ADVANCED ENGLISH Student Worksheet 1 Module 8 • Living Art Set A: Reading

Total Page:16

File Type:pdf, Size:1020Kb

ADVANCED ENGLISH Student Worksheet 1 Module 8 • Living Art Set A: Reading ADVANCED ENGLISH Student Worksheet 1 Module 8 • Living Art Set A: Reading Name: Reviews of the Movie Girl with a Pearl Earring Girl with a Pearl Earring (2003) 100 minutes – Biography / Drama / Romance A young maid working in the house of painter Johannes Vermeer becomes his assistant and the model for one of his most famous works. Director: Peter Webber Writers: Tracy Chevalier (novel), Olivia Hetreed (screenplay) Actors: Scarlett Johansson, Colin Firth and Tom Wilkinson Review 1 Based on the best-selling novel by Tracy Chevalier, Girl with a Pearl Earring (2003) tells the fictionalized story behind Johannes Vermeer’s famous painting of the same name. Griet, a 16-year-old girl, is employed as a housemaid in the Vermeer household. As she cleans Vermeer’s studio, Griet becomes fascinated by the artist’s work. Noting her passion for art, Vermeer begins to take an interest in the young girl. Eventually, he paints her portrait, borrowing his wife’s precious pearl earring for Griet to wear while he paints her. Scarlet Johansson‘s sensitive portrayal of Griet is exceptional. Although she has very little dialogue, she succeeds in creating a completely believable character. Colin Firth is also excellent as the moody and talented Vermeer. The acting is not the only thing worth mentioning. The cinematography is also amazing and the soundtrack is wonderful. However, those who read Chevalier’s book may find the movie disappointing. Important supporting characters from the novel have been removed and the ending has been changed. If you are a fan of the book, as I am, you may leave the movie theater feeling unsatisfied by the frustratingly inconclusive ending. Review 2 Director Peter Webber’s movie Girl with a Pearl Earring is a remarkable achievement. Filmed on location in Holland and Luxembourg, the movie does a fine job of bringing 17th-century Holland to life. Its exquisite attention to detail also gives us excellent insight into Vermeer’s creative process. Yet Girl with a Pearl Earring is much more than a work of historical fiction. Eduardo Serra’s exquisite camera work makes the movie a visual delight. In fact, many of the frames remind us of Vermeer’s paintings. What is more, tremendous acting performances ensure that the movie is full of sexual tension. The actors have created three-dimensional characters that are complex and fascinating. Although the pace of the movie is unhurried, I was never bored. Girl with a Pearl Earring is a real treat! Determining Positive and Negative Critique in Movie Reviews: Page 1 of 2 ADVANCED ENGLISH Student Worksheet 1 Module 8 • Living Art Set A: Reading Name: Reviews of the Movie Girl with a Pearl Earring (continued) Review 3 Girl with a Pearl Earring is director Peter Webber’s first feature film. Previously known for his work as a director of British television, Webber has created a wonderful movie, in which he shows tremendous skill as a movie maker. Webber was an art major in college and his love of art and of Vermeer’s work comes across very clearly in this production. His emphasis on color and light and his positioning of the camera result in movie scenes that look like paintings themselves. My only criticism of Girl with a Pearl Earring is that it is a little slow at times. Yet, it never becomes boring, thanks to Eduardo Serra’s compelling cinematography and an exceptional cast. Scarlett Johansson, known for her role in Lost in Translation and many other movies, is one of the best actresses around. Johansson excels in a role in which she barely speaks. As a result of Johansson’s wonderful acting we are able to understand Griet’s thoughts, based mainly on her facial expressions and body language. Review 4 Girl with a Pearl Earring is a slow-moving movie about a servant who doesn’t say or do very much. Although the ads for the movie present it as a piece about Vermeer’s obsession with his young servant girl, in reality the on-screen relationship comes across as pretty unexciting and bland. In fact, I had to work hard to stay awake. That is not to say that the movie doesn’t have any strengths. The visual images are beautiful and the musical score is wonderful. The movie also succeeds in depicting 17th-century life in Holland very realistically. However, although the actors make an effort, their performances are not remarkable. We never become involved enough with the characters to actually care what happens to them. What’s more, there isn’t enough of a storyline to grab anyone’s attention. Unlike