DOCSLIB.ORG

The Portuguese Household of an English Queen: Sources, Purposes, Social Meaning (1387-1415)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Portuguese Household of an English Queen: Sources, Purposes, Social Meaning (1387-1415) The Portuguese Household of an English Queen 271 Chapter 11 The Portuguese Household of an English Queen: Sources, Purposes, Social Meaning (1387-1415) Manuela Santos Silva Philippa of Lancaster, queen of Portugal (1387-1415), was the only queen of Portugal of English origin, and she left a very good reputation in the popular collective memory. The success of the family she built with her husband João I of Portugal (1385-1433) can partially explain her good fame. The political con- sequences of that achievement are also of the utmost importance: through the alliance established with England, Portugal remained independent from Castile, at least for more than a century. Nevertheless, the queen’s personality often determined her public profile.1 Soon after her death, some of her chil- dren and even her husband’s chroniclers praised her because of her high moral and behavioral qualities, especially as a wife and a mother and a model to other ladies, particularly those closest to her.2 As a queen, her household grew incrementally through the years. The rents assigned to the queen maintained her household and paid the wages of her large group of female companions and household officials. In her time, the group of towns that belonged to the queens’ dominion became fixed, and the reform and changes implemented by her in the household administra- tion remained as a framework for the following generations throughout the fifteenth century.3 1 Manuela Santos Silva, “A construção coeva da imagem de Filipa de Lencastre como uma “santa rainha,” in eds Ana Luísa Vilela, Elisa Nunes Santos, Fábio Mário da Silva, and Margarida Reffoios, Representações do mito na História e na Literatura (Évora, 2014), pp. 137-47. 2 Fernão Lopes, Crónica de D. João I, 2 vols. (Lisbon, 1983), vol. 2, pp. 225-26; Livro dos Conselhos de El-Rei D. Duarte (livro da Cartuxa), diplomatic ed., transcr. João José Alves Dias, intro. A.H. de Oliveira Marques and João José Alves Dias, rev. A.H. de Oliveira Marques and Teresa F. Rodrigues (Lisbon, 1982), pp. 76, 112, 118, 237. 3 Ana Maria S.A. Rodrigues and Manuela Santos Silva, “Private Properties, Seignorial Tributes and Jurisdictional Rents: The Income of the Queens of Portugal in the Late Middle Ages,” in ed. Theresa Earenfight, Women and Wealth in Late Medieval Europe (New York, 2010), pp. 209- 28; Manuela Santos Silva, “Small Towns Belonging to the Medieval Queens of Portugal Distinctiveness, Taxation, Jurisdiction,” in ed. Adelaide Millán da Costa Petites Villes Europénnes au Bas Moyen Âge: perspectives de recherché (Lisbon, 2013), pp. 125-36. © Koninklijke Brill NV, Leiden, 2018 | doi 10.1163/9789004360761_013 272 Santos Silva The Marriage of Philippa of Lancaster and João I of Portugal João I, king of Portugal, married Philippa of Lancaster in February 1387 as the result of a series of negotiations between Portugal and England, with the aim of establishing a political and military alliance against their common enemy, Castile.4 Philippa was the eldest daughter of the Duke of Lancaster, John of Gaunt, and his wife, Blanche. She was a granddaughter of King Edward III of England (1327-77) and Queen Philippa of Hainault, and of Duke Henry of Lancaster and Isabel de Beaumont.5 At the time of Philippa’s wedding, England was ruled by Richard II (1377-99), her cousin, who, in the previous year at Windsor, had signed a perpetual treaty of friendship with Portugal, with military and economic repercussions in the interest of the two realms.6 It is very likely, however, that Philippa’s father, the Duke of Lancaster, had been the greatest mentor of this alliance. Through his second marriage to Constance, the daughter of the deceased king of Castile, Pedro I, he had become a pretender to the throne of his wife’s native kingdom, and wished to use Portuguese help in its conquest. With this purpose in mind, the Lancaster family disembarked in Galicia at the end of July 1386, and, some months later, the king of Portugal and the Duke of Lancaster met in Portuguese territory to negotiate a joint military campaign to invade Castilian soil. They sealed the pact with this marriage arrangement between the new king of Portugal and the duke’s eldest daughter, Philippa. As a dower, the pretender to the throne of Castile and León would give his daughter and son-in-law a narrow but long line of Castilian territory along the border with Portugal (Figure 11.1).7 Therefore, the commitment between the two parts seemed to be to everyone’s satisfaction. The marriage took place some months later in the Portuguese town of Oporto. After a religious service on 2 February 1387 (the sponsalia), the king invited all the representatives of the crown’s towns to join the clergy and the nobility in attending a public ceremony on 14 February, to join the diverse fes- tivities and, possibly, to attend the assembly of all the kingdom’s strata to decide several subjects in connection with the royal wedding and the realms’ military and financial situation. 