DOCSLIB.ORG

Keros Songlist

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Keros Songlist KEROS SONGLIST CLASSICAL Air - Bach Arioso - Bach Double Concerto 2 mvt - Bach Bist Du Bei Mir - Bach Jesu, Joy Of Man's Desiring - Bach Prelude From English Suite #3 - Bach Sheep May Safely Graze - Bach Wachet Auf - Bach Ave Maria - Bach-Gounod Fur Elise - Beethoven Menuett From The Septet Op. 20 - Beethoven Menuetto From Serenade No. 1 - Brahms Adagio from Violin Concerto No. 1 - Bruch Te Deum - Charpentier Nocturne In Eb - Chopin Trumpet Voluntary - Clarke Pastorale From Concerto Grosso Op. 6, No. 8 - Corelli The Girl With The Flaxen hair - Debussy Le Petit Negre - Debussy Claire De Lune - Debussy Humoresque - Dvorak Serenade Op. 44 - Dvorak Allegro - Fiocco Panis Angelicas - Frank Dance Of The Blessed Spirits - Gluck Ave Maria - Gounod You Raise Me Up - Graham-Lovland Gavotte From Holberg Suite Op. 40 - Grieg Alla Hornpipe - Handel Entrance Of The Queen Of Sheba - Handel Halleluia Chorus - Handel Largo - Handel Largo From Violin Sonata In D Major - Handel March - Handel Water Music - Handel Canzona - Hasse Serenade Lo! How A Rose E'er Blooming - Haydn Liebestraum - Liszt Canzonetta From The Quartet Op. 12 - Mendelssohn If With All Your Hearts - Mendelssohn On Wings Of Song - Mendelssohn Wedding March - mendelssohn Fanfare - Mouret Rondeau Mousorgsky: Gopak - Mouret Ave Verum Corpus - Mozart Divertimente - Mozart Eine Kleine Nachtmusik - Mozart Barcarolle From Tales Of Hoffman - Offenbach Canon In D - Pachelbel Madama Butterfly (One Night Of Love) - Puccini Suite From The fairy Queen - Purcell Trumpet Tune - Purcell Ave Maria - Schubert Thou Ring On My Finger - Schumann Andante Festivo - Sibelius Tritsch-Tratsch Polka (Chit-Chat Polka) - Strauss March From Nutcracker Suite Op. 71 - Tchaikovsky Sleeping Beauty Waltz - Tchaikovsky Four Seasons - Vivaldi JEWISH Al Kol Elleh - Traditional Chatzon - Traditional Chorshat Ha'ekaliptus - Traditional Dodi Li - Traditional Erev Ba - Traditional Eshes Chayil - Traditional Erev Shel Shoshonim - Traditional Jerusalem Is Gold - Traditional K'Ayol - Traditional K'shoshama Bein Hachichkim - Traditional Makelot - Traditional Vehu Kechtan - Traditional Jewish Recessional - Traditional Od Yishama - Traditional Simon Tov, Mazel Tov - Traditional POPULAR All You Need Is Love - Beatles Back In The U.S.S.R. - Beatles Blackbird - Beatles Eleanor Rigby - Beatles Foot On The Hill - Beatles Grow Old Along With Me - John Lennon KEROS SONGLIST Night Shift Entertainment, LLC. 1 of 2 www.nightshiftent.com [email protected] 800 465 1917 Her Majesty - Beatles Hey Jude - Beatles Honey Pie - Beatles I Am The Walrus - Beatles I Will - Beatles If I Fell - Beatles In My Life - Beatles Imagine - John Lennon Mother Nature's Son - Beatles Ob-La-Di, Ob-La-Da - Beatles When I'm Sixty-Four - Beatles California Girls - Beach Boys Good Vibrations - Beach Boys I Get Around - Beach Boys Yellow - Coldplay In My Place - Coldplay Fragile - Sting Every Breath You Take - Sting All I Want Is You - U2 Beautiful Day - U2 Imagine A Man - The Who See Me, Feel Me/ Pinball Wizard - The Who The Quiet One - The Who Who Are You - The Who Signed, Sealed, Delivered - Stevie Wonder Sir Duke - Stevie Wonder KEROS SONGLIST Night Shift Entertainment, LLC. 2 of 2 www.nightshiftent.com [email protected] 800 465 1917 Powered by TCPDF (www.tcpdf.org).