Tracy Chevalier’s best-selling novel, which the film is based on, the movie is dull and uninteresting. In fact, when it finally ended after an excruciating one hour and 39 minutes, I couldn’t hide my relief. It is true that the movie has been well received by critics. Nevertheless, unless you are very interested in the history of art, I would certainly recommend skipping this one! Determining Positive and Negative Critique in Movie Reviews: Page 2 of 2 ADVANCED ENGLISH Student Worksheet 2 Module 8 • Living Art Set A: Reading Name: Using Reviews PART 1 Review 1 Review 2 Review 3 Review 4 The acting The work of the director The cinematography The pace of the movie The musical score How the movie compares to the novel it is based on PART 2 Review 1 This review is generally positive / generally negative / mixed. Suggested explanation Review 2 This review is generally positive / generally negative / mixed. Suggested explanation Review 3 This review is generally positive / generally negative / mixed. Suggested explanation Review 4 This review is generally positive / generally negative / mixed. Suggested explanation Determining Positive and Negative Critique in Movie Reviews: Page 1 of 2 ADVANCED ENGLISH Student Worksheet 2 Module 8 • Living Art Set A: Reading Name: Using Reviews (continued) PART 3 Imagine that eight people read reviews of Girl with a Pearl Earring online to see if the movie might interest them. Based on the descriptions of these eight people and their interests, which of them might be interested enough to read the reviews in depth, and watch the movie? What might catch their eye when they first scan the review and help them decide whether or not to read on? Copy a relevant phrase from a review. Would They Points in the Text Description of People See the Movie That May Help Them Decide (Yes or No) David is from the U.K. He especially likes the work of British film directors. Emily enjoyed the movie Lost in Translation years ago and she will watch any movie that the actress appears in. Sara doesn’t like movies based on historical events. She prefers movies set in modern times. As an art student, Greg particularly enjoys the work of classic artists. Cathy gets bored easily. She can’t watch movies that are longer than 90 minutes. Rachel’s hobby is photography, so she prefers to watch movies in which the cinematography is good. Jack didn’t enjoy reading any of Tracy Chevalier’s books. Paul is a big fan of Colin Firth. Determining Positive and Negative Critique in Movie Reviews: Page 2 of 2.
Recommended publications
  • Valerio Bonelli Editor
    VALERIO BONELLI EDITOR FILM & TELEVISION CYRANO Director: Joe Wright Production Company: Working Title Films SANPA: SINS OF THE SAVIOR Director: Cosima Spender Production Company: Netflix THE WOMAN IN THE WINDOW Director: Joe Wright Production Company: Netflix THE BOY WHO HARNESSED THE WIND Director: Chiwetel Ejiofor Production Company: Potboiler Productions & Netflix Nominated, Best Debut Director and Best Supporting Actor, BIFA Awards (2019) Official Selection, Sundance Film Festival (2019) Official Selection, Berlin Film Festival (2019) DARKEST HOUR Director: Joe Wright Production Company: Working Title Films Nominated, Best Picture & Best Actor, Academy Awards (2018) Winner, Best Leading Actor, BAFTA Awards (2018) Official Selection, Toronto Film Festival (2017) BLACK MIRROR: NOSE DIVE Director: Joe Wright Production Company: Netflix Official Selection, Toronto Film Festival (2016) Official Selection, London Film Festival (2016) LUX ARTISTS | 1 FLORENCE FOSTER JENKINS Director: Stephen Frears Production Company: Pathe THE MARTIAN (Co-editor) Director: Ridley Scott Production Company: 20th Century Fox Official Selection, Toronto Film Festival (2015) THE PROGRAM Director: Stephen Frears Production Company: Working Title Films Official Selection, Toronto Film Festival (2015) Official Selection, London Film Festival (2015) PALIO Director: Cosima Spender Production Company: Playmaker Films Winner, Best Documentary Editing, Tribeca Film Festival (2015) Nominated, Best Documentary, BIFA Awards (2015) Nominated, Best Documentary, Tribeca Film
    [Show full text]
  • Delegates Guide
    Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator
    [Show full text]
  • Transmutation of Novel on Silver Screen 1Arya Manoharan and 2Geetha R
