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Personnel No. Ref. No. Dak Srl.No. Amount Claimed/ Amount Passed/ Memo type/Vr.no Status Name Ref.letter Date Date of receipt Amount disallowed Processing Date Memo No/Dp.no 02619A HQ/409/02 0003709/2122 13720.00 P AJENDRA B 03/06/2021 04/06/2021 0 04557F 403/4 0003708/2122 56962.00 P SV 03/06/2021 04/06/2021 0 04983Z HQ/409 0003698/2122 11920.00 P VIKAS GUPTA 03/06/2021 04/06/2021 0 08300N 404/311/01 0003710/2122 270.00 P MANJUSWAMY 26/05/2021 04/06/2021 0 08300N 404/311/01 0003711/2122 270.00 P MANJUSWAMY 26/05/2021 04/06/2021 0 08300N 404/311/01 0003712/2122 900.00 P MANJUSWAMY 26/05/2021 04/06/2021 0 08867A 404/311/01 0003713/2122 13500.00 P ABHILASH 27/05/2021 04/06/2021 0 09202N HQ/409/02 0003699/2122 11420.00 P SHIVAM 03/06/2021 04/06/2021 0 129718R 404/9/PD 0003693/2122 187720.00 P K SANKAR 07/05/2021 04/06/2021 0 137254T 405/01 0003696/2122 384034.00 P DINESH KUMAR 07/05/2021 04/06/2021 0 219181R 529/A 0003689/2122 49783.00 P PARTHIBAN M 16/04/2021 04/06/2021 0 226338F 405/2 0003690/2122 74880.00 P BONGARALA 18/03/2021 04/06/2021 0 228423W 404/1/PAY 0003692/2122 132344.00 P DS PANDEY 01/04/2021 04/06/2021 0 244415R 404/1/PD 0003694/2122 36952.00 P Y KUMAR 01/04/2021 04/06/2021 0 403070W 408/2 0003697/2122 108594.00 P SONU KUMAR 27/04/2021 04/06/2021 0 404115W 409/4 0003691/2122 28245.00 P MANOJ SINGH 26/02/2021 04/06/2021 0 42801Z 409 0003659/2122 12185.00 12185.00 CM Y ABHISHEK 30/05/2021 04/06/2021 04/06/2021 1399 502256T 409/1 0003695/2122 88140.00 P MOHIT SHARMA 26/04/2021 04/06/2021 0 N110067652204* BHA/1201/LTC/K 0003688/2122 24000.00 P K DEVENDRA 21/05/2021 04/06/2021 0 N110077413517* VA/0051/OFFICE 0003700/2122 21706.00 P TARUN KUMAR 31/05/2021 04/06/2021 0 Note : Status 'Y' -> Processing Complete. -
Sholay, the Making of a Classic #Anupama Chopra
Sholay, the Making of a Classic #Anupama Chopra 2000 #Anupama Chopra #014029970X, 9780140299700 #Sholay, the Making of a Classic #Penguin Books India, 2000 #National Award Winner: 'Best Book On Film' Year 2000 Film Journalist Anupama Chopra Tells The Fascinating Story Of How A Four-Line Idea Grew To Become The Greatest Blockbuster Of Indian Cinema. Starting With The Tricky Process Of Casting, Moving On To The Actual Filming Over Two Years In A Barren, Rocky Landscape, And Finally The First Weeks After The Film'S Release When The Audience Stayed Away And The Trade Declared It A Flop, This Is A Story As Dramatic And Entertaining As Sholay Itself. With The Skill Of A Consummate Storyteller, Anupama Chopra Describes Amitabh Bachchan'S Struggle To Convince The Sippys To Choose Him, An Actor With Ten Flops Behind Him, Over The Flamboyant Shatrughan Sinha; The Last-Minute Confusion Over Dates That Led To Danny Dengzongpa'S Exit From The Fim, Handing The Role Of Gabbar Singh To Amjad Khan; And The Budding Romance Between Hema Malini And Dharmendra During The Shooting That Made The Spot Boys Some Extra Money And Almost Killed Amitabh. file download natuv.pdf UOM:39015042150550 #Dinesh Raheja, Jitendra Kothari #The Hundred Luminaries of Hindi Cinema #Motion picture actors and actresses #143 pages #About the Book : - The Hundred Luminaries of Hindi Cinema is a unique compendium if biographical profiles of the film world's most significant actors, filmmakers, music #1996 the Performing Arts #Jvd Akhtar, Nasreen Munni Kabir #Talking Films #Conversations on Hindi Cinema with Javed Akhtar #This book features the well-known screenplay writer, lyricist and poet Javed Akhtar in conversation with Nasreen Kabir on his work in Hindi cinema, his life and his poetry. -
