General Manager's Newsletter | June 2021
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WXXI Program Guide | May 2021
WXXI-TV | WORLD | CREATE | WXXI KIDS 24/7 | WXXI NEWS | WXXI CLASSICAL | WRUR 88.5 SEE CENTER PAGES OF CITY PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSFOR WXXI SHOW MAY/EARLY JUNE 2021 HIGHLIGHTS! WXXI-TV DAYTIME SCHEDULE MAY/EARLY JUNE PLEASE NOTE: WXXI-TV’s daytime schedule listed here runs from 6:00am to 7:00pm. The complete prime time television schedule begins on page 2. Saturday The PBS Kids programs below are shaded in gray. 6:00am Mister Roger’s Neighborhood 6:30am Arthur 7vam Molly of Denali Monday-Friday 7:30am Wild Kratts 6:00am Ready Jet Go! 8:00am Hero Elementary 6:30am Arthur 8:30am Xavier Riddle and the Secret Museum 7:00am Molly of Denali 9:00am Curious George 7:30am Wild Kratts 9:30am A Wider World 8:00am Hero Elementary 10:00am This Old House 8:30am Xavier Riddle and the Secret Museum 10:30am Ask This Old House 9:00am Curious George 11:00am Woodsmith Shop 9:30am Daniel Tiger’s Neighborhood 11:30am Ciao Italia 10:00am Donkey Hodie 12:00pm Lidia’s Kitchen 10:30am Elinor Wonders Why 12:30pm Christopher Kimball’s Milk Street Television 11:00am Sesame Street 1:00pm The Great British Baking Show 11:30am Pinkalicious & Peterrific 2:00pm America’s Test Kitchen 12:00pm Dinosaur Train 2:30pm Cook’s Country 12:30pm Clifford the Big Red Dog 3:00pm Second Opinion with Joan Lunden (WXXI) 1:00pm Sesame Street 3:30pm Rick Steves’ Europe 1:30pm Donkey Hodie 2:00pm Daniel Tiger’s Neighborhood Sunday 2:30pm Let’s Go Luna! 6:00am Mister Roger’s Neighborhood 3:00pm Nature Cat 6:30am Arthur 3:30pm Wild Kratts 7:00am Molly -
Looking for Podcast Suggestions? We’Ve Got You Covered
Looking for podcast suggestions? We’ve got you covered. We asked Loomis faculty members to share their podcast playlists with us, and they offered a variety of suggestions as wide-ranging as their areas of personal interest and professional expertise. Here’s a collection of 85 of these free, downloadable audio shows for you to try, listed alphabetically with their “recommenders” listed below each entry: 30 for 30 You may be familiar with ESPN’s 30 for 30 series of award-winning sports documentaries on television. The podcasts of the same name are audio documentaries on similarly compelling subjects. Recent podcasts have looked at the man behind the Bikram Yoga fitness craze, racial activism by professional athletes, the origins of the hugely profitable Ultimate Fighting Championship, and the lasting legacy of the John Madden Football video game. Recommended by Elliott: “I love how it involves the culture of sports. You get an inner look on a sports story or event that you never really knew about. Brings real life and sports together in a fantastic way.” 99% Invisible From the podcast website: “Ever wonder how inflatable men came to be regular fixtures at used car lots? Curious about the origin of the fortune cookie? Want to know why Sigmund Freud opted for a couch over an armchair? 99% Invisible is about all the thought that goes into the things we don’t think about — the unnoticed architecture and design that shape our world.” Recommended by Scott ABCA Calls from the Clubhouse Interviews with coaches in the American Baseball Coaches Association Recommended by Donnie, who is head coach of varsity baseball and says the podcast covers “all aspects of baseball, culture, techniques, practices, strategy, etc. -
Commercial Television Claimants Written Rebuttal Statement — Allocation
RECEIVED Public Information Ofrice ('~ i".l.-, „.: P$~]) COPYRIGHT ROYALTY JUDGES COPYRIGHT OFFICE The Library of Congress In re Distribution of Cable Royalty Funds DOCKET NO. 14-CRB-0010-CD (2010-2013) COMMERCIAL TELEVISION CLAIMANTS WRITTEN REBUTTAL STATEMENT — ALLOCATION $.111 LD I l (.l lb l D SEP 1 5 203t rOAlln COi» Vlr&lx VOVanV September 15, 2017 'iV l&E ',' CTV Written Rebuttal I M I Statement — Allocation C I'r'\ I E: I'r P rg E- re0 C re w C REC -l&~HQ l ~ Uhilc fAf&3f'm~ltt,arm f &f((c~~ Before The COPYRIGHT ROYALTY JUDGES The Library of Congress COPYRlQHTCOi'YBIGHT QPFlCEQFFlcE ) In re ) ) CONSOLIDATED PROCEEDING DISTRIBUTION OF CABLE ) NO. 14-CRB-0010-CD (2010-13) ROYALTY FUNDS ) ) ALLOCATION PHASE REBUTTAL CASE