The Official Uk Top 40 November 2012
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Lecture Outlines
CHAPTER FOURTEEN: “SMELLS LIKE TEEN SPIRIT”: HIP-HOP, “ALTERNATIVE” MUSIC, AND THE ENTERTAINMENT BUSINESS Lecture Outlines Lecture 1: Hip-Hop and Techno I. Hip-Hop Breaks Out (1980s–1990s) A. In the mid-1980s, rap moved into the popular mainstream. B. 1986 saw the release of the first two multiplatinum rap albums: 1. Raising Hell by Run-D.M.C. a) Number Three on Billboard’s pop albums chart b) Over three million copies sold 2. Licensed to Ill by the Beastie Boys a) Number One for seven weeks b) Over seven million copies sold 3. Expansion of the audience for hip-hop music was the key to the commercial success of these albums. a) Included millions of young white fans, attracted by the rebelliousness of the genre C. Both Raising Hell and Licensed to Ill were released on a new independent label called Def Jam. CHAPTER FOURTEEN: “SMELLS LIKE TEEN SPIRIT”: HIP-HOP, “ALTERNATIVE” MUSIC, AND THE ENTERTAINMENT BUSINESS 1. Co-founded in 1984 by the hip-hop promoter Russell Simmons and the musician-producer Rick Rubin 2. Cross-promoting a new generation of artists 3. Expanding and diversifying the national audience for hip-hop 4. In 1986, Def Jam became the first rap-oriented independent label to sign a distribution deal with one of the “Big Five” record companies, Columbia Records. D. Run-D.M.C. 1. Trio: a) MCs Run (Joseph Simmons, b. 1964) and D.M.C. (Darryl McDaniels, b. 1964) b) DJ Jam Master Jay (Jason Mizell, b. 1965) 2. Adidas Corporation and Run-D.M.C. -
470 IAC 3-4.7 Rule 4.7 Child Care Centers; Licensing
CHILD WELFARE SERVICES Rule 4.7.Child Care Centers; Licensing 470 IAC 3-4.7-1 General definitions Authority: IC 12-13-5-3 Affected: IC 12-7-2-28.4; IC 12-17.2-4Sec. 1. For the purpose of this rule only, the following definitions apply: (1) “Accredited college or university” means accreditation by accrediting agencies and associations that are recognized by the United States Secretary of Education. (2) “Additional portion of food” means one (1) extra helping of food. (3) “Administrator” means the person who is responsible for personnel, purchasing, fiscal, and maintenance of the child care center. (4) “Admission” means the process of entering a child in a child care center. The date of admission is the first day that the child is actually present at the center. (5) “Age appropriate” means designed for the particular age of child served. (6) “Attendance” means children present in the child care center at any given time. (7) “Capacity determination” means the division will determine maximum capacity based on square footage by adding the capacities of the individual rooms/areas. The division compares the square footage capacity with the capacity based on the number of toilets and sinks. The lesser of these two (2) capacities determines the maximum capacity of the center. Capacity for fire and building issues may be different. (8) “Caregiver” means the early childhood professional that is a qualified staff person providing direct care and education to children. (9) “CDA” refers to the Child Development Associate credential issued by the Council for Early Childhood Professional Recognition. -
Itunes Top 10 Singles Downloads
Itunes top 10 singles downloads CLICK TO DOWNLOAD rows · Official Singles Downloads Chart Top 04 September - 10 September . 04/09/ · iTunes Top Songs Chart. Chart of iTunes top songs downloaded at the Apple iTunes music store today. The iTunes top songs chart list countdown includes the hottest and most popular music hits and singles from all musical genres including today's hot pop, rap, rock, and country songs.. To purchase any of the top trending songs and download the music you must have Apple's iTunes. 05/09/ · iTunes - Top 10 Singles. Our servers download the current Top 10 single sales data from ITunes as it becomes available so the you can see the latest single chart positions. If you want more information or to purchase any of these Top 10 singles online just click on the links in the Top 10 chart. For the record, the iTunes Chart only tracks downloads, meaning only the tracks people pay for. Where does Tool sit at the time of this article? All five albums including the Opiate EP are in the iTunes Album Top 10 with Aenima at #2 behind Drake’s Care Package, Lateralus #4, 10, Day s #5, Undertow #6, and Opiate sitting at #8. 21/08/ · Chart of Top songs trending on iTunes. The most downloaded songs around the world, updated every day. iTunes Top Downloads. View the official iTunes download chart from around the world. View the top download charts for the UK, USA and World iTunes stores. Select from top downloads, albums, newest releases, iOS apps and Books. -
Can You Predict a Hit?