    International Journal of Pure and Applied Mathematics Volume 119 No. 16 2018, 5389-5395 ISSN: 1314-3395 (on-line version) url: http://www.acadpubl.eu/hub/ Special Issue http://www.acadpubl.eu/hub/ Transmutation of Novel on Silver Screen 1Arya Manoharan and 2Geetha R. Pai 1Department of English & Languages, Amrita School of Arts & Sciences, Amrita Vishwa Vidyapeetham, Kochi, India. 2Department of English & Languages, Amrita School of Arts & Sciences, Amrita Vishwa Vidyapeetham, Kochi, India. Abstract The purpose of this paper is to provide a systematic analysis of the transmutation occurring in the adaptation of a narrative for the motion- pictures. Literary adaptation is actually adapting a literary source into another medium. The fascination behind this sort of activity is that to witness how the magical power of words has been revamped into another media. Adaptation can also be considered as a form of communication that happens between the creativity of a particular author, text and the new form that has been created or adapted. Here, the miniature of an adaptation is exercised on the filmic adaptation of Tracy Chevalier’s novel Girl with a Pearl Earring, with an aim to understand the aspects in which the adaptation differs from the source novel. Key Words:Transmutation, narrative, adaptation shift. 5389 International Journal of Pure and Applied Mathematics Special Issue 1. Introduction The colors, the light, the simplicity of the image, that direct gaze: a lot of Vermeer’s paintings are people not looking at us, in their own world, but she draws us in. In that way she’s very modern. When you think about the Monalisa, she is also looking at us, but she isn’t sitting back in the painting, self-contained.
    [Show full text]
  • Culture Clips 44-83
    Girl with a Pearl Earring Girl with a Pearl Earring Director: Peter Webber Year: 2004 4 • COMPREHENSION Starring: Colin Firth, Scarlett Johansson, Tom Wilkinson a. Watch the scene with the sound on and answer these questions. 1. How many characters are involved? 1 • WARM-UP 2. What is the girl’s name? a. Look at the pictures on these pages, and try to answer the following questions. 3. What does the man do? 4. Where are they? 1. When do you think the film is set? 5. What are they talking about? ................................................................................................................................................................................. 6. What colours are in the clouds? 2. Where do you think the scene takes place? b. Write these parts of dialogue under the appropriate frame from the scene below. ................................................................................................................................................................................. 1. Nothing’s the right colour. 3. Who are the main characters? 2. This is the base colour. ................................................................................................................................................................................. 3. Look, Griet. 4. What is the man’s job? 4. Look at the clouds. What colour are they? ................................................................................................................................................................................. 5. What
    [Show full text]
  • Un Film De Peter Webber the Soul of Jamaica
    The soul of Jamaica un film de Peter Webber 1 BORSALINO PRODUCTIONS présente Une co-production BORSALINO PRODUCTIONS, WAG PROD, WAGRAM FILMS, CHARADES et VALDÈS un film de Peter Webber France – 1h39 – 2019 – Scope – 5.1 AU CINÉMA LE 10 JUILLET NOUVEL ALBUM : LE 12 AVRIL CONCERT À L’OLYMPIA : LE 15 JUIN DISTRIBUTION RELATIONS PRESSE Stanislas Baudry 5, rue Darcet 34, boulevard Saint-Marcel 75017 Paris 75005 Paris Tél : 01 44 69 59 59 Tél. : 06 16 76 00 96 www.le-pacte.com [email protected] Matériel presse téléchargeable sur www.le-pacte.com 2 3 LE PROJET MUSICAL INNA DE YARD Inna de Yard est un collectif de chanteurs de reggae légendaires, qui ont uni leurs talents pour remonter aux sources de leur musique à travers un album exceptionnel, enregistré en acoustique et en plein air. Inna de Yard – littéralement « in the yard » – signifie « dans la cour ». C’est là qu’ont vu le jour et se sont développées des musiques jamaïcaines tels que le ska, le rocksteady et, bien sûr, le reggae. La cour où les vingt musiciens se sont retrouvés durant quelques jours pour enregistrer ce disque extraordinaire n’est autre que la terrasse d’une maison perchée sur les hauteurs de Kingston, au cœur de la luxuriante nature jamaïcaine. L’album regroupe des interprètes mythiques SYNOPSIS tels que Ken Boothe, Kiddus I, Winston McAnuff, Cedric Myton (le leader des Congos), les Viceroys, Horace Andy et Judy Mowatt, ainsi que les espoirs les Sur les hauteurs verdoyantes de Kingston, des légendes plus prometteurs de la nouvelle génération reggae, représentée par Jah9, du Reggae se retrouvent pour enregistrer un disque.