OF THETHK COMMERCIAL TELEVISION CLAIMANTS The Commercial Television Claimants Group ("CTV") hereby submits its rebuttal case evidence in the Allocation Phase ofthe 2010-2013 Cable Copyright Royalty Distribution Proceeding. CTV's rebuttal case evidence consists ofthe testimony ofthe following witnesses, along with associated exhibits: Dr. GreeorvGre o Crawford, Professor of Economics and Director of Graduate Studies, University of Zurich Department ofEconomics. o Dr. Crawford will present testimony rebutting the written direct testimony ofProgram Suppliers witnesses Gray, Hamilton, and Pasquale, and demonstrate that data regarding subscriber viewing of distant signal programming is neither a useful nor an appropriate measure for determining the relative value ofthat programming. o Dr. Crawford will also present testimony rebutting the written direct testimony of SDC witness Erdem, and demonstrate that regression analyses are a useful and appropriate means of determining the relative value of distant signal programming, and that Dr. -
2010 Npr Annual Report About | 02
2010 NPR ANNUAL REPORT ABOUT | 02 NPR NEWS | 03 NPR PROGRAMS | 06 TABLE OF CONTENTS NPR MUSIC | 08 NPR DIGITAL MEDIA | 10 NPR AUDIENCE | 12 NPR FINANCIALS | 14 NPR CORPORATE TEAM | 16 NPR BOARD OF DIRECTORS | 17 NPR TRUSTEES | 18 NPR AWARDS | 19 NPR MEMBER STATIONS | 20 NPR CORPORATE SPONSORS | 25 ENDNOTES | 28 In a year of audience highs, new programming partnerships with NPR Member Stations, and extraordinary journalism, NPR held firm to the journalistic standards and excellence that have been hallmarks of the organization since our founding. It was a year of re-doubled focus on our primary goal: to be an essential news source and public service to the millions of individuals who make public radio part of their daily lives. We’ve learned from our challenges and remained firm in our commitment to fact-based journalism and cultural offerings that enrich our nation. We thank all those who make NPR possible. 2010 NPR ANNUAL REPORT | 02 NPR NEWS While covering the latest developments in each day’s news both at home and abroad, NPR News remained dedicated to delving deeply into the most crucial stories of the year. © NPR 2010 by John Poole The Grand Trunk Road is one of South Asia’s oldest and longest major roads. For centuries, it has linked the eastern and western regions of the Indian subcontinent, running from Bengal, across north India, into Peshawar, Pakistan. Horses, donkeys, and pedestrians compete with huge trucks, cars, motorcycles, rickshaws, and bicycles along the highway, a commercial route that is dotted with areas of activity right off the road: truck stops, farmer’s stands, bus stops, and all kinds of commercial activity. -
This Version Has the Raw Data in an Appendix)
Accepted for publication in 2020 by the International Journal of Communication, ijoc.org (this version has the raw data in an appendix) Podcasting as Public Media: The Future of U.S. News, Public Affairs and Educational Podcasts PATRICIA AUFDERHEIDE American University, USA DAVID LIEBERMAN The New School, USA ATIKA ALKHALLOUF American University, USA JIJI MAJIRI UGBOMA The New School, USA This article identifies a U.S.-based podcasting ecology as public media, and then examines the threats to its future. It first identifies characteristics of a set of podcasts in the U.S. that allow them to be usefully described as public podcasting. Second, it looks at current business trends in podcasting as platformization proceeds. Third, it identifies threats to public podcasting’s current business practices. Finally, it analyzes responses within public podcasting to the potential threats. It concludes that currently, the public podcast ecology in the U.S. maintains some immunity from the most immediate threats, but that as well there are underappreciated threats to it both internally and externally. Keywords: podcasting, public media, platformization, business trends, public podcasting ecology As U.S. podcasting becomes an increasingly commercially-viable part of the media landscape, are its public-service functions at risk? This article explores that question, in the process postulating that the concept of public podcasting has utility in describing, not only a range of podcasting practices, but an ecology within the larger podcasting ecology—one that permits analysis of both business methods and social practices, one that deserves attention and even protection. This analysis contributes to the burgeoning literature on podcasting by enabling focused research in this area, permitting analysis of the sector in ways that permit thinking about the relationship of mission and business practice sector-wide. -