4 P.E. Russell, The English Intervention in Spain and Portugal in the Time of Edward III and Richard II (Oxford, 1955), chs. 9, 14, 16. 5 T.W.E. Roche, Philippa: Dona Filipa of Portugal (London, 1971), I; Manuela Santos Silva, Filipa de Lencastre: A Rainha Inglesa de Portugal (Lisbon, 2013), pp. 21-25. 6 Russell, English Intervention in Spain and Portugal, ch.16; Santos Silva, Filipa de Lencastre, pp. 98-102. 7 Lopes, Crónica de D. João I, vol. 2, pp. 219..
Load more

Recommended publications
  • Isabel of Aragon (D
    Jnl of Ecclesiastical History, Vol. 57, No. 4, October 2006. f 2006 Cambridge University Press 668 doi:10.1017/S0022046906008839 Printed in the United Kingdom Isabel of Aragon (d. 1336): Model Queen or Model Saint? by IONA MCCLEERY Very little work has been done on Iberian queens and even less on Iberian saints. This study of Isabel of Aragon (c. 1270–1336 ), wife of King Dinis of Portugal (1279–1325), who was venerated as a saint from shortly after her death, aims to explore the relationship between Isabel’s queenship and her sainthood. It engages with recent research, and critiques obvious comparisons between Isabel and her great-aunt St Elizabeth of Thuringia. Isabel may also be compared with numerous other medieval European queens and her main vita displays striking similarities to royal courtesy literature found elsewhere. n 26 March 1612 witnesses watched the opening of a tomb in the Franciscan nunnery of Santa Clara in Coimbra, Portugal. One of O them later described the condition of the body found inside: despite being nearly three hundred years old, the sainted body was whole, the face noble, the hair golden and still attached to the skin, the arm and right hand entire, the nails as if they were of a living person ... and in the features of the face there was great similarity to the effigy that we see on the tomb.1 Medical practitioners in attendance confirmed the body’s lack of corruption; Gonc¸alo Dias, chief surgeon of Coimbra, remarked: ‘I feel for certain that it is beyond natural order for a body to be so many years without decay, which can only be miraculous.’2 Whose was this miraculous body and why did it arouse so much interest? The tomb was that of Isabel of Aragon, wife of King Dinis of Portugal (1279–1325), who had indeed died nearly three hundred years earlier on 4 July 1336, and the tomb-opening was part of a long-drawn-out process that eventually led to her canonisation on 25 May 1625.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early M
    UNIVERSITY OF CALIFORNIA Los Angeles Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Sara Victoria Torres 2014 © Copyright by Sara Victoria Torres 2014 ABSTRACT OF THE DISSERTATION Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia by Sara Victoria Torres Doctor of Philosophy in English University of California, Los Angeles, 2014 Professor Christine Chism, Co-chair Professor Lowell Gallagher, Co-chair My dissertation, “Marvelous Generations: Lancastrian Genealogies and Translation in Late Medieval and Early Modern England and Iberia,” traces the legacy of dynastic internationalism in the fifteenth, sixteenth, and early-seventeenth centuries. I argue that the situated tactics of courtly literature use genealogical and geographical paradigms to redefine national sovereignty. Before the defeat of the Spanish Armada in 1588, before the divorce trials of Henry VIII and Catherine of Aragon in the 1530s, a rich and complex network of dynastic, economic, and political alliances existed between medieval England and the Iberian kingdoms. The marriages of John of Gaunt’s two daughters to the Castilian and Portuguese kings created a legacy of Anglo-Iberian cultural exchange ii that is evident in the literature and manuscript culture of both England and Iberia. Because England, Castile, and Portugal all saw the rise of new dynastic lines at the end of the fourteenth century, the subsequent literature produced at their courts is preoccupied with issues of genealogy, just rule, and political consent. Dynastic foundation narratives compensate for the uncertainties of succession by evoking the longue durée of national histories—of Trojan diaspora narratives, of Roman rule, of apostolic foundation—and situating them within universalizing historical modes.
