Identifying Beatles Philippine 78'S
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Beatles Cover Albums During the Beatle Period
Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964. -
The Beatles Record Review
WRITING ASSIGNMENT Record Review You are going to write a record review of an album that is deemed significant in Rock Music. A list of groups/artists can be accessed by clicking on link below http://www.rollingstone.com/ news/story/5938174/the_rs_500_greatest_albums_of_all_time Criteria: Title Page Name, word count, course number, section number, etc. Introduction: Write a biography of the group you're critiquing. This should include the year the group/artist began recording, a list of and year of recordings, billboard chart positions, and any awards, Grammys, etc. www.allmusic.com is a great source for biographical information. Section 1 You will need to include all of the specifics of the recording, record label, producer(s), year, and dates of recording. Listen to the album several times as if you were a record critic and write an overview of the album, i.e. style of music, mood, highlights, lowlights, etc. Here are some things to consider: Is there a unifying theme throughout the album? Are there contrasting themes? If so, what are they? Is there enough variety musically in your opinion? What is it about this album in particular that makes it stand out? Section 2 Pick four songs and discuss them in more detail. Discuss your likes and dislikes as we have in relation to the journal entries in class but you will need to go into more detail. Discuss any other elements you find compelling, i.e., imagery from the lyrics or lack thereof, the use of and/or role of instrumentation, tempos, solos, vocals, etc. Section 3 Summarize your experience. -
BWTB Valentines LOVE Show 2016
1 All Love Show 2016 1 2 9AM The Beatles - It’s Only Love- Help! / INTRO : THE WORD (Lennon-McCartney) Lead vocal: John Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called “It’s Only Love” “the one song I really hate of mine.” On U.S. album: Rubber Soul - Capitol LP 2 3 The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI audition), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. -
Gender Role Construction in the Beatles' Lyrics
“SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles.................................................................................................. -
Here Information Was Modified Due to One of the Error Types Noted Above
The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum The Beatles Recording Reference Manual Volume 1 My Bonnie through Beatles For Sale (1961-1964) Corrigendum Jerry Hammack Edited by Gillian G. Gaar The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum Copyright © 2021 Jerry Hammack All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the author, except by reviewers, who may quote brief passages in a review. Library of Congress Control Number: 2017909370 CreateSpace Independent Publishing Platform, North Charleston, SC Hammack, Jerry, 1961- The Beatles Recording Reference Manual: Volume 1: My Bonnie through Beatles For Sale (1961-1964) Corrigendum Gearfab Books, Ltd. Toronto, Ontario, Canada The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum iii The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum About this Corrigendum ____________________________________________________________________________________________________________ It’s clear, I’m not perfect. In researching, writing, editing and producing The Beatles Recording Reference Manuals, I made some errors. Some of these errors were of omission, some were of misinterpretations of information that I was challenged on and found my conclusions wanting, and others were bothersome copy/paste issues that were not caught in the proofing stage of book production. Regardless of their type or nature, I take responsibility for them all. I know these books are not cheap to own, and I also know that Beatles fans interested in this material are some of the most detail-oriented fans in the world. -
Keros Songlist
