A Review of Stephen Soderbergh's Movie, Traffic
ANALYSIS AND COMMENTARY A Review of Stephen Soderbergh's Movie, Traffic James R. Merikangas, MD j Am Acad Psychiatry Law 29:241-2, 2001 There is no question that movies have had a pro Catherine Zeta-Jones plays the wife of a prosperous found influence on public opinion in many areas of San Diego businessman (played by Steven Bauer) our cultural life. Classic films like TheSnake Pit, The whose fortune, unbeknownst to his wife, rests on the Three Faces ofEve, andeven Silence ofthe Lambs, have importation of drugs. educated or miseducated the public about mental Sadly, theplotwas derived from theheadlines and illness more thananytextbook or psychology course. the personal experience of Stephen Gaghan, the Likewise, TwelveAngry Men, The Caine Mutiny, and, screenwriter, who was himselfaddicted to drugsfor recently, Erin Brokovitch have shaped public opinion many years, and like the young woman in the film, about the law. On the smaller screen, television came from a privileged background.1 Because ofhis shows on a law theme that have great popularity in will and intelligence, he was able to turn these expe clude The Practice, Law andOrder, the longrunning riences into a work of art, which, in my opinion, Ironsides, and even Ally McBeal. Films about drug should be required viewing for anyone involved in addiction include Leaving Los Vegas, Trainspotting, psychiatry or publicpolicy. and perhaps the best of the lot, combining law, psy Through the clever cinematic device of adjusting chiatry, and the drugproblem, Traffic. thetiming ofthefilm processing chemistry, theMex Traffic, directed by Stephen Soderbergh, graphi ican scenes are tinged sepia, theprivileged life of the cally interlaces three parallel stories about the epi judge is light blue, andthesouthern California scenes demic of cocaine and heroin moving across the bor are inbright sunshine.
[Show full text]