Steve Turre Hangs on at No. 1 Stefano Di Battista
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Casiopea 1979 Full Album Download
casiopea 1979 full album download IsraBox - Music is Life! Casiopea - Best of Casiopea-Alfa Collection (2009) Artist : Casiopea Title : Best of Casiopea-Alfa Collection Year Of Release : 2009 Label : Alfa Records Genre : Jazz, Jazz Fusion Quality : MP3/320 kbps Total Time : 77:28 Total Size : 183 MB(+3%) Casiopea - Jive Jive (2002) [24bit FLAC] Artist : Casiopea Title : Jive Jive Year Of Release : 1983 / 2002 Label : Village Records / Alfa – ALR 28052 / Vinyl, LP Genre : Jazz-Rock, Jazz- Funk, Smooth Jazz, Fusion Quality : FLAC (tracks+.cue,log scans) / FLAC (tracks) 24bit-192kHz Total Time : 38:18 Total Size : 245 Mb / 1.48 Gb. Casiopea - Dramatic (1993) Artist : Casiopea Title : Dramatic Year Of Release : 1993 Label : Alfa Records Genre : Jazz, Fusion Quality : FLAC (tracks+.cue, log) Total Time : 51:04 Total Size : 351 MB. Casiopea - Answers (1994) Artist : Casiopea Title : Answers Year Of Release : 1994 Label : Alfa Genre : Smooth Jazz, Jazz-Funk, Fusion Quality : FLAC (image+.cue, log, Artwork) Total Time : 54:13 Total Size : 356 MB. Casiopea - Material (1999) CD Rip. Artist : Casiopea Title : Material Year Of Release : 1999 Label : Pony Canyon[PCCR-00304] Genre : Jazz, Fusion Quality : FLAC (tracks + .cue,log,scans) Total Time : 49:15 Total Size : 323 MB(+3%) Casiopea - Down Upbeat (1984) Artist : Casiopea Title : Down Upbeat Year Of Release : 1984 Label : Alfa Records Genre : jazz, funk, fusion Quality : APE (image+.cue,log,scans) Total Time : 38:26 Total Size : 228 MB. Casiopea - Main Gate (2001) Artist : Casiopea Title : Main -
Ithaca College Alumni Big Band
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-26-2008 Concert: Ithaca College Alumni Big Band Ithaca College Alumni Big Band Steve Brown Ray Brown Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Alumni Big Band; Brown, Steve; and Brown, Ray, "Concert: Ithaca College Alumni Big Band" (2008). All Concert & Recital Programs. 6670. https://digitalcommons.ithaca.edu/music_programs/6670 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE ALUMNI BIG BAND Steve Brown and Ray Brown, musical directors Ford Hall Saturday, April 26, 2008 8:15 p.m. PROGRAM Straightahead City Ray Brow Bossa Barbara Steve Brown Arr. Ray Brown Sweet Angel Steve Brown Lyrics: Tish Rabe Two Birds, On~ Stone Steve Brown Embraceable You/Quasimodo Gershwin/Parker Arr. Ray Brown The Telephone Song Menescal/Boscoli/Gimbel .. Arr. Ray BrowU Bittersweet Willie Maiden Trans. Ray Brown The Best of Everything Tony Bennett Arr. Steve Brown Our Love Is Here To Stay George Gershwin Air. Ray Brown INTERMISSION Del Sasser Sam Jones Arr. Ray Brown PickYours·elf Up Fields/Kem Arr. Neal Hefti Trans. Tony DeSare Kayak Kenny Wheeler Arr. Ray Brown Barbara Horace Silver Arr. Ray Brown I Could Write A Book Rodgers/Hart Arr. Ray Brown The Thumb Wes Montgomery Arr. Ray Brown The Ballad of Thelonious Monk Jimmy Rowles Arr. -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
Humvucker! and Other Contemporary Vocal Musics He Opens up the Door to a Whole New Model 667H Influenced by Brazil