    [Show full text]
  • Places of Prayer in the Monastery of Batalha Places of Prayer in the Monastery of Batalha 2 Places of Prayer in the Monastery of Batalha
    PLACES OF PRAYER IN THE MONASTERY OF BATALHA PLACES OF PRAYER IN THE MONASTERY OF BATALHA 2 PLACES OF PRAYER IN THE MONASTERY OF BATALHA CONTENTS 5 Introduction 9 I. The old Convent of São Domingos da Batalha 9 I.1. The building and its grounds 17 I. 2. The keeping and marking of time 21 II. Cloistered life 21 II.1. The conventual community and daily life 23 II.2. Prayer and preaching: devotion and study in a male Dominican community 25 II.3. Liturgical chant 29 III. The first church: Santa Maria-a-Velha 33 IV. On the temple’s threshold: imagery of the sacred 37 V. Dominican devotion and spirituality 41 VI. The church 42 VI.1. The high chapel 46 VI.1.1. Wood carvings 49 VI.1.2. Sculptures 50 VI.2. The side chapels 54 VI.2.1. Wood carvings 56 VI.3. The altar of Jesus Abbreviations of the authors’ names 67 VII. The sacristy APA – Ana Paula Abrantes 68 VII.1. Wood carvings and furniture BFT – Begoña Farré Torras 71 VIII. The cloister, chapter, refectory, dormitories and the retreat at Várzea HN – Hermínio Nunes 77 IX. The Mass for the Dead MJPC – Maria João Pereira Coutinho MP – Milton Pacheco 79 IX.1. The Founder‘s Chapel PR – Pedro Redol 83 IX.2. Proceeds from the chapels and the administering of worship RQ – Rita Quina 87 X. Popular Devotion: St. Antão, the infante Fernando and King João II RS – Rita Seco 93 Catalogue SAG – Saul António Gomes SF – Sílvia Ferreira 143 Bibliography SRCV – Sandra Renata Carreira Vieira 149 Credits INTRODUCTION 5 INTRODUCTION The Monastery of Santa Maria da Vitória, a veritable opus maius in the dark years of the First Republic, and more precisely in 1921, of artistic patronage during the first generations of the Avis dynasty, made peace, through the transfer of the remains of the unknown deserved the constant praise it was afforded year after year, century soldiers killed in the Great War of 1914-1918 to its chapter room, after century, by the generations who built it and by those who with their history and homeland.
    [Show full text]
  • Dynastic Marriage in England, Castile and Aragon, 11Th – 16Th Centuries
    Dynastic Marriage in England, Castile and Aragon, 11th – 16th Centuries Lisa Joseph A Thesis submitted in fulfilment of the requirement for the degree of Masters of Philosophy The University of Adelaide Department of History February 2015 1 Contents Abstract 3 Statement of Originality 4 Acknowledgements 5 Abbreviations 6 Introduction 7 I. Literature Review: Dynastic Marriage 8 II. Literature Review: Anglo-Spanish Relations 12 III. English and Iberian Politics and Diplomacy, 14 – 15th Centuries 17 IV. Sources, Methodology and Outline 21 Chapter I: Dynastic Marriage in Aragon, Castile and England: 11th – 16th Centuries I. Dynastic Marriage as a Tool of Diplomacy 24 II. Arranging Dynastic Marriages 45 III. The Failure of Dynastic Marriage 50 Chapter II: The Marriages of Catherine of Aragon I. The Marriages of the Tudor and Trastámara Siblings 58 II. The Marriages of Catherine of Aragon and Arthur and Henry Tudor 69 Conclusion 81 Appendices: I. England 84 II. Castile 90 III. Aragon 96 Bibliography 102 2 Abstract Dynastic marriages were an important tool of diplomacy utilised by monarchs throughout medieval and early modern Europe. Despite this, no consensus has been reached among historians as to the reason for their continued use, with the notable exception of ensuring the production of a legitimate heir. This thesis will argue that the creation and maintenance of alliances was the most important motivating factor for English, Castilian and Aragonese monarchs. Territorial concerns, such as the protection and acquisition of lands, as well as attempts to secure peace between warring kingdoms, were also influential elements considered when arranging dynastic marriages. Other less common motives which were specific to individual marriages depended upon the political, economic, social and dynastic priorities of the time in which they were contracted.
    [Show full text]
  • Visitor's Guide to the Monastery of Batalha
    Visitor’s Guide to The Monastery of Batalha Introduction: The objective of this guide is not to be an exhaustive factsheet of this Monument, a World Heritage site, but rather to give all the necessary information to the public so that when they explore the Monastery, they can experience feeling part of the space during their visit. Only this way shall they be able to picture it in detail and understand how it was run. Essentially this guide shall be a summary of the main historical and artistic events of the Monastery, one of the greatest showcases of gothic art in Portugal where, furthermore, the Manueline Style was born. Whenever we write about a Monument, it is also our intention to inspire people. In this case, our goal is precisely to encourage people to develop respect for the conservation and restoration of our ancestral legacy, being as this is a site of National Architectural Heritage. How it all began... It was in the year 1385 on August 14th, eve of the day of the Assumption of Mary as the Portuguese and Castilians were getting ready for battle to claim the Portuguese throne, that King João, Architect of Aviz, made a vow to the Virgin – if he won this battle, he would build a grand monument to her honour. Through their sheer skill and superior weaponry, the Portuguese won. That being the case, King João I kept his promise, having the Monastery of Santa Maria da Vitória, or more commonly The Monastery of Batalha, built. The precise starting date of its construction is unknown, although it is believed that work began around 1386 or 1387 under the leadership of architect Afonso Domingues, since the ongoing wars with Castile and the purchase of suitable land (the battleground lacking essential materials for construction, abundant water, wood and stone, which had to be transported from afar – more precisely oolitic limestone, a type of rock found throughout the area) delayed the starting date of construction.
    [Show full text]
  • A Timeline of Anglo-Portuguese Relations (From the 12Th Century to Date)
    A Timeline of Anglo-Portuguese relations (from the 12th Century to date) With grateful thanks to Dr. Paulo Lowndes Marques O.B.E. (1941-2010), who produced this research in the last year of his life. He was a longstanding Chairman of The British Historical Society of Portugal for 25 years. English Crusaders who had embarked at Dartmouth on their way to what was later known as the 2nd Crusade, were persuaded by the Bishop of Oporto to help the young 1147 Portuguese King D. Afonso Henriques in the conquest of Lisbon from the Moors. The only extensive account of the siege and conquest is a letter by an English priest, Fr. Osbern. The first bishop of Lisbon was Gilbert of Hastings. The Basilica of Mártires in the Chiado area of Lisbon is dedicated to the English Crusaders who fell during the siege. The 1147 English Sarum rite for the liturgy of the Mass was introduced, which continued until 1536. Gilbert of Hastings died in 1166. He was buried in the Cathedral, but his tomb is now lost. English Crusaders joined in the siege of Silves and fought 1189 "with the utmost ferocity". 1217 English Crusaders helped with the conquest of Alcácer do Sal. 15 The Treaty of Tagilde, signed near Braga, between D. 1372 Fernando of Portugal and Edward III, regarding the latter’s son, John of Gaunt, ambitions to become King of Castille. A Treaty between Portugal and England was signed in St. Paul’s Cathedral by D. Fernando, last of the Burgundy dynasty, King of Portugal, and Edward III, King of England.
    [Show full text]
  • Chivalry in Medieval Portugal
    Chivalry in Medieval Portugal Miguel Aguiar1 Abstract This article seeks to understand the different stages in the spread and development of chivalric ideals as a feature that marked the identity of the main socio-political groups in medieval Portugal. For this purpose, a diachronic approach is adopted, while, at the same time, a comparison is made with other European areas, especially the Iberian Christian kingdoms. The sources used for the writing of this study ranged from chronicles to genealogical literature, legislative compilations, chivalric treatises and diplomatic documents. Keywords Knight; knighthood; chivalry; aristocracy; nobility Resumo Este artigo tem como objetivo compreender as etapas de difusão e construção do ideal cavaleiresco enquanto marca identitária dos principais grupos sociopolíticos no Portugal Medieval. Para isso segue-se uma perspetiva diacrónica, mantendo igualmente uma visão comparativa com outros espaços políticos, nomeadamente os reinos cristãos peninsulares. Articular-se-á um conjunto diferenciado de fontes, englobando textos legislativos, tratadísticos, genealógicos e cronísticos. Palavras-chave Cavaleiro; cavaleiros; cavalaria; aristocracia; nobreza 1 University of Porto, Portugal. E-mail: [email protected] Aguiar Chivalry in Medieval Portugal In a letter addressed to his brother, King Duarte (r. 1433-1438), at the beginning of the 1430s, Prince João stated that the grandees of the kingdom could not be considered to be good men if they had not attained the honor of chivalry, which could be gained by performing an unquestionable feat of arms, under dangerous and even rash conditions (Livro dos Conselhos de el-rei D. Duarte: p. 47). The prince’s way of thinking provides clear evidence of how, in the fifteenth century, the chivalric spirit was considered a fundamental benchmark, not only for the monarchy and the nobility, but also for some of the urban elites that wished to rise up within the social hierarchy by undertaking armed deeds and thus adopting a lifestyle that was associated with the aristocracy.
    [Show full text]
  • ISABEL DE BEAUMONT, DUCHESS of LANCASTER (C.1318-C.1359) by Brad Verity1
    THE FIRST ENGLISH DUCHESS -307- THE FIRST ENGLISH DUCHESS: ISABEL DE BEAUMONT, DUCHESS OF LANCASTER (C.1318-C.1359) by Brad Verity1 ABSTRACT This article covers the life of Isabel de Beaumont, wife of Henry of Grosmont, Duke of Lancaster. Her parentage and chronology, and her limited impact on the 14th century English court, are explored, with emphasis on correcting the established account of her death. It will be shown that she did not survive, but rather predeceased, her husband. Foundations (2004) 1 (5): 307-323 © Copyright FMG Henry of Grosmont (c.1310-1361), Duke of Lancaster, remains one of the most renowned figures of 14th century England, dominating the military campaigns and diplomatic missions of the first thirty years of the reign of Edward III. By contrast, his wife, Isabel ― the first woman in England to hold the title of duchess ― hides in the background of the era, vague to the point of obscurity. As Duke Henry’s modern biographer, Kenneth Fowler (1969, p.215), notes, “in their thirty years of married life she hardly appears on record at all.” This is not so surprising when the position of English noblewomen as wives in the 14th century is considered – they were in all legal respects subordinate to their husbands, expected to manage the household, oversee the children, and be religious benefactresses. Duchess Isabel was, in that mould, very much a woman of her time, mentioned in appropriate official records (papal dispensation requests, grants that affected lands held in jointure, etc.) only when necessary. What is noteworthy, considering the vast estates of the Duchy of Lancaster and her prominent social position as wife of the third man in England (after the King and the Black Prince), is her lack of mention in contemporary chronicles.
    [Show full text]
  • Frustrated Seeing: Scale, Visibility, and a Fifteenth-Century Portuguese
    Frustrated Seeing: Scale, Visibility, and a Fifteenth-Century Portuguese Royal Monument Jessica Barker The Founder’s Chapel at the Dominican monastery of Santa Maria de Vitória, Batalha was a microcosm of the artistic splendours of fifteenth-century Europe (plate 1). Writing in 1623, the Dominican friar Luís de Sousa relates how its founder, King João I (d. 1433), brought the most celebrated architects and skilled stonemasons from foreign lands to build the monastic complex.1 Fifteenth-century documents record the presence of French, Flemish, English and German artists alongside their Portuguese counterparts.2 Although stripped of its rich furnishings and decoration in the nineteenth century, the chapel once boasted magnificent wall paintings and altarpieces, including a lost panel attributed to Rogier van der Weyden, which depicted the Virgin and Child with kneeling figures of Isabella of Portugal, duchess of Burgundy (João’s daughter) alongside her husband, Philip the Good and son, Charles the Bold.3 The centrepiece of the chapel, however, remains the magnificent polychromed limestone tomb of João I and his English wife Philippa of Lancaster (d. 1415), commissioned by the king in 1426 and complete by 1434 (plate 2). The finely- carved effigies of the king and queen were recently examined in an article by Joana Ramôa Melo and José da Silva, who interpreted the novelties of their costume and attributes as part of the self-fashioning of the new Avis dynasty, and identified the unusual depiction of João’s sagging flesh and lined skin as an early example of portrait likeness (plate 3).4 Yet this new awareness of the artistic virtuosity and innovative design of the effigies heightens an apparent paradox: the sculpted figures are extremely difficult to see in situ, resting upon a tomb chest that measures 170 cm from the base of the supporting lions to the chamfer of the chest.5 This essay focuses on the extraordinary height of the tomb chest and its implications for the relationship between the effigies and their viewers.
    [Show full text]
  • Maritime Portugal and Renaissance Portraits of the Royal Court
    Journal of Global Initiatives: Policy, Pedagogy, Perspective Volume 11 Number 1 Examining Complex Relationships in the Article 7 Portuguese Speaking World October 2016 Blending Myth and Reality: Maritime Portugal and Renaissance Portraits of the Royal Court Barbara von Barghahn George Washington University, Department of Fine Arts and Art History, Washington, DC, [email protected] Follow this and additional works at: https://digitalcommons.kennesaw.edu/jgi Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Portuguese Literature Commons This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation von Barghahn, Barbara (2016) "Blending Myth and Reality: Maritime Portugal and Renaissance Portraits of the Royal Court," Journal of Global Initiatives: Policy, Pedagogy, Perspective: Vol. 11 : No. 1 , Article 7. Available at: https://digitalcommons.kennesaw.edu/jgi/vol11/iss1/7 This Article is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Journal of Global Initiatives: Policy, Pedagogy, Perspective by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Blending Myth and Reality: Maritime Portugal and Renaissance Portraits of the Royal Court Cover Page Footnote I only provide references, a very fine bibliography of sources. This article is available in Journal of Global Initiatives: Policy, Pedagogy, Perspective: https://digitalcommons.kennesaw.edu/jgi/ vol11/iss1/7 Barbara von Barghahn Journal of Global Initiatives Vol. 11, No. 1, 2016, pp. 9-42. Blending Myth and Reality: Maritime Portugal and Renaissance Portraits of the Royal Court Barbara von Barghahn George Washington University Abstract An incalculable loss of art was suffered by Portugal on November 1, 1755, when Lisbon was essentially leveled by a 9.0 earthquake that lasted six minutes and was followed by an immense tsunami.
    [Show full text]
  • © in This Web Service Cambridge University
    Cambridge University Press 978-0-521-80011-2 - The Making of a Court Society: Kings and Nobles in Late Medieval Portugal Rita Costa Gomes Index More information Index Aachen chapel, 406, 412 bishops, 157 abbots at court, 139–40, 148–9 bodyguards, 47 Abrantes, 313 Bugalho family, 125 Abravanel family, 199, 249 Camelo family, 112 Abreu, Alvaro,´ 159 chancelers, 45, 155, 174 Abreu, Fern˜ao Lopes de, 59 children, 276 Abreu family, 109, 117 Coelho family, 116 Abul, Louren¸co, 165 Cogomino family, 124 access to monarch, 47, 211 confessors, 151 accession rites, 370 Cunha family, 99 acclamations, 374–5 Fonseca family, 110 accountancy, 46, 351–2 horses, 192 ac¸oreiros,37 ‘Leis’ family, 173 ‘acostamiento’, 222, 225 lodging provision, 346–7 ‘acrescentados’, 241 mordomo-mor, 256 Acu˜na family, 102 Moura family, 116–17 administrative sphere, 43, 172 ‘nobility of the robe’, 129–30 Advent, 374 noble families at court, 87 Aegidius, 269 oath of succession, 377 Afonsine Ordinations, 76–7, 259, 392 officials and lawmakers, 174–5 Afonso I, king of Portugal (1128–85), 34, 374, Pacheco family, 92 379, 383 papal petitions, 136 Afonso II, king of Portugal (1211–23), 36, 40 Pereira family, 96, 97 Afonso III, king of Portugal (1245–79) physicians, 155 bodyguards, 47 Portocarreiro family, 124 children, 86 repostaria, 168 hall, 36 Resende family, 114 itinerance, 294 saddles, 190 lamentations, 381 servants of, 61, 62 laws, 39 Silva family, 103 Melo family, 111 Teixeira family, 115 nature of duties, 42 tesouro, 168 nobility at court, 80 Vasconcelos family, 111 prostitutes,
    [Show full text]
  • Medievalista, 28 | 2020 Clerk, Chancellor, Castaway (1374–1419) 2
    Medievalista Online 28 | 2020 Número 28 Faction and Politics in the International Career of a Lancastrian Servant Clerk, Chancellor, Castaway (1374–1419) Faction and Politics in the International Career of a Lancastrian Servant Partidarismo e política na carreira internacional de um servidor da Casa de Lencastre (1374–1419) Tiago Viúla de Faria Electronic version URL: http://journals.openedition.org/medievalista/3331 DOI: 10.4000/medievalista.3331 ISSN: 1646-740X Publisher Instituto de Estudos Medievais - FCSH-UNL Printed version Number of pages: 255-276 Electronic reference Tiago Viúla de Faria, “Clerk, Chancellor, Castaway (1374–1419)”, Medievalista [Online], 28 | 2020, Online since 01 July 2020, connection on 22 March 2021. URL: http://journals.openedition.org/medievalista/ 3331 ; DOI: https://doi.org/10.4000/medievalista.3331 This text was automatically generated on 22 March 2021. Mediavalista está licenciado com uma Licença Creative Commons - Atribuição-NãoComercial 4.0 Internacional. Clerk, Chancellor, Castaway (1374–1419) 1 Faction and Politics in the International Career of a Lancastrian Servant Clerk, Chancellor, Castaway (1374– 1419) Faction and Politics in the International Career of a Lancastrian Servant Partidarismo e política na carreira internacional de um servidor da Casa de Lencastre (1374–1419) Tiago Viúla de Faria AUTHOR'S NOTE FCT – Fundação para a Ciência e a Tecnologia, I.P., and Norma Transitória – DL57/2016/ CP, funded the research for this paper. Introduction 1 The primary focus of this biographical paper is the international trajectory of Adam Davenport. The professional career of this otherwise fairly unknown character started at the parish level and the local church, progressing to the royal administration, as a prosperous high officer, and eventually it finished in anonymity and almost redundancy.
    [Show full text]