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The Official Uk Top 40 November 2012
The official uk top 40 november 2012 Tune into the UK Top 40 on BBC Radio 1 and MTV. Click here to view the 25 November - 01 December The UK's Top The UK's Top biggest songs of the week is compiled by the Official Charts Company, Tune into the UK Top 40 on BBC Radio 1 and MTV. Tune into the UK Top 40 on BBC Radio 1 and MTV. Click here to 20 May - 26 May Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec .. MAROON 5 FT CHRISTINA AGUILERA. A&M/OCTONE. 2, The Top November lists the most popular hits in the UK Lawson, Standing In The Dark (Radio Mix). Olly Murs Ft Flo Rida, Troublemaker. Chart for week ending 18th November Number 1: Troublemaker by Olly Murs. 6 new entries for Olly Murs, Girls Aloud, One Direction, Stooshe, Ed. The Official UK Top 40 Singles Chart , Mo, 1, 0. The Official UK Top 40 Singles Chart , Mo, 1, 1. The Official. Torrent Contents. The Official UK Top 40 Singles Chart - November 01 Robbie Williams 37, KB; 02 Labrinth Beneath Your. This Is The Official UK Top 10 Singles Chart Sorry For Any Mistakes Official UK Top 10 Singles Chart. Fuente: Original Video Other Chart Single-Robbie Williams 'Candy' Album-Calvin Harris '18 Months' Compilation-VARIOUS ARTISTS BBC. The UK Singles Chart is one of many music charts compiled by the Official Charts Company that calculates the best-selling singles of the week in the United. The UK Singles Chart is a record chart compiled by the Official Charts Company (OCC) on . -
BDC 2005 Draft Version
British Chart Books Classied BDC 2005 Draft Version edited and compiled by Dipl.-Bibl.(FH) Tobias Zywietz 27.04.2005 Dipl.-Bibl. (FH) Tobias Zywietz Hauptstrasse 10 D-75245 Neulingen Germany www.zobbel.de This book is copyright c Tobias Zywietz 2005. All rights reserved. The contents and layout of this book are covered by international Copyright. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form, or by any means, electronic, internet, online, mechanical, photocopying, recording or otherwise, without the prior written permission of the copyright owner. This publication is provided free of charge for download from the publisher's website under the condition that it may not be used to compile other directories, books, bibliograhies, electronic publications, &c., without express written permission of the publisher. The publisher has taken all reasonable measures to ensure the accuracy of the information in this work and cannot accept responsibility or liability for errors in omission from any information given in this work, or for any consequences arising. The charts represent a facet of economic life but one that diers in its implications as between producer and consumer. The producer lives and dies by the charts, whilst the consumer can enjoy a form of bounded recreation. The charts are a game that we can envolve ourselves in for a while if we get pleasure out of doing so. Like the football league tables, they invite us to look and to judge, to become commentators and even participants in a small way. Not only can we know who had their rst three hits at number one, but we can volunteer an opinion on them too. -
Joint Meeting with IASPM Canada
IASPM-US & IASPM-Canada 2007 Joint Conference Program & Schedule of Events Thursday April 26 1 Friday April 27 1 Saturday April 28 5 Sunday April 29 8 Abstracts 10 Index of Presenters 57 Acknowledgments 58 All events are scheduled in the Curry Student Center, as are the book display and auction. 2007 IASPM-US / IASPM-Canada Joint Conference Program Committee: Jacqueline Warwick, Chair Holly Everett Ellie Hisama David Todd Lawrence Tom McCourt Paul Théberge Thursday April 26 3:00 – 5:30 PM Registration Curry Student Center IASPM-US EC Board Meeting (Room 435) IASPM-Canada EC Board Meeting (Room 433) 7:30 – 11:00 PM Opening Reception (Curry Center Ballroom) Book signing: Reebee Garofalo Rockin’ Out: Popular Music in the U.S.A. (4th Edition) Sponsored by Prentice Hall Publishing Entertainment featuring Peter Narvaez, the Blue Suede Boppers, and DJ Shyne Friday April 27 All Day Book/Media Display 8:00-8:30 AM Continental