CAN YOU PREDICT A HIT? FINDING POTENTIAL HIT SONGS THROUGH LAST.FM PREDICTORS BACHELOR THESIS MARVIN SMIT (0720798) DEPARTMENT OF ARTIFICIAL INTELLIGENCE RADBOUD UNIVERSITEIT NIJMEGEN SUPERVISORS: DR. L.G. VUURPIJL DR. F. GROOTJEN Abstract In the field of Music Information Retrieval, studies on Hit Song Science are becoming more and more popular. The concept of predicting whether a song has the potential to become a hit song is an interesting challenge. This paper describes my research on how hit song predictors can be utilized to predict hit songs. Three subject groups of predictors were gathered from the Last.fm service, based on a selection of past hit songs from the record charts. By gathering new data from these predictors and using a term frequency-inversed document frequency algorithm on their listened tracks, I was able to determine which songs had the potential to become a hit song. The results showed that the predictors have a better sense on listening to potential hit songs in comparison to their corresponding control groups. TABLE OF CONTENTS 1 INTRODUCTION........................................................................................................................................... 1 2 BACKGROUND ............................................................................................................................................ 2 2.1 MUSIC INFORMATION RETRIEVAL ................................................................................................. 2 2.2 HIT SONG SCIENCE ........................................................................................................................... -
Background Dates for Popular Music Studies
1 Background dates for Popular Music Studies Collected and prepared by Philip Tagg, Dave Harker and Matt Kelly -4000 to -1 c.4000 End of palaeolithic period in Mediterranean manism) and caste system. China: rational philoso- c.4000 Sumerians settle on site of Babylon phy of Chou dynasty gains over mysticism of earlier 3500-2800: King Menes the Fighter unites Upper and Shang (Yin) dynasty. Chinese textbook of maths Lower Egypt; 1st and 2nd dynasties and physics 3500-3000: Neolithic period in western Europe — Homer’s Iliad and Odyssey (ends 1700 BC) — Iron and steel production in Indo-Caucasian culture — Harps, flutes, lyres, double clarinets played in Egypt — Greeks settle in Spain, Southern Italy, Sicily. First 3000-2500: Old Kingdom of Egypt (3rd to 6th dynasty), Greek iron utensils including Cheops (4th dynasty: 2700-2675 BC), — Pentatonic and heptatonic scales in Babylonian mu- whose pyramid conforms in layout and dimension to sic. Earliest recorded music - hymn on a tablet in astronomical measurements. Sphinx built. Egyp- Sumeria (cuneiform). Greece: devel of choral and tians invade Palestine. Bronze Age in Bohemia. Sys- dramtic music. Rome founded (Ab urbe condita - tematic astronomical observations in Egypt, 753 BC) Babylonia, India and China — Kung Tu-tzu (Confucius, b. -551) dies 3000-2000 ‘Sage Kings’ in China, then the Yao, Shun and — Sappho of Lesbos. Lao-tse (Chinese philosopher). Hsai (-2000 to -1760) dynasties Israel in Babylon. Massilia (Marseille) founded 3000-2500: Chinese court musician Ling-Lun cuts first c 600 Shih Ching (Book of Songs) compiles material from bamboo pipe. Pentatonic scale formalised (2500- Hsia and Shang dynasties (2205-1122 BC) 2000). -
Billboard 200 - Dataset Preparation