Ek Paheli 1971 Mp3 Songs Free Download Ek Nai Paheli
ek paheli 1971 mp3 songs free download Ek Nai Paheli. Ek Nai Paheli is a Hindi album released on 10 Feb 2009. This album is composed by Laxmikant - Pyarelal. Ek Nai Paheli Album has 8 songs sung by Anuradha Paudwal, Lata Mangeshkar, K J Yesudas. Listen to all songs in high quality & download Ek Nai Paheli songs on Gaana.com. Related Tags - Ek Nai Paheli, Ek Nai Paheli Songs, Ek Nai Paheli Songs Download, Download Ek Nai Paheli Songs, Listen Ek Nai Paheli Songs, Ek Nai Paheli MP3 Songs, Anuradha Paudwal, Lata Mangeshkar, K J Yesudas Songs. Ek paheli 1971 mp3 songs free download. "Sunny Leones Ek Paheli Leela Makes Over Rs 15 Cr in Opening Weekend - NDTV Movies. The Indian box office is still reeling from Furious 7's blockbuster earnings of over Rs 80 . Jay Bhanushali: Really happy that people are enjoying 'Ek Paheli Leela' It's Sunny side up: Ek Paheli Leela touches Rs 10.5 crore in two days. More news for Ek Paheli Leela Full Movie Ek Paheli Leela - Wikipedia, the free encyclopedia. Ek Paheli Leela is a 2015 Bollywood musical-thriller film, written and directed by Bobby Khan and . The full audio album was released on 10 March 2015. Ek Paheli Leela Online 2015 Official Full Movie | NOORD . 1 day ago - Ek Paheli Leela Online 2015 Official Full Movie; Ek Paheli Leela; 2015 film; 4.8/10·IMDb; Ek Paheli Leela is a 2015 Bollywood musical-thriller . Ek Paheli Leela Full Movie Online Watch Bollywood Full . onlinemoviesgold.com/ek-paheli-leela-full-movie-online-watch- bollywo. -
The Hindu, the Muslim, and the Border In
THE HINDU, THE MUSLIM, AND THE BORDER IN NATIONALIST SOUTH ASIAN CINEMA Vinay Lal University of California, Los Angeles Abstract There is but no question that we can speak about the emergence of the (usually Pakistani or Muslim) ‘terrorist’ figure in many Bollywood films, and likewise there is the indisputable fact of the rise of Hindu nationalism in the political and public sphere. Indian cinema, however, may also be viewed in the backdrop of political developments in Pakistan, where the project of Islamicization can be dated to least the late 1970s and where the turn to a Wahhabi-inspired version of Islam is unmistakable. I argue that the recent history of Pa- kistan must be seen as instigated by a disavowal of the country’s Indic self, and similarly I suggest that scholarly and popular studies of the ‘representation’ of the Muslim in “Bol- lywood” rather too easily assume that such a figure is always the product of caricature and stereotyping. But the border between Pakistan and India, between the self and the other, and the Hindu and the Muslim is rather more porous than we have imagined, and I close with hints at what it means to both retain and subvert the border. Keywords: Border, Communalism, Indian cinema, Nationalism, Pakistan, Partition, Veer-Zaara Resumen 103 Así como el personaje del ‘terrorista’ (generalmente musulmán o paquistaní) está presente en muchos filmes de Bollywood, el nacionalismo hindú está tomando la iniciativa en la esfera política del país. Sin embargo el cine indio también puede hacerse eco de acontecimientos ocurridos en Paquistán, donde desde los años Setenta se ha manifestado un proceso de islamización de la sociedad, con una indudable impronta wahabí. -