FY 2016 and FY 2018
Corporation for Public Broadcasting Appropriation Request and Justification FY2016 and FY2018 Submitted to the Labor, Health and Human Services, Education, and Related Agencies Subcommittee of the House Appropriations Committee and the Labor, Health and Human Services, Education, and Related Agencies Subcommittee of the Senate Appropriations Committee February 2, 2015 This document with links to relevant public broadcasting sites is available on our Web site at: www.cpb.org Table of Contents Financial Summary …………………………..........................................................1 Narrative Summary…………………………………………………………………2 Section I – CPB Fiscal Year 2018 Request .....……………………...……………. 4 Section II – Interconnection Fiscal Year 2016 Request.………...…...…..…..… . 24 Section III – CPB Fiscal Year 2016 Request for Ready To Learn ……...…...…..39 FY 2016 Proposed Appropriations Language……………………….. 42 Appendix A – Inspector General Budget………………………..……..…………43 Appendix B – CPB Appropriations History …………………...………………....44 Appendix C – Formula for Allocating CPB’s Federal Appropriation………….....46 Appendix D – CPB Support for Rural Stations …………………………………. 47 Appendix E – Legislative History of CPB’s Advance Appropriation ………..…. 49 Appendix F – Public Broadcasting’s Interconnection Funding History ….…..…. 51 Appendix G – Ready to Learn Research and Evaluation Studies ……………….. 53 Appendix H – Excerpt from the Report on Alternative Sources of Funding for Public Broadcasting Stations ……………………………………………….…… 58 Appendix I – State Profiles…...………………………………………….….…… 87 Appendix J – The President’s FY 2016 Budget Request...…...…………………131 0 FINANCIAL SUMMARY OF THE CORPORATION FOR PUBLIC BROADCASTING’S (CPB) BUDGET REQUESTS FOR FISCAL YEAR 2016/2018 FY 2018 CPB Funding The Corporation for Public Broadcasting requests a $445 million advance appropriation for Fiscal Year (FY) 2018. This is level funding compared to the amount provided by Congress for both FY 2016 and FY 2017, and is the amount requested by the Administration for FY 2018. -
July 2020 Guide.Indd
July 2020 program guide July 6-7 at 8pm Volume 35 Number 7 GENERAL MANAGER MESSAGE PROGRAM GUIDE STAFF Helping the people of Wyoming stay Jennifer Amend informed is one of WyomingPBS’s most Program Guide Editor important missions. Melissa Rucker From March through the fi rst week Assistant Program Guide Editor of June, WyomingPBS broadcast and live streamed 15 press briefi ngs with Governor WYOMINGPBS FOUNDATION STAFF Gordon and one with the Legislative Joanna Kail Leadership. These events were viewed over Executive Director 500,000 times! Cole Acuna We produced and aired four Capitol Administrative Assistant Outlook specials focusing on both the state’s response to COVID and on the budget crisis. We plan two more Outlooks looking at this The WyomingPBS program guide is summer’s Special Sessions in the Legislature. published monthly by WyomingPBS, Along with Wyoming Public Media, we’ve reached out to both 2660 Peck Ave., Riverton, WY 82501 the Wyoming Republican and Democratic parties to host primary and mailed to those who contribute $50 ($25 senior rate) or more annually debates for the U.S. Senate and U.S. House of Representatives to WyomingPBS. Under IRS guidelines, seats. These debates will be scheduled in July, but due to the the estimated value of this program complex negotiations, we don’t yet know on which days. guide is not substantial, therefore, if this is the only thank you gift received by the We continue to do the “usual” programs as well. A new Farm to contributor, the full amount of the gift Fork airs in July, looking at how Farmers Markets will respond to the is tax deductible. -
FY19 Annual Report View Report