Billboard 200 - Dataset Preparation João Miguel José Azevedo Ricardo Ferreira [email protected] [email protected] [email protected] October 29, 2020 Abstract datasets and their exploitation with free- text queries; Billboard 200 is a record chart which ranks the top 200 music albums on a weekly basis. • In the third milestone, it will be designed, This chart is published by the Billboard mag- represented and exploited an ontology for azine in the United States. The charts are the domain of the project datasets. frequently used to convey the popularity of artists. Since this chart is active for more than 30 years, crossing this information with in- In the next sections of this document, it is formation on artists, musical genres, lyrics presented: and other information will allow to build a big datastructure about music. This is the pur- pose of this work. The following document • Which datasets are used for this project; describes which datasets are being used, how the data is being prepared and enriched, the • Which are the data sources used on this sources of the data and their characterization. project; • How was the data collected; 1 Introduction • How was the data cleaned and enriched; Using the Billboard 200 [2] chart as a base, this work tries to create a data information re- • The conceptual model for the datasets; trieval system about music. The goal is to have in one place and easily accessed information on • The return documents and possible search albums, musics and artists since 1963 to 2019. tasks; The platform will provide ranks on the Bill- board 200, albums names, release dates, artists, • The data characterization of the data col- bands, biographies, song lyrics, characteriza- lected. -
BDC 2005 Draft Version
British Chart Books Classied BDC 2005 Draft Version edited and compiled by Dipl.-Bibl.(FH) Tobias Zywietz 27.04.2005 Dipl.-Bibl. (FH) Tobias Zywietz Hauptstrasse 10 D-75245 Neulingen Germany www.zobbel.de This book is copyright c Tobias Zywietz 2005. All rights reserved. The contents and layout of this book are covered by international Copyright. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form, or by any means, electronic, internet, online, mechanical, photocopying, recording or otherwise, without the prior written permission of the copyright owner. This publication is provided free of charge for download from the publisher's website under the condition that it may not be used to compile other directories, books, bibliograhies, electronic publications, &c., without express written permission of the publisher. The publisher has taken all reasonable measures to ensure the accuracy of the information in this work and cannot accept responsibility or liability for errors in omission from any information given in this work, or for any consequences arising. The charts represent a facet of economic life but one that diers in its implications as between producer and consumer. The producer lives and dies by the charts, whilst the consumer can enjoy a form of bounded recreation. The charts are a game that we can envolve ourselves in for a while if we get pleasure out of doing so. Like the football league tables, they invite us to look and to judge, to become commentators and even participants in a small way. Not only can we know who had their rst three hits at number one, but we can volunteer an opinion on them too. -
Instructions and Repair Parts Manual for Ironworker Model Number P-110 800-338-5471
INSTRUCTIONS AND REPAIR PARTS MANUAL FOR IRONWORKER MODEL NUMBER P-110 Publication: April, 2013 For Serial Numbers Be sure to register your P110-3001 Current www.megafab.com model and serial number to Models receive Piranha Service and 800-338-5471 Product Updates. Piranha Optional Tooling and Attachments Enhance your Ironworker’s Versatility Oversize Punch Attachments • Expand your punching capacity up to 5" Quickset Gauging Table Allows you to quickly set-up your punch end for multiple holes. Includes an angle gauge bar to index off the heel of your angle and a plate gauge bar, which indexes off the end of your plate. Extensions are available in left and right hand styles in 5' and 10' lengths. Backgauge • Allows you to quickly set-up your machine to repeat your shearing length by adding a mechanical backstop. • Backstop can be positioned in either the angle, flat bar, or round bar