BOSS PRODUCTS CATALOG 2005 VOL.1
FORGING THE FUTURE BOSS Product Parade 2005
3-8 9-10 11 12 13 - 16 17-20 21 22 23-26 27-28 COMPACT TWIN PEDAL TU SERIES AD SERIES GT-PRO GT SERIES ME SERIES GS-10 BR SERIES DR & DB SERIES SERIES SERIES
The World’s Best-Selling The Luxury Twin-Effects The Gold Standard Unlock the Potential of Twin COSM® Engines in a Advanced Multi-Effects Multi-Effects with Intuitive Next-Generation Hybrid Pro-Quality Studios with Small But Powerful Compact Effects Line in Tuning Acoustic Guitars Single Rack Processors Operation Effects System Built-in Burners Timekeeping Tools With over eight million sold, BOSS With the Twin Pedal Series, BOSS BOSS Tuners are world famous for Effects aren’t just for electric With dual-processing power and When it comes to multi-effects, Floor-based multi-effects Powered by BOSS’s most advanced From concept to completion, Inject serious style into your compact pedals are the premier takes its compact pedal design to their reliability and accuracy. guitars. Plug a piezo-equipped an expansive I/O section, the new BOSS offers the best floor-based processors built with the simplicity COSM modeling technology, the these award-winning portable musicmaking with the world’s portable effect devices. They’re new heights. Extra functionality Whether you play guitar, bass, or acoustic into an AD-series GT-PRO is a lethal front-end for solutions for bass and guitar of a stompbox. Dialing in your GS-10 is your gateway to an studios have all the features you most powerful rhythm famous for their great sound, and a small footprint place these French horn, there’s a BOSS tuner processor and take control over driving a wall of powered players, powered by COSM amp tone is easy, thanks to dedicated extraordinary range of vintage need to produce great music — programmer. Make practice fun user-friendliness, and road-tough two-punch pedals beyond the for you. body sound. Shape your overall cabinets or for direct, pro-grade models and pro-grade, ultra- knobs for each effect section, and modern effects. There is also including built-in effects, an ultra- and effective with the reliability. standard stompbox. tone and add rich, crystal-clear recording applications. flexible effects. three footswitches, and a built-in a convenient feature for direct- realistic rhythm machine, and CD feature-packed DB-series ambience. expression pedal. recording to computer. burning. metronomes. FORGING THE FUTURE Innovation For Creative Inspiration BOSS forges into 2005 with an awe-inspiring lineup of effects, digital studios, and accessories. Award-winning technology and road-tough construction make BOSS products the most respected and sought-after tone tools, recorders, and musical accessories in the world. When you want the best of best, choose BOSS — the brand that symbolizes quality, reliability, and innovation. FORGING THE THE BOSS FUTURE COMPACT EFFECTS STORY Eight Million Pedals Strong At BOSS, we’ve been making the world’s most popular compact guitar pedals and accessories for over 25 years. From classic effects, such as our Philosophy Originality Bassists Welcome legendary chorus and delays, to the latest cutting-edge tools for modern music making....When you’re serious about sound, choose BOSS. From the beginning, BOSS has built the Beyond standard effects, BOSS is famous Not just for guitarists, BOSS has a range of best pedals by adhering to these key for its unique and unusual stompboxes, effects built specifically for bass players. So principles: ➀ Reliable aluminum die cast such as the SG-1 Slow Gear, VB-2 Vibrato, plug in, and anchor your music with solid, bodies. ➁ Pedal switches that withstand and, most recently, the SYB-5 analog- high-impact effects that are custom- the 100,000-repetition durability test. modeling bass synthesizer pedal. tailored for low frequencies. ➂ FET switches to eliminate the clicking noise of conventional mechanical switches. ➃ Non-slip rubber bases. ➄ Easy-to-install Pro Quality battery compartments. ➅ LED indicators. Only the very best components and ➆ Battery and AC power. ODB-3 GEB-7 CEB-3 3 circuitry are used in BOSS pedals. No 4 corners are cut, no COMPACT SERIES COMPACT SERIES compromises are Imagination made — these Where will you take your tone? From pedals are built to subtle sweetening to complete audio sound great and transformation, BOSS provides more tone- take a pounding. shaping options than any other compact- Legend effects manufacturer in industry. The history of BOSS reads like the history Colorful Lineup of guitar effects. The famous compact BOSS offers an incredibly wide variety of pedal line-up began in 1977 with the effects that can take your sound to places classic OD-1 Overdrive, it has never been before. Whether you which established the need subtle polish or full, sonic immersion, masterful design BOSS effects will do the job reliably and principle for all other 8 Million & Growing professionally. BOSS effects pedals that followed. It’s no accident that BOSS has become the world’s leading effects manufacturer. With over eight million pedals sold, BOSS has Breakthrough built its reputation by connecting with the community. We listen and react to what BOSS has laid claim to many “world firsts” players demand, during its illustrious history. Among the while also pushing many BOSS highlights have been bringing the envelope into to market the first-ever chorus, overdrive, new, unexplored digital delay, realms. reverb, and pitch-shifter pedals.
DD-6 RV-5 PS-5 COMPACT SERIES
Explore Your Inner Rock Star SUPER OverDrive OverDrive Warm, fatten, bake, or burn — BOSS overdrive and distortion Warm, Tube Drive Natural Overdrive pedals are world famous for their rich, aggressive, and expressive Sounds with Endless Sustain! sound. With nine compact pedals in this category, guitarists have Uses BOSS’s asymmetric Classic BOSS overdrive, overdrive circuitry for warm, based on a dual-stage an expansive range of power-tone tools to choose from. smooth overdrive sounds design for bigger, fuller that respond to your picking sounds. Variable Drive and style just like a tube amp. Tone controls create Includes a Tone control to overdriven sounds from dial in just the right sound. mild to extreme with almost endless sustain.
OverDrive/ Blues Driver® Distortion The Perfect Distortion Distortion and Overdrive for Blues Together At Last! Get the tone of a bluesy, A flexible pedal capable of vintage tube amp in a producing overdrive, compact pedal capable of distortion, or a combination anything from warm of both. Get “in your face” overdriven sounds to full-on distortion while maintaining distortion. Leaves the subtle the subtle nuances of nuances of your playing single-coil guitar pickups. intact.
Distortion TURBO Distortion AGGRESSION OBSESSION Used by Pros Two Distortions Everywhere for the Price of One A classic! Add some Features twin modes for an hard-edged distortion while expanded range of preserving the subtle distortion — taking you nuances of your playing from blues-rock rhythms to dynamics. A Tone control is searing leads at the press of 5 provided for easy sound a pedal or twist of a knob. 6 COMPACT SERIES COMPACT SERIES shaping.
Mega Distortion Metal Zone® Nu-School Distortion BOSS’s Most with Massive Low End Popular Pedal! This pedal’s dual Distortion Features dual-gain and Gain Boost circuits take circuitry for thick, tube thick, heavy distortion stack distortion with heavy sounds to a whole new mids and lows and level. Special Gain Boost long-lasting sustain. and Bottom controls let you A 3-band EQ with semi- shape your tone for parametric mids takes your maximum volume and sound to the extreme. low-end punch.
Bass OverDrive Crunchy Overdrive Effects for Bass An overdrive effect designed to cover the entire frequency range of bass guitars, including 5-string basses. Overdriven sounds Info Bytes can be blended with dry bass signal for maximum clarity and punch. Benchmark Overdrive & Distortion New-Breed Overdrive BOSS’s original overdrive, the OD-1, was Adding to the legacy of great BOSS overdrives famous for its rich, warm, and detailed sound. (such as the OD and DS series), the BD-2 and That legacy carried forward to the popular MD-2 represent the new standard in SD-1 and OD-3, and now to the BD-series — overdrive/distortion effects. Try them soon! the new standard in Overdrive processing. BD-2: The BD-2 responds expressively to Likewise, BOSS’s acclaimed DS-1 distortion performance dynamics, including factors such pedal evolved to the DS-2, which paved the as the guitarist’s picking attack, touch, and way for today’s benchmark distortion effect, volume/tone settings. the MD-2. MD-2: The MD-2 can be extremely distorted with fat and deep characteristics, while not obliterating the original guitar tone. COMPACT SERIES Compression FOOT PEDALS Sustainer Phase Shifter Digital Delay Digital Delay Improves Your Modern Phasing with Pro-Quality Delay in Up to 5,200ms of Overall Tone Tap Tempo Sync a Compact Pedal Delay! Compresses louder signals Vintage BOSS phasing effects A powerful delay pedal with The DD-6 Digital Delay is while boosting lower signals including 4-, 8-, 10-, and 12- three distinct modes. A variable BOSS’s flagship compact delay for smooth sustain without stage phasers, plus new “Rise” Delay Time control creates pedal — with up to 5,200ms of degrading the original sound and “Fall” effects for delays from 12.5ms to 800ms, delay, sound-on-sound quality. Onboard EQ provides unidirectional phasing. Tap tempo while a Hold function is capable recording, tap tempo, plus precise tonal control; low-noise sync or realtime control of rate of producing repeats from here unique Reverse and Warp design for super-quiet operation. via an Expression/Pedal input. to infinity. effects.