Annual Report 2018–19 3 Introduction 5 Metropolitan Opera Board of Directors 6 Season Repertory and Events 14 Artist Roster 16 The Financial Results 20 Our Patrons On the cover: Yannick Nézet-Séguin takes a bow after his first official performance as Jeanette Lerman-Neubauer Music Director PHOTO: JONATHAN TICHLER / MET OPERA 2 Introduction The 2018–19 season was a historic one for the Metropolitan Opera. Not only did the company present more than 200 exiting performances, but we also welcomed Yannick Nézet-Séguin as the Met’s new Jeanette Lerman- Neubauer Music Director. Maestro Nézet-Séguin is only the third conductor to hold the title of Music Director since the company’s founding in 1883. I am also happy to report that the 2018–19 season marked the fifth year running in which the company’s finances were balanced or very nearly so, as we recorded a very small deficit of less than 1% of expenses. The season opened with the premiere of a new staging of Saint-Saëns’s epic Samson et Dalila and also included three other new productions, as well as three exhilarating full cycles of Wagner’s Ring and a full slate of 18 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 13th season, with ten broadcasts reaching more than two million people. Combined earned revenue for the Met (box office, media, and presentations) totaled $121 million. As in past seasons, total paid attendance for the season in the opera house was 75%. The new productions in the 2018–19 season were the work of three distinguished directors, two having had previous successes at the Met and one making his company debut. -
Inside the Hidden Brain a Conversation with Shankar Vedantam P
Manhood, now. A national conversation co-hosted by Anna Sale and W. Kamau Bell. p. 5 Cabrillo Festival 2018 America’s leading festival of contemporary orchestral music, presented by Sarah Cahill p. 8 Inside the Hidden Brain A conversation with Shankar Vedantam p. 6 A shocking violation of our democracy, and its legacy today. p. 9 A farewell Manager’s Note from Matt Martin p. 3 Summer 2018 KALW: By and for the community . COMMUNITY BROADCAST PARTNERS America Scores Bay Area • Association for Continuing Education • Bay Area Book Festival • Berkeleyside• Berkeley Symphony Orchestra • Burton High School • Cabrillo Festival • East Oakland Youth Development Center • El Timpano, Renaissance Journalism • Global Exchange • INFORUM at The Commonwealth Club Jewish Community Center of San Francisco • Oakland Voices • Other Minds • outLoud Radio • Radio Ambulante • Reimagine End of Life • San Quentin Radio • SF Performances • Stanford Storytelling Project StoryCorps • Youth Radio KALW VOLUNTEER PRODUCERS & ENGINEERS Dan Becker, David Boyer, Susie Britton, Zoe Burleson, Sarah Cahill, Bob Campbell, Kristi Coale, Sarah Craig, Muna Danish, Julie Dewitt, Asal Ehsanipour, Ethan Elkind, Greg Eskridge, Zoe Ferrigno, Richard Friedman, Janos Gereben, Nato Green, Sadie Gribbon, Dawn Gross, Anne Harper, Sara Harrison, Nikolas Harter, Jeffrey Hayden, Mary Franklin Harvin, Luis Hernandez, Wendy Holcombe, Shingo Kamada, Dianne Keogh, Kendra Klang, Carol Kocivar, Martin MacClain, JoAnn Mar, Nuria Marquez Martinez, Emma McAvoy, Kristin McCandless, Amber Miles, Sandy Miranda, Natasha Muse, Mira Nabulsi, Emmanuel Nado, Zeina Nasr, Marty Nemko, Erik Neumann, Ashlee Nguyen, Christine Nguyen, Chris Nooney, Edwin Okong’o, Kevin Oliver, Christopher Olvera, Steve O’Neill, Joseph Pace, Peter Robinson, Dana Rodriguez, Julian Rodriguez, Selene Ross, Tommy Shakur Ross, Louis A. -
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg Shiny little platters. Not even five inches across. How could they possibly contain the soundtrack of four decades? How could the phone calls, the encounters, the danger, the desperation, the exhilaration and big, big laughs from two score years be compressed onto a handful of CDs? If you’ve lived with NPR, as so many of us have for so many years, you’ll be astonished at how many of these reports and conversations and reveries you remember—or how many come back to you (like familiar songs) after hearing just a few seconds of sound. And you’ll be amazed by how much you’ve missed—loyal as you are, you were too busy that day, or too distracted, or out of town, or giving birth (guess that falls under the “too distracted” category). Many of you have integrated NPR into