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Hrvatski Filmski Savez hfl_40k.qxd 2004-12-07 16:23 Page 1 Hrvatski filmski Hrvatski filmski Zagreb 40/2004 LJETOPIS 40/2004 Svim ~itateljima i suradnicima `elimo sretnu 2005. godinu dobar nastavak uzajamna povjerenja i suradnje CODEN.HFLJFV UDK 791.43/45 Hrvat.film.ljeto. god. 10. (2004.) br. 40 str.1-194 ISSN 1330-7665 40/2004. CODEN HFLJFV Sadr`aj / Contents UVODNIK EDITORIAL Hrvoje Turkovi}: 10 GODINA, 40 BROJEVA 3 Hrvoje Turkovi}: 10 YEARS, 40 ISSUES OF CROATIAN CINEMA CHRONICLE 3 TEMA: BLOCKBUSTERI TOPIC: BLOCKBUSTERS Sheldon Hall: RODOSLOVLJE MODERNOG BLOCKBUSTERA Sheldon Hall: THE GENEALOGY OF THE MODERN BLOCK- 5 BUSTER 5 Nenad Polimac. HRVATSKI BLOCKBUSTERI 17 Nenad Polimac: CROATIAN BLOCKBUSTERS 17 Igor Sara~evi}: STRANI BLOCKBUSTERI U HRVATSKOJ 21 Igor Sara~evi}: FOREIGN BLOCKBUSTERS ON CROATIAN SCREENS 21 FESTIVALI FESTIVALS Diana Nenadi}: POGLED PREKO RUBA, Zagreba~ki filmski festi- Diana Nenadi}: A GLANCE OVER THE EDGE, Zagreb film fes- val, 2004. 25 tival, 2004. 25 FILMOGRAFIJA I NAGRADE ZAGREBA, 2004 30 FILMOGRAPHY AND AWARDS, ZFF 2004 30 Petar Krelja: RITAM RADA, [iroki Brijeg, 2004 32 Petar Krelja: THE RHYTHM OF WORK, [iroki Brijeg, 2004 32 FILMOGRAFIJA I NAGRADE, [iroki Brijeg, 2004 39 FILMOGRAPHY AND AWARDS, [iroki Brijeg, 2004 39 Hrvoje Turkovi}: FILM SJENA BEZ SJENA, Chiavari, 2004 41 Hrvoje Turkovi}: SHADOW FILMS WITHOUT SHADOWS, Chiavari, 2004 41 KLASICI HRVATSKOGA FILMA THE CLASSICS OF CROATIAN FILM Jurica Pavi~i}: @UDNJA VLASTI I VLAST NAD @UDNJOM: Jurica Pavi~i}: YEARNINGS OF POWER AND POWER OVER SAMO JEDNOM SE LJUBI RAJKA GRLI]A 45 YEARNINGS: YOU ONLY LOVE ONCE BY RAJKO GRLI] 45 REPERTOAR REPERTOIRE Uredila: Katarina Mari} Edited by Katarina Mari} KINOREPERTOAR 57 THEATRICAL RELEASES 57 ANIMACIJSKE STUDIJE ANIMATION STUDIES Midhat Ajanovi}: FILM S TAJNOM DON KIHOT VLADE Midhat Ajanovi}: A FILM WITH A SECRET DON KRISTLA 93 QUICHOTE BY VLADO KRISTL 93 Giannalberto Bendazzi: ALEXANDRE ALEXÉIEFF 105 Giannalberto Bendazzi: ALEXANDRE ALEXÉIEFF 105 LJETOPISOV LJETOPIS CHRONICLES CHRONICLE Marcella Jeli}: KRONIKA (rujan-listopad, 2004) 115 Marcella Jeli}: CHRONICLE (Septembre-Oktobre, 2004) 115 LEKSIKON PREMINULIH (Z. Lon~ari}) 117 LEXICON OF THE DECEASED (Z. Lon~ari}) 117 SA@ECI 119 ABSTRACTS 119 O SURADNICIMA I UREDNICIMA U OVOM BROJU 129 ON CONTRIBUTORS AND EDITORS IN THIS ISSUE 129 KUMULATIVNO KAZALO HRVATSKOG FILMSKOG THE CUMULATIVE INDEX CROATIAN CINEMA LJETOPISA 1-40 / 1995-2004. CHRONICLE 1-40 / 1995-2004 I. SADR@AJI PO BROJEVIMA (1-40) 135 I. CONTENTS BY ISSUES (1-40) 135 II. KAZALO AUTORA 152 II. AUTHOR INDEX 152 III. PREDMETNO KAZALO 165 III. SUBJECT INDEX 165 IV. DOKUMENTACIJSKI PRILOZI LEKSIKONI, FILMO- IV. PUBLISHED DOCUMENTATION LEXICONS, FILMO- GRAFIJE, BIBLIOGRAFIJE 185 GRAPHIES, BIBLIOGRAPHIES 185 V. SURADNICI I UREDNICI 188 V. CHRONICLES EDITORS AND CONTRIBUTORS 188 40/2004. HRVATSKI FILMSKI LJETOPIS THE CROATIAN CINEMA CHRONICLE ISSN 1330-7665 ISSN 1330-7665 UDK 791.43/.45 UDC 791.43/.45 Hrvat.film.ljeto., god. 10. (2004), br. 40 Hrvat.film.ljeto., Vol 10 (2004), No 40 Zagreb, prosinac 2004. Zagreb, December 2004 Copyright 1995: Croatian Film Clubs Association Nakladnik: Publisher: Hrvatski filmski savez Croatian Film Clubs Association Utemeljitelji: Founders: Hrvatsko dru{tvo filmskih kriti~ara, Croatian