Noise Equalizer SUPER Shifter Digital Reverb Suppressor Powerful 7-Band EQ! Pitch Shifting and Beyond Pro-Quality Reverb — A “Must-Have” Pedal! Shape your sound and Combines intelligent pitch shifting In Stereo Eliminate unwanted noise and eliminate feedback with seven (+/-2 octaves) and harmonist The RV-5 Digital Reverb gives hum without altering your tone. bands of equalization. Includes functions with new Tremolo Arm/ you six of BOSS’s best A unique noise detection circuit frequencies ranging from 100Hz Flutter effects. Tremolo Arm bends reverbs — including spring preserves the natural attack and to 6.4kHz with a powerful 15dB notes to a pre-selected value while reverb emulation, gate reverb, envelope, leaving your playing boost/cut per band. Flutter simulates the slapping of a and an all-new “Modulate” and dynamics intact. tremolo bar. mode — in a true stereo pedal.
Bass Equalizer Bass Limiter Bass Precise Tonal Control Line Selector Enhancer Synthesizer With a frequency range from Simplifies Your Setup Smooth Tone, Synth Power Under 50Hz to 10kHz, the GEB-7 is The easy way to switch Every Time Your Foot ideal for any bass guitar, settings among several effects Smoothes out your playing by Utilizing the latest in DSP including 5-string basses. or amplifiers, or route input and eliminating harsh volume peaks, technology, the SYB-5 faithfully Seven bands of EQ are available, output signals. When used with even when using dynamic slap reproduces the classic sound affording greater control over an AC adaptor, the LS-2 can and pop techniques. Ratio and characteristics of analog the crucial midrange. supply power to several BOSS Threshold knobs allow precise synthesizers. The 11 internal compact pedals. control of limiting parameters. sounds are supercharged for COMPACT SERIES thick, aggressive tone. Acoustic Simulator Impressive Acoustic Sounds! Turn your electric guitar into an acoustic using four distinct modes: Standard, Jumbo, 7 Enhance, and Piezo. Two 8 individual outputs permit instant FOOT PEDALS COMPACT SERIES switching between different amps (one for electric sounds; one for acoustic).
Chorus Ensemble SUPER Chorus Bass Chorus The Original Chorus A Unique Stereo Chorus A Chorus Pedal with Produces everything from mild, Delivers a clean chorus sound Built-in Crossover natural chorusing to the with crystal-clear highs and a A split-frequency chorus penetrating stereo chorus unique stereo effect, variable capable of applying warm, popular in contemporary music. between the left and right rich chorus to higher Covers a wide frequency range speakers. An EQ function adjusts frequencies without muddying Wah Pedal and includes both high- and the tonality of the chorus sound. the lows. A space synthesis low-cut filters. effect guarantees a natural and The World’s First Modeling Wah Pedal! ® spacious chorus effect. The amazing BOSS PW-10 V-Wah is But the PW-10 doesn’t just do wah; it likely to be the last wah pedal you’ll ever also creates analog synth-like sounds via need or want. This first-of-its-kind its “Double Resonance” mode and cool programmable modeling wah uses COSM Dynamic Wah SUPER Octave Tremolo “talking” sounds in “Voice” mode. Eight technology to recreate some of the most types of overdrive sounds are also Unbelievable “Talking” The Ultimate Classic Tremolo Sounds! popular wah pedals in history. These included, which can be dialed in with the Wah Effects! Octave Pedal Switches the effect selected Switches between Manual mode and Reproduces the classic include “CBY-Wah” (the classic wah Drive knob. Special infrared sensors give with the Type knob on or off. the PW-10’s three User memories. The world’s first compact pedal The OC-3 SUPER Octave puts tremolo effects of vintage sound), “VO-Wah” (the British wah this wah smooth and noise-free sound, to produce human-voice type new polyphonic octave effects, a ’60s amps using a Low sound), “MO-Wah” (a popular new-school while three digital memories make it easy wah sounds using a Drive mode with distortion, and Frequency Oscillator (LFO). LFO wah sound), and “Uni-V” (a vintage to recall your favorite settings. To try it is waveform is variable from “Humanizer” effect. EXP Pedal the original OC-2 effect in one swirling rotary effect). to love it! mode allows foot control, plus convenient pedal that’s ideal for triangle to square for producing a variety of classic tones. dedicated Bass input for bass, too. ■ COSM WAH TYPE ■ OD/DS TYPE processing bass guitar. CUSTOM ADVANCED VOICE CBY-WAH METAL ZONE MUFF FUZZ VINTAGE OD GUV DIST The PW-10’s infrared sensors deliver smooth wah sounds every time — VO-WAH MO-WAH BLUES OD UNI-V DISTORTION TURBO OD BLUES OD BOOSTER unlike analog pedals, which become noisy once dust settles inside. Flanger The Flanger Gets a Face-Lift High-Quality Pedals for Guitar and Keyboards Info Bytes The thickest stereo flanging sounds ever in a BOSS pedal. Volume Pedal Ultra mode produces BOSS’s Volume/Expression Pedal Volume Pedal Popular Pedals for Bassists Digital Delay Classics deepest flanging sounds ever, The FV-300L is a sturdy, stage-ready The low-impedance FV-50L The high-impedance FV-50H volume pedal with a low-impedance is designed for connection is designed to be connected While not specific to bass, these pedals can be very Add depth and motion with these famous delay while Gate/Pan creates design perfect for keyboards or for after effects units or for use before guitar effect units in useful for great bass sounds. effects. spacious flanging with a cool Slicer effect that seems to connecting after effects units. with keyboards. the signal chain. CS-3: Unique, biting compression gives your bass DD-3: This top-selling classic imparts a musically “swirl” around the listener. maximum punch. pleasing delay characteristic with outstanding sound PH-3: Add phasing effects and aggressive animation. quality and simple operation. Jet phasing sounds are also great for bass. DD-6: This popular pedal offers delay/hold times of up MT-2: Freely transform your bass sound from mild to to 5.2 seconds, and adds sound-on-sound recording, aggressive by using 3-band EQ. tap tempo, and expressive reverse and warp effects. TWIN PEDAL SERIES Extra Surface Area, Extra Control, Extra Expression Power and precision unite in the Twin Pedal series. More feature- packed than your standard stompbox, each Twin represents the pinnacle of power in a compact case. Double your foot power and expression with these unique 2-pedal effects.
OVERDRIVE/DISTORTION DIMENSIONAL PROCESSOR DOUBLE-WIDE 22 Overdrive/Distortion Pedals Right Beneath Your Feet! BOSS’s Ultimate Chorus Pedal The OD-20 Drive Zone uses advanced COSM ® technology to model the sound of classic The CE-20 Chorus Ensemble is the culmination of over 25 years of BOSS chorus experience. PERFORMANCE overdrive/distortion pedals, as well as creating new sounds of its own. There are 22 This programmable chorus pedal not only models classics such as the CE-1 and SDD-320, models to choose from, plus new “Attack Shape” and “Heavy Octave” parameters for but creates entirely new effects, including chorus for bass and acoustic guitar. New “Brilliance” dialing in subtle nuances or extreme tones. Four and “Ambience” knobs offer unprecedented realtime User memories store your settings, while an Amp control over the chorus tone — making the CE-20 a Control jack lets you switch amp channels remotely. pedal no guitarist should be without.
9 10 TWIN PEDAL SERIES TWIN PEDAL SERIES
GRAPHIC EQUALIZER DIGITAL DELAY The World’s Most Powerful EQ Pedal BOSS’s Next-Generation Delay The EQ-20 Advanced EQ gives guitarists, bassists and other live performers 10 bands The DD-20 Giga Delay provides up to 23 seconds of delay with easy adjustment via of programmable digital EQ with stellar sound quality. Physical sliders make instant push-button knob or tap tempo. With a choice of EQ tweaks easy, and a straightforward Write function 11 modes — including new “Smooth” and “Twist” permits instant storage of EQ settings into nine delays and sound-on-sound recording — this is memory locations. BOSS’s finest delay pedal to date.
PHRASE RECORDER Build the Ultimate Solo Live in Real Time Explore the expressive options of sound-on-sound performance by layering your own phrases to create a massive “one-person band” experience. Stack as many layers as you like until you fill up the 16 minutes of ample recording space. Build the ultimate solo, and do it all live in real time with hands-free, footpedal-based operation! After you’ve dazzled the crowd with your layered masterpiece, bring it to a proper end with one of the three Stop options — immediate stop, end-of- phrase stop, or fade it out. Info Bytes ■ OPERATION EXAMPLE “SOUND ON SOUND”
Overdub another bass part or Play a vocal phrase as Advanced Design Pro Connections a bass line. your bass line is plaing back. The body of Twin Pedal is built on the same The CE-20, DD-20, and EQ-20 are Start recording Stop recording and Start overdubbing Finish overdubbing Solo over your solid design foundation as BOSS’s reliable equipped with +4 dBu compatible by pressing play the recorded by pressing and play the loop recorded phrases. the pedal. phrase by pressing the pedal. phrases by pressing Compact series. This popular design works input and output jacks. These the pedal. the pedal. well in combination with other compact professional, industry-standard pedals and floor multieffects. Sound quality connectors allow the effects to and physical build are uncompromised in perform at full capacity without this exceptional series. reducing levels from the guitar amp. TU SERIES AD SERIES AD TU TONE-TESTED TECHNOLOGY TIME-TESTED TUNING
Enhance the Clarity, CHROMATIC TUNER Warmth, & Richness of The flagship Tuner with Accu-Pitch™ The TU-15 is BOSS’s ultimate tuner, offering renowned Your Acoustic Instrument needle-point accuracy, backlit design, flat tuning and a host of Who says stompboxes are just for electric guitarists? BOSS “world’s first” features not found in any other tuner — proudly offers a trio of specialized processors for piezo- including new Accu-Pitch and Octave Adjust functions. equipped acoustic guitars. Prepare to be amazed as your instrument transforms under the control of COSM ®-powered modeling. Acoustic pickups often diminish the full-bodied sound of an acoustic guitar, and can significantly alter the beautiful tone of the instrument. The AD-series can give piezo-equipped acoustic guitars the warm tone of a properly miked acoustic sound in the studio.
