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the First Hungarian Beat Movie (1967) Ádám Ignácz (Budapest)
EZEK A FIATALOK. The First Hungarian Beat Movie (1967) Ádám Ignácz (Budapest) On a summer afternoon in 1967, Balatonlelle was preparing for an unusual event. Contrary to the common practice of selecting a well-known cinema of Budapest, the premiere of the new Hungarian music film, EZEK A FIATALOK [THESE YOUNGSTERS] was scheduled in the unknown open-air film theatre of this small village resort by Lake Balaton, some 140 kilometres away from the capital city. But in contradiction to the expectations, thousands of people, mostly youngsters, watched the film there during a very short period of time, and later on its popularity expanded further significantly. When the film was screened in film theatres and cultural-educational centres around the country during the following months, the estimated number of viewers hit almost a million. Even though the better part of the early articles and reviews highlighted its weak points, the sheer number of them indicated that the director Tamás Banovich (1925–2015) had found a subject of utmost interest to the entirety of Hungarian society. The extraordinary success and popularity can be explained by the mere fact that within the framework of a simple plot, EZEK A FIATALOK provided a platform for the most prominent contemporary Hungarian beat bands to present their works. In 1967, more than ten years after the first Elvis films had combined the features of popular music and motion picture, The Beatles already stopped giving concerts, and in the West people were talking about the end of the first phase of traditional beat music and were celebrating the birth of new KIELER BEITRÄGE ZUR FILMMUSIKFORSCHUNG, 12, 2016 // 219 genres in pop and rock music. -
Urban Change Cultural Makers and Spaces in the Ruhr Region
PART 2 URBAN CHANGE CULTURAL MAKERS AND SPACES IN THE RUHR REGION 3 | CONTENT URBAN CHANGE CULTURAL MAKERS AND SPACES IN THE RUHR REGION CONTENT 5 | PREFACE 6 | INTRODUCTION 9 | CULTURAL MAKERS IN THE RUHR REGION 38 | CREATIVE.QUARTERS Ruhr – THE PROGRAMME 39 | CULTURAL PLACEMAKING IN THE RUHR REGION 72 | IMPRINT 4 | PREFACE 5 | PREFACE PREFACE Dear Sir or Madam, Dear readers of this brochure, Individuals and institutions from Cultural and Creative Sectors are driving urban, Much has happened since the project started in 2012: The Creative.Quarters cultural and economic change – in the Ruhr region as well as in Europe. This is Ruhr are well on their way to become a strong regional cultural, urban and eco- proven not only by the investment of 6 billion Euros from the European Regional nomic brand. Additionally, the programme is gaining more and more attention on Development Fund (ERDF) that went into culture projects between 2007 and a European level. The Creative.Quarters Ruhr have become a model for a new, 2013. The Ruhr region, too, exhibits experience and visible proof of structural culturally carried and integrative urban development in Europe. In 2015, one of change brought about through culture and creativity. the projects supported by the Creative.Quarters Ruhr was even invited to make a presentation at the European Parliament in Brussels. The second volume of this brochure depicts the Creative.Quarters Ruhr as a building block within the overall strategy for cultural and economic change in the Therefore, this second volume of the brochure “Urban Change – Cultural makers Ruhr region as deployed by the european centre for creative economy (ecce). -
2013 | College of Fine Arts MUSE MAGAZINE 2013 | Contents