section of the machine. • Available in lengths of 3', 6', 9’, or 12'. • An electronic version is also available, which cycles the machine automatically when material makes contact with the backgauge probe. Pipe Notching Attachment • Allows you to single notch Schedule 40 Pipe. • A must have for handrail jobs. • Attaches to the punch end of the machine. • Notching dies available for 3/4", 1", 1-1/4", 1- 1/2", and 2" Schedule 40 Pipe. • Oversize Bending Attachments • Expand your bending capacity to 24" on most models. • Includes a 4-way die block for different thicknesses of material. ***Additional Options Shown on Inside of Back Cover*** INSTRUCTIONS AND REPAIR PARTS MANUAL FOR IRONWORKER MODEL NUMBER P-110 Publication: April, 2013 P.O. -
School of Occupational Therapy Belmont University
Belmont University MSOT Program Page | 1 School of Occupational Therapy Belmont University Professional Entry Level Weekend Master of Science in Occupational Therapy Degree PROGRAM MANUAL 2019-2020 Academic Year TABLE OF CONTENTS: Purpose of the Program Foreword Section I: Basic Information History of Belmont University Belmont University Accreditation AOTA Educational Standards Occupational Therapy Facilities Section II: School of Occupational Therapy Organizational Chart Faculty and Staff Section III: Curriculum Design University Vision, Mission, Values School of Occupational Therapy Strategic Goals School of Occupational Therapy Vision, Mission, Program Goals Curriculum Themes and Terminal Objects School of Occupational Therapy Philosophy Curriculum Design Learning Theory, Course Sequence Course Descriptions Section IV: Policies and Procedures Absence and Tardiness Academic Integrity Advising Academic Advisor’s Responsibilities Student Advisee Responsibilities Americans with Disabilities Act Accommodation of Disabilities APA Classroom Supplies Complaints Conduct Contact Information Copying Revision: 6/10/2021 Belmont University MSOT Program Page | 2 Criminal Background Checks Dress Code Drug Testing Email Communication Evacuation Plans Examinations Facility Use Faculty Office Hours Felony Related Charges/Convictions Grading Policies Grievance Procedures Health Insurance and Health Records Health Services, Personal and Malpractice Insurance Laboratory Experiences Library – Information Literacy Personal Counseling Phone Calls Portfolio -
2020 Annual Report
FINANCIAL STABILITY OVERSIGHT COUNCIL 2020 ANNUAL REPORT 2020 ANNUAL 2020 REPORT FINANCIAL STABILITY OVERSIGHT COUNCIL 1500 PENNSYLVANIA AVENUE, NW | WASHINGTON, D.C. 20220 FINANCIAL STABILITY OVERSIGHT COUNCIL Financial Stability Oversight Council The Financial Stability Oversight Council (Council) was established by the Dodd-Frank Wall Street Reform and Consumer Protection Act (Dodd-Frank Act) and is charged with three primary purposes: 1. To identify risks to the financial stability of the United States that could arise from the material financial distress or failure, or ongoing activities, of large, interconnected bank holding companies or nonbank financial companies, or that could arise outside the financial services marketplace. 2. To promote market discipline by eliminating expectations on the part of shareholders, creditors, and counterparties of such companies that the U.S. government will shield them from losses in the event of failure. 3. To respond to emerging threats to the stability of the U.S. financial system. Pursuant to the Dodd-Frank Act, the Council consists of ten voting members and five nonvoting members and brings together the expertise of federal financial regulators, state regulators, and an insurance expert appointed by the President. The voting members are: • the Secretary of the Treasury, who serves as the Chairperson of the Council; • the Chair of the Board of Governors of the Federal Reserve System; • the Comptroller of the Currency; • the Director of the Consumer Financial Protection Bureau; • the Chairman of the Securities and Exchange Commission; • the Chairman of the Federal Deposit Insurance Corporation; • the Chairman of the Commodity Futures Trading Commission; • the Director of the Federal Housing Finance Agency; • the Chairman of the National Credit Union Administration; and • an independent member having insurance expertise who is appointed by the President and confirmed by the Senate for a six-year term. -