breakfast sponsored by the Canadian Consulate General, Boston 8:45 – 10:00 AM Plenary Session (Curry Center Ballroom) Welcome; Keynote address by Susan Fast, McMaster University, “On Limits, Peripheries, Edges and Popular Music” 10:15 – 12:00 PM Panel Session 1 1) Negotiations of the Cultural (Room 322) Moderator: Dale Chapman, Bates College 10:15 Imagining the Spiritual and Absolute in John Coltrane’s Love Supreme — Gregory Erickson, Mannes College of Music 10:35 Afro-Dominicans, Fusión Musicians and a New Social Movement in the Dominican Republic — Angelina Tallaj, CUNY Graduate Center 10:55 From Utopia to Engagement: Bruce -
Police Have Sketch in Feltt Case Composite Drawing of Possible Suspect to Be Released at a Later Date
Eastern Illinois University The Keep November 2002 11-22-2002 Daily Eastern News: November 22, 2002 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2002_nov Recommended Citation Eastern Illinois University, "Daily Eastern News: November 22, 2002" (2002). November. 15. http://thekeep.eiu.edu/den_2002_nov/15 This Article is brought to you for free and open access by the 2002 at The Keep. It has been accepted for inclusion in November by an authorized administrator of The Keep. For more information, please contact [email protected]. N “Tell the truth November 22, 2002 FRIDAY and don’t be afraid.” VOLUME 87, NUMBER 64 THEDAILYEASTERNNEWS.COM Kicking it The success of the U.S. national team in the World Cup has created more interest in soccer in America. Page 12 SECTION A Police have sketch in Feltt case N Composite drawing of possible suspect to be released at a later date By Melissa Nielsen CAMPUS EDITOR Campus police will soon have a composite sketch of a possible suspect in the attack of Bill Feltt, an English professor beaten by six to eight males in late August. The image was drawn last Friday by a state police sketch artist and is based on Feltt’s descrip- tion of his attacker. Adam Due, chief public safety officer for university police, did not say when the sketch would be released. “I rated the drawing at about a seven out of 10,” Feltt said. “To me, it was as good as I could ... com- municate. Feltt said police did “I rated the drawing at STEPHEN HAAS/STAFF PHOTOGRAPHER not tell him whether the about a seven out of Its all about strategy composite would be 10.” During Campus Perk in the basement of Thomas Hall Thursday night, Alan Kershner, junior business marketing major, plays Magic: distributed The Gathering card game with some friends. -
Eminem the Complete Guide
Eminem The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 01 Feb 2012 13:41:34 UTC Contents Articles Overview 1 Eminem 1 Eminem discography 28 Eminem production discography 57 List of awards and nominations received by Eminem 70 Studio albums 87 Infinite 87 The Slim Shady LP 89 The Marshall Mathers LP 94 The Eminem Show 107 Encore 118 Relapse 127 Recovery 145 Compilation albums 162 Music from and Inspired by the Motion Picture 8 Mile 162 Curtain Call: The Hits 167 Eminem Presents: The Re-Up 174 Miscellaneous releases 180 The Slim Shady EP 180 Straight from the Lab 182 The Singles 184 Hell: The Sequel 188 Singles 197 "Just Don't Give a Fuck" 197 "My Name Is" 199 "Guilty Conscience" 203 "Nuttin' to Do" 207 "The Real Slim Shady" 209 "The Way I Am" 217 "Stan" 221 "Without Me" 228 "Cleanin' Out My Closet" 234 "Lose Yourself" 239 "Superman" 248 "Sing for the Moment" 250 "Business" 253 "Just Lose It" 256 "Encore" 261 "Like Toy Soldiers" 264 "Mockingbird" 268 "Ass Like That" 271 "When I'm Gone" 273 "Shake That" 277 "You Don't Know" 280 "Crack a Bottle" 283 "We Made You" 288 "3 a.m." 293 "Old Time's Sake" 297 "Beautiful" 299 "Hell Breaks Loose" 304 "Elevator" 306 "Not Afraid" 308 "Love the Way You Lie" 324 "No Love" 348 "Fast Lane" 356 "Lighters" 361 Collaborative songs 371 "Dead Wrong" 371 "Forgot About Dre" 373 "Renegade" 376 "One Day at a Time (Em's Version)" 377 "Welcome 2 Detroit" 379 "Smack That" 381 "Touchdown" 386 "Forever" 388 "Drop the World" -
Township to Acquire Strathmore Waterco