Kishore Booklet Copy
08. Tum Aa Gaye Ho Noor Aa Gaya with Lata Mangeshkar Film: Aandhi 01. The Evergreen Kishore Kumar 09. Asha Bhosle reminisces 02. Yeh Sham Mastani Kishore Kumar Film: Kati Patang 10. Piya Piya Piya Mora Jiya 03. Roop Tera Mastana with Asha Bhosle Film: Aradhana Film: Baap Re Baap 04. Yeh Jo Mohabbat Hai 11. Main Hoon Jhoom Jhoom Film: Kati Patang Film: Jhumroo 05. Aanewala Pal Janewala Hai 12. Dekha Ek Khwab Film: Golmaal with Lata Mangeshkar Film: Silsila 06. Oh Hansini Film: Zehreela Insaan 13. Meri Bheegi Bheegi Si Film: Anamika 07. Hamen Tumse Pyar Kitna Film: Kudrat 14. Kehna Hai Kehna Hai Film: Padosan 2 3 15. Raat Kali Ek Khwab Mein 23. Mere Sapnon Ki Rani Film: Buddha Mil Gaya Film: Aradhana 16. Aate Jate Khoobsurat Awara 24. Dil Hai Mera Dil Film: Anurodh Film: Paraya Dhan 17. Khwab Ho Tum Ya Koi 25. Mere Dil Mein Aaj Kya Hai Film: Teen Devian Film: Daag 18. Aasman Ke Neeche 26. Ghum Hai Kisi Ke Pyar Mein with Lata Mangeshkar with Lata Mangeshkar Film: Jewel Thief Film: Raampur Ka Lakshman 19. Mere Mehboob Qayamat Hogi 27. Aap Ki Ankhon Mein Kuch Film: Mr. X In Bombay with Lata Mangeshkar Film: Ghar 20. Teri Duniya Se Hoke Film: Pavitra Papi 28. Sama Hai Suhana Suhana Film: Ghar Ghar Ki Kahani 21. Kuchh To Log Kahenge Film: Amar Prem 29. O Mere Dil Ke Chain Film: Mere Jeevan Saathi 22. Rajesh Khanna talks about Kishore Kumar 4 5 30. Musafir Hoon Yaron 38. Gaata Rahe Mera Dil Film: Parichay with Lata Mangeshkar Film: Guide 31. -
MERIT LIST of SOL GD (ARMY AIR DEFENCE) : CEE 31 JUL 2016 S Index Cat Roll Candidate Name Father's Name in Merit / Not in No No No Merit
MERIT LIST OF SOL GD (ARMY AIR DEFENCE) : CEE 31 JUL 2016 S Index Cat Roll Candidate Name Father's Name In Merit / Not in No No No Merit 1 1334 Sol GD 1072 VADISALA PRASAD VADISALA APPALA RAJU In Merit (Sports) 2 1339 Sol GD 1082 KAHAR RAHUL MUKESHBHAI MUKESHBHAI KAHAR In Merit (Sports) 3 1356 Sol GD 1076 DALIP KUMAR DUDH NATH YADAV In Merit (Sports) 4 1365 Sol GD 1077 KILIMI CHITTIBABU KILIMI APPARAO In Merit (Sports) 5 1380 Sol GD 1071 AJAY PALL JODHA GIRDHARI SINGH JODHA In Merit (Sports) 6 1410 Sol GD 1067 VISHAL KUMAR KARAMVEER SINGH In Merit (Sports) 7 1423 Sol GD 1088 YASH PAL KISHAN RANA In Merit (Sports) 8 1436 Sol GD 1083 ANMOL SHARMA NARESH KUMAR In Merit (Sports) 9 1438 Sol GD 1068 KARAN KUMAR MADAN PAL SINGH In Merit (Sports) 10 1441 Sol GD 1080 KASARAPU LOVA RAJU VEERA MUSALAYYA In Merit (Sports) 11 1449 Sol GD 1074 ANKUSH LABH SINGH In Merit (Sports) 12 1451 Sol GD 1078 SANDEEP RAMKUMAR In Merit (Sports) 13 1472 Sol GD 1075 HARUGADE TUSHAR ANANDRAOANANDRAO RAMCHANDRA In Merit (Sports) HARUGADE 14 1478 Sol GD 1081 PANKAJ BALKISHAN In Merit (Sports) 15 1480 Sol GD 1073 SANDEEP DEVI RAM In Merit (Sports) 16 1486 Sol GD 1070 ARJUN BHAGAT BIRA BHAGAT In Merit (Sports) 17 1490 Sol GD 1069 ANIL KUMAR ROHTAS SINGH In Merit (Sports) 18 1511 Sol GD 1087 ANKUSH JAISWAL RAMNARAYAN JAISWAL In Merit (Sports) 19 1520 Sol GD 1086 ANKIT KAMALJIT SINGH In Merit (Sports) 20 1524 Sol GD 1118 AKHILESH RAI SHARMA RAI Not in Merit 21 1531 Sol GD 1155 ROHIT KUMAR ADAL SINGH In Merit (S/GD) 22 1535 Sol GD 1119 GULSHAN KUMAR AMRESH SINGH Not in -