muse2013 | College of Fine Arts MUSE MAGAZINE 2013 | Contents 2. 3. 6. 7. 8. 1. 5. 12. 11. 1 UF CenTER FOR ARTS IN MEDicine (formerly the Center for Arts in Healthcare 7 JAMES JENKINS adjunct School of Music faculty of tuba and euphonium, was Research and Education) continues healthcare initiatives abroad and regionally, a featured soloist with the UF Symphonic Band in fall 2012 at the University including rural Florida programs. The picture above is of a Twa dancer performing Auditorium. (Photo by Eric Zamora) in Rwanda. The center aided in founding the dance company. Read more on page 19. (Photo by Teresa Yeh) 8 URINETOWN staged by UF School of Theatre + Dance under the direction of Charlie Mitchell, offered an opportunity to discuss regional municipal water issues. 2 “SELecTIVE IDENTITY” by MFA Ceramics candidate Nathan Murray A panel discussion was held after a matinee performance. Read more on page 18. (Photo by Stan Kaye) 3 ”MOM PLZ HELP ME” choreography by BFA Dance student Kate Pope, was awarded the Dean’s Award for Dance at the 2013 College of Fine Arts Juried 9 PicTURED WITH FIRST LaDY MicheLLE Obama the ‘Pride of the Sunshine’ Student Show, organized by the Fine Arts College Council. (Photo by Jordan Fightin’ Gator Marching Band made history in 2012 as the only collegiate band Albright) invited to participate in the London Olympics. Read more on page 16. (Photo by Steven Johnson) 4 BFA MusicaL TheaTRE candidates participate in a recital each December, organized by voice teacher and adjunct School of Music faculty Deborah Sperlich, 10 ART BASH annually welcomes hundreds of visitors to the UF School of Art + Art with support and direction from Associate Professor Tony Mata, UF School of History for a wonderfully weird open house celebration. -
Named Entity Recognition for Search Queries in the Music Domain
DEGREE PROJECT IN COMPUTER SCIENCE AND ENGINEERING, SECOND CYCLE, 30 CREDITS STOCKHOLM, SWEDEN 2016 Named Entity Recognition for Search Queries in the Music Domain SANDRA LILJEQVIST KTH ROYAL INSTITUTE OF TECHNOLOGY SCHOOL OF COMPUTER SCIENCE AND COMMUNICATION Named Entity Recognition for Search Queries in the Music Domain SANDRA LILJEQVIST [email protected] Master’s Thesis in Computer Science School of Computer Science and Communication KTH Royal Institute of Technology Supervisor: Olov Engwall Examiner: Viggo Kann Principal: Spotify AB Stockholm - June 2016 Abstract This thesis addresses the problem of named entity recogni- tion (NER) in music-related search queries. NER is the task of identifying keywords in text and classifying them into predefined categories. Previous work in the field has mainly focused on longer documents of editorial texts. However, in recent years, the application of NER for queries has attracted increased attention. This task is, however, ac- knowledged to be challenging due to queries being short, ungrammatical and containing minimal linguistic context. The usage of NER for queries is especially useful for the implementation of natural language queries in domain- specific search applications. These applications are often backed by a database, where the query format otherwise is restricted to keyword search or the usage of a formal query language. In this thesis, two techniques for NER for music-related queries are evaluated; a conditional random field based so- lution and a probabilistic solution based on context words. As a baseline, the most elementary implementation of NER, commonly applied on editorial text, is used. Both of the evaluated approaches outperform the baseline and demon- strate an overall F1 score of 79.2% and 63.4% respectively. -
The Multi-Layered Transnationalism of Fran Palermo Ewa Mazierska And
Article The multi-layered transnationalism of Fran Palermo Mazierska, Ewa Hanna and Kránicz, Bence Available at http://clok.uclan.ac.uk/21230/ Mazierska, Ewa Hanna ORCID: 0000-0002-4385-8264 and Kránicz, Bence (2017) The multi-layered transnationalism of Fran Palermo. Popular Music History, 10 (3). pp. 241-261. ISSN 1740-7133 It is advisable to refer to the publisher’s version if you intend to cite from the work. http://dx.doi.org/10.1558/pomh.35325 For more information about UCLan’s research in this area go to http://www.uclan.ac.uk/researchgroups/ and search for <name of research Group>. For information about Research generally at UCLan please go to http://www.uclan.ac.uk/research/ All outputs in CLoK are protected by Intellectual Property Rights law, including Copyright law. Copyright, IPR and Moral Rights for the works on this site are retained by the individual authors and/or other copyright owners. Terms and conditions for use of this material are defined in the policies page. CLoK Central Lancashire online Knowledge www.clok.uclan.ac.uk