A Panorama COVERING TOWNSHIPS OF Of Local HOLMDEL. MADISON MARLBORO. MATAWAN People And AND Events MAI A WAN BOROUGH MsraMt •6th YEAR - 4th WEEK MATAWAN. N. J.. THURSDAY, JULY 23, 1964 Htm J«M> Prc Single Copy Ten Cents *Soup's On" - At Boy Scout JumlxM-cc In Valley Forge Barbagciata In Seek Hearing Township To Acquire Malawan Township Mayor lie*. ry Tranhagen said Monday algM For Gas Station the township has petitlued the Stale Highway IK-parlment far • , Strathmore WaterCo. Third Time Before hearing on its appeal for a Iraf-. • The Matawan Township Commit- Borough Zone Board flc light al the Intersection t| tee Monday night voted unanimous- Koule 34 and l.loyd Rd. The re- ly to acquire either by purchase or No Quorum John Barbagclata, Nolan'j Cor- quest has received a verbal de- nial. (Condemnation, the Slrathmore Wat- ner Rd,. Morganville, renewed his er Co., a private utility serving The Malawan Borough Planning The mayor also reported thai ever MM home* in Strathmore and Board failed to hold Us regularly attempt to free his property 110 the Monmouth County Board of immediate areas. scheduled meeting Monday due to fee! .south of Mill Rd. on the south I'reeholders will be asked lo wid- , The township plan* to finance the lack of a quorum. The board will side of Route. Jl from the limita- en Cliffwood Ave. and relocate • hold a ipscial meeting Thursday, tions of residential zoning in the stop line on Ihe street at its Inter- purchase with a bond inue, then July 30. Create a utilities authority which. -
Flutists' Family Tree : in Search of the American Flute School / by Demetra
FLUTISTS’ FAMILY TREE: IN SEARCH OF THE AMERICAN FLUTE SCHOOL DOCUMENT Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Demetra Baferos Fair, M.M. ***** The Ohio State University 2003 Dissertation Committee: Professor Katherine Borst Jones, Adviser Approved by Professor Lois Rosow Professor Christopher Weait Adviser School of Music Copyright by Demetra Baferos Fair 2003 ABSTRACT For decades, American flutists have sought to identify specific traits that define their playing as a whole. While the “French School” has been characterized by a preoccupation with tone, a standard repertoire, and set of teaching materials written by Paris Conservatoire professors, no such definition can yet be set forth for the “American School.” This document provides a clear starting point for research into the what, where, why, and how of the “American Flute School” by first identifying who is associated with that school. By tracing the lineage of transverse flute playing from teacher to student through the past 300 years, we may identify orchestral flutist, soloist, and teacher, Georges Barrère, as a primary influence upon American flute playing. Barrère and his students – and his students’ students – have taught approximately 91% of all living flutists in the United States today. Of that vast number, approximately 87% can trace their heritage (through one or more of their teachers) to Barrère student William Kincaid, renowned flutist of the Philadelphia Orchestra and pedagogue at the Curtis Institute of Music. It is important to note that most modern musicians study with more than one teacher over the course of their career (usually between three and eight). -
Happy Reading! Robin & Chrissie
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik A complete (as far as is possible) index/encyclopaedia on every facet of Don & Phil Everly, covering their lives, careers, influences and connections – of course, from us as huge fans, with all due respect to them and their families. For more recording information, see also the various detailed discography lists on the EBI website (Everly.Net); for lyrics to songs, please refer to the Lyric List on the same website (http://www.everly.net/file/disco/disco.htm ). KEY/GLOSSARY/NOTES: • WB: Warner Brothers • EBs: The Everly Brothers • LPs, CDs etc. are generally (but not always) referred to throughout as ‘albums’. • Other than important (re)releases, only the original/initial album release is referred to. • Entries are listed under the first letter, including titles that start with a bracket, e.g. ‘(Why Am I) Chained To A Memory’, but exclude ‘The’ in which case they are listed under the second word. • Surnames