BOSS — the Most Trusted Name in Tuning CHROMATIC TUNER 11 12 The famous TU-series incorporates BOSS´s world ACOUSTIC INSTRUMENT The Industry Standard PROCESSOR AD SERIES TU SERIES renowned tuner technology into an ultra-convenient, The worldwide standard used by top musicians everywhere, portable package. Accurate and easy to use, BOSS tuners thanks to extremely accurate, easy-to-use tuning. An Acoustic Musician’s let guitarists and bassists prepare for performance with Best Friend versatility and reliability. Studio-quality acoustic-electric guitar preamp/DI box specially voiced for acoustic instruments. Includes anti-feedback controls, mic distance and body resonance simulation, plus onboard reverb and chorus.
ACOUSTIC INSTRUMENT PROCESSOR Floor-Based Acoustic CHROMATIC TUNER Processing Great for Woodwinds and Brass! Incorporates many of the AD-5’s outstanding features — such as anti-feedback processing, Offers an extended tuning range of C1 to B6 for tuning a variety reverb and chorus effects — into a rugged, of instruments including guitar, bass, woodwind, brass, and floor-based unit with stompbox simplicity. ethnic instruments.
ACOUSTIC GUITAR PROCESSOR Unlock Your Instrument’s True Potential Chromatic Tuner TUNER & METRONOME A dream machine for acoustic guitarists who want to improve their sound, the AD-8 can enhance any piezo-equipped steel-string with the warmth and tonality of the world's finest acoustic guitars via Convenient Pedal-Based Tuning Stay In Tune — and In Time advanced COSM modeling. Six guitar models are provided, with dedicated controls for body Legendary BOSS tuning in a convenient, This affordable tuner boasts super-accurate resonance and string enhancement. The AD-8 also offers automatic feedback elimination, high-quality easy-to-use compact pedal design. A LCD tuning, reference tone, Accu-Pitch, and Info Bytes reverb, 4-band active EQ, an onboard chromatic Info Bytes 7-segment LED and 11-point Stream Meter metronome function. tuner with Mute, four preset memory locations ensure accurate tuning, even in low-light Visual & Audio Accuracy for switching sounds instantly, and balanced Gig Ready settings or under bright stage lights. XLR outputs. BOSS TU-series tuners boast backlit needles, LED Equipped with the XLR balanced outs, the AD-8 can be directly indicators, pin-point accuracy, and the Accu-Pitch connected to a PA without the need for a DI box. Also, the individual function(TU-15/-80 models), which provides an audible unbalanced outs enable use with guitar amps for stage monitoring. completion signal. These precise, easy-to-use tuning If you would like to switch guitars on stage, the Tuner mode allows features put the TU-series at the head of the class. quick and silent changes with its mute function. Pro Specs
Drive your tone in luxury through the GT-PRO’s top-grade circuitry and balanced outputs. Thanks to its improved signal-to-noise ratio, the GT-PRO offers an incredibly pure signal path. Use the GT’s advanced tools to design your own original guitar sounds for stage and studio. PLUG INTO Dual COSM Preamps With its dual COSM amp-modeling engine, the GT-PRO allows you to construct towering tones by combining THE BEST OF BOSS any two of the 46 amp models — then layer, switch, or pan between them as your play. Amp channels and effects can even be controlled according to how hard Two Tons of Tone in a Rack you play (picking dynamics).
® Flexible Connectivity Double your power, double your tone — the new GT-PRO is driven by a dual COSM effects engine and an expansive I/O section. It’s the perfect front-end for driving a wall of powered No matter how simple or complex your programming and patching needs are, the GT-PRO has cabinets or for direct, pro-grade recording applications. Whether on stage or in the studio, the I/O options and routing flexibility pro’s demand, including XLR outputs, you’ll be amazed at how much power and performance this top-quality rack has to offer. three sets of send/returns, and a 24-bit coaxial output for pristine, high- resolution recording. USB Connection
For quick and easy computer interfacing, the GT-PRO provides a USB port GT-PRO for one-cable data transfer and audio flow. Complicated settings are made easy by using the bundled PC/Mac-based editor/librarian software. You can GUITAR EFFECTS PROCESSOR instantly recall all of your settings for live gigs and recording sessions from your PC with a single USB connection. 13 14 GT-PRO GT-PRO
FORGING THE FUTURE GT-PRO
For Stage or Studio, the GT-PRO is Built to Satisfy the Most Demanding Professional Dual COSM Amp Configuration ■Powerful Dual COSM Amps ■Extreme Effects ■2-Channel individual Stereo Outs ■ Single ■ Dual Mono The GT-PRO’s dual COSM amp modeling engine allows Looking for BOSS’s best effects? You’ll find them here. As the I/O flexibility is the name of the game with the GT-PRO, as it Ch-A Ch-A unprecedented tone exploration by combining two amp models, top of GT line, the GT-PRO provides 44 effects categories, with also provides four 1/4-inch analog audio outputs, a pair of Ch-B Ch-B or by switching between them during performance. Tap into the 200 preset- and 200 user-patch locations. Choose from balanced XLR outputs, and three pairs of effects send/returns. expressive Dynamic mode, where two channels can be compressors, overdrives, delays, reverbs, choruses, EQs, If you wish to add some serious settings for the stage ■ Dual L/R ■ Dynamic GT-PRO controlled based on picking strength. Transition smoothly from wahs, and dozens of other BOSS-quality effects — including a environments, you can split the signals independently to a Ch-A L Ch-A clean to mean by simply picking harder or softer. sitar and acoustic guitar emulator onboard. couple of guitar amps and go to the PA with the stereo Sub Ch-B Outs at the same time. Ch-B R Picking ® ■Meticulous COSM Editing ■Flexible Effects Chain Dynamics The Dual-COSM Power Rack The GT-PRO crushes the competition with its unique and Prepare to be impressed with the GT-PRO’s flexible effects chain. Internally, the 15 effects blocks can be For the guitarist who’s looking to upgrade his or her tone pallet, who powerful COSM editing. Thanks to BOSS’s advanced physical ■ COSM GUITAR PREAMP TYPE ■ COSM OD/DS TYPE ■ EFFECT LIST ■ COSM COMPRESSOR TYPE modeling, you take complete control over your tone by configured in any order you desire; externally, JC CLEAN COMBO MS1959(I+II) HiGAIN BOOSTER CLASSIC LOUD FX-1/2 FEEDBACKER REVERB BOSS Comp Orange Hi-BAND Fat demands rock-solid reliability, who needs extremely flexible signal routing JC-120 VO Drive MS HiGain SLDN Booster RAT Loud ADV COMP ANTI-FEEDBACK FX-2 a trio of stereo effects loops plus an array of Light Mild constructing your virtual rig from scratch, including the choice Warm Clean VO Lead Power Stack Drive Stack Blues OD GUV DS Sharp LIMITER HUMANIZER HARMONIST Crunch DST+ Mechanical T. WAH SLICER D-Comp Stereo Comp Jazz Combo VO Clean R-FIER Lead Stack PITCH SHIFTER and I/O options, the new BOSS GT-PRO is a grand-slam. Plug in, turn on, of speaker types, microphone amp position, and more. assignable outputs enables the most flexible Full Range AUTO WAH WAVE SYNTH MATCH Drive R-FIER Cln Heavy Lead NATURAL SOLID FUZZ PEDAL BEND BrightClean Fat MATCH TONE MODIFY SUB EQ ■ signal-routing configurations. R-FIER Raw METAL Natural OD Solid DS '60s FUZZ OCTAVE COSM LIMITER TYPE GUITAR SIM and experience the very best of BOSS with the GT-PRO. TW CLEAN MATCH Lead R-FIER Vnt1 5150 Drive Turbo OD Mid DS Oct FUZZ COMP ROTARY TREMOLO BOSS Limitr Vtg Rack U ■ Clean TWIN BG LEAD R-FIER Mdn1 Metal Stack Fat OD Stack MUFF FUZZ 2x2 CHORUS Solo Switch PHASER EQ Rack 160D Pro Crunch BG Lead R-FIER Vnt2 Metal Lead AUTO RIFF ■ OD MODERN FLANGER The 46 COSM amp models built into the GT-PRO contain a 2-Channel External Amp Control Tweed BG Drive R-FIER Mdn2 WAH GUITAR SYNTH OD-1 Modern DS PAN ■ Warm Crunch BG Rhythm LOOP AC PROCESSOR COSM WAH TYPE The GT-PRO provides two Amp Control jacks, T-AMP T-Scream Power DS VIBRATO specially programmed variation that’s optimized for soloing. Smooth Drive SOUND HOLD CRY WAH Light WAH CRUNCH T-AMP Clean Warm OD R-MAN UNI-V OD/DS Mild Drive SUB DELAY VO WAH 7String WAH Simply click the Solo switch to activate the lead tone, and off which can be programmed independently to Crunch T-AMP Crunch RING MOD DIST METAL PREAMP/SPEAKER Fat WAH Reso WAH Blues MS STACK T-AMP Lead Distortion Metal Zone SLOW GEAR NOISE SUPPRESSOR DELAY you go — it’s like having a separate solo channel on every switch amp channels, operate external Wild Crunch MS1959(I) Edge Lead Mild DS Heavy Metal DEFRETTER FOOT VOLUME COSM amp! effects, and more. StackCrunch MS1959(II) Drive DS Lead SITAR CHORUS
GUITAR EFFECTS PROCESSOR
15 16 GT-PRO GT-PRO
Control the GT-PRO ■Computer-Friendly Design ■Connecting With Power Amps, Plus Cabinets ■ Using the GT-PRO’s Effects Loops from the floor with For one-cable patch management and advanced sound design, BOSS’s FC-200 or GFC-50 a USB port is provided for connecting the GT-PRO to a LRLR foot controller computer of your choice; the GT-PRO comes with Mac/PC LR LR LR SND RTN SND MASTERSND RTN MASTER POWER PA GUITAR POWER POWER POWER EFFECT A BRANCH editor/librarian software at no additional cost. In addition, it AMP AMP AMP AMP POWER AMP OUT LR FC-200 provides USB-Audio functionality. PRE LOOP FRONT IN SND RTN MIDI FOOT CONTROLLER SND RTN EFFECT B CABINET CABINET CABINET CABINET CABINET SND RTN CABINET LOOP EFFECT C CABINET 1/2
Connect the stereo outputs to Connect each output channel to Connect the Sub outs to a Up to three external effects can Pre loop is used for a branch Connect a guitar amp’s a single power amp for Dual individual power amps and stage PA. Another channel is be used. You can assign effects out. Removing the direct sound send/return to the GT’s Pre GFC-50 mode or stereo effects. cabinets. You can designate the used for monitoring. loops ON/OFF per Patch. from the Master outputs, you loop. You can select each FOOT CONTROLLER output channel per Patch. can divide dry and wet sound. preamp case by case.