    [Show full text]
  • Film Music Magazine Scoring Emperor
    The weight of history can be as dramatic as it is romantic, a counterpoint explored in any number of classical films, and symphonically lush scores that have dealt with the West’s awakening to the war-torn East. Now, that majestic sound has been robustly picked up by British composer Alex Heffes for “Emperor,” the new film from director Peter Webber (“Girl with the Pearl Earing”) that contrasts General MacArthur’s postwar search for the guilt, or innocence of the country’s god-ruler Hirohito with a military investigator’s desperate quest to determine if his Japanese fiancé has survived his nation’s bombing of her motherland during WW2. Alex Heffes is a world traveler himself, ethereally capturing the danger of climbing an Andes peak in “Touching the Void,” hearing the African heart of an 84 year-old “First Grader” and even composing original patriotic music for the Arab state of Qatar. But the score that would take him from smaller English pictures like “The Parole Officer” and “Dear Frankie” to the Hollywood likes of “State of Play” and “The Rite” would be “The Last King of Scotland,” a soundtrack for a far more horrific imperious leader that saw Heffes venture to Uganda to record singers in a country formerly oppressed by Idi Amin. “Emperor” is about an ancient Japanese spirit that’s as capable of beauty as it is atrocity. But where one might expect Heffes’ to take a similarly exotic approach to this score as his past journeys, here he’s mostly encapsulated a people’s mysterious mindset into a symphonically lavish voice, a fitting approach for a country that’s under American occupation.
    [Show full text]
  • London's Symphony Orchestra
    London Symphony Orchestra Living Music Thursday 11 December 2014 7.30pm Barbican Hall LSO ON FILM: THE MAGIC AND MAJESTY OF ALEXANDRE DESPLAT Alexandre Desplat Love Theme from ‘The Twilight Saga: New Moon’ Girl with a Pearl Earring – Suite The Curious Case of Benjamin Button – Suite Stephen Frears – Suite (featuring ‘Philomena’ and ‘The Queen’) Ghost Writer – Suite The Grand Budapest Hotel INTERVAL Main titles from ‘Godzilla’ King’s Speech – Suite Dave Arch piano Pelléas et Mélisande: Sinfonia Concertante for Flute and Orchestra Gareth Davies flute Birth – Suite London’s Symphony Orchestra The Imitation Game Harry Potter and the Deathly Hallows – Suite Alexandre Desplat conductor Dominique Lemonnier artistic director Sol Rey & Ange Leccia videos Xavier Forcioli production coordinator Kraft Engel Management / Richard Kraft & Laura Engel concert associate producer Concert finishes approx 9.45pm 2 Welcome 11 December 2014 Welcome Living Music Kathryn McDowell In Brief Welcome to this evening’s LSO concert where APPLICATIONS FOR THE 2015 PANUFNIK it is a great pleasure to welcome composer COMPOSERS SCHEME ARE NOW OPEN and conductor Alexandre Desplat in this special Once again the LSO will offer six UK-based performance of his music scored for film. composers the opportunity to write a new three- minute work for the London Symphony Orchestra. The LSO has a long and fruitful relationship The scheme culminates with a public workshop with Alexandre Desplat, having recorded many in March 2016 during which the new pieces will of the scores you will hear this evening for the be rehearsed by François-Xavier Roth and the films concerned, and the Orchestra is delighted London Symphony Orchestra at LSO St Luke’s.