The Multi-layered Transnationalism of Fran Palermo Ewa Mazierska and Bence Kránicz Abstract Fran Palermo is an indie band based in Budapest which started performing in 2011, initially as a cover band, and so far produced over 30 original songs and 2 LPs, ‘Fran Palermo’ and ‘Razzle Dazzle’, in 2015 and 2016 respectively, to a significant critical acclaim. Its current line-up includes eight musicians, with Henri Gonzalez, a musician of Cuban and Spanish descent, being its leader. This article considers the transnational character of Fran Palermo’s work in the context of the history of pop-rock in Hungary and Eastern Europe at large, arguing that it does not fit the prevailing narrative of Eastern European music as imitator of a Western idiom. -
Stanford Auctioneers Pop Art, Fine Art, Photographs: 3 Day Sale Friday – October 14Th, 2016
Stanford Auctioneers Pop Art, Fine Art, Photographs: 3 Day Sale Friday – October 14th, 2016 www.stanfordauctioneers.com | [email protected] 1: ANDY WARHOL - 100 Cans USD 600 - 800 Andy Warhol (American, 1928 - 1987). "100 Cans [museum card]". Color offset lithograph. Printed 1984. Signed in black marker, center right. Edition unknown. Very light cream wove paper. The full sheet. Fine impression. Fine condition. No auction records located. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. Overall size: 6 x 4 in. (152 x 102 mm). [28785] |400| {R100} (TL1) nzz~rzz 2: ANDY WARHOL - 16 Jackies USD 800 - 900 Andy Warhol (American, 1928 - 1987). "16 Jackies [museum card]". Color offset lithograph. c1980. Signed in black marker, lower center. Edition unknown, presumed small. Light cream wove paper. Full margins. Very good impression. Very good condition. The original acrylic and silkscreen enamel on canvas was composed by Warhol in 1964 and is in the collection of the Walker Art Center, Minneapolis. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. Overall size: 7 x 5 in. (178 x 127 mm). [28347] |600| {R100} (TL1) rzz~izz 3: ANDY WARHOL & KEITH HARING - 20th Montreux Jazz Festival USD 1,500 - 1,800 Andy Warhol & Keith Haring (Americans, 20th Century). "20th Montreux Jazz Festival". Original color silkscreen. 1986. Signed in black marker by both Haring and Warhol, center left and right; signed in the plate by both Haring and Warhol. Edition unknown. White wove paper. Full margins. Fine impression with vibrant colors. Overall very good to fine condition. -
Social Networks in Movement
Contacts. Social Dynamics in the Czech State-Socialist Art World Svasek, M. (2002). Contacts. Social Dynamics in the Czech State-Socialist Art World. Contemporary European History, 8. Published in: Contemporary European History Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:27. Sep. 2021 Social Networks in Movement. Time, interaction and interethnic spaces in Central Eastern Europe Edited by Davide Torsello and Melinda Pappová NOSTRA TEMPORA, 8. General Editor: Károly Tóth Forum Minority Research Institute Šamorín, Slovakia Social Networks in Movement. Time, interaction and interethnic spaces in Central Eastern Europe Edited by Davide TORSELLO and Melinda PAPPOVÁ Forum Minority Research Institute Lilium Aurum Šamorín - Dunajská Streda 2003 © Forum Minority Research Institute, 2003 © Davide Torsello, Melinda Pappová, 2003 ISBN 80-8062-179-9 Contents 5 Contents ACKNOWLEDGEMENTS .....................................................................7 Studying networks nowadays. On the utility of a notion (C. -
Old and New Islam in Greece Studies in International Minority and Group Rights
Old and New Islam in Greece Studies in International Minority and Group Rights Series Editors Gudmundur Alfredsson Kristin Henrard Advisory Board Han Entzinger, Professor of Migration and Integration Studies (Sociology), Erasmus University Rotterdam, the Netherlands; Baladas Ghoshal, Jawaharlal Nehru University (Peace and Confl ict Studies, South and Southeast Asian Studies), New Delhi, India; Michelo Hansungule, Professor of Human Rights Law, University of Pretoria, South Africa; Baogang He, Professor in International Studies (Politics and International Studies), Deakin University, Australia; Joost Herman, Director Network