or family names come first in the index. • Headings are coloured blue for song and album titles and maroon for everything else. • All words in bold type in the text are cross-references to other main entry headings – although no doubt we’ve missed a few! • Entries are generally aimed to be informative and we have attempted to keep them brief though some are lengthy due to the importance and significance in the life and career of Don and Phil. However, in some cases, due to the limitations of space and the huge volume of material available elsewhere, details have been kept to a bare minimum and relate mainly to the ‘Everly connection’ – e.g. -
Msmi.2017.2-1
MSMI 11:1 Spring 17 https://doi.org/10.3828/msmi.2017.2 ‘Comparable to MTV – but Better’ The Impact of The Chart Show on British Music Video Culture, 1986–1998 JUSTIN SmiTH ‘Comparable to MTV – but Better’ The Chart Show was a weekly UK TV programme showcasing music videos from the Media Research Information Bureau (MRIB) Network Chart and a range of independent and specialist pop music charts. It began broadcasting on Friday evenings on Channel 4 in April 1986 and ran for three series until September 1988. Its production company, Video Visuals, subsequently found a new home for The Chart Show with Yorkshire Television on ITV, where it went out on Saturday mornings between January 1989 and August 1998. What made the show unique in the British broadcasting context was that it was the first presenter-less pop chart programme that showcased popular music exclusively in video form. Beginning at a time when MTV was still unavailable in the UK, The Chart Show was innovatory in consolidating music video as the lingua franca of the pop singles market. Drawing on archival sources from Channel 4, and the trade and popular music presses, this article shows how The Chart Show helped shape the form of music video, contributed to its commercial status, boosted singles sales, and drove industry demand and production schedules. It argues that an appreciation of music video is dependent upon the historical specificity of its broadcast context. Origins Writing about the ‘uneasy relationship’ between popular music and television, Simon Frith argues that it was only with the emergence of cable television in the 1980s that a music television service was developed with anything like the day-to-day significance of music radio. -
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www.americanradiohistory.com ere,411 WHEN YOU'RE WITH CHARLIE DANIELS, ; "Heaven Can Be Anywhere (Twir Pines Theme)' 5( ef HEAVEN The first single from the new Charlie Daniels Band album, CAN BE ANYWHERE. "Midnight Wind'.' On Epic Records. I. 4 7E Ais3 cteo. I o bie on tope,- EPC, MARCA REG 1977 CBS www.americanradiohistory.com THE INTERNATIONAL MUSIC RECORD WEEKLY BOX CASHXXXIX NUMBER October VOLUME - 11- 11977 GEORGE ALBERT box editorial President and Publisher cash MEL ALBERT General Manager GARY COHEN Editor In Chief J. B. CARMICLE General Manager, East Coast East Coast Editorial KEN TERRY, Assistant Editor PHIL DIMAURO CHARLES PAIKERT MARK MEHLER West Coast Editorial DAVE FULTON, Assistant Editor CHUCK COMSTOCK ALAN SUTTON RANDY LEWIS JEFF CROSSAN JEFFREY WEBER CARITA SPENCER CMA Week In Review TERRY FULLERTON Account Director, West Coast The Nashville Community welcomed over 5000 artists, managers, record Research MARK ALDERMAN executives and radio people into their backyard last week for the 25th Annual TIM WILLIAMS KEN KIRKWOOD Celebration of the Grand Ole Opry and Country Music Association Convention. SCOTT ANDERSON JEFF RAY Not only was a good time had by all, but the convention convincingly illustrated LARRY CARLAT BILL FEASTER that country music is still alive, vibrant, and a viable factor in the music industry. LEN CHODOSH STEVE HULEN Aside from the normal convention festivities of meetings and seminars, the DAVID FISCH for renewed friendships and establishing new Coin Machine occasion provided the opportunity Chicago ones. In addition, discussions about the new country sound versus the old CAMILLE COMPASIO, Manager of Art Directors highlighted many meetings and conversations.