    [Show full text]
  • PETER LAMBERT Editor
    PETER LAMBERT Editor FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS MAMMA MIA! HERE WE GO AGAIN Ol Parker Judy Craymer, Gary Goetzman Universal THE DEATH OF STALIN Armando Iannucci Kevin Loader, Nicolas Duval Adassovsky Laurent Zeitoun, Yann Zenou / Main Journey IFC Film WOMAN IN GOLD Simon Curtis David M. Thompson, Kris Thykier The Weinstein Company / Origin Pictures BBC Films A BRILLIANT YOUNG MIND aka X PLUS Y Morgan Matthews David M. Thompson, Laura Hastings-Smith Origin Pictures / BBC Films / BFI THE LAST DAYS ON MARS Ruairi Robinson Michael Kuhn, Andrea Cornwell Qwerty Films / Universal Pictures NOW IS GOOD Ol Parker Graham Broadbent, Peter Czernin Sony Pictures / BBC Films A BETTER LIFE Chris Weitz Paul Junger Witt, Jami Gertz, Stacey Lubliner Christian McLaughlin / Summit Entertainment THE TWILIGHT SAGA: NEW MOON Chris Weitz Wyck Godfrey, Karen Rosenfelt Temple Hill Entertainment Summit Entertainment CRACKS Jordan Scott Michael Costigan, Julie Payne, Andrew Lowe Assistant Editor, VFX Editor Scott Free / John Wells Productios Editor: Valerio Bonelli BODY OF LIES Ridley Scott Donald De Line, Ridley Scott / Warner Bros Assistant Editor Scott Free / De Line Pictures Editor: Pietro Scalia HANNIBAL RISING Peter Webber Dino De Laurentiis, Martha De Laurentiis Assistant Editor Tarak Ben Ammar / Zephyr Films / MGM Editor: Valerio Bonelli & Pietro Scalia TONIGHT IS CANCELLED Brendan Grant Macdara Kelleher, Arben Zharku Fastnet Films CHILDREN OF MEN Alfonso Cuarón Marc Abraham, Eric Newman, Hilary Shor Assistant Editor Iain Smith, Tony Smith / Strike Entertainment Editor: Alfonso Cuarón & Alex Rodriguez Universal Pictures OONA AND ME Documentary Nora Meyer Nora Meyer, Nick Fraser / Storyville / BBC THE CLAP Short Geoff Lindsey Alan Dewhurst, Hugh Welchman Breakthru Films STREETS Short Jon Howe Clare Spencer, Jo Nolan / Grasshopper Films PLAYING DEAD Short David Hunt David Hunt BRAND SPANKING Short John-Paul Harney Neil Jaworski LONDON KEBABS Short Pierre Tatarka Rebekah Gilbertson .
    [Show full text]
  • Art and New Media: Vermeer's Work Under Different Semiotic Systems
    Vieira Art and New Media: Vermeer’s Work under Different Semiotic Systems Vieira 2 Miriam de Paiva Vieira Art and New Media: Vermeer’s Work under Different Semiotic Systems Submitted in partial fulfillment of the requirements for the degree of "Mestre em Letras: Estudos Literários". Area: Literatures in English Line of Research: Literature and other semiotic systems Thesis Advisor: Prof. Dra. Thaïs Flores Nogueira Diniz Belo Horizonte Faculdade de Letras Universidade Federal de Minas Gerais 2007 Vieira, Miriam de Paiva. V658a Art and new media [manuscrito] : Vermeer’s work under different semiotic systems / Miriam de Paiva Vieira. – 2007. 116 f., enc. : il. color., p&b, tab. Orientadora : Thaïs Flores Nogueira Diniz. Área de concentração: Literaturas de Expressão Inglesa. Linha de Pesquisa: Literatura e outros Sistemas Semióticos. Dissertação (mestrado) – Universidade Federal de Minas Gerais, Faculdade de Letras. Bibliografia : f. 110-116. 1. Vermeer, Johannes, 1632-1675 – Crítica e interpretação – Teses. 2. Arte e literatura – Teses. 3. Adaptações para o cinema – Teses. 4. Semiótica e artes – Teses. 5. Semiótica e literatura – Teses. 6. Intermedialidade – Teses. 7. Transtextualidade – Teses. I. Diniz, Thaïs Flores Nogueira. II. Universidade Federal de Minas Gerais. Faculdade de Letras. III. Título. CDD : 809.93357 Vieira 3 I dedicate this work to the new reason of my life: Débora. Vieira 4 ACKNOWLEDGEMENTS To my dear nephew Guilherme and all the late snacks brainstorming over the kitchen’s table. To my good friend James and his thoughtful revisions. To my sister Maria Teresa for making me laugh at the most difficult times. To my colleague, and now good friend, Patrícia Lane for all the sharing.