tures in New Music. Descent Into The Maelstrom is extremely limited sound - The wise, and some of the performances won't stand infinitesimal scrutiny. But HOTTEST! the title cut may represent one of Len- Designed to gi ie nie Tristano's undocumented destina- acoustic guitars tions, and the other sides help fill in ncreased vo urne some of the missing links on a musician and pure unaltered too long ignored. R.H. acoustic sound. our Quick Mount 2001 F.emovable Transducer is the hottesr cn the GILBERTO GIL: Nightingale. [Sergio market. Here's why. Mendes, producer; Geoff Gillette, engineer; recorded at Kendun NO PREAMI' EVER REQUIRED Recorders, Burbank, Ca., Fall 1978.] GILBERTO GIL: New wave from Rio 1- 30,000 Hz frequency rarge- Elektra 6E -167. wider that all othe-s Even more than Milton Nascimento's Pure, natural acoustic sound s. 5 yr. limited wa-rarty Performance; Rock 'n' Rio excellent new Journey To Dawn (A &M Can be used with an) type o- string. Recording: Bright 'n' Breezy SP- 4719), Nightingale is startlingly Easily moved "Americanized" by funky beats, slickly Reusable adhesive included Brazilian musicians have had a pro- modern production, and a pop -soul Complete with 10 foot core Shon found impact on North American jazz chorus. That Gil numbers James Brown jack for two decades now. In the sixties it and Stevie Wonder amongst his in- Available from Siadow dealers n 40 was bossa nova and samba with Joao & fluences is obvious from the party soul nations. Broch Ire ava table upon Astrud Gilberto and Antonio Carlos atmosphere of "Alapala" or a equest. -
Lee Ritenour Feel the Night Mp3, Flac, Wma
Lee Ritenour Feel The Night mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Feel The Night Country: US Released: 2008 Style: Jazz-Rock MP3 version RAR size: 1715 mb FLAC version RAR size: 1784 mb WMA version RAR size: 1158 mb Rating: 4.1 Votes: 748 Other Formats: AU FLAC MOD MIDI RA MPC AHX Tracklist Hide Credits Feel The Night Bass – Abraham LaborielComposed By, Arranged By, Electric Guitar, Synthesizer [360 A1 Systems Guitar Synthesizer] – Lee RitenourDrums – Steve GaddElectric Piano [Fender 5:32 Rhodes], Clavinet – David FosterKeyboards, Synthesizer – Mike Boddicker*Tenor Saxophone – Ernie Watts Market Place Bass – Abraham LaborielComposed By, Arranged By, Electric Guitar – Lee A2 RitenourComposed By, Arranged By, Synthesizer [Intro], Clavinet, Electric Piano [Fender 5:22 Rhodes] – Don GrusinCongas, Percussion – Alex Acuna*Drums – Steve GaddPercussion – Steve FormanPiano – David FosterProgrammed By [Synthesizer] – Mike Boddicker* Wicked Wine Bass – Abraham LaborielComposed By, Arranged By, Electric Guitar, Acoustic Guitar – Lee A3 RitenourDrums – Steve GaddElectric Piano [Fender Rhodes] – Don GrusinGrand Piano 7:03 [Yamaha] – David FosterKeyboards, Synthesizer – Mike Boddicker*Rhythm Guitar – Steve Lukather French Roast Bass – Abraham LaborielCastanets – Steve FormanComposed By, Arranged By, Electric B1 Guitar, Synthesizer [360 Systems Guitar Synthesizer] – Lee RitenourDrums – Steve 5:03 GaddElectric Piano [Fender Rhodes], Keyboards, Synthesizer – Don GrusinKeyboards, Synthesizer – Ian Underwood, Mike Boddicker*Piano – -
Lorraine Feather
LORRAINE FEATHER SELECTED CREDITS RULES DON’T APPLY (2016) ‘Rules Don’t Apply’ title song (Critics’ choice award nominated) co-written with Eddie Arkin THE PRINCESS DIARIES 2: ROAYAL ENGAGEMENT (2004) (Lyrics: “Your Crowning Glory”) THE JUNGLE BOOK 2(2003) (Original Songs) (Lorraine nominated for World Soundtrack Award) DICK TRACY (1990) (Performer: “Back In Business”) BIOGRAPHY Lorraine Feather was born in Manhattan. Her parents named her Billie Jane Lee Lorraine after godmother Billie Holiday, her mother Jane (formerly a big band singer), her mother’s ex-roommate Peggy Lee, and the song ‘Sweet Lorraine’. She is the daughter of the late jazz writer Leonard Feather. The Feathers moved to L.A. when Lorraine was 12; at 18, after two years as a theater arts major at L.A. City College, she returned to New York to pursue an acting career. Some touring, off-Broadway work and the Broadway show ‘Jesus Christ Superstar’ followed, interspersed with countless waitressing jobs up and down Manhattan’s West Side. Frequently out of work, and discouraged by more than one restaurateur from pursuing a career in the food service industry, Lorraine decided to try singing. She began working with various jazz and Top 40 bands in and around New York. She sang backup for Petula Clark and Grand Funk Railroad, and finally put her own act together, eventually moving back to L.A., where she sang at local jazz clubs. Soon after, she joined producer Richard Perry’s vocal trio Full Swing and recorded three albums with the group. Lorraine wrote lyrics for most of the songs on these releases, some for classic pieces like Duke Ellington’s “Rockin’ in Rhythm,” the Yellowjackets’ ‘Ballad of the Whale’ and Horace Henderson’s “Big John’s Special” (later heard in the movie ‘Swing Shift’). -
I UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Mestrado Em Música
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Mestrado em Música A COMPOSIÇÃO PARA FILMES NO EXEMPLO DE DAVE GRUSIN CHRISTIANNE MARIA DE DOMINICIS NEVES CAMPINAS 2004 I II UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES Mestrado em Música A COMPOSIÇÃO PARA FILMES NO EXEMPLO DE DAVE GRUSIN CHRISTIANNE MARIA DE DOMINICIS NEVES Dissertação apresentada ao Curso de Mestrado em Música do Instituto de Artes UNICAMP como requisito parcial para a obtenção do grau de Mestre em Música sob a orientação do Prof. Dr. Claudiney Rodrigues Carrasco. CAMPINAS 2004 III FICHA CATALOGRÁFICA ELABORADA PELA BIBLIOTECA DO IA. - UNICAMP Neves, Christianne Maria De Dominicis. N414c A composição para filmes no exemplo de Dave Grusin / Christianne Maria De Dominicis Neves. – Campinas,SP: [s.n.], 2004. Orientador: Claudiney Carrasco. Dissertação(mestrado) – Universidade Estadual de Campinas. Instituto de Artes. 1. Música de Cinema. 2. Dave Grusin. 3. Composição para . filmes. I. Carrasco, Claudiney. II. Universidade Estadual de Campinas. Instituto de Artes. III. Título. IV Para Lara V VI AGRADECIMENTOS Grande parte deste trabalho foi viabilizado graças à concessão de Bolsa de Estudo pela CAPES (de outubro de 2001 a setembro de 2003) instituição à qual dirijo meus primeiros agradecimentos. Deixo também registrados meus sinceros agradecimentos: Ao meu pai, Jose Benedito Neves, pelo seu amor incondicional e pela presença atenta mais que afetuosa, contribuindo espontaneamente com as intermináveis cópias de arquivos em Cds, disquetes, pesquisas em internet -
Sunday Afternoon Fever
Volume 37 • Issue 4 April 2009 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Sunday Afternoon Fever Pee Wee Stomp right off the charts! By Tony Mottola Editor Jersey Jazz olks from the swing dance scene have been drifting into the Pee Wee FRussell Stomp for several years now, but for the 40th anniversary edition on March 1 the fancily dressed, high- stepping dancers arrived in droves, filling tables and swirling around the Birchwood Manor’s copious dance floor nearly non- stop for the better part of four hours. Eighty-some dance enthusiasts swelled the crowd to nearly 500 swing-oriented souls who filled the Birchwood’s main ballroom for an afternoon of hot jazz. And while the dancers, who expertly executed the Peabody, Balboa and other period dances, many clad in vintage attire, added greatly to the afternoon’s entertainment, the music was the main event, and this Stomp sported one of the best lineups in recent memory. First to perform, as by custom, was a quintet of 2009 NJJS university jazz Story and photos continue on page 28. Heidi Rosenau and Joe McGlynn cut a rug for sure at the 2009 Pee Wee Stomp. Photo by Tony Mottola. JAZZFEST PREVIEW Jazzfest facts, hot off the press. See page 8 and ad page 5 New JerseyJazzSociety in this issue: NEW JERSEY JAZZ SOCIETY Pres Sez/Bulletin Board . 2 NJJS Calendar . 3 The Mail Bag . 4 Jazz Trivia . 4 Editor’s Pick/Deadlines/NJJS Info. 6 Prez Sez Music Committee . 8 Mainstream Mac . -
Record-World-1978-08
HO'UOIRVO 'IS .1,6Z '3'ROW -13 30(1 OSOISd 0 1100-1. HITS OF THE WEEK SINGLES SLEEPERS ALBUMS JOHN TRAVOLTA, OLIVIA NEWTON -JOHN & LINDA CLIFFORD, "IF MY FRIENDS COULD SEE SHAUN CASSIDY,"UNDER WRAPS." CAST, "SUMMER NIGHTS" (prod. by ME NOW" (prod.byG.Askey) The third album from the multi -plati-1,76.0.40.64441., Louis St.Louis) (writers:J. Jacobs - (writers: C. Coleman -D. Fields) (No- num artistpointstoa development W. Casey) (E.H. Morris, ASCAP) table/Lida, ASCAP) (3:48). "Sweet and maturity as a song stylist. Cassidy (3:36). The duo isjoined here by Charity's" theme song gets a power- and producer Michael Lloyd have cho- thefullcast of "Grease" on this ful disco treatment here. It's already sen someexcellentmusiciansand original from the Broadway play. getting strong pop adds and could songs (four were self -penned) with the Theeffectisera -perfect andits easilyestablishClifford in that result being a pop sound reminiscent unique sound shoulddriveitup market. The production is sparkling. ofEric Carmen orthe BeachBoys. summer playlists. RSO RS 906. Curtom CMS 0140 (WB). Warner -Curb BSK 3222 (7.98). THE O'JAYS, "BRANDY" (prod. by Thom Bell) ENGLAND DAN & JOHN FORD COLEY, "IF THE KC AND THE SUNSHINE BAND, "WHO (writers: J.B. Jefferson-C.B. Sim- WORLD RAN OUT OF LOVE TO- DO YA (LOVE)." Harry Wayne Casey mons) (Mighty Three,BMI)(3:33). NIGHT"(prod.byKyleLehning) and Richard Finch forged the successful The °jays are one of the most di- (writers: Garvin-Mevis-Wi lson-Wi I- KC sound about five years ago and it verse group of song stylists in their * son) (ABC/Dunhill, BMI) (3:11). -
Sound to Sense, Sense to Sound a State of the Art in Sound and Music Computing
Sound to Sense, Sense to Sound A State of the Art in Sound and Music Computing Pietro Polotti and Davide Rocchesso, editors Pietro Polotti and Davide Rocchesso (Editors) Dipartimento delle Arti e del Disegno Industriale Universita` IUAV di Venezia Dorsoduro 2206 30123 Venezia, Italia This book has been developed within the Coordination Action S2S2 (Sound to Sense, Sense to Sound) of the 6th Framework Programme - IST Future and Emerging Technologies: http://www.soundandmusiccomputing.org/ The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de. ©Copyright Logos Verlag Berlin GmbH 2008 All rights reserved. ISBN 978-3-8325-1600-0 Logos Verlag Berlin GmbH Comeniushof, Gubener Str. 47, 10243 Berlin Tel.: +49 (0)30 42 85 10 90 Fax: +49 (0)30 42 85 10 92 INTERNET: http://www.logos-verlag.de Contents Introduction 11 1 Sound, Sense and Music Mediation 15 1.1 Introduction .............................. 16 1.2 From music philosophy to music science .............. 16 1.3 The cognitive approach ........................ 20 1.3.1 Psychoacoustics ........................ 20 1.3.2 Gestalt psychology ...................... 21 1.3.3 Information theory ...................... 21 1.3.4 Phenomenology ........................ 22 1.3.5 Symbol-based modelling of cognition ........... 23 1.3.6 Subsymbol-based modelling of cognition ......... 23 1.4 Beyond cognition ........................... 24 1.4.1 Subjectivism and postmodern musicology ........ 24 1.4.2 Embodied music cognition ................. 25 1.4.3 Music and emotions ..................... 28 1.4.4 Gesture modelling ...................... 29 4 CONTENTS 1.4.5 Physical modelling ...................... 30 1.4.6 Motor theory of perception ................ -