MSC-50 ■ Connecting With Guitar Amps ■ For Recording MIDI Cable (5.0 m) MSC-25 MIDI Cable (2.5 m) DIGITAL LR LRLR OUT L L POWER USB L R USB MSC-15 (MONO) (MONO) AMP MIDI Cable (1.5 m) LR
DIGITAL RECORDER PC Info Bytes PC CABINET MONITOR SPEAKER Connect to the JC-120. Using Using two individual outputs, In the same way, you can Record to DAW software Using GT’s digital output, you The GT-PRO is useful for post- JC’s stereo return jacks, you you can select guitar amps freely control stereo sounds through the GT’s USB port. The can immediately record your production. After recording, Flexible Setups with Output Select can take advantage of the GT’s with the patches you’ve with four guitar amps. same sounds can be monitored live performance with pristine you can reamp your dry guitar stereo effects. programmed. through your guitar amp. quality. sound with a single USB The GT-PRO is equipped with an Output Select function, which connection. enables you to select between eight types of output presets, such as JC-120, COMBO AMP, STACK AMP, LINE, and etc. FORGING THE MULTI-EFFECTS FUTURE PROCESSING POWER
Advanced Processors for Floor & Desktop Trusted by the world’s greatest players, BOSS’s flagship multi-effects processors deliver unsurpassed sound quality and programming flexibility for both stage and studio.
GT Professional Multi-Effects for Guitar and Bass GT-8/GT-6B
COSM® Powered Pro Effects High-powered COSM amp engines are built into the GT-series The GT-series provides a virtual mountain of expressive, pro-grade processors, providing realistic, high-quality modeling of vintage effects. Effect blocks can be used simultaneously to create complex amps as well as innovative new amp sounds. Each amp has been textures and routings. Place the effects in any order, quickly and faithfully modeled, but the GT-series also allows you to create easily. Drive it all from the built-in Control switches and pedal. From original, never-before-heard tones as well. subtle to sizzling, where will you take your tone?
Ultra-Flexible Editing Freely customize your sounds and setups with ease. The GT-series 17 provides the freedom to create a universe of layered sound, with its 18 MULTI-EFFECTS SERIES flexible setup configurations and wide-ranging parameters. MULTI-EFFECTS SERIES
ME Powerful Multi-Effects with Stompbox Simplicity ME-50/ME-50B
Fast & Friendly Hands-On Control No menus to navigate. Just plug in, and get down to business. This Dialing in your tone is easy, thanks to ME’s dedicated knobs for floor-based multi-effects processor each effect section, three footswitches, and a built-in expression is built with the simplicity of a pedal. Great-sounding effects without all the menu surfing! stompbox, focusing on killer multi-effects (such as COSM Road Tough Like all other BOSS effects, the ME-series processors are easy to overdrive and distortion), rather transport yet built to withstand the punishment of constant than amp modeling. gigging. BOSS effects are tortured tested, and road ready.
GS Powerful, Friendly Recording for All Musicians GS-10
Studio Smarts Computer Friendly This advanced multi-purpose processor The GS-10 provides a USB port for easy connection to PCs and Macs. provides a virtual truckload of COSM modeled It comes with Cakewalk Music Creator recording software for PC, amps and multi-effects for guitar, bass, and plus a dedicated GS-10 computer editor. even vocals. Inputs are provided for Guitar/Bass, microphone (XLR), and stereo Speakers Built-In Take the GS-10 anywhere. Plug in and play — no external monitoring Auxiliary, making it especially well suited for required, thanks to the super-handy built-in stereo speaker system. the studio. GT SERIES
Flagship Multi-Effects Floor Processor ■Dual COSM Amps effect blocks can be used simultaneously to create complex ■Flexible FX Routing you’d care to take your tone “outside the box” and incorporate Feel the power of the GT-8’s dual COSM amp modeling engines. textures and routings. All of your FX bases are covered — Another area where the GT-8 stomps the competition is in its some external effects into the GT-8’s signal path, you can do so Explore new sonic dimensions by combining two amp models, compressors, reverbs, choruses, EQs, COSM-modeled wahs, powerful effects routing. Internally, the 13 FX blocks can be with the Ext Loop send and return. Flexibility in routing is the or by switching between them during performance. Tap into the and much more. There are 200 preset patches included, plus configured in any order you desire (for example, you can freely name of the game. expressive Dynamic mode, where two channels can be 140 user patches for storing your custom amp/effects creations. assign an equalizer after a distortion effect or before it). And if GT controlled based on picking strength. Transition smoothly from ■ COSM GUITAR PREAMP TYPE ■ COSM OD/DS TYPE ■ EFFECT LIST ■ COSM COMPRESSOR TYPE ■Connectivity JC CLEAN COMBO MS1959(I+II) HiGAIN BOOSTER CLASSIC LOUD FX-1/2 FEEDBACKER REVERB BOSS Comp Orange clean to mean by simply picking harder or softer. Hi-BAND Fat JC-120 VO Drive MS HiGain SLDN Booster RAT Loud ADV COMP ANTI-FEEDBACK FX-2 Light Mild The GT-8 is stocked with enough I/O options Warm Clean VO Lead Power Stack Drive Stack Blues OD GUV DS Sharp LIMITER HUMANIZER HARMONIST Crunch DST+ Mechanical T. WAH SLICER D-Comp Stereo Comp Jazz Combo VO Clean R-FIER Lead Stack PITCH SHIFTER ■ Full Range AUTO WAH WAVE SYNTH Solo Switch to satisfy even the most demanding pro. In MATCH Drive R-FIER Cln Heavy Lead NATURAL SOLID FUZZ PEDAL BEND BrightClean Fat MATCH TONE MODIFY SUB EQ ■ Command the Stage with GT R-FIER Raw METAL Natural OD Solid DS '60s FUZZ OCTAVE COSM LIMITER TYPE addition to its stereo analog outs, the GT-8 GUITAR SIM Each of the GT-8’s 46 COSM amp models contains a specially TW CLEAN MATCH Lead R-FIER Vnt1 5150 Drive Turbo OD Mid DS Oct FUZZ COMP ROTARY TREMOLO BOSS Limitr Vtg Rack U Clean TWIN BG LEAD R-FIER Mdn1 Metal Stack Fat OD Stack MUFF FUZZ 2x2 CHORUS programmed variation that’s optimized for soloing. Simply click offers a 24-bit coaxial output for ultra-clean PHASER EQ Rack 160D For the ultimate in power and convenience onstage, plug into a BOSS GT-series Pro Crunch BG Lead R-FIER Vnt2 Metal Lead AUTO RIFF OD MODERN FLANGER Tweed BG Drive R-FIER Mdn2 WAH GUITAR SYNTH the Solo switch to activate the lead tone, and off you go — it’s digital transfer, an Amp Control jack for OD-1 Modern DS PAN ■ ® Warm Crunch BG Rhythm LOOP AC PROCESSOR COSM WAH TYPE T-AMP T-Scream Power DS VIBRATO floor effects processor. These COSM -equipped, all-in-one effects units are switching between two amp channels on an Smooth Drive SOUND HOLD CRY WAH Light WAH like having a separate solo channel on every COSM amp! CRUNCH T-AMP Clean Warm OD R-MAN UNI-V OD/DS Mild Drive SUB DELAY VO WAH 7String WAH Crunch T-AMP Crunch RING MOD external amp, an external expression/control DIST METAL PREAMP/SPEAKER Fat WAH Reso WAH attractive yet tough, and provide towering tone. Blues MS STACK T-AMP Lead Distortion Metal Zone SLOW GEAR NOISE SUPPRESSOR DELAY ■Extreme Effects pedal input, effects send and returns, MIDI in Wild Crunch MS1959(I) Edge Lead Mild DS Heavy Metal DEFRETTER FOOT VOLUME StackCrunch MS1959(II) Drive DS Lead SITAR CHORUS Forty-four effects categories are built into the GT-8. Up to 13 and out, and a headphone output.