KEROS SONGLIST CLASSICAL Air - Bach Arioso - Bach Double Concerto 2 mvt - Bach Bist Du Bei Mir - Bach Jesu, Joy Of Man's Desiring - Bach Prelude From English Suite #3 - Bach Sheep May Safely Graze - Bach Wachet Auf - Bach Ave Maria - Bach-Gounod Fur Elise - Beethoven Menuett From The Septet Op. 20 - Beethoven Menuetto From Serenade No. 1 - Brahms Adagio from Violin Concerto No. 1 - Bruch Te Deum - Charpentier Nocturne In Eb - Chopin Trumpet Voluntary - Clarke Pastorale From Concerto Grosso Op. 6, No. 8 - Corelli The Girl With The Flaxen hair - Debussy Le Petit Negre - Debussy Claire De Lune - Debussy Humoresque - Dvorak Serenade Op. 44 - Dvorak Allegro - Fiocco Panis Angelicas - Frank Dance Of The Blessed Spirits - Gluck Ave Maria - Gounod You Raise Me Up - Graham-Lovland Gavotte From Holberg Suite Op. 40 - Grieg Alla Hornpipe - Handel Entrance Of The Queen Of Sheba - Handel Halleluia Chorus - Handel Largo - Handel Largo From Violin Sonata In D Major - Handel March - Handel Water Music - Handel Canzona - Hasse Serenade Lo! How A Rose E'er Blooming - Haydn Liebestraum - Liszt Canzonetta From The Quartet Op. 12 - Mendelssohn If With All Your Hearts - Mendelssohn On Wings Of Song - Mendelssohn Wedding March - mendelssohn Fanfare - Mouret Rondeau Mousorgsky: Gopak - Mouret Ave Verum Corpus - Mozart Divertimente - Mozart Eine Kleine Nachtmusik - Mozart Barcarolle From Tales Of Hoffman - Offenbach Canon In D - Pachelbel Madama Butterfly (One Night Of Love) - Puccini Suite From The fairy Queen - Purcell Trumpet Tune - Purcell Ave Maria - Schubert Thou Ring On My Finger - Schumann Andante Festivo - Sibelius Tritsch-Tratsch Polka (Chit-Chat Polka) - Strauss March From Nutcracker Suite Op. -
The Beatles - the Capitol Albums, Volume 2 Pdf, Epub, Ebook
THE BEATLES - THE CAPITOL ALBUMS, VOLUME 2 PDF, EPUB, EBOOK John Lennon | 248 pages | 01 Jun 2010 | Hal Leonard Corporation | 9781423429951 | English | Milwaukee, United States The Beatles - the Capitol Albums, Volume 2 PDF Book Acoustic - Budget Books. Twist and Shout. In the Tyrol Instrumental Our customers love us! What You're Doing. Blues Classical Country. Live at the BBC []. Sexy Trippy All Moods. Pitchfork is the most trusted voice in music. Nobody at the label found the results satisfactory so they attempted it again almost exactly a For personal non-commercial use only. All My Loving. Contact Info. Girl - stereo 9. Tripolar Zenttric. Tracks on Disc 1: 1. It's Only Love - mono Since we first met the Beatles in , things have never been the same. Send Feedback. Chase, The - instrumental, mono. Ostensibly, that's the way the Beatles would have liked it, but it's the domestic configurations of these albums that fans in the U. Little Child. Your Email Address. It was inevitable that the constant grind of touring, writing, promoting, and recording would grate What You're Doing 8. I've Just Seen A Face - stereo 2. Enabling JavaScript in your browser will allow you to experience all the features of our site. I Don't Want to Spoil the Party Baby's in Black. Long Tall Sally. All the Real Books feature hundreds of time-tested songs in extremely accurate arrangements; the famous large, easy-to-read, hand-written notation with no page turns; general tempo indications to assist with set selection; songs indexed alphabetically, by key, and by In the Tyrol Ken Thorne. -
Ingesting Text
Ingesting text This is from Section 15.3 of the Modern Data Science with R book. Using rvest Take a look at the Wikipedia List of songs recorded by the Beatles. In the book the second list of Other songs is used. I have used the Main Songs list. A great reference for regex (commands like gsub) is the r4ds book, see Chapter 14 about strings library(rvest) ## Loading required package: xml2 library(tidyr) library(methods) library(mdsr) ## Loading required package: dplyr ## ## Attaching package: 'dplyr' ## The following objects are masked from 'package:stats': ## ## filter, lag ## The following objects are masked from 'package:base': ## ## intersect, setdiff, setequal, union ## Loading required package: lattice ## Loading required package: ggformula ## Loading required package: ggplot2 ## Loading required package: ggstance ## ## Attaching package: 'ggstance' ## The following objects are masked from 'package:ggplot2': ## ## geom_errorbarh, GeomErrorbarh ## ## New to ggformula? Try the tutorials: ## learnr::run_tutorial("introduction", package = "ggformula") ## learnr::run_tutorial("refining", package = "ggformula") ## Loading required package: mosaicData ## Loading required package: Matrix ## ## Attaching package: 'Matrix' 1 ## The following object is masked from 'package:tidyr': ## ## expand ## ## The 'mosaic' package masks several functions from core packages in order to add ## additional features. The original behavior of these functions should not be affected by this. ## ## Note: If you use the Matrix package, be sure to load it BEFORE -
The Music of the Beatles