Load more

Recommended publications
  • WSP 64: Revolution: the Songwriting of the Beatles Stanford Continuing Studies, Fall 2016 Sunday, December 4, 2016 Dr
    WSP 64: Revolution: The Songwriting of The Beatles Stanford Continuing Studies, Fall 2016 Sunday, December 4, 2016 Dr. Joel Phillip Friedman A Note from the Instructor: Through a selection of songs this weekend workshop will explore the evolution of Lennon, McCartney, and Harrison as composer/lyricists as they developed from mere local cover band to arguably some of the most influential songwriters of the 20th century. Our goal is to understand how special and sophisticated their song writing could be on many different levels as the power and originality of their astonishing body of creative work still speaks loudly and clearly today. In some cases we will delve into individual songs deeply. In other cases, we will discuss specifics of harmony, meter, or phrasing by briefly referencing a number of different songs. A byproduct of our investigation will be to find similarities and connections between songs, authors, and even periods. Keep in mind that time does not permit us to cover every song listed. As time permits we will also explore: the roles producer George Martin, the famed engineers of Abbey Road played; the revolutionary recording procedures and techniques they initiated; and The Beatles’ diverse creative influences (including R&B and Motown artists, classic rockers, and decidedly non-rock influences such as British Music Hall, Indian classical music, and the Classical avant-garde). While the course is not designed for literate musicians, some knowledge of the basics of music – e.g. meter and harmony – will come in very handy. But, have no fear! If you are inexperienced or unsure I am more than happy to explain.
    [Show full text]
  • Beatles Cover Albums During the Beatle Period
    Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964.
    [Show full text]
  • The Beatles Record Review
    WRITING ASSIGNMENT Record Review You are going to write a record review of an album that is deemed significant in Rock Music. A list of groups/artists can be accessed by clicking on link below http://www.rollingstone.com/ news/story/5938174/the_rs_500_greatest_albums_of_all_time Criteria: Title Page Name, word count, course number, section number, etc. Introduction: Write a biography of the group you're critiquing. This should include the year the group/artist began recording, a list of and year of recordings, billboard chart positions, and any awards, Grammys, etc. www.allmusic.com is a great source for biographical information. Section 1 You will need to include all of the specifics of the recording, record label, producer(s), year, and dates of recording. Listen to the album several times as if you were a record critic and write an overview of the album, i.e. style of music, mood, highlights, lowlights, etc. Here are some things to consider: Is there a unifying theme throughout the album? Are there contrasting themes? If so, what are they? Is there enough variety musically in your opinion? What is it about this album in particular that makes it stand out? Section 2 Pick four songs and discuss them in more detail. Discuss your likes and dislikes as we have in relation to the journal entries in class but you will need to go into more detail. Discuss any other elements you find compelling, i.e., imagery from the lyrics or lack thereof, the use of and/or role of instrumentation, tempos, solos, vocals, etc. Section 3 Summarize your experience.
    [Show full text]
  • BWTB Valentines LOVE Show 2016
    1 All Love Show 2016 1 2 9AM The Beatles - It’s Only Love- Help! / INTRO : THE WORD (Lennon-McCartney) Lead vocal: John Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called “It’s Only Love” “the one song I really hate of mine.” On U.S. album: Rubber Soul - Capitol LP 2 3 The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI audition), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S.
    [Show full text]
  • Beatles Lyrics Trivia Quiz
    BEATLES LYRICS TRIVIA QUIZ ( www.TriviaChamp.com ) Given the fist line from a Beatles' song, name the song. 1> I once had a girl... a. Good Day Sunshine b. Norwegian Wood c. Girl d. Here, There and Everywhere 2> She's not a girl who misses much... a. I Feel Fine b. Happiness Is a Warm Gun c. Hey Jude d. I Saw Her Standing There 3> In the town where I was born... a. There's a Place b. Yellow Submarine c. She Said She Said d. Taxman 4> Last night I said these words to my girl... a. Please, Please Me b. Savoy Truffle c. Run for Your Life d. Polythene Pam 5> When I find myself in times of trouble... a. Yesterday b. Hey Jude c. Let It Be d. Sexy Sadie 6> Now somewhere in the black mountain hills of Dakota... a. Revolution b. Only a Northern Song c. Rocky Racoon d. Nowhere Man 7> Ooh I need your love babe, guess you know it's true... a. Real Love b. She Loves You c. Eight Days A Week d. Something 8> I think I'm gonna be sad... a. P.S. I Love You b. Ticket to Ride c. Twist and Shout d. She's Leaving Home 9> Picture yourself in a boat on a river... a. Strawberry Fields Forever b. Mother Nature's Son c. Lucy In The Sky With Diamonds d. When I'm Sixty-Four 10> When I get older losing my hair... a. When I'm Sixty-Four b. We Can Work It Out c.
    [Show full text]
  • Gender Role Construction in the Beatles' Lyrics
    “SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles..................................................................................................
    [Show full text]
  • Apple Label Discography
    Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD.
