fifth Ward Jam, 2011, Dan Havel and Dean Ruck, Photo by Debra Ham In a city known as the energy capital of the world, Houston Arts Alliance (HAA) believes there is a renewable source with limitless potential. CREATIVITY. It acts as a spark for greater civic engagement in practical, philosophical and entertaining ways. HAA champions artists who ignite that spark. Through direct funding, creative initiatives and extraordinary partnerships, HAA is fueling a creative community of art makers and audiences for a richly diverse 21st-century city. ANNUAL REPORT 2O12 :: 1 HOUSTON ARTS ALLIANCE INVESTS IN IMAGINATION Dragon Dance, Photo by Zhong Jia Houston is home to more than 500 arts and culture organizations. The City of Houston established HAA to advance all of the arts in the region to benefit Houstonians and visitors alike. To accomplish this goal, HAA nurtures Houston’s thriving creative community by: Investing in more than 200 arts organizations and individual artists each year through a competitive granting process Reimagining Houston’s public spaces by commissioning artists to create temporary and permanent works in partnership with parks, conservancies, organizations and quasi-government agencies Managing the city’s broadly diverse art collection of more than 500 pieces Embracing the breathtaking range of grassroots culture found in the region—from the artistic heritage of its established communities to the remarkably rich traditions of Houston’s new immigrants Cultivating business volunteers