Soviet-Indian Coproductions: Ali Baba As Political Allegory
Soviet-Indian Coproductions: Ali Baba as Political Allegory by MASHA SALAZKINA Abstract: This essay considers the history of Soviet Indian coproductions focusing on Ali Baba and 40 Thieves (1980) as a political allegory over the fate of the multination state. It addresses the formal utopian character of the fi lm and the excessive threat of sexual violence in the song-and-dance numbers. he subject of this essay is the little studied phenomenon of the Soviet-Indian cinematic coproductions. While giving a general outline of the history of these coproductions, I focus primarily on the most commercially successful of these joint efforts, Ali Baba and 40 Thieves (Alibaba Aur 40 Chor/Priklyucheniya Ali-Baby Ti soroka razboinikov, Latif Faiziyev and Umesh Mehra, 1980), henceforward Alibaba. I argue that the fi lm contains a political allegory expressing anxiety over the fate of the multination state; that anxiety lies beneath the formal utopian character of the fi lm, which attempts to show the constitution of a new community on the screen and to defi ne the role of its political subject in the face of crime and governmental corruption. I will address these issues through discussing the directors’ choice of the material (a story from One Thousand and One Nights, or The Arabian Nights, as it is better known in English); the narrative structure of the fi lm; performance histories of the Indian and Soviet actors; and, fi nally, through a reading of the excessive threat of sexual violence concentrated in the fi lm’s song-and-dance numbers. Alibaba, I con- tend, is of interest not only due to the formal and institutional hybridization of two autonomous cinematic traditions, Indian and Soviet, but also as a cultural object which displays a shared anxiety over the role of the state as its existing political and economic order moves palpably toward the brink of collapse. -
375 © the Author(S) 2019 S. Sengupta Et Al. (Eds.), 'Bad' Women
INDEX1 A Anti-Sikh riots, 242, 243, 249 Aarti, 54 Apsaras, 13, 95–97, 100, 105 Achhut Kanya, 30, 31, 37 Aranyer Din Ratri, 143 Actress, 9, 18, 45n1, 54, 67, 88, 109, Armed Forces Special Powers Act, 170, 187, 213, 269, 342, 347–362, 255, 255n24 365–367, 369, 372, 373 Astitva, 69 Adalat, 115, 203 Atankvadi, 241–256 Akhir Kyon, 69 Azmi, Shabana, 54, 68 Akhtar, Farhan, 307, 317n13 Alvi, Abrar, 60 Ambedkar, B.R., 31, 279n2 B Ameeta, 135 Babri Masjid, 156, 160 Amrapali, 93–109, 125 Bachchan, Amitabh, 67, 203, 204, Amu, 243–249 210, 218 Anaarkali of Aarah, 365, 367, 370, 373 Bagbaan, 69 Anand, Dev, 7n25, 8n27, 64 Bahl, Mohnish, 300 Anarkali, 116, 368–369 Bandini, 18, 126, 187–199 Andarmahal, 49, 53 Bandit Queen, 223–237 Andaz, 277–293 Bar dancer, 151 Angry Young Man, 67, 203–205, 208, Barjatya, Sooraj, 297, 300, 373 218, 219 Basu Bhattacharya, 348, 355 