GUITAR EFFECTS PROCESSOR
PRIMETIME 19 20 GT SERIES GT SERIES PERFORMANCE
BASS EFFECTS PROCESSOR
Professional Bass Multi-Effects with COSM Technology
■Pro Features ■Bass Effects with COSM modeling ■ EFFECT LIST ■ COSM BASS PREAMP TYPE ■ COSM SPEAKER TYPE The GT-6B is a pro-caliber floor-based processor for bass, with In addition to its amazing amp models, the GT-6B provides a COMP/LIMITER WAH HARMONIST FLIP TOP T.E. 1x15" 4x10" OD/DIST PEDAL WAH PITCH SHIFTER B MAN SESSION 1x18" 8x10" COSM Bass Amp Modeling, modeled compression, plus other world-class lineup of effects, including COSM-powered OVERDRIVE TOUCH WAH PEDAL BEND BASS 360 CONCERT 810 2x15" Original DISTORTION AUTO WAH 2x2 CHORUS FUZZ AUTO SLAP ■ COSM OD/DS TYPE ■ COSM WAH TYPE “must-have” effects such as COSM overdrive/distortion, COSM compression effects modeled after four famous compressors. FX-1 SHORT DELAY CHORUS OCTAVE Blues OD Distortion '60s FUZZ CRY WAH Other effects include Auto Slap, sound-on-sound looping, and VIBRATO wah, and reverb/delay. There’s also a true analog bypass, and ENHANCER Turbo OD GUV DS Oct FUZZ VO WAH REV/DLY/SOS HUMANIZER REVERB SLOW GEAR Bass OD Metal Zone MUFF Bass WAH XLR and digital outputs with 24-bit converters for recording BOSS's best synth-bass sounds with incredible tracking. TREMOLO/PAN DELAY DEFRETTER BASS SYNTH REVERB&DELAY RING MODULATOR ■ COSM COMP/LIMITER TYPE applications, providing uncompromised sound quality. NOISE SUPPRESSOR SOUND ON SOUND BOSS Comp Rack 160D ■ FX-2 FOOT VOLUME Versatile Performance Controls PREAMP/ SPEAKER PHASER D-Comp Vtg Rack U Info Bytes ■COSM Bass Amp Models Pilot the GT-6B with ease and enjoyment, thanks to its friendly, 3 BAND PARAMETRIC EQ FLANGER The GT-6B provides six authentic COSM bass amp models, ultra-intuitive interface with analog-style knobs. Inject extra Ultra-Flexible Effects Chain recreating the tone and characteristics of some of the greatest color and tonal animation into your performances with the bass amps and speaker cabinets in history. Why settle for just GT-6B’s built-in expression and control pedals. Having the freedom to configure the effects chain in any order you wish is one of one bass amp sound when you can have the power of six the keys to success when using multi-effects. A sound can be wildly different if classics in one convenient box? an equalizer is used before a distortion, or after, for example. The GT-series proudly provides complete freedom over the preamp and effects chain routing. ME SERIES GS-10ME GS
Maximum Processing EFFECTS with a Minimal Footprint Meet BOSS’s famous floor-based multi-effects SOFTWARE/HARDWARE TREASURE CHEST processors with ridiculously easy-to-use, intuitive interfaces. Best of all, there’s a model for guitar HYBRID and one for bass!
BOSS’s Most Powerful Multi Effects System Innovative multi-effects processing and an easy-to-use USB audio interface in one friendly package. The GS-10 lets guitar and bass players tap into 45 COSM amp models and unique BOSS effects, and record their performance directly to a computer.
GUITAR EFFECTS SYSTEM with USB AUDIO INTERFACE GUITAR MULTIPLE EFFECTS Killer Tone Meets Ease of Use Advanced Modeling For The Tabletop 21 Meet the amazing multi-effects processor with the ruggedness and simplicity of a stompbox. ■Amp & Effect Models 22 GS-10 ME SERIES The ME-50 features legendary BOSS effects — such as delay, flanger, and EQ — plus The GS-10 is powered by BOSS’s most advanced COSM powerful COSM ® Overdrive and Distortion Modeling. Dedicated knobs for each effect section amp-modeling technology, giving guitar and bass players access to make programming ultra-intuitive. No more menu-surfing. a wide range of vintage and modern effects.
■ OVERDRIVE/DISTORTION TYPE: • OD-1 • NATURAL •OD-2 • CRUNCH • BD-2 • LEAD • DS-1 • LOUD • MT-2 •METAL •SCREAM ■Direct to Computer via USB • MODERN OD • DST+ • STACK •GUV • HI GAIN • RAT • MODERN DS • MUFF • SQUARE • FACE • OCT FUZZ Record directly to your favorite computer software with pristine ■ EFFECTS: • TONE MODIFY • COMPRESSOR • CHORUS • PHASER • FLANGER • HARMONIST • TREMOLO • PAN • VIBRATO •UNI-V digital quality using the GS-10’s onboard USB port. Audio tracks can • ROTARY •DELAY • REVERB • NOISE SUPPRESSOR also be processed through the GS-10 and re-recorded into your ■ EFFECTS FOR EXPRESSION PEDAL: • FOOT VOLUME • WAH • RESONANCE • VOICE • RING MODULATOR software. • BEND (+1 OCTAVE, -1 OCTAVE) ■Built-in Speaker The GS-10’s built-in stereo speaker system provides easy monitoring whether you’re recording to a computer or just jamming. Make pro-quality recordings with nothing more than your guitar, the GS-10, and a laptop. BASS MULTIPLE EFFECTS ■Bundled Software Big-Time Multi-Effects for Bass Celebrity GS-10 Patches The included GS-10 Editor software Available Via Download! Get world-class bass effects in a rugged floor unit. Forget about menus and cursor buttons. ■ COSM GUITAR PREAMP TYPE ■ EFFECT LIST provides a friendly graphic environment for George Lynch Marty Friedman Just reach down and twist a knob! The compressor/limiter employs COSM modeling, and the JC-120 Crunch BG Lead MS HiGain T-AMP Lead FX-1 RING MOD FLANGER SHORT DELAY controlling the onboard effects. Arranged Yngwie Malmsteen Jazz Combo Blues BG Drive Power Stack SLDN PEDAL WAH FEEDBACKER HARMONIST HUMANIZER 3-band EQ offers sweepable mids. Tap into the ME-50B’s Sound Hold, Octave Up, Slow Gear, Full Range Wild Crunch BG Rhythm R-FIER Red Drive Stack AUTO WAH COMP PITCH SHIFTER SLICER as a series of virtual compact pedals, the Warm Clean VO Drive Smooth Drive R-FIER Orng Lead Stack TONE MODIFY OD/DS OCTAVE AUTO RIFF T-Wah, and Defretter. The ME-50B even offers sound-on-sound recording — complete with a Clean TWIN VO Lead MS1959 (I) R-FIER Vint 5150 Drive GS-10 Editor takes the mystery out of ADV. COMPRESSOR PREAMP/ SPEAKER PEDAL BEND GUITAR SYNTH Pro Crunch MATCH Drive MS1959 (II) T-AMP Clean Metal Stack cool Kick Drum effect for tapping in the beat. Tweed Fat MATCH MS1959 (I+II) T-AMP Crunch Metal Lead LIMITER EQ 2x2 CHORUS BASS SIMULATOR programming. ENHANCER NS PAN STEREO EQUALIZER Ready to inject some star power into your ■ COSM BASS PREAMP TYPE ■ COMPRESSOR/LIMITER: • NATURAL •LIMITER • 160D SOFT • 160D HARD • D-COMP ■ MASTER EQ: • LOW • MID • MID FREQ SLOW GEAR FV VIBRATO DELAY GS-10? BOSS has good news. Log onto CONCERT 810 BASS 360 B-MAN Bass Clean Bass HiGain TREMOLO FX-2 UNI-V CHORUS www.bosscorp.co.jp, and grab custom patches • HIGH ■ FILTER/TONE: • T.WAH UP • T.WAH DOWN • T.WAH EDGE • OCTAVE UP • OCTAVE DOWN • SLOW GEAR SESSION T.E. FLIP TOP Bass Crunch DEFRETTER PHASER ROTARY REVERB from the likes of George Lynch, Yngwie • DEFRETTER • ENHANCER • BOTTOM BOOST • MID SHAPE • HOLLOW ■ DRIVE: • NATURAL •BASS DRIVER • OVER DRIVE ■ COSM MIC PREAMP TYPE Malmsteen, and Marty Friedman. And for some ■ • DISTORTION • MUFF FUZZ • METAL •HI-BAND DRIVE SYNTH: • SAW LEAD • MILD FILTER • DEEP FILTER • SQUARE Mic Preamp rippin’ audio examples, log on to hear the GS-10 ■ DELAY/MODULATION: • •TAP DLY • HOLD DLY • ANALOG DLY • 0-400 ms DLY • 300-1400 ms DLY • PHASER • FLANGER ■ COSM OD/DS TYPE ■ COSM WAH TYPE ■ COSM SPEAKER TYPE patches being played by Yngwie and Marty. Hendrix fans, there’s a special bank of GS-10 • CHORUS • CHO+DELAY • CHO+REVERB • REVERB ■ PEDAL: • FOOT VOLUME • WAH • RESONANCE • +1 OCTAVE • –1 OCTAVE Blues OD Bass OD DST+ Mechanical CRY WAH 7String WAH Original 1x12" 2x12" 4x12" patches waiting for you as well! • SOUND HOLD • KICK DRUM Turbo OD Distortion Metal Zone '60s FUZZ VO WAH Reso WAH 1x8" 1x15" 2x15" 8x10" Booster RAT R-MAN Oct FUZZ Fat WAH Bass WAH 1x10" 1x18" 4x10" 8x12" OD-1 GUV DS Heavy Metal MUFF FUZZ Light WAH www.bosscorp.co.jp ■ COSM MIC TYPE T-Scream Mild DS Loud DYN57 DYN421 CND451 CND87 FLAT Natural OD Solid DS Sharp
MIC Jack(XLR Type) ■ GS-10 REAR PANEL MIC Jack(TRS) Info Bytes AUX INPUT Jacks(L,R) Info Bytes AUX OUTPUT Jacks(L,R) GUITAR AMP OUT Jack ■ ME-50 REAR PANEL ■ ME-50B REAR PANEL Perfect for Practice EXP PEDAL/CTL1,2 Jack Also Great For Bass, Vocals, & More DIGITAL OUT You can connect a CD/MP3 player to the ME-50 and -50B through its AUX USB In addition to the full of guitar effects, the GS-10 boasts powerful bass input. With headphones you can practice or jam along with your favorite MIDI OUT effects, including GT-6’s preamp models. A mic preamp and compressor are MIDI IN song. Since the ME-50 is also equipped with a guitar amp simulator, you can also built in for recording vocals, acoustic instruments, and many other practice with realistic guitar sound. useful purposes. A mic-dedicated XLR input is included as well. FORGING THE FUTURE MUSICIAN-FRIENDLY RECORDING FOR BR THE MASSES DIGITAL STUDIO