Chuck Mangione Bellavia Mp3, Flac, Wma
Chuck Mangione Bellavia mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock / Blues Album: Bellavia Country: US Released: 1975 MP3 version RAR size: 1771 mb FLAC version RAR size: 1750 mb WMA version RAR size: 1642 mb Rating: 4.9 Votes: 387 Other Formats: AAC DMF ASF AA RA MP1 APE Tracklist Hide Credits 1 Come Take A Ride With Me 4:21 2 Listen To The Wind 6:57 3 Carousel 7:33 4 Bellavia 6:29 5 Dance Of The Windup Toy 5:00 Torreano 6 7:58 Flute – Kathryn MosesFrench Horn – Vincent DeRosa Companies, etc. Recorded At – A&M Studios Mastered At – A&M Studios Credits Art Direction – Roland Young Concertmaster – Gerald Vinci Design – Brian Zick Drums, Tom Tom, Percussion – Joe LaBarbera Electric Bass – Chip Jackson Engineer [Assistant] – Chuck Trammel Engineer, Recorded By, Mastered By – Mick Guzauski Photography – Harry Mittman Producer, Arranged By, Conductor, Flugelhorn, Electric Piano, Celesta, Liner Notes – Chuck Mangione Recorded By, Mastered By – Frank DeLuna Soprano Saxophone, Tenor Saxophone, Piccolo Flute, Flute, Flute [Alto] – Gerry Niewood Trumpet – Lew Soloff Barcode and Other Identifiers Matrix / Runout: CD 3172 Matrix / Runout: 11/87 1DA2 Barcode: 0 7502-13172-2 Other versions Category Artist Title (Format) Label Category Country Year SP-4557 Chuck Mangione Bellavia (LP, Album) A&M Records SP-4557 US 1975 Bellavia (LP, Album, AMP-7023 Chuck Mangione A&M Records AMP-7023 Japan 1978 RE) Bellavia (LP, Album, A&M Records, SP-4557 Chuck Mangione SP-4557 US Unknown Clu) Inc. Bellavia (Cass, CS-4557 Chuck Mangione A&M Records -
Gene Bertoncini Press Kit 2009
Gene Bertoncini …”the Segovia of Jazz” – Gene Lees Gene Bertoncini 211 East 60th Street New York, NY 10022 Phone: 212 421-3079 Email: [email protected] Web Site: www.GeneBertoncini.com Meet the Artist Gene Bertoncini is one of the pre-eminent jazz guitarists’ active today. His fluid technique and lyricism have won him international praise and accolades as the "Segovia of jazz." An eloquent and versatile improviser, Mr. Bertoncini has been heard with an extraordinary range of jazz greats, including performances and recordings with Benny Goodman, Buddy Rich, Wayne Shorter, Hubert Laws, Paul Desmond among others, as well as such distinguished singers as Tony Bennett, Lena Horne, Nancy Wilson, Vic Damone, and Eydie Gorme. The Washington Post proclaimed his solo appearance in New York City the best jazz concert of the year 1999. Mr. Bertoncini's acclaim is hardly confined to this country. His CD, "Someone to Light Up My Life" which features his own arrangements of the compositions of the great bossa nova composer Antonio Carlos Jobim, won international raves. Brazilian critic's and listener's polls also named him the best acoustic jazz guitarist. Gene Bertoncini has just released a striking new solo CD, "Quiet Now" on the heels of his highly successful "Acoustic Romance," which reached the top ten of the jazz playlists. Jazziz magazine's March 2004 issue ranked it Number 1 in their list of the top 20 acoustic guitar CDs. His newest CD is called “Concerti” and features Gene with a string quartet and bass. A prolific and popular studio musician, Bertoncini honed his professional chops as a member of the Tonight Show band during Johnny Carson's tenure, and he has worked with composers and arrangers such as Lalo Schifrin and Michael Legrand and has performed with the Metropolitan Opera Orchestra.