on Humani tarian Assistance the Netherlands, the Netherlands; Will Kymlicka, Professor of Political Philosophy, Queen’s University, Kingston, Canada; Ranabir Samaddar, Director, Mahanirban Calcutta Research Group Kolkata, India; Prakash Shah, Senior Lecturer in Law (Legal Pluralism), Queen Mary, University of London, the United Kingdom; Tove Skutnabb-Kangas, Guest Researcher at the Department of Languages and Culture, University of Roskilde, Denmark; Siep Stuurman, Professor of History, Erasmus University Rotterdam, the Netherlands; Stefan Wolfff, Professor in Security Studies, University of Birmingham, the United Kingdom. VOLUME 5 The titles published in this series are listed at brill.nl/imgr Old and New Islam in Greece From Historical Minorities to Immigrant Newcomers By Konstantinos Tsitselikis LEIDEN • BOSTON 2012 Library of Congress Cataloging-in-Publication Data Tsitselikis, Konstantinos. Old and new Islam in Greece : from historical minorities to immigrant newcomers / by Konstantinos Tsitselikis. p. cm. -- (Studies in international minority and group rights ; v. 5) Includes bibliographical references and index. ISBN 978-90-04-22152-9 (hardback : alk. paper) 1. Muslims--Legal status, laws, etc.--Greece. 2. Minorities--Legal status, laws, etc.--Greece. 3. -
Prints & Multiples
PRINTSPRINTS && MULTIPLESMULTIPLES PRINTS & MULTIPLES APRIL 25, 2016 DOYLE 175 EAST 87TH STREET NEW YORK, NY 10128 212-427-2730 DOYLE.COM Monday April 25, 2016 NEW YORK PRINTS & MULTIPLES AUCTION Monday, April 25, 2016 at 10am EXHIBITION Friday, April 22, 10am – 5pm Saturday, April 23, 10am – 5pm ?? ????????? ??????????????????????????????? Sunday, April 24, Noon – 5pm LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com www.www.Doyle.com/BidLiveDoyleNewYork.com/BidLive Catalogue: $25 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Prints & Multiples 1-293 Natalie and Joe Bartner, New York Harriet Bashein Glossary I Louise Bookstaver Conditions of Sale II Paula Buennol, New Jersey Terms of Guarantee IV Roberta K. Cohn & Richard A. Cohn Ltd. Information on Sales & Use Tax V Edith K. Comins Buying at Doyle VI Nan Rosenthal and Henry B. Cortesi Selling at Doyle VIII John Deinhardt, Fort Lauderdale, FL Company Directory IX Nancy M. Ferguson Auction Schedule XI Hilde Grey Catalogue Subscription Form XII John Jodik, Jr., Allentown, PA Absentee Bid Form XIII Raymond Kay Carl Lesnor A New Jersey Estate A New York Lady Alma Perlis David Llewellyn Reese, New York Susanne Schnitzer Craig Hugh Smyth Alice Starr, New York Amber Lightfoot Walker Herman J. Wechsler, New York INCLUDING PROPERTY FROM A New England Collection A New York Gentleman A Private Collection Collection of Sheldon and Marcia Sacks The Stachelberg Family Collection Lot 273 4 1 2 2 Pierre Alechinsky (b. 1927) PRISMA Color etching and aquatint, 1988, signed, dated, titled and numbered 37/70 in pencil, published by 2RC Edizioni d’Arte, Rome, with full margins, framed. -
Stadtchronik 1995 – Zusammengestellt Vom Stadtarchiv Koblenz
Stadtchronik 1995 – zusammengestellt vom Stadtarchiv Koblenz Stadtchronik 1995 1. Januar Beim Neujahrskonzert in der Rhein-Mosel-Halle wird die 9. Sinfonie von Ludwig van Beethoven geboten. Ausführende sind das Staatsorchester Rheinische Philharmonie, der Chor und Solisten des Stadttheaters Koblenz unter der Leitung von Generalmusikdirektor Kluttig. In der ambulanten Pflege wird das Koblenzer Stadtgebiet entsprechend dem Wohnort der Pflegebedürftigen neu aufgeteilt. Unabhängig von der Konfession betreut nun die Sozialstation des Evangelischen Gemeindeverbandes die Stadtteile Neuendorf, Lützel, Rauental, Stadtmitte und Altstadt. Die Sozialstation der Caritas ist künftig für Güls, Metternich, Rübenach, Bubenheim, Kesselheim, das Industriegebiet und Wallersheim zuständig. Die Ökumenische Sozialstation deckt die rechtsrheinischen Stadtteile ab, und die Sozialstation der de Hayeschen Stiftung betreut die Karthause, Stolzenfels, Oberwerth, die Vorstadt, die Goldgrube, Lay und Moselweiß. RZ 13.1.1995, S. 16. Nach 25 Jahren Tätigkeit bei der Energieversorgung Mittelrhein (EVM) übernimmt deren kaufmännischer Direktor, Siegbert Strecker, den Posten eines Geschäftsführers