your daily lives; you feel personally connected with it. NPR has gotten you through some fairly dramatic moments. Not just important historical events, but personal moments as well. I’ve been told that a woman’s terror during a CAT scan was tamed by the voice of Ira Flatow on Science Friday being piped into the dreaded scanner tube. So much of life is here. War, from the horrors of Vietnam to the brutalities that evanescent medium—they came to life, then disappeared. Now, of Iraq. Politics, from the intrigue of Watergate to the drama of the Anita on these CDs, all the extraordinary people and places and sounds Hill-Clarence Thomas controversy. -
52Nd ANNUAL PUBLIC MEDIA AWARDS WINNERS ANNOUNCED
Contact Jennifer Fisher 803-978-1571 [email protected] netaonline.org 52nd ANNUAL PUBLIC MEDIA AWARDS WINNERS ANNOUNCED [Columbia, SC January 27, 2021] The National Educational Telecommunications Association (NETA) honored public media’s achievements from 2020 at the The 52nd Annual Public Media Awards (PMAs) Tuesday afternoon, January 26 during the 2021 NETA Conference and CPB Public Media Thought Leader Forum. The PMAs honor our members' finest work in education, community engagement, marketing/communications and content. This year saw a record number of entries from stations across the country as new categories were introduced recognizing excellence in podcasts and digital media use as well as awards in each category specific to the handling of the COVID-19 pandemic. “Congratulations to all of this year’s nominees and awardees,” said NETA president Eric Hyyppa. ‘Every year, for the past 52 years, these awards have celebrated excellence in public media. This year, that excellence was amplified by your profoundly creative and inspired responses to multiple crises. All across the country, public media stations rose to the moment and served their communities during their time of critical need. Well done!” With the exception of the overall excellence categories, stations competed within their appropriate divisions based on their station size. Awards were judged by a group of expert panelists from within the public media system, as well as industry professionals working outside of public media The 52nd Annual Public Media Awards Winners: -
Podcasting As Public Media: the Future of U.S
International Journal of Communication 14(2020), 1683–1704 1932–8036/20200005 Podcasting as Public Media: The Future of U.S. News, Public Affairs, and Educational Podcasts PATRICIA AUFDERHEIDE American University, USA DAVID LIEBERMAN The New School, USA ATIKA ALKHALLOUF American University, USA JIJI MAJIRI UGBOMA The New School, USA This article identifies a U.S.-based podcasting ecology as public media and then examines the threats to its future. It first identifies characteristics of a set of podcasts in the United States that allow them to be usefully described as public podcasting. Second, it looks at current business trends in podcasting as platformization proceeds. Third, it identifies threats to public podcasting’s current business practices. Finally, it analyzes responses within public podcasting to the potential threats. The article concludes that currently, the public podcast ecology in the United States maintains some immunity from the most immediate threats, but there are also underappreciated threats to it, both internally and externally. Keywords: podcasting, public media, platformization, business trends, public podcasting ecology As U.S. podcasting becomes a commercially viable part of the media landscape, are its public service functions at risk? This article explores that question, in the process postulating that the concept of public podcasting has utility in describing not only a range of podcasting practices, but also an ecology within the larger podcasting ecology—one that permits analysis of both business methods and social practices, and one that deserves attention and even protection. This analysis contributes to the burgeoning literature on Patricia Aufderheide: [email protected] David Lieberman: [email protected] Atika Alkhallouf: [email protected] Jiji Majiri Ugboma: [email protected] Date submitted: 2019‒09‒27 Copyright © 2020 (Patricia Aufderheide, David Lieberman, Atika Alkhallouf, and Jiji Majiri Ugboma).