Society of Film Critics, Hrvatski dr`avni arhiv Hrvatska kinoteka, Croatian State Archive Croatian Cinematheque, Filmoteka 16 Filmoteka 16 Za nakladnika: Publishing Manager: Vera Robi}-[karica Vera Robi}-[karica Uredni{tvo: Editorial Board: Nikica Gili}, Bruno Kragi}, Diana Nenadi}, Ivo [krabalo, Nikica Gili}, Bruno Kragi}, Diana Nenadi}, Ivo [krabalo, Igor Tomljanovi}, Hrvoje Turkovi} (glavni urednik), Igor Tomljanovi}, Hrvoje Turkovi} (chief editor), Katarina Mari} (gostuju}a urednica) Katarina Mari} (guest editor) Likovni urednik: Design: Luka Gusi} Luka Gusi} Lektorica: Language advisor: Sa{a Vagner-Peri} Sa{a Vagner-Peri} Prijevodi na engleski: English translations: Snje`ana Grlju{i}-Kordi} Snje`ana Grlju{i}-Kordi} Priprema: Prepress: Kolumna d.o.o., Zagreb Kolumna d.o.o., Zagreb Tisak: Printed by: Tiskara CB Print, Samobor Tiskara CB Print, Samobor Hrvatski filmski ljetopis izlazi tromjese~no u nakladi od 1000 CCC is published quarterly, with circulation of 1000 copies primjeraka. Price of each copy: 18 =C Cijena ovom broju 50 kn Godi{nja pretplata: 150.00 kn Subscription abroad: 60 US Dollars, 60 =C @iro ra~un: Zagreba~ka banka, Account Number: br. ra~una: 2360000-1101556872 2100058638/070 S.W.I.F.T. ZABA HR 2X Za inozemstvo: 60.00 USD, 60.00 =C Adresa uredni{tva: Editors Adress: 10000 Zagreb, Dalmatinska 12 Hrvatski filmski ljetopis / Croatian Cinema Chronicle tel: 385 01/48 48 771, 385 01/48 48 764 Hrvatski filmski savez / Croatian Film Clubs Association fax: 385 01/48 48 764 Dalmatinska 12 10000 Zagreb, Croatia E-mail: [email protected] [email protected] tel: 385 1/48 48 771 [email protected] fax: 385 1/48 48 764 [email protected] E-mail: [email protected] Web stranica: www.hfs.hr [email protected] [email protected] Hrvatski filmski ljetopis evidentiran je u International Index to [email protected] Film/TV Periodicals, Rue Defacqz 1, 1000 Bruxelles, Belgium. Web site: www.hfs.hr Cijena oglasnog prostora: 1/4 str. 5.000,00 kn Hrvatski filmski ljetopis (The Croatian Cinema Chronicle) is 1/2 str. 10.000,00 kn indexed in the International Index to Film/TV Periodicals, 1 str. 20.000,00 kn Rue Defacqz 1, 1000 Bruxelles, Belgium Hrvatski filmski ljetopis izlazi uz potporu Ministarstva kulture CCC is subsidized by the Ministry of Culture, Republike Hrvatske i Gradskog ureda za kulturu, Zagreb Republic of Croatia and Zagreb City Office for Culture UVODNIK Hrvoje Turkovi} 10 godina, 40 brojeva Ovim, ~etrdesetim, brojem, navr{ava se deset godina izla`e- ske, uz nejasan status kulture u takvim restriktivnim uvjeti- nja Hrvatskoga filmskog ljetopisa. ma, svako rezanje kulturnog novca, pra}eno kolebanjima u kulturno-podru~nim preferencijama u Ministarstvu kulture, Kad je po~etkom 1995. Ivo [krabalo uspio kod onda{njega mogla je ugroziti i mjeru subvencioniranja i samo subvenci- ministra kulture i prosvjete Zlatka Viteza isposlovati subven- oniranje ~asopisa, osobito nekoga novog. ciju za projekt filmskoga ~asopisa, brz i vrlo spreman izlazak prvoga broja pratile su jake dvojbe. Iako u trenutku izla`e- Nesigurnost opstanka obilje`ila je i koncepciju ~asopisa: nja prvoga broja ve} vi{e godina nije bilo ni jednog specija- na{e je, tada trojno, uredni{tvo (Ivo [krabalo, pokojni Vje- liziranoga stru~nog filmskog ~asopisa, pa je opravdanje za koslav Majcen i ja) svaki broj odlu~ilo urediti tako kao da