    [Show full text]
  • Sturbridge Senior Center
    STURBRIDGE SENIOR CENTER %`G`1R$VQ%JH1CQJ$1J$ :1J `VV ^].71H:C :RR`V_ 88Q6 MAIN PHONE (508) 347-7575 FAX (508) 347-1758 NUTRITION PHONE (508) 347-5063 ELDER BUS (800) 321-0243 The mission of the Sturbridge Council on Aging is to promote healthy and acve aging by addressing the physical, social and economic needs of seniors; and to provide resources, services, educaon, and acvies to embrace aging with health and vi :C1 78 S.A.L.T./EMERGENCY PREPAREDNESS CLASS Learn how to prepare yourself for an emergency/Call Heather to sign up 508-347-7575 Where: Old Sturbridge Village, Fuller Conference Room When: Thursday, November 8, 2018 from 1:00pm-2:30pm Who: All are welcomed, but focus will be on those with disabilities in our community Have you ever wondered how you would respond in an emergency? Do you have a plan? Join us as the Massachusetts Office on Disability is presenting an emergency preparedness class. Learn the keys to keeping you and your family safe during an emergency, this class is vital for all those who want to be able to protect themselves during an emergency. * First 50 participants will receive an Emergency GO Pack with some of the essential items needed during an emergency * “Giving Back” From the Director November is the month of “giving.” Let’s give to the Jennifer’s Fitness Exercise Class procedure Due to the popularity of Jennifer and her Exercise Class the fol- children at Burgess Elementary School this year. The lowing Procedure is being put in place.
    [Show full text]
  • The Physician at the Movies
    The physician at the movies Girl with a Pearl Earring. Johannes Vermeer, ca. 1655–1656. Oil on canvas. Royal Picture Gallery Mauritshuis, the Hague, Netherlands. Photo credit: Album/Art Resource, New York. Scarlett Johansson plays Griet in Girl With A Pearl Earring. © Pathe Distribution Ltd. Photographer: Jaap Buitendijk. Girl with a Pearl Earring blocks away on Madison Street above a Greek cafe. This apart- Starring Scarlett Johansson, Colin Firth, and Tom Wilkinson. ment had radiators for heat, as well as hot water, with a toilet Directed by Peter Webber. Rated PG-13. Running time 100 and bathtub/shower that had been added in separate corners of minutes. the kitchen to comply with evolving New York City tenement laws. The shower curtain was essential—the apartment door rowing up, I lived in a cold water flat on the Lower East opened directly opposite the shower. When I was thirteen we Side of New York on Water Street between the Brooklyn were again relocated, this time to housing projects (my grand- andG Manhattan Bridges.1 Cold water flats consisted of rooms parents to one downtown and my parents and I to another sequenced like railroad cars, with a kitchen at one end contain- uptown). It wasn’t until I graduated from medical school that ing a wood stove that served as the apartment’s main source my parents could afford a home of their own. of heat as well as for cooking, an icebox, and a toilet on Count me as one of those who, having grown up in a lov- the landing.
    [Show full text]
  • Hannibal Rising Directed by Peter Webber Starring: Gaspard Ulliel Li Gong Rhys Ifans Rated “R”
    New installment in Lecter cycle adds nothing new Hannibal Rising Directed by Peter Webber Starring: Gaspard Ulliel Li Gong Rhys Ifans Rated “R” n the recently-released gorefest Hannibal Rising, viewers get a look into the terrifying childhood of future cannibal Hannibal Lecter (Gaspard Ul- liel, in his English-language film debut), made famous as an adult by Anthony Hopkins inSilence of the Lambs, Red Dragon and Hannibal. Like the other three films,Hannibal Rising is adapted from one of the tetralogy of novels by Thomas Harris, but it is the first “prequel” in the series. I The movie begins when young Hannibal and his family flee from their house in Lithuania during world war two. The family goes to a cottage farther off the main roads. Before the family can even settle in, they are disturbed by a Russian tank. The tank merely needs water, but in the meantime, Nazi planes begin to fly overhead, pummeling the ground with as many rounds as they can muster. The only ones spared are Hannibal and his baby sister Mischa. Nazis soon discover Hannibal and his sister. When the men find there is nothing to eat in the cottage, the cannibalistic foreshadowing begins. The men turn on the children in a predictable move. Mischa is the “meatier” of the two, so the men choose to eat her. Eventually Hannibal’s tortur- ers flee when the house is hit with a bomb. An approaching army shortly rescues Hannibal. The movie fast-forwards eight years when Hannibal is in an orphanage for boys. Conveniently, the orphanage is set up in the original Lecter house.
    [Show full text]