    [Show full text]
  • 2012 April 21
    SPECIAL ISSUE MUSIC • • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES STREET DATE: APRIL 21 ORDERS DUE: MAR 21 SPECIAL ISSUE ada-music.com 2012 RECORD STORE DAY-RELATED CATALOG Artist Title Label Fmt UPC List Order ST. VINCENT KROKODIL 4AD S 652637321173 $5.99 ST. VINCENT ACTOR 4AD CD 652637291926 $14.98 ST. VINCENT ACTOR 4AD A 652637291919 $15.98 BEGGARS ST. VINCENT MARRY ME BANQUET CD 607618025427 $14.98 BEGGARS ST. VINCENT MARRY ME BANQUET A 607618025410 $14.98 ST. VINCENT STRANGE MERCY 4AD CD 652637312324 $14.98 ST. VINCENT STRANGE MERCY 4AD A 652637312317 $17.98 TINARIWEN TASSILI ANTI/EPITAPH A 045778714810 $24.98 TINARIWEN TASSILI ANTI/EPITAPH CD 045778714827 $15.98 WILCO THE WHOLE LOVE DELUXE VINYL BOX ANTI/EPITAPH A 045778717415 $59.98 WILCO THE WHOLE LOVE ANTI/EPITAPH CD 045778715626 $17.98 WILCO THE WHOLE LOVE ANTI/EPITAPH A 045778715619 $27.98 WILCO THE WHOLE LOVE (DELUXE VERSION) ANTI/EPITAPH CD 045778717422 $21.98 GOLDEN SMOG STAY GOLDEN, SMOG: THE BEST OF RHINO RYKO CD 081227991456 $16.98 GOLDEN SMOG WEIRD TALES RHINO RYKO CD 014431044625 $11.98 GOLDEN SMOG DOWN BY THE OLD MAINSTREAM RYKODISC A 014431032516 $18.98 ANIMAL COLLECTIVE TRANSVERSE TEMPORAL GYRUS DOMINO MS 801390032417 $15.98 ANIMAL COLLECTIVE FALL BE KIND EP DOMINO A 801390024610 $11.98 ANIMAL COLLECTIVE FALL BE KIND EP DOMINO CD 801390024627 $9.98 ANIMAL COLLECTIVE MERRIWEATHER POST PAVILION DOMINO A 801390021916 $23.98 ANIMAL COLLECTIVE MERRIWEATHER POST PAVILION DOMINO CD 801390021923 $15.98 ANIMAL COLLECTIVE STRAWBERRY JAM
    [Show full text]
  • AC/DC BONFIRE 01 Jailbreak 02 It's a Long Way to the Top 03 She's Got
    AC/DC AEROSMITH BONFIRE PANDORA’S BOX DISC II 01 Toys in the Attic 01 Jailbreak 02 Round and Round 02 It’s a Long Way to the Top 03 Krawhitham 03 She’s Got the Jack 04 You See Me Crying 04 Live Wire 05 Sweet Emotion 05 T.N.T. 06 No More No More 07 Walk This Way 06 Let There Be Rock 08 I Wanna Know Why 07 Problem Child 09 Big 10” Record 08 Rocker 10 Rats in the Cellar 09 Whole Lotta Rosie 11 Last Child 10 What’s Next to the Moon? 12 All Your Love 13 Soul Saver 11 Highway to Hell 14 Nobody’s Fault 12 Girls Got Rhythm 15 Lick and a Promise 13 Walk All Over You 16 Adam’s Apple 14 Shot Down in Flames 17 Draw the Line 15 Dirty Deeds Done Dirt Cheap 18 Critical Mass 16 Ride On AEROSMITH PANDORA’S BOX DISC III AC/DC 01 Kings and Queens BACK IN BLACK 02 Milk Cow Blues 01 Hells Bells 03 I Live in Connecticut 02 Shoot to Thrill 04 Three Mile Smile 05 Let It Slide 03 What Do You Do For Money Honey? 06 Cheesecake 04 Given the Dog a Bone 07 Bone to Bone (Coney Island White Fish) 05 Let Me Put My Love Into You 08 No Surprize 06 Back in Black 09 Come Together 07 You Shook Me All Night Long 10 Downtown Charlie 11 Sharpshooter 08 Have a Drink On Me 12 Shithouse Shuffle 09 Shake a Leg 13 South Station Blues 10 Rock and Roll Ain’t Noise Pollution 14 Riff and Roll 15 Jailbait AEROSMITH 16 Major Barbara 17 Chip Away the Stone PANDORA’S BOX DISC I 18 Helter Skelter 01 When I Needed You 19 Back in the Saddle 02 Make It 03 Movin’ Out AEROSMITH 04 One Way Street PANDORA’S BOX BONUS CD 05 On the Road Again 01 Woman of the World 06 Mama Kin 02 Lord of the Thighs 07 Same Old Song and Dance 03 Sick As a Dog 08 Train ‘Kept a Rollin’ 04 Big Ten Inch 09 Seasons of Wither 05 Kings and Queens 10 Write Me a Letter 06 Remember (Walking in the Sand) 11 Dream On 07 Lightning Strikes 12 Pandora’s Box 08 Let the Music Do the Talking 13 Rattlesnake Shake 09 My Face Your Face 14 Walkin’ the Dog 10 Sheila 15 Lord of the Thighs 11 St.