All-In-One Studios with CD-Burners Built In There’s a reason BOSS BR-series recorders are in such Powerful Rhythm Section Hassle-Free Recording high demand. Bang for the buck, reliability, and Simple four-step recording process! Realize your music, versatility have made BOSS the most trusted and Generate convincing backing tracks with the BR’s easy-to-use, onboard rhythm generator. The from concept to compact disc, with unprecedented sought-after portable digital recorders worldwide. speed and ease. BR-1600CD and -1200CD provide No matter which BR recorder you choose — the a dedicated bass track and even 12Grab a guitar. Select an effect. 3 Arm the track.4 Start recording. BR-1600CD, -1200CD or -900CD — you’ll enjoy the audio loops. The BR-1200CD is following features common to all models: newly equipped with the ultra- easy rythm programming feature “EZ Compose.” 23 24 BR SERIES BR SERIES ® Large Storage Capacity COSM Amp & Effect Models Press RECORD and jam worry-free. BR recorders COSM powered modeling provides realistic emulations feature high-volume storage media, so you’ll never of vintage guitar amps, coveted compressors, and miss that magic moment when it happens. The more. The BR-1600CD and -1200CD also offers COSM BR-1600CD/1200CD’s 40GB hard drive allows over 120 OD/DS models derived from hours* of high-quality linear recording time (maximum). BOSS’s famous GT-Line multi- *conversion in one track effects. Various modulation and ambience effects are also Computer Connectivity via USB built in. Need to exchange data with a computer? No problem. Stackable V-Tracks Each BR recorder comes equipped with a USB port for shuttling audio Record, layer, and keep layering with no worries, back and forth. It also supports thanks to the BR’s abundance of virtual V-Tracks. The WAV/AIFF import and export. flagship BR-1600CD boasts huge 256 V-Tracks, and there are 64 V-Tracks even ■ BR-900CD Track Configuration All-In-One Solution on the compact BR-900CD. You can stack your tracks Record, edit, process, mix, master, and burn — the BR without space concerns or series can do it all. No additional recording gear time constraints. required. The BR-1200CD/-900CD’s new Direct CD Bounce feature Mastering Tools enables you to record your track and input mixes directly to CD-R/RW. Give your music a professional, polished sound with built-in, easy-to-use mastering effects. The quality of Perfect Vocals the BR’s mastering tools will raise the quality of your music to a new level. Pitch-correction and intelligent harmony* tools onboard! Fix intonation problems and add backing vocals with ease. *BR-1600CD and –1200CD only BR SERIES
Version 2 DIGITAL RECORDING STUDIO Head Of The Family DIGITAL RECORDING STUDIO The Versatile, Power-Packed 12-Track Pro Features Meet Ease Of Use Complete Recording, from Guitar Pick to Compact Disc
■Multi-Mic Recording ■Digital Recording, Non-Destructive Editing a 3-band equalizer for each of the 12 channels, plus an The BR-1600CD includes eight sweet-sounding XLR microphone For recording flexibility, the BR provides 192 V-Tracks independent reverb and chorus/delay. inputs with phantom power. The BR-1600CD’s (16 V-Tracks per primary track), allowing you to lay Multi-Track recording mode eliminates down as many guitar solos or vocal takes as needed. ■Vocal Magic confusing routing concepts, and includes Once finished, you can select any 12 tracks for Your vocal track(s) can be perfected with the essential channel effects such as a playback — plenty of room for all your instruments BR-1200CD’s Vocal Tool Box. This powerful set of compressor, 3-band EQ, and low-cut filter. and overdubs. You can also get pristine sound quality editing tools can be used to fix incorrect pitch, and and the benefit of non-destructive editing. ensure that your vocal tracks always sound great. And if ■Hassle-Free Recording you’re having trouble singing When recording, you can choose from 256 V-Tracks, allowing you to ■Multi-Effects & COSM Models harmonies, the Vocal Tool Box can be lay down as many guitar solos or vocal takes as needed. Once From full dunk to subtle sweetening, the BR-1200CD used create realistic harmony parts. finished, you can select any 16 tracks for playback; there’s 40GB of is equipped with a powerful multi-effects processor. room for all your tracks and overdubs. And since it’s digital, you get A variety of COSM amp models are in the lineup, ■Backing Band Built In pristine sound quality and the benefit of non-destructive editing. including Roland’s JC-120, R-Fier, Metal Stack, BOSS Another distinguishing feature of the BR-1200CD is its Compact Pedal models such as OD-1 and MT-2, and world-class bass and drum programmer, packed with ■ RECORD UP TO EIGHT MICROPHONES IN FOUR EASY STEPS! more. Also onboard: a dedicated compressor and instruments and patterns to suit Connect your microphones. Adjust the effects. a variety of styles. Jam along 1 2 ■ COSM MODELING LIST Adjust the Input Sens The “Multi-CH” effect COSM OVERDRIVE/DISTORTION with the supplied patterns or knobs and push the “Multi- preset will be automatically BLUES OD DISTORTION OD-1 '60S FUZZ MT-2 BASS OD Track” button to enter the selected. Use the knobs for TURBO OD AMERCAN DS T-SCREAM OCT FUZZ R-MAN create your own from scratch. Multi-Track mode. easy editing. BOOSTER GUV DS DST+ MUF FUZZ HEAVY METAL The EZ Compose feature makes ultra- COSM GUITAR AMP MODELING Push the Level Calibration button. Push REC and PLAY. JC-120 TWEED VO LEAD BG LEAD MS HI GAIN DRIVE STACK realistic custom programming a snap. 3 4 JAZZ COMBO CRUNCH VO CLEAN BG DRIVE R-FIRE RED LEAD STACK Send signal and push the Begin recording to FULL RANGE BLUES MATCH DRIVE BG RHYTHM R-FIRE ORANGE 5150 DRIVE There’s also a selection of great loop “Calculate” button on the tracks 1-8. You can also CLEAN TWIN SATCK CRUNCH MATCH LEAD MS(1) R-FIRE VINTAGE METAL STACK LCD to have your levels select tracks 9-16 as the PRO CRUNCH VO DRIVE FAT MATCH MS(1+2) SLDN METAL LEAD phrases pre-installed on the internal uniformly matched. destination. COSM BASS AMP MODELING hard drive. AC FLIP TOP BASS 360 SESSION AMG BASSMAN T. E. CONCERT 810 ■Mind-Blowing Modeling ■ BR-1200CD REAR PANEL Plug into the BR-1600CD and you have an arsenal of world-class BOSS USB LINE OUT Jacks (RCA pin type) effects at your disposal: compression on eight channels, 3-band EQ on all MIDI OUT LINE IN Jacks (RCA pin type) ® 16 channels, separate insert processing with powerful COSM overdrive/ MIDI IN MIC 2 Jack (TRS 1/4” phone type) distortion, amp, and microphone modeling, plus modeling effects DIGITAL OUT MIC 2 Jack (XLR balanced) (optical type) optimized for bass and acoustic guitar, and a separate reverb and MIC 1 Jack (TRS 1/4” phone type) FOOT SW Jack MIC 1 Jack (XLR balanced) chorus/delay processor. Forget about external effects — it’s all here! EXP PEDAL Jack 25 ■ COSM MODELING LIST 26 COSM OVERDRIVE/DISTORTION BLUES OD BOOSTER AMERCAN DS OD-1 DST+ OCT FUZZ MT-2 HEAVY METAL BR SERIES BR SERIES TURBO OD DISTORTION GUV DS T-SCREAM '60S FUZZ MUF FUZZ R-MAN BASS OD COSM GUITAR AMP MODELING Mini-Mighty Studio with CD-Burner JC-120 PRO CRUNCH SATCK CRUNCH MATCH DRIVE BG DRIVE MS HI GAIN SLDN METAL STACK DIGITAL RECORDING STUDIO JAZZ COMBO TWEED VO DRIVE MATCH LEAD BG RHYTHM R-FIRE RED DRIVE STACK METAL LEAD FULL RANGE CRUNCH VO LEAD FAT MATCH MS(1) R-FIRE ORANGE LEAD STACK Record, Mix, & Burn — Anywhere, Anytime CLEAN TWIN BLUES VO CLEAN BG LEAD MS(1+2) R-FIRE VINTAGE 5150 DRIVE COSM BASS AMP MODELING standards (reverb, EQ, chorus, ■ COSM AMP MODELING LIST AC AMG FLIP TOP BASSMAN BASS 360 T. E. SESSION CONCERT 810 ■Eight Tracks & Beyond delay), the BR provides COSM GUITAR AMP MODELING No matter what you’re recording, or where you are, the JC-120 MS(1) ■Vocal Tool Box BR-900CD makes the job fast and fun. When recording, additional pro-quality effects, CLEAN MS(2) such as vocal pitch-correction, CRUNCH