je njegovo izla`enje bilo jako, dugoro~an opstanak nije se ~inio jedini, odnosno mo`da posljednji. Svaki je broj nastojao biti nimalo zajam~en. svojevrsnim trajnim priru~nikom, za kojim }ete mo}i pose- gnuti u nailaze}im godinama, znaju}i da }ete na}i ili neki Iz dva, tada vrlo uvjerljiva, razloga. povijesno va`an interpretativni, histori~arski ili teorijski tekst, odnosno neke nezamjenjivo iscrpne i pouzdane podat- * * * ke o tadanjem stanju u kinematografiji (zato je ~asopisu dan, Prvo, bilo je to jo{ inicijalno tranzicijsko vrijeme, k tome pomalo arhai~an, naziv ljetopis). Iako je priroda ~asopisa pod stigmom rata, jo{ vrlo nesre|eno i uznemiruju}e, kad su da opi{e dani ~as, dani trenutak, smatrali smo da takav opis mnoge dotad nedvojbene institucije dru{tva dolazile na rub mora biti nad-~asovit, nadtrenuta~an, da svaki broj mora opstanka ili propadale, kad su mnoge poletne nove inicijati- mo}i poslu`iti kao postojana povijesna referencija o nacio- ve umirale jednako hitro kao {to su se javile. Moja je osob- nalnom i svjetskom filmu, kao jedna od temeljitih knjiga vla- na dvojba bila ho}e li u tim uvjetima nesigurnosti Hrvatski stite kulture. filmski ljetopis (kako ga je imenovao Ivo [krabalo) pre`ivje- ti vi{e od nekoliko sezona ho}e li se uklju~iti u krug re- * * * dovito subvencioniranih ~asopisa. No, drugo, upravo je ovakva zamisao izazvala skepsu u po- Naime, bez izda{nih nov~anih potpora ~asopisi ovakva pro- mnih pratitelja na{e filmske publicistike. fila, {to su parafraziraju}i Stanka [imi}a motori nacio- Znaju}i za svega nekolicinu stru~njaka {to se posve}uju ta- nalne kulture, ne mogu opstati. kvom izu~avala~kom, esejisti~ko-tuma~ila~kom, histori~ar- Psiholo{ka je ~injenica da ~asopisi, da bi ih se uop}e kupo- skom i teorijskom te dokumentacijskom poslu u nas (tek valo osobito u osiroma{enim prilikama moraju biti pet-{est njih), promatra~i nisu bili nimalo uvjereni da }e ~a- drasti~no jeftiniji od prosje~ne cijene knjiga, s kojom se, sopis takva, u samu po~etku jasno ocrtana, profila i razine, opet, mogu mjeriti i opsegom, a i zahtjevno{}u izrade i nje- imati dovoljno materijala tj. broj suradnika i vrijednih zinom cijenom. Ve} zato oni ne mogu biti prodajno isplati- tekstova za dugoro~an i jednako nabrijan opstanak. vi. Iako je u to vrijeme stasala brojna mla|a generacija medij- A posebna je ~injenica novonastala tr`i{ta da su ~asopisi iz- skih filmskih kriti~ara (odmah anga`iranih u dnevnim novi- gubili svoju knji`arsku distribuciju, a nisu prihva}eni ni na nama, revijama, radiju i televiziji), jedino je nekoliko dobro novinskim kioscima, te tako gotovo da i nisu dostupni na poznatih starijih terenaca pokazivalo neku studijsku disci- javnotr`i{nim mjestima. Distribucijske su se prilike vratile na plinu, sposobnost da pi{u ve}e i pripremljenije tekstove. ilirsko-prosvjetiteljsko razdoblje, kad je jedina prodaja ~aso- Mla|i su uglavnom bili recenzentski orijentirani, istrenirani pisa bila individualnom pretplatom (dakako, primjereno jef- na kra}e tekstove jedino prihvatljive u novinama, te nisu po- tinom). A javno su bili dostupni tek u rijetkim ~itaonicama, kazivali ni neovisne potrebe, a ni strpljenja da pi{u opse`ni- odnosno knji`nicama. Tako se prodaje i raspa~ava i ovaj ~a- je, razra|enije i studijski pripremljenije tekstove.
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