    [Show full text]
  • Ingesting Text
    Ingesting text This is from Section 15.3 of the Modern Data Science with R book. Using rvest Take a look at the Wikipedia List of songs recorded by the Beatles. In the book the second list of Other songs is used. I have used the Main Songs list. A great reference for regex (commands like gsub) is the r4ds book, see Chapter 14 about strings library(rvest) ## Loading required package: xml2 library(tidyr) library(methods) library(mdsr) ## Loading required package: dplyr ## ## Attaching package: 'dplyr' ## The following objects are masked from 'package:stats': ## ## filter, lag ## The following objects are masked from 'package:base': ## ## intersect, setdiff, setequal, union ## Loading required package: lattice ## Loading required package: ggformula ## Loading required package: ggplot2 ## Loading required package: ggstance ## ## Attaching package: 'ggstance' ## The following objects are masked from 'package:ggplot2': ## ## geom_errorbarh, GeomErrorbarh ## ## New to ggformula? Try the tutorials: ## learnr::run_tutorial("introduction", package = "ggformula") ## learnr::run_tutorial("refining", package = "ggformula") ## Loading required package: mosaicData ## Loading required package: Matrix ## ## Attaching package: 'Matrix' 1 ## The following object is masked from 'package:tidyr': ## ## expand ## ## The 'mosaic' package masks several functions from core packages in order to add ## additional features. The original behavior of these functions should not be affected by this. ## ## Note: If you use the Matrix package, be sure to load it BEFORE
    [Show full text]
  • The Music of the Beatles
    Christian Cappelluti The music of the Beatles I was driving my car down Peters Creek the other night, and I had the radio on. All of a sudden, they played a very beautiful song; a song with a sweet, mellow, memorable melody, and a mesmerizing and intriguing harmony. This song had something very peculiar about it, something which made it sound simple, sincere, and spontaneous, but also refined and classy, at the same time. It was one of those songs that make me wish there were more like them, even if it was not the first time that I had listened to it. Actually, I had probably listened to that song for the first time when I was a child, and since then I must have listened to it many other times. While I turned the radio a little bit louder, I started thinking about the band who wrote and sang that song, and how great it was at composing music that we all still love, thirty years later. The name of the song was "Michelle" and the band who wrote it, as we all know, is "The Beatles". The Beatles was a band that really brought something new and valuable to the world of modern music, something for which all pop and rock musicians who came after them should be very thankful. The Beatles was the first world famous self-contained band that wrote its own songs, and turned the last name of the authors (Lennon/McCartney) into a guarantee of quality. The Beatles was the first band that experimented with different production and sound engineering techniques, using a variety of instruments on its records, ranging from the string quartet in "Yesterday", to the full orchestra in "All you need is love", from the alarm clock in "A day in the life" to the backwards-rolling tapes in "Strawberry Fields Forever".
    [Show full text]
  • Identifying Beatles Philippine 78'S
    Philippine 78 RPM Single Releases Identification and Price Guide Updated 09 Ja 16 Purple Parlophone Label The Philippines were one of four countries known to have been pressing 78's when the Beatles came along – India, Columbia, and Argentina being the others. Philippine Parlophone pressed 78 RPM records into 1965. All Beatles 78's are scarce to rare, with the later singles being hardest to find. Most collectors are unaware that the 78's came out on at least three different label styles. The first of these labels is known on one 78 single only, although an earlier pressing of "She Loves You" may exist. In November, 1963, when the Beatles were first introduced to the Philippines, Parlophone records were being pressed by Mico Manufacturing. That label is purple. Singles originally released on this label style Catalog Number "From Me to You"/"I Saw Her Standing There" EG-8883-1 Orange/Black Parlophone Label Beginning in late 1963, Parlophone of the Philippines began a long license with Dyna Products to manufacture records. The first label style available on Philippine 78's was orange, with black and turquoise print. That style lasted until near the end of 1964. The previous 78 was NOT reissued onto the new style, but the following new singles were issued: Singles originally released on this label style Catalog Number Note "I Saw Her Standing There"/"Boys" PAL 60101 "I Want to Hold Your Hand"/"Please Please Me" PAL 60102 "Twist and Shout"/"Do You Want to Know a Secret" PAL 60103 "All My Loving"/"Don't Bother Me" PAL 60104 "Roll Over Beethoven"/"Devil
    [Show full text]