MS(1+2) Vocals tracks will never be out of tune again, thanks to the you can capture two tracks simultaneously, and layer MATCH SLDN BR-1600CD’s powerful Vocal Tool Box features. You can also add a up to 64 V-Tracks (eight V-Tracks per each of the main bass simulation, pedal wah, VO DRIVE METAL COSM-powered guitar amp BLUES METAL D variety of realistic harmony parts with the easy-to- eight tracks). Once finished, you can select any eight BG LEAD use note/chord sequencer feature, which creates tracks for playback. The BR-900CD can run on AC or and compressor models, and COSM BASS AMP MODELING AC AMG harmonies via chord input! battery power, which means you can mastering tools. now make professional-quality ■ ■Powerful Backing Tracks recordings any time, any place. BOSS Perfect Vocals BOSS’s Rhythm Track goes to the extreme. Now you get a separate even includes the AC adaptor. The vocal performance(s) can be perfected with the Drum, Bass, and Loop Phrase track for BR-900CD’s pitch correction. This powerful set of editing creating complete backing arrangements. ■Abundant Recording Time tools can be used to fix incorrect High-quality sounds and phrases are included, There’s no need to worry about running out of pitch, and ensure that your vocal and you can even load in your own loops. recording time with the BR-900CD. It can record tracks always sound great! directly to popular CompactFlash cards of up to 1GB ■ ■Audio/Video V-LINK capacity, which provides hours of recording time. The Rhythm Programmer Onboard With V-LINK and an optional Edirol video editor, it’s BR-900CD also has the ability to record directly to CD Songwriters will love the BR-900CD’s built-in rhythm easy to control and manipulate video using the via its internal CD-R/RW. programmer, packed with 294 expressive patterns. Use BR-1600CD’s buttons and knobs. these realistic backing tracks as inspiration ■ RECORDING TIME (conversion in one track) for both writing and recording. You can 32 MB 64 MB128 MB 256 MB 1 GB HiFi (MT2) 16 min. 32 min. 65 min. 130 min. 520 min. even customize your own beats using the Version 2 software includes the following updated features Standard (LV1) 19 min. 39 min. 78 min. 156 min. 624 min. handy Tone Load function. •COSM Models added (derived from BOSS’s GT-6B) Long (LV2) 24 min. 49 min. 98 min. 196 min. 784 min. *The recording times shown above are approximate. Times may vary depending •Enhanced Vocal Tool Box for better vocals and backings on the number of songs created. ■Convenient Built-in Mic •MIDI Slave capable for control from external MIDI devices BOSS thought of everything! The BR-900CD’s built-in •BR-1180CD/1200CD data compatible ■ microphone is perfect for times when bringing a mic and Version 1 BR-1600CD can be upgraded to Version 2 via download. Studio-Quality Effects with COSM Modeling Proudly displaying the BOSS logo, the BR-900CD cable along isn’t practical. offers a lineup of quality effects that are worthy of the MIDI OUT legendary name. In addition to the time-tested Info Bytes ■ BR-1600CD REAR PANEL MIDI IN USB DIGITAL IN/OUT (coaxial type) ■ BR-900CD REAR PANEL Ultra-Convenient Level Calibration FOOT SW Jack MIDI OUT LINE IN Jacks (RCA pin type) EXP PEDAL Jack FOOT SW/EXP PEDAL Jack (1/4” phone type) MIC 1 Jack (XLR balanced) The BR-1600CD is equipped with an innovative feature LINE OUT Jacks USB MIC 1 Jack (TRS 1/4” phone type) called “Level Calibration,” which allows you to instantly INPUT 1–8 Jacks (unbalanced, 1/4” phone type) DIGITAL OUT (optical type) MIC 2 Jack (XLR balanced) set each input to a uniform level. If you handle various MIC 1–8 Jacks (XLR balanced) LINE OUT Jacks (RCA pin type) GUITAR/BASS Jack (unbalanced, 1/4” phone type) types of mics or instruments, you can use this feature to set proper levels for all eight inputs quickly and easily. DR & DB SERIES
Dr. Rhythm Dr. Rhythm Dr. Rhythm World’s Best Rhythm Machine Killer Drums at an Amazing Price Your Own Personal Drummer The DR-880 is a rhythm-programming powerhouse that’s loaded with world-class drum, percussion, A compact rhythm programmer with the BOSS’s most affordable drum machine for and bass sounds. You can get microscopic with the DR-880 or use the EZ Compose and Groove acclaimed sounds from BOSS’s higher- jamming or practice offers realistic drum, Modify features, which allow complex patterns to be constructed without note-by-note programming end models, the DR-670 raises the bar percussion, and bass sounds. New Rhythm hassles. Guitar and bass players can join the action by plugging directly to the DR-880’s Guitar/Bass in its price class with a host of powerful Progressions with variations also provide Input jack, and playing through the built-in COSM® Drive/Amp models and multi-effects. features, including velocity-sensitive intuitive track arranging. There are 100 pads, 255 top-quality drum and preset styles and 100 user styles onboard; percussion sounds, a bass part for user patterns can be programmed via programming bass lines, and more. A realtime record or step entry. A footswitch foot-control jack allows the DR-670 to input provides easy live control. The DR-3 be controlled by optional footswitch for runs on AC or battery power. EZ compose (Pattern) EZ compose (Chord Progression) Guitar Effects hands-free operation. You can create your own backing Realistic bass phrases can be easily Various types of guitar effects are rhythms by simply selecting preset created with chord progression included, such as powerful COSM patterns for each instrument. templates. amps, and acoustic and bass guitar effects.
GROOVE TOOLS
27 28 DR & DB SERIES DR & DB SERIES
Essential Session & Practice Partners BOSS’s famous Dr. Beat and Dr. Rhythm series live on with a new line that’s more compact and powerful than ever before. Whether your needs are for simple, play- along timekeeping or full-blown rhythm programming, the world’s best tools are right here.
Info Bytes Dr. Beat Dr. Beat Dr. Beat The Do-Everything Dr. Beat More Than a Metronome The Take-Along Timekeeper Ultra-Realistic Rhythm Creation Realistic Ambience with TSC Practice in style with the flagship of the Dr. Beat Metronome The DB-60 is a deluxe metronome that can lay down More than just a simple timekeeper, this pocket-sized The DR-880 includes a variety of sequence phrases, The DR-880 and DR-3 are equipped with the TSC line. The new DB-90 is loaded with quality sounds and drum the click in style. Program your own beats or choose metronome can lay down a variety of rhythm patterns and which were input live by expert session drummers. You (Total Sound Control) function. This powerful tool lets patterns, a Rhythm Coach function with onboard microphone, from a variety of patterns. Tap in your tempo, and clock time feels. It offers tap tempo, internal reference tones can precisely edit the grooves to your liking, even the you create pro-quality, spatially enhanced drum a reference-tone for tuning, an Instrument input, MIDI input, and your practice with the Stop Watch and Timer features. (12 semitones), and other timekeeping features to make ghost notes. Create patterns in real time by tapping the sounds with the touch of a button. TSC contains a Note Mixing function for customizing the play-along rhythms. practicing fun. velocity pads. The DR-880 responds to any type of carefully edited templates, and provides a set of rhythm creation you can throw at it. parameters that can be fully edited. ACCESSORIES
Pedal Board VOICE TRANSFORMER Works with All BOSS Pedals! Gender-Bending Vocal Effects! Essential Tools for The BOSS BCB-60 Pedal Board is a convenient way The VT-1 is a unique device designed for altering and to set up and transport all your compact effects. The effecting the human voice. It provides everything from voice The Working unique padded interior can be “thickening” to a full ±1 octave pitch shift, allowing users to customized to fit a range of gear, convincingly change their vocal gender. Unlike conventional Musician while a built-in AC adaptor pitch shifters, the VT-1 affords separate control of pitch and cranks out 1,000 mA of formant, so the user’s voice can be altered without the power — enough to run up to “chipmunk” effect. seven devices!
*Compact pedals and tuner not included and shown only for photography purposes.