der Ruhrgas- Beteiligungs-AG in Essen. Sein Nachfolger ist Bernhard Witschen, bisheriger Geschäftsführer der Gasgesellschaft Aggertal mbH in Gummersbach und der Wasserversorgung GmbH in Wipperfürth. RZ/B 11.8.1994 - RZ/B 22.8.1994, S. 4 - Schä 14.12.1994 - RZ 23.12.1994, S. 5, 16. Hans-Jürgen Gutenberger, seit 1. Oktober 1990 im Vorstand der Sparkasse Koblenz, des größten kommunalen Kreditinstituts in Rheinland-Pfalz, tritt als neuer Vorstandsvorsitzender die Nachfolge von Ulrich Hoppenheit an, der in den Ruhestand geht. RZ 24.6.1994, S. 5 - Schä 29.6.1994, S. 1 - RZ 11.1.1995, S. 5 . Manfred Kaiser ist neuer Leiter des städtischen Hochbauamts. Seit 1990 hatte er im Hochbauamt die Funktion des stellvertretenden Amtsleiters inne. -
The Music of the Roma in Hungary
Data » Music » Countries » The music of the Roma in Hungary http://romani.uni-graz.at/rombase The music of the Roma in Hungary Katalin Kovalcsik Traditionally there are two kinds of music performed by the Roma: one is musical service rendered for non-Romani audiences, the other is music made within the Romani community. The music played for outsiders is labelled "Gypsy music" by Hungarian scientific literature having adopted its colloquial name, and the music they use among themselves is called "folk music". At the same time, the Roma began gradually to develop an ethnic music culture from the 1970s. The process of creating the institutional conditions for the practising, improvement and presentation of their own culture picked up momentum when after the great political turn they obtained national minority status. In the following, I first give a sketchy summary of the two traditional cultural modes, before listing the main tendencies asserted in today's Romani music life in Hungary. The table below shows the Romani ethnic groups in Hungary and their traditional occupations (after Kemény 1974). The major ethnic groupings of the Roma living in Hungary The name of the First language Proportion according to Traditional occupations grouping (in brackets their first language their own name) within the Romani population, in % Hungarian (romungro) Hungarian ca 71 music making in musician dynasties, metal-working, brick-making, agricultural labour etc. Vlach (vlašiko) Romani- Hungarian ca 21 metal-working, sieve-making, horse-dealing, trading etc. Boyash (băiaş) Romanian- Hungarian ca 8 wood-working (tubs, spoons, other wooden household utensils) Slovak (serviko) Romani- Hungarian No data. -
PCMS News & Notes March-April 2018
PLYMOUTH-CANTON MONTESSORI SCHOOL News & Notes MARCH–APRIL 2018 Golden opportunities e-enrollment is now underway, and we children, and we wrap up this busy month Rthank parents for their continued sup- with a Spring Celebration leading into port of a Montessori education for their Spring Break (Friday, March 30 through children. You have chosen a method of Friday, April 6). education that profoundly respects and is In April, preschool students will be par- tailored to each individual child. A trained ticipating in the Ann Arbor Symphony scientist, Maria Montessori understood, Orchestra’s Instrument Petting Zoo. Several through observation, exactly how and why orchestra members will share their instru- children learn. Montessori education ments with the children during this in-house teaches children how to learn instead of presentation on Wednesday, April 18. just what to learn. Mrs. Ewasek and Mrs. Shekar’s preschool To learn more about our full-day pre- classrooms will invite grandparents to visit school class and full-day Extended Day kin- on Friday, April 20. The children always look dergarten, we invite parents of both 3- and forward to showing their classroom to their 4-year-old students to an informational grandparents (or other special guests, if meeting on Thursday, April 12 at 6 p.m. grandparents are not available) and sharing Teachers will present information about their favorite activities. the options for both 4-year-olds and kin- Extended Day kindergarten children will dergarten children. We’ll also have several be traveling to the Creature Conservancy in current kindergarten parents and their stu- Ann Arbor on Thursday, April 26.