Ankush, 69 Basu, Bipasha, 88 1 Note: Page numbers followed by ‘n’ refer to notes. © The Author(s) 2019 375 S. Sengupta et al. (eds.), ‘Bad’ Women of Bombay Films, https://doi.org/10.1007/978-3-030-26788-9 376 INDEX Bedi, Bobby, 232–235 237, 261, 266–268, 278, 279, Benaras, 333, 334 283, 283n8, 285, 291, 318, 332, Benegal, Shyam, 7n23, 11, 11n35, 13, 334, 335, 338, 343, 350, 351, 13n47, 68, 172n9, 348, 351, 366 355, 356, 359, 361, 372n3 Beshya/baiji, 48, 49, 55, 56 Central Board of Film Certification Bhaduri, Jaya, 209, 218 (CBFC), 224, 246, 335, Bhagwad Gita, 301 335n1, 336 Bhakti, 95, 98, 99, 101, 191n11, 195, Chak De! India, 70 195n18, 196 Chameli, 179–181 Bhakti movement, 320 Chastity, 82, -
Dr. BR Ambedkar University of Social Sciences List of Candidates Invited
Dr. B. R. Ambedkar University of Social Sciences List of Candidates invited for counselling for Admission in Ph.D. Programme (2015-16) SUBJECT Roll No. NAME OF CANDIDATE AGRICULTURAL ECONOMICS, [426] 202026 POOJA SHUKLA 203021 AKHILESH KURIL AGRICULTURAL MARKETING [427] 201126 MONA SINGH AGRONOMY [417] 201016 ANKESH SINGH SAVNER 201098 SAGAR MANDVE 201106 RAMSWAROOP SINGH TOMAR 201114 INDRA SINGH MIRDHA 201124 MAHENDRA PRATAP SINGH SIKARWAR 201125 RAVINDRA SINGH SIKARWAR 201127 VIJAY PRATAP SINGH 201136 SUDEEP SINGH TOMAR 201335 RAMESH MAHAJAN 201352 RAJESH SANGRA 203005 OSCAR TOPPO 203006 AN SINGH NINAMA 203007 DEEPAK KHANDE 203036 LAKHAN LAL BAKORIYA 205006 DINESH YADAV ENTOMOLOGY [425] 201070 TUMER SINGH PANWAR 201072 SATYENDRA PATEL 203025 SHOBHARAM THAKUR 203026 SHYAM SUNDER YADAV 203027 SANDEEP KUMAR JANGHEL 203028 BRAJESH KUMAR NAMDEV 206006 AFTARIKA AZMI AGRICULTURE EXTENSION 201068 SANTOSH PATIDAR EDUCATION [428] 201156 MRS. ANKITA PANDEY 203030 OM PRAKASH 203035 GABBAR SINGH TOMAR 203037 JITENDRA VERMA 1 GENETICS & PLANT BREEDING [418] 201002 PRIYANKA YADAV 201006 SUDAMA GURJAR 203041 MEENA DAHERIYA 207004 YOGESHWER KUMAR KHUNTEY 215005 AKHILENDRA KUMAR FRUIT SCIENCE [421] 201013 YASHAWANT KUMAR 215004 RAKESH KUMAR TIWARI VEGETABLE SCIENCE [422] 203008 HEMLATA VERMA 204013 SHIV KUMAR SINGH BHADAURIA 205004 SAURABH SHARMA 206010 PREETI CHOUHAN PLANT PATHOLOGY [420] 203013 RAVINDRA PARMAR 204007 JAGDISH CHANDRA GUPTA 204011 ATAR SINGH SEED SCIENCE AND TECHNOLOGY 201003 ASHOK JAT [419] 201004 DHARMENDRA JAT 201242 BABITA HARDIA -
The Rhetoric of Masculinity and Machismo in the Telugu Film Industry
TAMING OF THE SHREW: THE RHETORIC OF MASCULINITY AND MACHISMO IN THE TELUGU FILM INDUSTRY By Vishnupriya Bhandaram Submitted to Central European University Department of Sociology and Social Anthropology In partial fulfillment of the requirements for the degree of Master of Arts Supervisors: Vlad Naumescu Dorit Geva CEU eTD Collection Budapest, Hungary 2015 Abstract Common phrases around the discussion of the Telugu Film Industry are that it is sexist and male-centric. This thesis expounds upon the making and meaning of masculinity in the Telugu Film Industry. This thesis identifies and examines the various intangible mechanisms, processes and ideologies that legitimise gender inequality in the industry. By extending the framework of the inequality regimes in the workplace (Acker 2006), gendered organisation theory (Williams et. al 2012) to an informal and creative industry, this thesis establishes the cyclical perpetuation (Bourdieu 2001) of a gender order. Specifically, this research identifies the various ideologies (such as caste and tradition), habituated audiences, and portrayals of ideal masculinity as part of a feedback loop that abet, reify and reproduce gender inequality. CEU eTD Collection i Acknowledgements “It is not that there is no difference between men and women; it is how much difference that difference makes, and how we choose to frame it.” Siri Hustvedt, The Summer Without Men At the outset, I would like to thank my friends old and new, who patiently listened to my rants, fulminations and insecurities; and for being agreeable towards the unreasonable demands that I made of them in the weeks running up to the completion of this document. -
Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA Aparajita Sengupta University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sengupta, Aparajita, "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA" (2011). University of Kentucky Doctoral Dissertations. 129. https://uknowledge.uky.edu/gradschool_diss/129 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Aparajita Sengupta The Graduate School University of Kentucky 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Aparajita Sengupta Lexington, Kentucky Director: Dr. Michel Trask, Professor of English Lexington, Kentucky 2011 Copyright© Aparajita Sengupta 2011 ABSTRACT OF DISSERTATION NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema. -
70`S Hits Booklet
70`S HITS - 200 SONGS 14. Yeh Sham Mastani Artiste: Kishore Kumar 01. Chura Liya Hai Tumne Jo Film: Kati Patang Artistes: Asha Bhosle & Mohammed Rafi 15. Bachna Aye Hasinon Film: Yaadon Ki Baaraat Artiste: Kishore Kumar 02. Tum Aa Gaye Ho Film: Hum Kisise Kum Naheen Artistes: Lata Mangeshkar & 16. Pyar Diwana Hota Hai Kishore Kumar Artiste: Kishore Kumar Film: Aandhi Film: Kati Patang 03. Do Lafzon Ki Hai Dil Ki Kahani 17. O Saathi Re Artistes: Amitabh Bachchan, Artiste: Kishore Kumar Asha Bhosle & Sharad Kumar Film: Muqaddar Ka Sikandar Film: The Great Gambler 18. Kya Hua Tera Vada 04. Meet Na Mila Re Man Ka Artistes: Sushma Shrestha & Artiste: Kishore Kumar Mohammed Rafi Film: Abhimaan Film: Hum Kisise Kum Naheen 05. Hum Ne Tum Ko Dekha 19. Tere Mere Milan Ki Yeh Raina Artiste: Shailendra Singh Artistes: Lata Mangeshkar & Film: Khel Khel Mein Kishore Kumar 06. Bheegi Bheegi Raaton Mein Film: Abhimaan Artistes: Lata Mangeshkar & 20. Achha To Hum Chalte Hain Kishore Kumar Artistes: Lata Mangeshkar & Film: Ajanabee Kishore Kumar 07. Tere Bina Zindagi Se Film: Aan Milo Sajna Artistes: Lata Mangeshkar & 21. Tere Chehre Se Nazar Nahin Kishore Kumar Artistes: Lata Mangeshkar & Film: Aandhi Kishore Kumar 08. Aap Ki Ankhon Mein Kuch Film: Kabhi Kabhie Artistes: Kishore Kumar & 22. Meri Bheegi Bheegi Si Lata Mangeshkar Artiste: Kishore Kumar Film: Ghar Film: Anamika 09. Ab Aan Milo Sajna 23. Maine Tere Liye Artistes: Lata Mangeshkar & Artiste: Mukesh Mohammed Rafi Film: Anand Film: Aan Milo Sajna 24. Bahon Mein Chale Aao 10. O Mere Dil Ke Chain Artiste: Lata Mangeshkar Artiste: Kishore Kumar Film: Anamika Film: Mere Jeevan Saathi 25.