FS-6 DUAL FOOTSWITCH Two For One Two switches in one, BOSS’s new FS-6 combines DR-50 DR-30 latch- and momentary-type switching into one unit. With two switches conveniently housed side-by- DR-80C Condenser Microphone side, the FS-6 allows each switch to be set for latch Direct Box DR-50/30 Dynamic Microphones or momentary operation. Pick the configuration Large-Diaphragm Studio that best suits your playing style and setup. High-Quality DI Microphone Two New Handheld Mics The DI-1 is a high-quality direct box with crystal-clear The DR-80C is designed for professional singers and The affordable DR-30 cardioid microphone is ideal for sound for transforming high-impedance, unbalanced recording applications. It boasts low-noise performance, amateurs and karaoke enthusiasts, while the more instrument outputs to the low-impedance, balanced high-input handling, and wide dynamic-range compatibility. advanced DR-50 is geared for professional live 29 inputs of a mixing console. Dedicated shock-mount holder included. performance applications. 30 ACCESSORIES ACCESSORIES
2-WAY SELECTOR Footswitch (Unlatch) EV-5 Expression Pedal Switch Guitars or Amps FS-5U FS-5L Footswitch (Latch) Express Yourself with a Stomp! Unlatched Latched The EV-5 Expression Pedal can be used to control a The AB-2 2-Way Selector can be configured as a two The FS-5U is a metal-cased momentary “unlatch”-type The FS-5L is a metal-cased latch-type footswitch with a range of functions and effects parameters in real time. inputs/one output selector or a two outputs/one input footswitch that can be connected using an ordinary LED to indicate status. It can be connected with a It’s ultra compact travel-friendly, and can fit perfectly selector—letting you freely switch between two guitar cable. standard guitar cable. onto guitar pedalboards or under synthesizer setups. instruments or two amplifiers, for example.
PSA-series AC Adaptor (117/230/240 V) PCS-20A 8PIN Parallel DC Cable (8 x DC Plug; 1 m)
RH-200 Headphone CM-30 CUBE MONITOR PCS-31 Audio Cable Pro Headphones The New Multi-Purpose CUBE ACA-series (Stereo 1/4” ↔ 2 x 1/4”; 2.2 m) These state-of-the-art closed-ear headphones are Versatile and portable, the new CM-30 CUBE Monitor AC Adaptor comfortable and superb-sounding. They feature a delivers 30 watts of audio punch through a high-quality (117/230 V) 40 mm-diameter driver with neodymium magnet, and a 6.5” coaxial 2-way speaker with stereo preamp. The CM-30 MSC-50/25/15 MIDI Cables versatile 1/8” stereo mini-plug with screw-on 1/4” adapter. is ideal for home-studio and wide-ranging monitoring (5.0/2.5/1.5 m) applications thanks to its compact and rugged design. SPECIFICATIONS
COMPACT SERIES CEB-3 7 FOOT PEDALS DD-20 10 ● ● [Compact Pedal Effects Specifications] Controls E.LEVEL, LOW FILTER, RATE, DEPTH PW-10 8 Nominal Input Level GUITAR/BASS: –20 dBu, GUITAR AMP SEND/ ● ● ● Dimensions 73 (W) x 129 (D) x 59 (H) mm (2-7/8” x 5-1/8” x 2-3/8”) Current Draw 22 mA (DC 9 V) RETURN: +4 dBu Nominal Output Level GUITAR/BASS: –20 dBu, ● Nominal Input Level –20 dBu ● Input Impedance 1 MΩ ● ● Weight (depending on the model) 400 to 450 g/15 oz. to 1 lb. AW-3 7 GUITAR AMP SEND/RETURN: +4 dBu Residual Noise Level ● Nominal Output Level –20 dBu ● Output Impedance 1 kΩ ● ● Accessory Dry Battery ● Option AC Adaptor –93 dBu or less (IHF-A, typ.) Display Custom LCD (backlit LCD) ● Controls DECAY, MANUAL/VOWEL 2, SENS/VOWEL 1, MODE ● Ω ● Recommended Load Impedance 10 k or greater Power Supply ● Current Draw 200 mA (9 V max.) (Expected battery life under ● Current Draw 50 mA (DC 9 V) ● SD-1 6 DC 9 V: Dry Battery
• 0 dBu = 0.775 Vrms *AF method (Adaptive Focus method): This is a proprietary method from Roland that vastly improves the signal-to-noise (S/N) ratio of the A/D and D/A converters. SPECIFICATIONS
ME SERIES ● Computer Windows® -compatible personal computer equipped BR-1200CD 26 approx. 100 icons (backlit LCD) ● Connectors GUITAR/BASS Jack (Stereo 1/4” phone type, Stereo miniature phone type), INPUT Jack, RH-200 29 with a USB port ● CPU/Clock Pentium®, Celeron®, Intel-compatible (1/4” phone type), MIC 1 Jack (XLR balanced, TRS balanced), MIC 2 AC Adaptor Jack ● Power Supply DC 9V: Dry Battery <6LR61/9V, 21 ● Tracks Track: 12, V-Track: 192 (16 V-Tracks per each Track); Up to ● Type of Construction Closed Type: Dynamics ● Driver 40 mm in ME-50 Processor/600 MHz or Higher; Not compatible with the Crusoe CPU Jack (XLR balanced), LINE IN Jacks (RCA pin type), LINE OUT Jacks 6F22/9V> or AC Adaptor (PSA series) ● Current Draw 85 mA or less 2 tracks can be recorded simultaneously, and up to 12 tracks can be diameter: Neodymium Magnet ● Sensitivity 100 dB/mW ● AD Conversion 24 bit + AF method* ● DA Conversion 24 bit from Transmeta. ● USB Chipset Intel's USB chipset is recommended; (RCA pin type), DIGITAL OUT (optical type), FOOT SW/ EXP PEDAL (with reference tone sounding), 190 mA or less (with signals inputting played back simultaneously. ● Maximum Useful Capacity/ ● Maximum Input Power 1,600 mW at 1 kHz ● Frequency ● Sampling Frequency 44.1 kHz ● Patches 30 (User) ● Nominal VIA USB chipsets - The CPU must be 1 GHz or higher. ● Memory Jack (1/4” phone type), PHONES Jack (Stereo 1/4” phone type), MIDI to the INPUT jack) ● Dimensions 122 (W) x 164 (D) x 37.5 (H) mm Recording Time Internal Hard Disk: 40 GB / Recording time; 120 Response 20–20,000 Hz ● Impedance 65 Ω ● Cable 3.4 m: coiled Input Level INPUT: –10 dBu, AUX IN: –10 dBu ● Input Impedance (RAM) 128 MB or more ● Hard disk 400 MB or more of free space OUT, USB ● Power Supply DC 9 V: Supplied AC Adaptor, Dry (4-3/4” x 6-1/2” x 1-1/2”) ● Weight 450 g/ 14 oz (incl. batteries) hours (conversion in one track); The listed recording time is cable ● Connector 1/8” Stereo mini-plug (w/ screw-on 1/4” Adaptor) INPUT: 1 MΩ, AUX IN: 100 kΩ ● Nominal Output Level –10 dBu ● Display resolution/Colors 800 x 600 pixels or higher/65,535 Batteries x 6 ● Current Draw 300 to 900 mA; Expected battery life ● Accessories Dry Battery, Soft case approximate. Time may be slightly shorter depending on the number ● Weight 200 g/0 lbs. 8 oz. ● Output Impedance 2 kΩ ● Display 1 character, 7 segments LED colors (High Color 16 bit) or more under continuous use: Alkaline: 4 hours These figures will vary DB-60 28 of songs and size of imported loop phrase that were created. ; The CM-30 29 ● Connectors INPUT Jack, GUITAR AMP Jacks L (MONO)/R, AUX IN [Macintosh] ● Operating System Mac OS X v10.2.3 or later, Mac OS depending on the actual conditions of use. ● Dimensions 351 (W) x listed recording time is the total for all the tracks that are used. ● Metronome Tempo: 30 to 250 (Accuracy: ± 0.1%), Beat: 1-9, 2+3, Jack (Stereo Mini type), PHONES/LINE OUT Jack, AC Adaptor Jack 9.x, Mac OS 8.6; Mac OS 9.0.4 or later is required when using 225 (D) x 69 (H) mm (13-7/8” x 8-7/8” x 2-3/4”) ● Weight 2.2 kg/4 ● Rated Power Output 30 W ● Nominal Input Level (1kHz) Channel If each of the twelve tracks contain an equal amount of data, the 3+2, 3+4, 4+3, 4+5, 5+4, 5+6,6+5, 6+7, 7+6, 7+8, 8+7, 8+9, 9+8 (23 ● SoundManager compatible applications. ● Computer Apple USB lbs. 14 oz. (excl. AC Adaptor) ● Accessories AC Adaptor (PSC series), 1 (MIC/LINE): –50 to –20 dBu, Channel 2, 3 (LINE): –20 dBu, AUX IN Power Supply DC 9 V: Dry batteries
SPECIFICATIONS Connector PHONES Jack (Stereo miniature phone type) Power ∆∑ Jack (Stereo 1/4” phone type), LINE OUT Jacks (RCA pin type), LINE AC Adaptor) ● Accessory AC Adaptor (ACI/ACB series) SPECIFICATIONS TRACKS)],
• 0 dBu = 0.775 Vrms *AF method (Adaptive Focus method): This is a proprietary method from Roland that vastly improves the signal-to-noise (S/N) ratio of the A/D and D/A converters. ARE YOU PLUGGED IN?
www.BOSScorp.co.jp
Once a musical instrument generates sound vibrations, it reaches the human ear through various mediating objects, each of which significantly affects the sound. The material and configuration of the instrument, the electric/electronic/magnetic amplifying system, the air and the reverberation of the room all affect the final sound. Sound modeling, the latest DSP technology, “virtually” reconstructs these objects. Roland’s breakthrough Composite Object Sound Modeling (COSM) uses the advantages of multiple modeling methods and succeeds in accurately emulating existing sounds, as well as producing sounds that have never before been created.
All specifications and appearances are subject to change. All trademarks used in this catalog are the property of their respective companies.
www.BOSScorp.co.jp Printed in Japan Mar. 2005 RAM-3893 GR-GEN-SE CF-3