Christian Cappelluti The music of the Beatles I was driving my car down Peters Creek the other night, and I had the radio on. All of a sudden, they played a very beautiful song; a song with a sweet, mellow, memorable melody, and a mesmerizing and intriguing harmony. This song had something very peculiar about it, something which made it sound simple, sincere, and spontaneous, but also refined and classy, at the same time. It was one of those songs that make me wish there were more like them, even if it was not the first time that I had listened to it. Actually, I had probably listened to that song for the first time when I was a child, and since then I must have listened to it many other times. While I turned the radio a little bit louder, I started thinking about the band who wrote and sang that song, and how great it was at composing music that we all still love, thirty years later. The name of the song was "Michelle" and the band who wrote it, as we all know, is "The Beatles". The Beatles was a band that really brought something new and valuable to the world of modern music, something for which all pop and rock musicians who came after them should be very thankful. The Beatles was the first world famous self-contained band that wrote its own songs, and turned the last name of the authors (Lennon/McCartney) into a guarantee of quality. The Beatles was the first band that experimented with different production and sound engineering techniques, using a variety of instruments on its records, ranging from the string quartet in "Yesterday", to the full orchestra in "All you need is love", from the alarm clock in "A day in the life" to the backwards-rolling tapes in "Strawberry Fields Forever". -
The Beatles for Ukulele Free
FREE THE BEATLES FOR UKULELE PDF Barrett Tagliarino | 70 pages | 18 Sep 2008 | Hal Leonard Corporation | 9781423430131 | English | Milwaukee, United States The Beatles Ukulele tabs Komen for the Cure. Home Artistas Blog Contato. Envie cifras. Cifras para ukulele The Beatles. The Beatles. Hey Jude. Yesterday Acordes. All My Loving. Here Comes The Sun simplificada. Let It Be. Here Comes The Sun. Stand by me. Don't Let Me Down. In My Life. All You Need Is Love. Something simplificada. Come Together. And I Love Her. While My Guitar Gently Weeps. If I Fell. Across The Universe. Eleanor Rigby. Let It Be simplificada. Strawberry Fields Forever. Yellow Submarine. Love Me do. All My Loving simplificada. Twist And Shout. The Beatles for Ukulele Will. A Day In The Life. HelloGoodbye. She Loves You. I've Just Seen a Face. Day Tripper. Can't Buy Me Love. Till There Was You. Here, There and Everywhere. Ticket To Ride. A Hard Day's Night. Ob La Di Ob La da. Penny Lane. I'm only sleeping. You've got to hide your love away. The Long And Winding Road. Golden Slumbers. I Saw Her Standing There. Eight Days A Week. The Fool On The Hill. Honey Pie. When I'm Sixty-Four. Please Mr. Michelle simplificada. I am the Walrus. For No One. Hey Bulldog. We Can Work It Out. Two of us. Do You Want to Know a Secret. You've Really got a hold on me. The Beatles for Ukulele Me To You. I Need You. Dear Prudence. Getting Better. I Should Have Known Better. -
The Wagner College Music Department Presents
The Wagner College Music Department presents Kaitlyn Eve Pinkos, soprano Senior Recital with Glen Kaiser, pianist Saturday, May 3, 2014 at 2:00 pm Campus Hall Performance Center Love’s philosophy Roger Quilter (1877-1953) Weep you no more June Lebewohl Hugo Wolf (1860-1903) In demSchattenmeinerLocken Verborgenheit La Bonne Cuisine Leonard Bernstein (1918-1990) Plum pudding Queues de bœuf Tavoukgueunksis Civet a toutevitesse intermission God bless the child Arthur Herzog, Jr. (1900-1983) &Billie Holiday (1915-1959) Someone to watch over me George Gershwin (1898-1937) Anyplace I hang my hat is home Harold Arlen (1905-1986) Man of the hour Norah Jones (b. 1979) I’ll be seeing you Sammy Fain (1902-1989) Let the Rain Sara Bareilles (b. 1979) featuring Vocal Synergy If I fell John Lennon (1940-1980) You’re no good Clint Ballard, Jr.(1931- 2008)Manhatten Sara Bareilles (b. 1979) Valerie Dave McCabe (b. 1975) featuringAnthony Babino, guitar; Steve Babino, bass; Alex Kazanecki, drums Program Notes Roger Quilter was born in Brighton, England on November 1, 1877. He attended Eton and studied for four years in Frankfurt-am-Main under Ivan Knorr, a Russian teacher of composition. Quilter was known for composing over one hundred songs, although he also wrote an opera, Julia, and a couple ballets. Although his songs are considered to make no great technical demands on the performers, nor intellectual demands on the listener, a Quilter song is easily recognized by the natural flow of his vocal lines. The rhythm of the words is enhanced by the melody, rather than forcing the rhythm into a preconceived melody. -
Sing! 1975 – 2014 Song Index
Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo ..