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HO Scale Price List 2019
GAUGEMASTER HO Scale price list 2019 Prices correct at time of going to press and are subject to change at any time Post free option is available for orders above a value of £15 to mainland UK addresses*. Non-mainland UK orders are posted at cost. Orders to non-EC destinations are VAT free. *Except orders containing one or more items above a length of 600mm and below a total order value of £25. Order conforming to this exception will be charged carriage at cost (not to exceed £4.95) Gaugemaster Controls Ltd Gaugemaster House Ford Road Arundel West Sussex BN18 0BN Tel - (01903) 884321 Fax - (01903) 884377 [email protected] [email protected] [email protected] Printed: 06/09/2019 KEY TO PRICE LISTS The following legends appear at the front of the Product Name for certain entries: * : New Item not yet available # : Not in production, stock available #D# : Discontinued, few remaining #P# : New Item, limited availability www.gaugemaster.com Registered in England No: 2714470. Registered Office: Gaugemaster House, Ford Road, Arundel, West Sussex, BN18 0BN. Directors: R K Taylor, D J Taylor. Bankers: Royal Bank of Scotland PLC, South Street, Chichester, West Sussex, England. Sort Code: 16-16-20 Account No: 11318851 VAT reg: 587 8089 71 1 Contents Atlas 3 Magazines/Books 38 Atlas O 5 Marklin 38 Bachmann 5 Marklin Club 42 Busch 5 Mehano 43 Cararama 8 Merten 43 Dapol 9 Model Power 43 Dapol Kits 9 Modelcraft 43 DCC Concepts 9 MRC 44 Deluxe Materials 11 myWorld 44 DM Toys 11 Noch 44 Electrotren 11 Oxford Diecast 53 Faller 12 -
Dioramas in Palais De Tokyo 2017
Repositorium für die Medienwissenschaft Oksana Chefranova Promenade through the theatre of illusion: Dioramas in Palais de Tokyo 2017 https://doi.org/10.25969/mediarep/3411 Veröffentlichungsversion / published version Rezension / review Empfohlene Zitierung / Suggested Citation: Chefranova, Oksana: Promenade through the theatre of illusion: Dioramas in Palais de Tokyo. In: NECSUS. European Journal of Media Studies, Jg. 6 (2017), Nr. 2, S. 217–232. DOI: https://doi.org/10.25969/mediarep/3411. Erstmalig hier erschienen / Initial publication here: https://necsus-ejms.org/promenade-through-the-theatre-of-illusion-dioramas-in-palais-de-tokyo/ Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 Attribution - Non Commercial - No Derivatives 4.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0 EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org Promenade through the theatre of illusion: Dioramas in Palais de Tokyo NECSUS (6) 2, Autumn 2017: 217–232 URL: https://necsus-ejms.org/promenade-through-the-theatre-of- illusion-dioramas-in-palais-de-tokyo/ Keywords: art, dioramas, exhibition, Palais de Tokyo, Paris The exhibition Dioramas, curated by Claire Garnier, Laurent Le Bon, and Florence Ostende at Palais de Tokyo in Paris, proposes -
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Making Dioramas The Tawhiti Museum uses many models in its displays – from ‘life-size’ fi gures, the size of real people – right down to tiny fi gures about 20mm tall - with several other sizes in between these two. Why are different sizes used? To answer this, look at the Turuturu Mokai Pa model. The fi gures and buildings are very small. If we had used life-size fi gures and buildings the model would be enormous, bigger than the museum in fact –covering several hectares! So to make a model that can easily fi t into a room of the museum we choose a scale that we can reduce the actual size by and build the model to that scale – in the case of the Turuturu Mokai Pa model the scale is 1 to 90 (written as 1:90) – that means the model is one ninetieth of real size – or to put it another way, if you multiply anything on the model by 90, you will know how big the original is. A human fi gure on the model is 20mm – if you multiply that by 90 you get 1800mm - the height of a full size person. So as the modeler builds the model, by measuring anything from life (or otherwise knowing its size) and dividing by 90 he knows how big to model that item – this means the model is an accurate scale model of the original – there is no ‘guess work’. How do we choose which scale to make a model? There are three main considerations: 1) How much room do we have available for the display? Clearly the fi nished model needs to fi t into the available space in the museum, so by selecting an appropriate scale we can determine the actual size of the model. -
The Model As Three-Dimensional Post Factum Documentation
Beyond Simulacrum: The Model as Three-dimensional Post Factum Documentation Marian Macken Master of Architecture (Research) 2007 Certificate of Authorship / Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Marian Macken Acknowledgements I would like to thank my supervisors, Dr Andrew Benjamin and Dr Charles Rice, for their encouragement, support and close reading of my work; the staff at the School of Architecture, the Dean’s Unit and the Graduate School at the University of Technology, Sydney; and my friends and family, who gave more in their conversation than I suspect they realise. Table of Contents List of Illustrations ii Abstract vi Introduction 1 Chapter 1: Drawings and models as post factum documentation 7 Documentation The model as representation Drawings and models Historical overview The place of post factum documentation Chapter 2: The post factum model at a city scale 32 Case study: The Panorama model of New York City at the Queens Museum of Art. Chapter 3: The full-scale post factum model 55 Case study: The reconstruction of Mies van der Rohe’s German Pavilion, originally designed for the International Exposition, Barcelona 1928/29. -
Summer Season Pitztal.Com
GUIDESUMMER SEASON PITZTAL.COM THE ROOF OF TYROL service . .(A-Z) 74 Bungy jumping. 65 Bus services . .(A-Z) 74 Butchers . .(A-Z) 74 C / D / E CONTENTS Café 3.440 and Wildspitzbahn . 102 Cafés / pubs . .(A-Z) 74 Camping . .(A-Z) 75 Car hire . .(A-Z) 75 EVENTS . 16 Car wash . .(A-Z) 75 HIKING . 18 Chapels and churches . 96 EXPERIENCE . 42 Children’s playgrounds . 62 WATER . 68 Christmas crib exhibition . 106 VITALITY . 78 Cinemas . .(A-Z) 75 TRADITION . 86 Climate. 91 INFOS FROM A-Z. 72 Climbing . 52 Coach parking . .(A-Z) 76 A Cosmetics / beauty care . .(A-Z) 76 Accommodation . .(A-Z) 73 Credit cards . .(A-Z) 76 „Almabtriebe“ . 100 Curling . 67 Alpine Club . .(A-Z) 73 Darts . .(A-Z) 76 Alpine dairy - Gogles Alm . 104 Doctors / dentists . .(A-Z) 77 Alpine dairy - Taschachalm . 104 Doctors / GPs . .(A-Z) 77 Alpine huts/Mountain Pastures . 79 Doctors / vets . .(A-Z) 77 Ambulance . .(A-Z) 73 Dumping ground . .(A-Z) 86 Ander‘s farm shop and bar . 83 Earth pillars . 105 Archery . 64 Equipment hire outlets ATMs . .(A-Z) 73 for summer sports . .(A-Z) 86 B Excursions . .(A-Z) 77 Bakeries . .(A-Z) 74 Banks . .(A-Z) 74 F / G Fauna and fl ora . 91 Bathing lake / bathing pond . 69 Basketball . 67 Fire brigade . .(A-Z) 78 Beach volleyball. 67 Fishing . 64 Benni-Raich bridge . 109 Fließ Museum . 107 Boutiques . .(A-Z) 74 Florist’s . .(A-Z) 78 Bouldering . .57/59 Football . .(A-Z) 78 Bowling . 67 Games hire . .(A-Z) 78 Breakdown and towing Garages / motor vehicle GUIDE 04/05 products / repairs . -
Name, a Novel
NAME, A NOVEL toadex hobogrammathon /ubu editions 2004 Name, A Novel Toadex Hobogrammathon Cover Ilustration: “Psycles”, Excerpts from The Bikeriders, Danny Lyon' book about the Chicago Outlaws motorcycle club. Printed in Aspen 4: The McLuhan Issue. Thefull text can be accessed in UbuWeb’s Aspen archive: ubu.com/aspen. /ubueditions ubu.com Series Editor: Brian Kim Stefans ©2004 /ubueditions NAME, A NOVEL toadex hobogrammathon /ubueditions 2004 name, a novel toadex hobogrammathon ade Foreskin stepped off the plank. The smell of turbid waters struck him, as though fro afar, and he thought of Spain, medallions, and cork. How long had it been, sussing reader, since J he had been in Spain with all those corkoid Spanish medallions, granted him by Generalissimo Hieronimo Susstro? Thirty, thirty-three years? Or maybe eighty-seven? Anyhow, as he slipped a whip clap down, he thought he might greet REVERSE BLOOD NUT 1, if only he could clear a wasp. And the plank was homely. After greeting a flock of fried antlers at the shevroad tuesday plied canticle massacre with a flash of blessed venom, he had been inter- viewed, but briefly, by the skinny wench of a woman. But now he was in Rio, fresh of a plank and trying to catch some asscheeks before heading on to Remorse. I first came in the twilight of the Soviet. Swigging some muck, and lampreys, like a bad dram in a Soviet plezhvadya dish, licking an anagram off my hands so the ——— woundn’t foust a stiff trinket up me. So that the Soviets would find out. -
One Man's Fourfhousanders
One Man's Fourfhousanders PETER FLEMING (Plates 41-47) No one in my family had ever shown more than scant interest in hills and mountains, and none could see any sense in climbing them. During my schooldays, as I never took an interest in sport and hated football and cricket, I was written off on school reports as an unmotivated weakling when it came to competitive games. But a new world opened up for me suddenly and dramatically when, at the age of 14, I discovered the Lakeland hills almost on my doorstep, and so it all began. Twelve months after I had left school the headmaster proudly announced at morning assembly that an Old Boy had made headlines in the local paper, upholding the school's high standards ofinitiative and achievement, and setting a fine example which he hoped everyone would remember and strive to maintain. This Old Boy had entered the first mountain trial in the Lake District as the youngest competitor and had come third over the finishing line, ahead of seasoned marathon and mountain runners. At last I had found a challenge, and it seemed that I had a natural affinity towards mountains. Four years later, in 1956- after an intensive apprenticeship, summer and winter, on Lakeland and Scottish hills -I made my first venture to the Alps. Four ofus from our local rambling club - Doug, Colin, Bill and I- drove out in a Ford Popular to Randa in Switzerland, where we took the rack railway to Zermatt. My neck ached with gazing at those awesome mountains. -
MAD MONTHLY DOG the Newsletter of IPMS Boise March 2010
MAD MONTHLY DOG The Newsletter of IPMS Boise March 2010 Larry Van Bussum’s 1/144th Scale Avenger/P-38 Bash THIS MONTH Kitbashing Theme Diorama 101 The Scuttlebutt Shermans M DM March 2010 2 Your humble Secretary is now producing the newsletter as our previous Editor, Randy, has had to relinquish his role due to a new career in cross country truck driving. I want to thank Randy for all his efforts. He has done a yeoman’s job. Hope you all like the new look. It’s my attempt to put my stamp on this publication. I’mzvv open to any rec- MINUTES ommendations to improve it. After all, it’s your newslet- ter. And on that note, I’m looking for contributions, and this month I received two entries from club members. So Your Executive Board members are- President - Bill Speece Vice President - Brian Geiger Treasurer - Jeff D’Andrea Secretary and Editor - Tom Gloeckle Chapter Contact - Kent Eckhart 2010 Theme Builds- March - Vandervoort ‘09 May - Movie and TV August - Battle of Britain November - Natural Finish M DM March 2010 3 Theme - Kitbash MiG-19 1/144th Scale- YAK-38 1/144th Scale- Herb Arnold Herb Arnold Su-15 1/144th Scale- Herb Arnold Theme Winner- U-2B and SU-9 both in 1/144th Scale- Herb Arnold MEETING MODELS DOFLUG D-3602A 1/72nd Scale- Herb Arnold F-4 1/72nd Scale- Bob Olson Su-221/144th Scale- Herb Arnold “The Red Bull”- Jim Burton P-51B 1/48th Scale - Darren Bringman 1959 Chevy Impala 1/25th Scale - 1929 Ford Pickups 1/25th Scale - Sam Heesch Sam Heesch M DM March 2010 4 OEFAG Albatros DIII 1/72nd SE-5A 1/72nd Scale- Herb Arnold Scale- Herb Arnold 1955 Chevy “ISP” 1/25th Model of the Month Scale- Jim Burton Mack R w/ Sleeper STuG IV Diorama 1/35th Scale- Panzer IV 1/72nd Scale- MEETING MODELS 1/25th Scale- John Wilch Brad Neavin John King M-2 Bradley 1/35th KC-135 1/72nd Scale- American Quarter Horse Scale- Jim Burton Jim Burton 1/9th Scale- John Thirion Sturmtiger Diorama 1/35th Scale- Brian Geiger M DM March 2010 5 Spring is sprung, the grass is grun, birdie in the sky, why’d you do that in my eye. -
Dealer Looks at the Ship Model Market: Collecting and Market Trends
Dealer Looks at the Ship Model Market: Collecting and Market Trends • BY: R. MICHAEL WALL *Based on notes from a presentation at the 17th Annual Nautical Research Guild Conference, Gloucester, Massachusetts, October 13th, 1990. As a dealer in ship models, I have been asked to discuss the ship model market as my clients and other collectors view it—and as you as ship model builders would like to see it. Basically the major development has been the acceptance of ship models as a legitimate decorative art form. I realize that this has been a hotly debated issue between ship model makers and marine painters, but it is a point of view that most of my clients have come to accept. This tenet is very much in their minds when they come in to purchase a model. This presentation will be an informal one, and primarily pictorial, as it will be necessary to draw comparisons among a number of examples of current work. You will hear me mention the names of many model makers who are also members of Nautical Research Guild. These individuals were not selected because I favor them over others, but because their work illustrates the points I wish to make. Another thing to bear in mind is that this presentation is made from a commercial viewpoint. I am looking at the market as a dealer, and I am representing the work of a number of you in the audience (and some of you who are reading this printed version), so bear in mind that I approach this field as a business endeavor. -
How Morse and Daguerre Created the Idea of Media Peter Walsh
The Painters and the Miracles: How Morse and Daguerre Created the Idea of Media Peter Walsh Breakfast at the Diorama Sometime in 1832, a German author and actor named August Lewald attended a special breakfast in the theatre district of Paris. “We found ourselves under the eaves of a Swiss chalet…,” he wrote later. Below us we saw a small courtyard surrounded with buildings..... On our left a goat bleated in his pen, and in the distance we heard the little bells of the herd ringing melodiously. But further away, what a view! The valley covered with snow, surrounded by gigantic mountains! There was no longer any doubt of the scene before us; I pointed out that before us lay Chamonix, 3,174 feet above sea-level ….in the middle of the valley the majestic hump of Mont Blanc, 14,700 ft. high... Everyone was still standing filled with astonishment when another surprise succeeded the first… We looked around and saw girls in peasant costume serving a country breakfast consisting of milk, cheese, black bread and sausage, while a man-servant poured out Madeira, port and champagne into crystal glasses. While at breakfast, we heard Alp-horns blowing a short solemn tune, after which a strong male voice down in the “valley” sang… in the dialect of the Chamonix valley. We were all greatly moved. “That is not painting--- its magic does not go far as that!” exclaimed an English girl in the party. “Here is an extraordinary mixture of art and nature, producing the most astonishing effect, so that one cannot decide where nature ceases and art begins. -
Gauge-And-Scale.Pdf
GAUGE and SCALE FOR TOY AND MODEL TRAINS fredlub |SNCF231E | 11 maart 2019 1 Content 1 Content ........................................................................................................................... 2 2 Introduction.................................................................................................................... 4 3 Gauge and Scale explained............................................................................................. 6 What is Gauge ........................................................................................................................................... 6 Real trains ............................................................................................................................................. 6 Toy and model trains ............................................................................................................................ 6 The name of the gauge .......................................................................................................................... 7 A third rail? ........................................................................................................................................... 8 Monorail ................................................................................................................................................ 9 What is Scale ............................................................................................................................................. 9 Toy-like -
Summit 4 Herald
Now incorporating New Providence-Berkeley Heights Dispatch Summit 4 Herald ... Summit's only reat newspaper VOLUME 100 NO. 19 December 7, 1985 Price: 25' Resident protests 'power play' by board SUM\l!I--]n what local re.si- power play not in the best interest has turned down his application light manufacturing plant into a current market value on a Now, said Falzarano, he is so dent Amhon) Falzarano calls "a o\' Summit," the Planning Board tor renovating a deteriorated classic Georgian building. renovated structure rather than disturbed by the treatment he Planning Hoard Chairman on a run-down one." received from the board that he is Richard Callaghan said, "It Common Council discussion going to consider moving. would be a much prettier about the possible renovation or "This isn't what 1 came to building, but we just can't allow rebuilding of city hall has been in Summit for," he said. "The plans that would need more park- closed session to date. board isn't acting in the best in- ing when we already have the terest of the city when they keep parking problems we do." Falzarano said he plans to an old building instead of en- Fal/.arano's plans tor renovation resubmit his application at the couraging renovation, and when would entail a change in use, such board's December 23 meeting. If they keep a local businessman as a bike shop, a photography he is turned down again, from earning even the carrying studio, or other retail use. Falzarano said, "I'll take it to costs of his property." Falzarano doesn't think park- higher authorities." ing was "the real reason" for the Falzarano said he has put denial of his application.