Y.M.C.A. (Song) - Wikipedia
7/7/2021 Y.M.C.A. (song) - Wikipedia [ Y.M.C.A. (song). (Accessed Jul. 07, 2021). Overview. Wikipedia. ] Y.M.C.A. (song) "Y.M.C.A." is a song by the American disco group Village People. It was released in 1978 as the only single from their third studio album, "Y.M.C.A." Cruisin' (1978). The song was written by Jacques Morali (also the record's producer) and singer Victor Willis.[1] A medley with "Hot Cop" reached No. 2 on Billboard's Dance Music/Club Play Singles chart,[2] while the song reached No. 2 on the Billboard Hot 100 charts in early 1979, placing behind both "Le Freak" by Chic and "Da Ya Think I'm Sexy?" by Rod Stewart.[3] Outside the US, "Y.M.C.A." reached No. 1 in the UK around the same time, becoming the group's biggest hit. It is one of fewer than 40 singles to have sold 10 million (or more) physical copies worldwide. The song remains popular and is played at many sporting events in the US and Europe, with crowds joining in on the dance in which One of A-side label variants of U.S. arm movements are used to spell out the four letters of the song's title. "Y.M.C.A." appeared as the Space Shuttle wake-up call on day 7-inch vinyl single 11 of mission STS-106.[4] In 2009, "Y.M.C.A." set a Guinness World Single by Village People Record when over 44,000 people danced to Village People's live from the album Cruisin' performance of the song at the 2008 Sun Bowl game in El Paso, Texas.[5] B-side "The Women" Released October 17, 1978 "Y.M.C.A." is #7 on VH1's list of "The 100 Greatest Dance Songs of Recorded 1978 the 20th Century."[6] In 2020, "Y.M.C.A" was inducted into the Grammy Hall of Fame[7] and selected by the Library of Congress for Studio Sigma Sound preservation in the National Recording Registry for being Studios (New York City, [8][9] "culturally, historically, or aesthetically significant". -
Joint Meeting with IASPM Canada
IASPM-US & IASPM-Canada 2007 Joint Conference Program & Schedule of Events Thursday April 26 1 Friday April 27 1 Saturday April 28 5 Sunday April 29 8 Abstracts 10 Index of Presenters 57 Acknowledgments 58 All events are scheduled in the Curry Student Center, as are the book display and auction. 2007 IASPM-US / IASPM-Canada Joint Conference Program Committee: Jacqueline Warwick, Chair Holly Everett Ellie Hisama David Todd Lawrence Tom McCourt Paul Théberge Thursday April 26 3:00 – 5:30 PM Registration Curry Student Center IASPM-US EC Board Meeting (Room 435) IASPM-Canada EC Board Meeting (Room 433) 7:30 – 11:00 PM Opening Reception (Curry Center Ballroom) Book signing: Reebee Garofalo Rockin’ Out: Popular Music in the U.S.A. (4th Edition) Sponsored by Prentice Hall Publishing Entertainment featuring Peter Narvaez, the Blue Suede Boppers, and DJ Shyne Friday April 27 All Day Book/Media Display 8:00-8:30 AM Continental breakfast sponsored by the Canadian Consulate General, Boston 8:45 – 10:00 AM Plenary Session (Curry Center Ballroom) Welcome; Keynote address by Susan Fast, McMaster University, “On Limits, Peripheries, Edges and Popular Music” 10:15 – 12:00 PM Panel Session 1 1) Negotiations of the Cultural (Room 322) Moderator: Dale Chapman, Bates College 10:15 Imagining the Spiritual and Absolute in John Coltrane’s Love Supreme — Gregory Erickson, Mannes College of Music 10:35 Afro-Dominicans, Fusión Musicians and a New Social Movement in the Dominican Republic — Angelina Tallaj, CUNY Graduate Center 10:55 From Utopia to Engagement: Bruce